7227 Results
Level of archival description:
Series
Series
Title:
Weaver software
Weaver software
Actions:
Reference number:
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
People:
Date:
ca. 2001-2004
ca. 2001-2004
Title:
Weaver software
Actions:
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
Weaver software
Actions:
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
Level of archival description:
Series
Series
Date:
ca. 2001-2004
ca. 2001-2004
People:
Level of archival description:
Series
Series
Actions:
Reference number:
CD041.S3
Description:
This series documents two projects by the firm Eva Vecsei Architect. In 1973, Vecsei opened her own private practice after her departure from the Dimitri Dimakopoulos’ firm, where she worked from 1971 to 1973. In 1973, Vecsei was hired as an architect by Group Concordia Developers (GCD) to design La Cité, a high density mixed-use residential and commercial project in Milton Park, Montréal. The project was comprised of multifunctional complexes of residential units, offices, a shopping mall, and a hotel with a year-round outdoor pool. The project was realized by the architects Eva H. Vecsei and Dobush Stewart Longpré Marchand Goudreau. The project is also known as "Cité Concordia". The Place Bonaventure was also developed by GCD, where Vecsei was the head project designer from 1964 to 1967. Besides these projects Eva Vecsei Architect also designed concepts for the city centre (1976) and a mixed-use complex (1978) in Karachi, Pakistan. The bulk of the Eva Hollo Vecsei collection is arranged in this series and was produced between 1969 and 2008. Records are predominantly from 1974-1976, which correspond to the period of the La Cité project. Documenting La Cité are architectural records, such as presentation, design, and working drawings, as well as photographs, publications, slides, clippings, digital material (photographs), and a presentation document. This series also includes two clippings on the mixed-use complex in Karachi.
CD041.S3
Description:
This series documents two projects by the firm Eva Vecsei Architect. In 1973, Vecsei opened her own private practice after her departure from the Dimitri Dimakopoulos’ firm, where she worked from 1971 to 1973. In 1973, Vecsei was hired as an architect by Group Concordia Developers (GCD) to design La Cité, a high density mixed-use residential and commercial project in Milton Park, Montréal. The project was comprised of multifunctional complexes of residential units, offices, a shopping mall, and a hotel with a year-round outdoor pool. The project was realized by the architects Eva H. Vecsei and Dobush Stewart Longpré Marchand Goudreau. The project is also known as "Cité Concordia". The Place Bonaventure was also developed by GCD, where Vecsei was the head project designer from 1964 to 1967. Besides these projects Eva Vecsei Architect also designed concepts for the city centre (1976) and a mixed-use complex (1978) in Karachi, Pakistan. The bulk of the Eva Hollo Vecsei collection is arranged in this series and was produced between 1969 and 2008. Records are predominantly from 1974-1976, which correspond to the period of the La Cité project. Documenting La Cité are architectural records, such as presentation, design, and working drawings, as well as photographs, publications, slides, clippings, digital material (photographs), and a presentation document. This series also includes two clippings on the mixed-use complex in Karachi.
People:
Date:
1969-2008
1969-2008
Title:
Eva Vecsei Architect (1973-1980)
Actions:
CD041.S3
Description:
This series documents two projects by the firm Eva Vecsei Architect. In 1973, Vecsei opened her own private practice after her departure from the Dimitri Dimakopoulos’ firm, where she worked from 1971 to 1973. In 1973, Vecsei was hired as an architect by Group Concordia Developers (GCD) to design La Cité, a high density mixed-use residential and commercial project in Milton Park, Montréal. The project was comprised of multifunctional complexes of residential units, offices, a shopping mall, and a hotel with a year-round outdoor pool. The project was realized by the architects Eva H. Vecsei and Dobush Stewart Longpré Marchand Goudreau. The project is also known as "Cité Concordia". The Place Bonaventure was also developed by GCD, where Vecsei was the head project designer from 1964 to 1967. Besides these projects Eva Vecsei Architect also designed concepts for the city centre (1976) and a mixed-use complex (1978) in Karachi, Pakistan. The bulk of the Eva Hollo Vecsei collection is arranged in this series and was produced between 1969 and 2008. Records are predominantly from 1974-1976, which correspond to the period of the La Cité project. Documenting La Cité are architectural records, such as presentation, design, and working drawings, as well as photographs, publications, slides, clippings, digital material (photographs), and a presentation document. This series also includes two clippings on the mixed-use complex in Karachi.
