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Bay lexicon / Jane Wolff.
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182 pages : illustrations, maps ; 23 cm
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2021], ©2021
Bay lexicon / Jane Wolff.
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182 pages : illustrations, maps ; 23 cm
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Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2021], ©2021
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Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban(...)
The skyscraper and the city: the woolworth building and the making of modern New York
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Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York. Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them. As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.
Gratte-ciels
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2015.
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2015.
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xv, 512 pages : illustrations ; 25 cm
Chicago : University of Chicago Press, 1993.
Making the modern : industry, art, and design in America / Terry Smith.
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xv, 512 pages : illustrations ; 25 cm
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Chicago : University of Chicago Press, 1993.
Aldo Rossi: The urban fact
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The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931–97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City, Rossi(...)
Architecture Monographs
November 2021
Aldo Rossi: The urban fact
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The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931–97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City, Rossi spent a decade developing a theory of urban design that focused on the “collective memory” of a city as an essential element of its urban planning and gave consideration to how buildings and urban areas age over time. Here, Rossi’s theory is applied to his own works from that period, both built and unbuilt, in a careful selection of 23 projects that express this memory-based paradigm of civic existence and construction. Aldo Rossi: The Urban Fact thus unifies Rossi’s theory and practice, demonstrating the visionary dimension driving his singular brand of postmodernism.
Architecture Monographs
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In "Jane Jacobs : urban visionary", journalist Alice Sparberg Alexiou deconstructs Jane Jacobs’ richly packed life of ideas and social action, offering a fluid and engaging synthesis of meticulously researched observation and analysis. Alexiou traces Jacobs’ move from Scranton, Pennsylvania, to New York City and the controversy that erupted when she dared to take on(...)
Jane Jacobs : urban visionary
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In "Jane Jacobs : urban visionary", journalist Alice Sparberg Alexiou deconstructs Jane Jacobs’ richly packed life of ideas and social action, offering a fluid and engaging synthesis of meticulously researched observation and analysis. Alexiou traces Jacobs’ move from Scranton, Pennsylvania, to New York City and the controversy that erupted when she dared to take on conventional urban planning wisdom with her classic "Death and life". She protested then-current urban renewal practices and championed the "sidewalk ballet" — the fragile meeting of buildings, streets and people — threatened by the building of highways and the tearing down of working neighbourhoods. Jacobs moved to Canada in the late 1960s and embarke on Toronto-saving campaigns, helping to preserve Old City Hall and Union Station. She was also instrumental in preventing the construction of the Spadina Expressway, which would have cut a swath through Toronto’s Annex and other essential neighbourhoods.
Urban Theory
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Situated at the foothills of the Andes, overlooking the city of Santiago, Chile, the Baha'i Temple of South America will be opened in fall 2016. The Baha'i House of Worship is the most recent of the continental temples. It welcomes people from all directions and all creeds. Designed by Siamak Hariri and his team at Hariri Pontarini Architects in Toronto, Canada, the(...)
Hariri Pontarini Architects: Embodied light
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Situated at the foothills of the Andes, overlooking the city of Santiago, Chile, the Baha'i Temple of South America will be opened in fall 2016. The Baha'i House of Worship is the most recent of the continental temples. It welcomes people from all directions and all creeds. Designed by Siamak Hariri and his team at Hariri Pontarini Architects in Toronto, Canada, the sacred building combines advanced engineering solutions, cutting-edge material innovation, and computerized fabrication methods to create a light-filled space for prayer and meditation - at once monumental and intimate. Esthetics and technology in perfect synthesis. With numerous drawings, models, renderings, and photographs, the book shows the design and construction process, and the beauty, of this unique building.
Architecture Monographs
Constant: New Babylon
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An open city without borders that is capable of flowing out in all directions to allow its residents to move freely and flexibly: this fascinating utopian conception of architectural and lifeworld growth formed the starting point for Constant’s Situationist project New Babylon. Between 1956 and 1974, the Dutch painter and cofounder of the avant-garde movements Cobra and(...)
