956 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
People:
Date:
2012-2015
2012-2015
Title:
Vive L'Architectute (circa 2013)
Actions:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
Vive L'Architectute (circa 2013)
Actions:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2015
2012-2015
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP116.S2.SS8
Description:
Sub-series documents the planning and execution of the Anyhow Conference and Journal, taking place 12-14 June, 1997, Netherlands Architecture Institute, Rotterdam, Netherlands. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1995 and 1998. Sub-series contains correspondence with conference participants, poster, press clippings, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, articles, and the publication itself.
AP116.S2.SS8
Description:
Sub-series documents the planning and execution of the Anyhow Conference and Journal, taking place 12-14 June, 1997, Netherlands Architecture Institute, Rotterdam, Netherlands. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1995 and 1998. Sub-series contains correspondence with conference participants, poster, press clippings, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, articles, and the publication itself.
People:
Date:
1995-1998
1995-1998
Title:
Anyhow Conference and Journal
Actions:
AP116.S2.SS8
Description:
Sub-series documents the planning and execution of the Anyhow Conference and Journal, taking place 12-14 June, 1997, Netherlands Architecture Institute, Rotterdam, Netherlands. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1995 and 1998. Sub-series contains correspondence with conference participants, poster, press clippings, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, articles, and the publication itself.
Anyhow Conference and Journal
Actions:
AP116.S2.SS8
Description:
Sub-series documents the planning and execution of the Anyhow Conference and Journal, taking place 12-14 June, 1997, Netherlands Architecture Institute, Rotterdam, Netherlands. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1995 and 1998. Sub-series contains correspondence with conference participants, poster, press clippings, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, articles, and the publication itself.
Level of archival description:
Sub-series 8
Sub-series 8
Date:
1995-1998
1995-1998
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Cedric Price fonds
Cedric Price fonds
Reference number:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
People:
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Title:
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
People:
Date:
1969-1970
1969-1970
Title:
Urban park competition, Modena, Italy (1970)
Actions:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
Urban park competition, Modena, Italy (1970)
Actions:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
Level of archival description:
Project
Project
Date:
1969-1970
1969-1970
People:
Form:
events
events
Actions:
Location:
Main galleries
Main galleries
Date:
31 January 2019, 6:30pm
31 January 2019, 6:30pm
Form:
events
events
Date:
31 January 2019
6:30pm
31 January 2019
6:30pm
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Peter Eisenman fonds
Peter Eisenman fonds
Reference number:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
People:
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Title:
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
People:
Date:
1998-2014
1998-2014
Title:
Karl Chu X Phylum project records
Actions:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Karl Chu X Phylum project records
Actions:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1998-2014
1998-2014
People:
Form:
articles
articles
Title:
The Sublime and the Farce
The Sublime and the Farce
Actions:
A counter-tour by Bernard Tschumi of Architecture Itself and Other Postmodernist Myths
Published:
20 July 2020
20 July 2020
Title:
The Sublime and the Farce
A counter-tour by Bernard Tschumi of Architecture Itself and Other Postmodernist Myths
Actions:
The Sublime and the Farce
A counter-tour by Bernard Tschumi of Architecture Itself and Other Postmodernist Myths
Actions:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
People:
Date:
1996-2002
1996-2002
Title:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Level of archival description:
Project
Project
Date:
1996-2002
1996-2002
People:
Form:
events
events
Actions:
Description:
The St. Peter’s Indian Band (now Peguis First Nation) was forcibly removed from their original lands at Netley-Libau Marsh beginning in 1908, after an illegal surrender vote took place. Since then, the health of the area that was once the Peguis’s home has declined due to intense annual flooding and ice jams; the appearance of invasive species such as purple loosestrife,(...)
The St. Peter’s Indian Band (now Peguis First Nation) was forcibly removed from their original lands at Netley-Libau Marsh beginning in 1908, after an illegal surrender vote took place. Since then, the health of the area that was once the Peguis’s home has declined due to intense annual flooding and ice jams; the appearance of invasive species such as purple loosestrife,(...)
Location:
online Keyword(s):
Indigenous-led design, fellow, Peguis First Nation, land rehabilitation
online Keyword(s):
Indigenous-led design, fellow, Peguis First Nation, land rehabilitation
Date:
27 April 2023, 6:00 to 7:30 p.m.
27 April 2023, 6:00 to 7:30 p.m.
Title:
Peguis First Nation and the Netley-Libau Marsh: Documenting Indigenous Land Use and Occupancy at the Mouth of Lake Winnipeg
Actions:
Description:
The St. Peter’s Indian Band (now Peguis First Nation) was forcibly removed from their original lands at Netley-Libau Marsh beginning in 1908, after an illegal surrender vote took place. Since then, the health of the area that was once the Peguis’s home has declined due to intense annual flooding and ice jams; the appearance of invasive species such as purple loosestrife,(...)
Peguis First Nation and the Netley-Libau Marsh: Documenting Indigenous Land Use and Occupancy at the Mouth of Lake Winnipeg
Actions:
Description:
The St. Peter’s Indian Band (now Peguis First Nation) was forcibly removed from their original lands at Netley-Libau Marsh beginning in 1908, after an illegal surrender vote took place. Since then, the health of the area that was once the Peguis’s home has declined due to intense annual flooding and ice jams; the appearance of invasive species such as purple loosestrife,(...)
Form:
events
events
Date:
27 April 2023
6:00 to 7:30 p.m.
27 April 2023
6:00 to 7:30 p.m.
Location:
online Keyword(s):
Indigenous-led design, fellow, Peguis First Nation, land rehabilitation
online Keyword(s):
Indigenous-led design, fellow, Peguis First Nation, land rehabilitation