Eva Vecsei Architect (1973-1980)
Actions:
CD041.S3
Description:
This series documents two projects by the firm Eva Vecsei Architect. In 1973, Vecsei opened her own private practice after her departure from the Dimitri Dimakopoulos’ firm, where she worked from 1971 to 1973. In 1973, Vecsei was hired as an architect by Group Concordia Developers (GCD) to design La Cité, a high density mixed-use residential and commercial project in Milton Park, Montréal. The project was comprised of multifunctional complexes of residential units, offices, a shopping mall, and a hotel with a year-round outdoor pool. The project was realized by the architects Eva H. Vecsei and Dobush Stewart Longpré Marchand Goudreau. The project is also known as "Cité Concordia". The Place Bonaventure was also developed by GCD, where Vecsei was the head project designer from 1964 to 1967. Besides these projects Eva Vecsei Architect also designed concepts for the city centre (1976) and a mixed-use complex (1978) in Karachi, Pakistan. The bulk of the Eva Hollo Vecsei collection is arranged in this series and was produced between 1969 and 2008. Records are predominantly from 1974-1976, which correspond to the period of the La Cité project. Documenting La Cité are architectural records, such as presentation, design, and working drawings, as well as photographs, publications, slides, clippings, digital material (photographs), and a presentation document. This series also includes two clippings on the mixed-use complex in Karachi.
Level of archival description:
Series
Series
Date:
1969-2008
1969-2008
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH276183
Description:
35 files - Group contains subject working files, project files, travel documents and professional organizations. Files are generally organized alphabetically, R-V and include: RAIC Foundation; Royal Canadian Academy of Arts; Reddy Residence; Royal Institute of British Architects; Robson Square 2008, 2010; Robson Revitalization, New Developments and Redemiation; Roy Thompson Hall; Simon Fraser University 40th Anniversary, Gymnasium and Fitness Centre, Housing, Village; St. Paul Project; Shanghai/Keller/Lee; Shanghai Office (agreement); Shimao Nanjing Project; Shunyi Xiang Xie Garden Villa; Squamish Road, Wolfgang Richter; Sustainability - Ecology; Trips 2002-2006; UBC - University Boulevard design Competition; UNA of Canada (September 2006 event); U.S. Architects Practice - Act and Licenses; Vancouver Aids Memorial; Vancouver Arts Awards 2004; Visa and Photos.
ARCH276183
Description:
35 files - Group contains subject working files, project files, travel documents and professional organizations. Files are generally organized alphabetically, R-V and include: RAIC Foundation; Royal Canadian Academy of Arts; Reddy Residence; Royal Institute of British Architects; Robson Square 2008, 2010; Robson Revitalization, New Developments and Redemiation; Roy Thompson Hall; Simon Fraser University 40th Anniversary, Gymnasium and Fitness Centre, Housing, Village; St. Paul Project; Shanghai/Keller/Lee; Shanghai Office (agreement); Shimao Nanjing Project; Shunyi Xiang Xie Garden Villa; Squamish Road, Wolfgang Richter; Sustainability - Ecology; Trips 2002-2006; UBC - University Boulevard design Competition; UNA of Canada (September 2006 event); U.S. Architects Practice - Act and Licenses; Vancouver Aids Memorial; Vancouver Arts Awards 2004; Visa and Photos.
People:
Date:
circa 2000-2005
circa 2000-2005
Title:
Working files, project files, and travel documents from Erickson's office
Actions:
ARCH276183
Description:
35 files - Group contains subject working files, project files, travel documents and professional organizations. Files are generally organized alphabetically, R-V and include: RAIC Foundation; Royal Canadian Academy of Arts; Reddy Residence; Royal Institute of British Architects; Robson Square 2008, 2010; Robson Revitalization, New Developments and Redemiation; Roy Thompson Hall; Simon Fraser University 40th Anniversary, Gymnasium and Fitness Centre, Housing, Village; St. Paul Project; Shanghai/Keller/Lee; Shanghai Office (agreement); Shimao Nanjing Project; Shunyi Xiang Xie Garden Villa; Squamish Road, Wolfgang Richter; Sustainability - Ecology; Trips 2002-2006; UBC - University Boulevard design Competition; UNA of Canada (September 2006 event); U.S. Architects Practice - Act and Licenses; Vancouver Aids Memorial; Vancouver Arts Awards 2004; Visa and Photos.
