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In "Neighbourhood: Designing a Liveable Community", renowned architect, professor and urban planner Avi Friedman describes the planning of a new neighbourhood in Middlesex Centre, a rural municipality in southern Ontario. Friedman explores how good and bad design affect our homes and civic life. In his quest to build a new kind of neighbourhood, Friedman talks about(...)
Neighbourhood: designing a livable community
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In "Neighbourhood: Designing a Liveable Community", renowned architect, professor and urban planner Avi Friedman describes the planning of a new neighbourhood in Middlesex Centre, a rural municipality in southern Ontario. Friedman explores how good and bad design affect our homes and civic life. In his quest to build a new kind of neighbourhood, Friedman talks about personal architectural and community touchstones that have informed his work through the years. Over the past decade or more, worrisome signs—climate change, depletion of natural resources, unrelenting urban sprawl, the tyranny of the automobile, the decline of face-to-face human contact—have motivated us to radically rethink home and community design. In Avi Friedman’s view, these issues have combined to force us to question fundamental practices and come up with better solutions.
Urban Theory
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Great photographs change the way we see the world; The Ongoing Moment changes the way we look at both. With characteristic perversity and trademark originality -The Ongoing Moment is Dyer's unique and idiosyncratic history of photography. Seeking to identify their signature styles Dyer looks at the ways that canonical figures such as Alfred Stieglitz, Paul Strand, Walker(...)
The ongoing moment: a book about photographs
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Great photographs change the way we see the world; The Ongoing Moment changes the way we look at both. With characteristic perversity and trademark originality -The Ongoing Moment is Dyer's unique and idiosyncratic history of photography. Seeking to identify their signature styles Dyer looks at the ways that canonical figures such as Alfred Stieglitz, Paul Strand, Walker Evans, Kertesz, Dorothea Lange, Diane Arbus and William Eggleston have photographed the same scenes and objects (benches, hats, hands, roads). In doing so Dyer constructs a narrative in which those photographers - many of whom never met in their lives - constantly come into contact with each other. It is the most ambitious example to date of a form of writing that Dyer has made his own: the non-fiction work of art.
Theory of Photography
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This publication includes lectures; interviews; articles published in daily newspapers and magazines, and longer essays on a variety of topics. Steiner brings to his work a keen critical acumen that draws on decades of travel, research, and contact with renowned international architects, such as Rob Krier, Hermann Czech, Herzog & de Meuron, Rem Koolhaas, Lacaton + Vassal,(...)
Steiner's Diary: on architecture since 1959
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This publication includes lectures; interviews; articles published in daily newspapers and magazines, and longer essays on a variety of topics. Steiner brings to his work a keen critical acumen that draws on decades of travel, research, and contact with renowned international architects, such as Rob Krier, Hermann Czech, Herzog & de Meuron, Rem Koolhaas, Lacaton + Vassal, Jon Jerde, Rural Studio, Wang Shu, and Alexander Brodsky. At the same time, his articles and essays are often amplified by personal observations and experiences. While paying tribute to a prolific scholar and critic, Steiner’s Diary takes readers through four decades of architectural history that represent some of the discipline’s most fascinating historical developments, and it will be welcomed by architects, architectural historians, and anyone with an interest in architecture’s role in society today.
Architectural Theory
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The architecture of Umberto Riva (1928-2021) has, over the span 60 years, distinguished itself by its stimulating complexity. This monograph analyzes, for the first time in a chronologically extended form, his work in the field of interiors and exhibitions; fundamental areas of investigation for the Milanese architect. In domestic spaces in contact with nature, in city(...)
Umberto Riva: Interiors and exhibitions
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The architecture of Umberto Riva (1928-2021) has, over the span 60 years, distinguished itself by its stimulating complexity. This monograph analyzes, for the first time in a chronologically extended form, his work in the field of interiors and exhibitions; fundamental areas of investigation for the Milanese architect. In domestic spaces in contact with nature, in city apartments or in public places, the restless and radical character of Riva's work emerges, in which the search for form brings with it a more intimate reflection on living. In the field of displays, the architect instead stages a complex relationship between the works on display, the curatorial narrative and the museum space, proving to be one of the best heirs and a continuation of the Italian museological revolution of the twentieth century.
Architecture Monographs
This is not a book
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In this uniquely skewed look at the purpose and function of “a book,” Keri Smith offers an illustrated guide that asks readers to creatively examine all the different ways "This Is Not a Book" can be used. Readers will discover that the book can be: A secret message—tear out a page, write a note on it for a stranger, and leave it in a public place. A recording(...)
