Project
AP207.S1.1991.PR02
Description:
The project series documents Pettena's work for the Nuovo Municipio, a new town hall building in Canazei in Italy, from 1990 to 1997. The project consisted of preserving and restoring a historic building designed by Ettore Sottsass in the 1930s and adding a new construction built in a gap between two sections of the building the two volumes of the building. "Through the glazed connection, the new volume maintains a certain distance from the existing volume and is itself split into two parts, creating in practice a pedestrian intersection between the new and the old building and between the two sections of the new building: a pedestrian intersection that is laid out on two distinct levels." [1] The project series contains sketches, site plans, floor plans, elevations and sections. It is also comprised of research material, such as copies of building plans by Ettore Sottsass Sr. The project is also documented through proposals and project descriptions, reports, contracts with the city of Canazei, correspondence with engineers, photographs of the construction, and videos of the building. The project series also includes press clippings about the project and an unidentified videorecording. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-new-town-hall-1990-97/ (last accessed 21 January 2020).
1989-2015
Nuovo Municipio [New Town Hall of Canazei], Canazei, Italy (1991)
Actions:
AP207.S1.1991.PR02
Description:
The project series documents Pettena's work for the Nuovo Municipio, a new town hall building in Canazei in Italy, from 1990 to 1997. The project consisted of preserving and restoring a historic building designed by Ettore Sottsass in the 1930s and adding a new construction built in a gap between two sections of the building the two volumes of the building. "Through the glazed connection, the new volume maintains a certain distance from the existing volume and is itself split into two parts, creating in practice a pedestrian intersection between the new and the old building and between the two sections of the new building: a pedestrian intersection that is laid out on two distinct levels." [1] The project series contains sketches, site plans, floor plans, elevations and sections. It is also comprised of research material, such as copies of building plans by Ettore Sottsass Sr. The project is also documented through proposals and project descriptions, reports, contracts with the city of Canazei, correspondence with engineers, photographs of the construction, and videos of the building. The project series also includes press clippings about the project and an unidentified videorecording. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-new-town-hall-1990-97/ (last accessed 21 January 2020).
Project
1989-2015
articles
Placekeeping
sustainability, indigenous, colonialism, indigeneity, reindigenize, sisterhood, sorority, ecology, food, reciprocity, land-based practices
30 March 2025
Placekeeping
Brooke Rice, Autumn Godwin, Marnie Jacobs, and Amanda Lickers reflect on acts of reciprocity and land-based knowledge teachings
Actions:
archives
Level of archival description:
Fonds
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
2003-2011
Studio Gang Ford Calumet Environmental Center project records
Actions:
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
archives
Level of archival description:
Fonds
2003-2011
Series
Weaver software
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
ca. 2001-2004
Weaver software
Actions:
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
Series
ca. 2001-2004
Series
CD041.S3
Description:
This series documents two projects by the firm Eva Vecsei Architect. In 1973, Vecsei opened her own private practice after her departure from the Dimitri Dimakopoulos’ firm, where she worked from 1971 to 1973. In 1973, Vecsei was hired as an architect by Group Concordia Developers (GCD) to design La Cité, a high density mixed-use residential and commercial project in Milton Park, Montréal. The project was comprised of multifunctional complexes of residential units, offices, a shopping mall, and a hotel with a year-round outdoor pool. The project was realized by the architects Eva H. Vecsei and Dobush Stewart Longpré Marchand Goudreau. The project is also known as "Cité Concordia". The Place Bonaventure was also developed by GCD, where Vecsei was the head project designer from 1964 to 1967. Besides these projects Eva Vecsei Architect also designed concepts for the city centre (1976) and a mixed-use complex (1978) in Karachi, Pakistan. The bulk of the Eva Hollo Vecsei collection is arranged in this series and was produced between 1969 and 2008. Records are predominantly from 1974-1976, which correspond to the period of the La Cité project. Documenting La Cité are architectural records, such as presentation, design, and working drawings, as well as photographs, publications, slides, clippings, digital material (photographs), and a presentation document. This series also includes two clippings on the mixed-use complex in Karachi.
1969-2008
Eva Vecsei Architect (1973-1980)
Actions:
CD041.S3
Description:
This series documents two projects by the firm Eva Vecsei Architect. In 1973, Vecsei opened her own private practice after her departure from the Dimitri Dimakopoulos’ firm, where she worked from 1971 to 1973. In 1973, Vecsei was hired as an architect by Group Concordia Developers (GCD) to design La Cité, a high density mixed-use residential and commercial project in Milton Park, Montréal. The project was comprised of multifunctional complexes of residential units, offices, a shopping mall, and a hotel with a year-round outdoor pool. The project was realized by the architects Eva H. Vecsei and Dobush Stewart Longpré Marchand Goudreau. The project is also known as "Cité Concordia". The Place Bonaventure was also developed by GCD, where Vecsei was the head project designer from 1964 to 1967. Besides these projects Eva Vecsei Architect also designed concepts for the city centre (1976) and a mixed-use complex (1978) in Karachi, Pakistan. The bulk of the Eva Hollo Vecsei collection is arranged in this series and was produced between 1969 and 2008. Records are predominantly from 1974-1976, which correspond to the period of the La Cité project. Documenting La Cité are architectural records, such as presentation, design, and working drawings, as well as photographs, publications, slides, clippings, digital material (photographs), and a presentation document. This series also includes two clippings on the mixed-use complex in Karachi.