Working files, project files, and travel documents from Erickson's office
Actions:
ARCH276183
Description:
35 files - Group contains subject working files, project files, travel documents and professional organizations. Files are generally organized alphabetically, R-V and include: RAIC Foundation; Royal Canadian Academy of Arts; Reddy Residence; Royal Institute of British Architects; Robson Square 2008, 2010; Robson Revitalization, New Developments and Redemiation; Roy Thompson Hall; Simon Fraser University 40th Anniversary, Gymnasium and Fitness Centre, Housing, Village; St. Paul Project; Shanghai/Keller/Lee; Shanghai Office (agreement); Shimao Nanjing Project; Shunyi Xiang Xie Garden Villa; Squamish Road, Wolfgang Richter; Sustainability - Ecology; Trips 2002-2006; UBC - University Boulevard design Competition; UNA of Canada (September 2006 event); U.S. Architects Practice - Act and Licenses; Vancouver Aids Memorial; Vancouver Arts Awards 2004; Visa and Photos.
Form:
textual records
textual records
Date:
circa 2000-2005
circa 2000-2005
People:
Level of archival description:
Series
Series
Title:
Architectural projects
Architectural projects
Reference number:
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
People:
Date:
1957-2007
1957-2007
Title:
Architectural projects
Actions:
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
Architectural projects
Actions:
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
Level of archival description:
Series
Series
Date:
1957-2007
1957-2007
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH256501
Description:
"Le Pavillon des Jeunesses Musicales à l'Expo '67 / Vue du pavillon des Jeunesses Musicales du Canada. L'édifice permanent de $250,000 est commandité par la Portland Cement Association en collaboration avec les J.M.C. A la fin de l'Exposition, le pavillon sera démonté et transporté au village des J.M.C. au Mont Orford, dans les Cantons de L'Est, où il sera reconstruit. / Jeunesses Musicales Pavilion at Expo '67 / This concrete paneled pavilion in Cité du Havre contains exhibits on music in Canada from 1610 and on systems for the musical education of the young. An opportunity to listen to Canadian works and a studio where leading musicians direct practice sessions for students also form part of the display. The world congress of the Jeuneses Musicales International Federation will be held here in mid-summer."--Description.
ARCH256501
Description:
"Le Pavillon des Jeunesses Musicales à l'Expo '67 / Vue du pavillon des Jeunesses Musicales du Canada. L'édifice permanent de $250,000 est commandité par la Portland Cement Association en collaboration avec les J.M.C. A la fin de l'Exposition, le pavillon sera démonté et transporté au village des J.M.C. au Mont Orford, dans les Cantons de L'Est, où il sera reconstruit. / Jeunesses Musicales Pavilion at Expo '67 / This concrete paneled pavilion in Cité du Havre contains exhibits on music in Canada from 1610 and on systems for the musical education of the young. An opportunity to listen to Canadian works and a studio where leading musicians direct practice sessions for students also form part of the display. The world congress of the Jeuneses Musicales International Federation will be held here in mid-summer."--Description.
People:
Date:
1967
1967
Title:
View of the Pavilion of the Jeunesses Musicales of Canada, Expo 67, Montréal, Québec
Actions:
ARCH256501
Description:
"Le Pavillon des Jeunesses Musicales à l'Expo '67 / Vue du pavillon des Jeunesses Musicales du Canada. L'édifice permanent de $250,000 est commandité par la Portland Cement Association en collaboration avec les J.M.C. A la fin de l'Exposition, le pavillon sera démonté et transporté au village des J.M.C. au Mont Orford, dans les Cantons de L'Est, où il sera reconstruit. / Jeunesses Musicales Pavilion at Expo '67 / This concrete paneled pavilion in Cité du Havre contains exhibits on music in Canada from 1610 and on systems for the musical education of the young. An opportunity to listen to Canadian works and a studio where leading musicians direct practice sessions for students also form part of the display. The world congress of the Jeuneses Musicales International Federation will be held here in mid-summer."--Description.