This is not a book
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In this uniquely skewed look at the purpose and function of “a book,” Keri Smith offers an illustrated guide that asks readers to creatively examine all the different ways "This Is Not a Book" can be used. Readers will discover that the book can be: A secret message—tear out a page, write a note on it for a stranger, and leave it in a public place. A recording device—have everyone you contact today write their name in the book. An instrument—create as many sounds as you can using the book, like flipping the pages fast or slapping the cover. This Is Not a Book will engage readers by having them define everything a book can be by asking, “If it’s not a book, what is it then?”—with a kaleidoscope of possible answers.
Contemporary Art Monographs
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban(...)
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban Cabeza de Baca, Adjua Gargi Nzinga Greaves, David Johnson, Suzanne Kite, Charmaine Lee, Philip Matthews, Nat Ward, and Sara J. Winston, ''Return to the field'' assembles a dense and resonant, multi-vocal conversation threaded together by Kruis’ book-length poem, ''A Connectome.'' ''Return to the field'' is published on the occasion of Martha Tuttle's exhibition and sculptural installation, ''A stone that thinks of Enceladus,'' on view at Storm King Art Center (New Windsor, New York) from July 15, 2020 through November 8, 2021.
Literature and poetry
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Dancing Horizon 1970–1982 is a comprehensive collection of the photographic work of Icelandic artist Sigurdur Gudmundsson (born 1942), the "Nordic father of Conceptual photography," focusing on a critical period in his development. In the 1970s Gudmundsson made a famous series of conceptual photographs he called Situations, in which the artist is posed with various(...)
Sigurdur Gudmundsson: dancing horizon 1970–1982
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Dancing Horizon 1970–1982 is a comprehensive collection of the photographic work of Icelandic artist Sigurdur Gudmundsson (born 1942), the "Nordic father of Conceptual photography," focusing on a critical period in his development. In the 1970s Gudmundsson made a famous series of conceptual photographs he called Situations, in which the artist is posed with various props—for example, balancing a wooden slat on his head to make visual contact with the horizon in the background, or digging himself into the grass. Influenced by the informality and unpredictability of international Fluxus, which Gudmundsson encountered in the late 1960s as a member of the progressive Icelandic artists' collective Súm, the Situations are humorous, absurd and lyrical; they have been characterized as "visual poems." More than 80 artworks are reproduced here (many of them rarely exhibited or published), along with previously unpublished studies.
Photography monographs
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1966 est une année importante dans l’histoire des théories architecturales. L’émulation intellectuelle à Milan est alors à son comble : philosophes, écrivains, artistes et architectes croisent leurs savoirs et produisent une œuvre collective parmi les plus influentes de la seconde moitié du XXe siècle. C’est au contact de cette génération talentueuse, dont il fait partie,(...)
L'extase de la modification : Vittorio Gregotti, Le territoire de l'architecture
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1966 est une année importante dans l’histoire des théories architecturales. L’émulation intellectuelle à Milan est alors à son comble : philosophes, écrivains, artistes et architectes croisent leurs savoirs et produisent une œuvre collective parmi les plus influentes de la seconde moitié du XXe siècle. C’est au contact de cette génération talentueuse, dont il fait partie, que Vittorio Gregotti écrira son livre le plus connu : Le territoire de l’architecture. Un texte important, savant, mais aussi difficile, fragmenté, et rendu presque inaccessible au lecteur français par l’insuffisance de sa seule traduction. Jacques Boulet, transposant en architecture un statut du texte que l’historien de l’art Julius von Schlosser définissait par Kunstlitteratur, nous en livre ici, en hommage à Vittorio Gregotti, une lecture utile en “opera aperta”, écrite en 2000 et non publiée, qui pose l’hypothèse, chez l’architecte italien, d’une écriture analogue à la projetation.
Architectural Theory
On photographs
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke(...)
On photographs
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier’s contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany’s lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it with visual culture. Image by image, we absorb and appreciate Campany’s complex yet playful take on photography and its history.
Theory of Photography
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308 pages : illustrations (some color), portraits ; 28 cm
Rotterdam, The Netherlands : Museum Boijmans Van Beuningen, [2019], Brugge, [Belgium] : Drukkerij Die Keure, ©2019
Netherlands-Bauhaus : pioneers of a new world / editorial supervision, Mienke Simon Thomas and Yvonne Brentjens ; authors, Herman van Bergeijk [and twenty others].
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308 pages : illustrations (some color), portraits ; 28 cm
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Rotterdam, The Netherlands : Museum Boijmans Van Beuningen, [2019], Brugge, [Belgium] : Drukkerij Die Keure, ©2019