Series
1969-2008
textual records
ARCH276183
Description:
35 files - Group contains subject working files, project files, travel documents and professional organizations. Files are generally organized alphabetically, R-V and include: RAIC Foundation; Royal Canadian Academy of Arts; Reddy Residence; Royal Institute of British Architects; Robson Square 2008, 2010; Robson Revitalization, New Developments and Redemiation; Roy Thompson Hall; Simon Fraser University 40th Anniversary, Gymnasium and Fitness Centre, Housing, Village; St. Paul Project; Shanghai/Keller/Lee; Shanghai Office (agreement); Shimao Nanjing Project; Shunyi Xiang Xie Garden Villa; Squamish Road, Wolfgang Richter; Sustainability - Ecology; Trips 2002-2006; UBC - University Boulevard design Competition; UNA of Canada (September 2006 event); U.S. Architects Practice - Act and Licenses; Vancouver Aids Memorial; Vancouver Arts Awards 2004; Visa and Photos.
circa 2000-2005
Working files, project files, and travel documents from Erickson's office
Actions:
ARCH276183
Description:
35 files - Group contains subject working files, project files, travel documents and professional organizations. Files are generally organized alphabetically, R-V and include: RAIC Foundation; Royal Canadian Academy of Arts; Reddy Residence; Royal Institute of British Architects; Robson Square 2008, 2010; Robson Revitalization, New Developments and Redemiation; Roy Thompson Hall; Simon Fraser University 40th Anniversary, Gymnasium and Fitness Centre, Housing, Village; St. Paul Project; Shanghai/Keller/Lee; Shanghai Office (agreement); Shimao Nanjing Project; Shunyi Xiang Xie Garden Villa; Squamish Road, Wolfgang Richter; Sustainability - Ecology; Trips 2002-2006; UBC - University Boulevard design Competition; UNA of Canada (September 2006 event); U.S. Architects Practice - Act and Licenses; Vancouver Aids Memorial; Vancouver Arts Awards 2004; Visa and Photos.
textual records
circa 2000-2005
Series
Architectural projects
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
1957-2007
Architectural projects
Actions:
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
Series
1957-2007
ARCH256501
Description:
"Le Pavillon des Jeunesses Musicales à l'Expo '67 / Vue du pavillon des Jeunesses Musicales du Canada. L'édifice permanent de $250,000 est commandité par la Portland Cement Association en collaboration avec les J.M.C. A la fin de l'Exposition, le pavillon sera démonté et transporté au village des J.M.C. au Mont Orford, dans les Cantons de L'Est, où il sera reconstruit. / Jeunesses Musicales Pavilion at Expo '67 / This concrete paneled pavilion in Cité du Havre contains exhibits on music in Canada from 1610 and on systems for the musical education of the young. An opportunity to listen to Canadian works and a studio where leading musicians direct practice sessions for students also form part of the display. The world congress of the Jeuneses Musicales International Federation will be held here in mid-summer."--Description.
1967
View of the Pavilion of the Jeunesses Musicales of Canada, Expo 67, Montréal, Québec
Actions:
ARCH256501
Description:
"Le Pavillon des Jeunesses Musicales à l'Expo '67 / Vue du pavillon des Jeunesses Musicales du Canada. L'édifice permanent de $250,000 est commandité par la Portland Cement Association en collaboration avec les J.M.C. A la fin de l'Exposition, le pavillon sera démonté et transporté au village des J.M.C. au Mont Orford, dans les Cantons de L'Est, où il sera reconstruit. / Jeunesses Musicales Pavilion at Expo '67 / This concrete paneled pavilion in Cité du Havre contains exhibits on music in Canada from 1610 and on systems for the musical education of the young. An opportunity to listen to Canadian works and a studio where leading musicians direct practice sessions for students also form part of the display. The world congress of the Jeuneses Musicales International Federation will be held here in mid-summer."--Description.
research
Visiting Scholars 2009
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
23 March 2009 to 30 October 2009
Visiting Scholars 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
research
23 March 2009 to
30 October 2009
archives
Level of archival description:
Collection
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
1717-[1884]
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
archives
Level of archival description:
Collection 1
1717-[1884]