Constant: New Babylon
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An open city without borders that is capable of flowing out in all directions to allow its residents to move freely and flexibly: this fascinating utopian conception of architectural and lifeworld growth formed the starting point for Constant’s Situationist project New Babylon. Between 1956 and 1974, the Dutch painter and cofounder of the avant-garde movements Cobra and the Situationist International worked on numerous models, paintings, drawings and collages for the purpose of depicting his vision of the nomadic city of the future. This catalogue focuses not only on New Babylon’s architectural aspects but embraces them as an artist’s synthesis of the arts. Besides the models, drawings and collages, attention is also given to the designs in order to trace Constant’s artistic process. This not only provides extensive insight into utopian urban planning, but to a greater degree into a mode of thought and imagination. The book includes an interview with Rem Koolhaas on Constant’s pioneering project.
Contemporary Art Monographs
Inform Giuliana Michelotti
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For 20 years, Giuliana Michelotti has designed fashion, objects and jewelry of uncommon organic sensuality in collaboration with such leading firms as Valentino, Versace, Dolce & Gabbana and Christian Lacroix. Always a passionate and inquisitive traveler, Michelotti has been as influenced by the tribal and ethnic traditions of Asia and Africa as the contemporary trends of(...)
Crafts and Jewelry
February 2008, Milan
Inform Giuliana Michelotti
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For 20 years, Giuliana Michelotti has designed fashion, objects and jewelry of uncommon organic sensuality in collaboration with such leading firms as Valentino, Versace, Dolce & Gabbana and Christian Lacroix. Always a passionate and inquisitive traveler, Michelotti has been as influenced by the tribal and ethnic traditions of Asia and Africa as the contemporary trends of her native Italy or current home, New York City. In 1995 Michelotti launched her own line of jewelry inspired by nature and the sea. All of the pieces in the GM collection are cast in silver using an ancient Indian “lost wax” technique. The stones are uncut and natural, worn by rain and sand. Shells and madrepores eroded by waves, corals ramified in infinite ways, sticks and small rocks--in Michelotti’s hands, these humble organic materials are transformed into necklaces, bracelets and earrings of such highly refined shape and physical lightness that one cannot mistake them for anyone else’s work. With an essay by The New York Times’ revered style editor, Stefano Tonchi, this volume features exquisite close-up photographs of Michelotti’s jewelry, and details the life and creative path of an artist who has achieved an extraordinarily sophisticated aesthetic synthesis
Crafts and Jewelry
Detail in Process
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What separates good architecture from great architecture? The difference lies in the details. The way an architect chooses to treat architectural detailingscreens and walls, doors and windows, roofs, bridges, and stairscan transform the merely ordinary into the extraordinary. Detail in Process, the second volume in the new AsBuilt series, features twenty-five(...)
Architectural Drawing
April 2008, New York
Detail in Process
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What separates good architecture from great architecture? The difference lies in the details. The way an architect chooses to treat architectural detailingscreens and walls, doors and windows, roofs, bridges, and stairscan transform the merely ordinary into the extraordinary. Detail in Process, the second volume in the new AsBuilt series, features twenty-five awe-inspiring projects characterized by an unusual synthesis of aesthetics and materials: the sunshade at Morphosis's Student Recreation Center in Cincinnati; the embossed and perforated copper skin of Herzog & de Meuron's de Young Museum in San Francisco; the handrails at Miró Rivera Architects', Lake Austin Footbridge in Austin; the stairs at Heatherwick Studios', Longchamps Store in New York City; plus twenty more. Editors Christine Killory and René Davids have collected the best work of the past two years including new buildings by some of today's most daring and detail-obsessed architects, including Norman Foster, James Carpenter, John Ronan, Renzo Piano, Marmol Radziner, Tadao Ando, Steven Holl, Jean Nouvel, David Chipperfield, and SANAA. Comprehensively documented, Detail in Process includes the plans, details, and large-scale sections needed to appreciate the innovative ways these architects have responded to complicated design problems.
Architectural Drawing