View of the Pavilion of the Jeunesses Musicales of Canada, Expo 67, Montréal, Québec
Actions:
ARCH256501
Description:
"Le Pavillon des Jeunesses Musicales à l'Expo '67 / Vue du pavillon des Jeunesses Musicales du Canada. L'édifice permanent de $250,000 est commandité par la Portland Cement Association en collaboration avec les J.M.C. A la fin de l'Exposition, le pavillon sera démonté et transporté au village des J.M.C. au Mont Orford, dans les Cantons de L'Est, où il sera reconstruit. / Jeunesses Musicales Pavilion at Expo '67 / This concrete paneled pavilion in Cité du Havre contains exhibits on music in Canada from 1610 and on systems for the musical education of the young. An opportunity to listen to Canadian works and a studio where leading musicians direct practice sessions for students also form part of the display. The world congress of the Jeuneses Musicales International Federation will be held here in mid-summer."--Description.
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
research
research
Title:
Visiting Scholars 2009
Visiting Scholars 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Date:
23 March 2009 to 30 October 2009
23 March 2009 to 30 October 2009
Title:
Visiting Scholars 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Visiting Scholars 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Form:
research
research
Date:
23 March 2009 to
30 October 2009
23 March 2009 to
30 October 2009
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Rohault de Fleury collection
Rohault de Fleury collection
Reference number:
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
People:
Date:
1717-[1884]
1717-[1884]
Title:
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Form:
archives
Level of archival description:
Collection 1
archives
Level of archival description:
Collection 1
Date:
1717-[1884]
1717-[1884]
People:
Level of archival description:
Project
Project
Title:
São Victor, Porto
São Victor, Porto
Actions:
Reference number:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
People:
Date:
circa 1974-1975
circa 1974-1975
Title:
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
circa 1974-1975
circa 1974-1975
People:
Level of archival description:
Series
Series
Title:
Architectural projects
Architectural projects
Reference number:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
People:
Date:
1953-2009
1953-2009
Title:
Architectural projects
Actions:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Architectural projects
Actions:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Level of archival description:
Series
Series
Date:
1953-2009
1953-2009
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1971.PR07
Description:
The project series documents "Some Call him Pig," a photograph taken by Petenna of billboard produced by the Minneapolis police department to promote the merits of police officers and respond to the slang term "pigs" used to refer to policemen. The billboard shows a policeman holding an unconscious child in his arms and practicing mouth-to-mouth resuscitation. "Pettena underlined its 'contradiction in terms' and unintentional irony, incomprehensible to the Americans of the mid-west." [1] The project series contains a photograph of the billboard and project description in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-some-call-him-pig-1971-1/ (last accessed 11 November 2019)
AP207.S1.1971.PR07
Description:
The project series documents "Some Call him Pig," a photograph taken by Petenna of billboard produced by the Minneapolis police department to promote the merits of police officers and respond to the slang term "pigs" used to refer to policemen. The billboard shows a policeman holding an unconscious child in his arms and practicing mouth-to-mouth resuscitation. "Pettena underlined its 'contradiction in terms' and unintentional irony, incomprehensible to the Americans of the mid-west." [1] The project series contains a photograph of the billboard and project description in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-some-call-him-pig-1971-1/ (last accessed 11 November 2019)
People:
Date:
circa 1971-2015
circa 1971-2015
Title:
Some Call Him Pig (1971)
Actions:
AP207.S1.1971.PR07
Description:
The project series documents "Some Call him Pig," a photograph taken by Petenna of billboard produced by the Minneapolis police department to promote the merits of police officers and respond to the slang term "pigs" used to refer to policemen. The billboard shows a policeman holding an unconscious child in his arms and practicing mouth-to-mouth resuscitation. "Pettena underlined its 'contradiction in terms' and unintentional irony, incomprehensible to the Americans of the mid-west." [1] The project series contains a photograph of the billboard and project description in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-some-call-him-pig-1971-1/ (last accessed 11 November 2019)
Some Call Him Pig (1971)
Actions:
AP207.S1.1971.PR07
Description:
The project series documents "Some Call him Pig," a photograph taken by Petenna of billboard produced by the Minneapolis police department to promote the merits of police officers and respond to the slang term "pigs" used to refer to policemen. The billboard shows a policeman holding an unconscious child in his arms and practicing mouth-to-mouth resuscitation. "Pettena underlined its 'contradiction in terms' and unintentional irony, incomprehensible to the Americans of the mid-west." [1] The project series contains a photograph of the billboard and project description in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-some-call-him-pig-1971-1/ (last accessed 11 November 2019)
Level of archival description:
Project
Project
Date:
circa 1971-2015
circa 1971-2015
People:
