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Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look(...)
$56.00
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Summary:
Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look(...)
Title:
Bauhaus at the newsstand: Die Neue Linie 1929-1943
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Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look of the magazine, whose contents combined fashion, literature, graphic design and art. Unembellished fonts, dynamic diagonals and dramatic use of photomontage were key to the journal's striking appearance. Its authors included Walter Gropius, Aldous Huxley, Gottfried Benn and Thomas Mann. The Bauhaus at the Newsstand illustrates the turbulent times in which the magazine appeared, reproducing spreads, statements, articles, a visual checklist of every issue and analyses of the magazine's delicate balancing act between modernism and conformity.
Bauhaus at the newsstand: Die Neue Linie 1929-1943
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Summary:
Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look of the magazine, whose contents combined fashion, literature, graphic design and art. Unembellished fonts, dynamic diagonals and dramatic use of photomontage were key to the journal's striking appearance. Its authors included Walter Gropius, Aldous Huxley, Gottfried Benn and Thomas Mann. The Bauhaus at the Newsstand illustrates the turbulent times in which the magazine appeared, reproducing spreads, statements, articles, a visual checklist of every issue and analyses of the magazine's delicate balancing act between modernism and conformity.
Subject:
Modernism
Modernism
Form:
books
books
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Description:
139 pages, 1 unnumbered leaf of plates (1 folded) : illustrations (some color) ; 27 cm
- Library main 35959 | ID EXHX; ID:88-B7183 | Available
- Library main 35960 | ID EXHSTANFORD; ID:88-B7183 | Available
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139 pages, 1 unnumbered leaf of plates (1 folded) : illustrations (some color) ; 27 cm
Author:
Subject:
- Stanford family Art collections.,
- Stanford family Art patronage.,
- Stanford (Famille) Collections d'art.,
- Stanford (Famille) Mécénat.,
- Stanford family,
- Stanford University. Museum of Art History.,
- Stanford University. Museum of Art,
- Iris & B. Gerald Cantor Center for Visual Arts,
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Stanford (Calif.) Iris & B. Gerald Cantor Center for Visual Arts.,
- Art Private collections California.,
- Art Collections privées Californie.,
- Art patronage,
- Art Private collections,
- Mäzenatentum,
- Sammlung,
- California,
- Stanford (Familie),
- History
(See more)
Publication:
[Stanford, Calif.] : Stanford University Museum of Art, Stanford University, 1986.
[Stanford, Calif.] : Stanford University Museum of Art, Stanford University, 1986.
Title:
Museum builders in the West : the Stanfords as collectors and patrons of art, 1870-1906 / by Carol M. Osborne ; with essays by Paul Venable Turner and Anita Ventura Mozley ; and a note by Mary Lou Zimmerman Munn.
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139 pages, 1 unnumbered leaf of plates (1 folded) : illustrations (some color) ; 27 cm
Museum builders in the West : the Stanfords as collectors and patrons of art, 1870-1906 / by Carol M. Osborne ; with essays by Paul Venable Turner and Anita Ventura Mozley ; and a note by Mary Lou Zimmerman Munn.
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- Library main 35959 | ID EXHX; ID:88-B7183 | Available
- Library main 35960 | ID EXHSTANFORD; ID:88-B7183 | Available
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Description:
139 pages, 1 unnumbered leaf of plates (1 folded) : illustrations (some color) ; 27 cm
Form:
books
books
Publication:
[Stanford, Calif.] : Stanford University Museum of Art, Stanford University, 1986.
[Stanford, Calif.] : Stanford University Museum of Art, Stanford University, 1986.
Subject:
- Stanford family Art collections.,
- Stanford family Art patronage.,
- Stanford (Famille) Collections d'art.,
- Stanford (Famille) Mécénat.,
- Stanford family,
- Stanford University. Museum of Art History.,
- Stanford University. Museum of Art,
- Iris & B. Gerald Cantor Center for Visual Arts,
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Stanford (Calif.) Iris & B. Gerald Cantor Center for Visual Arts.,
- Art Private collections California.,
- Art Collections privées Californie.,
- Art patronage,
- Art Private collections,
- Mäzenatentum,
- Sammlung,
- California,
- Stanford (Familie),
- History
(See more)
Form:
books
books
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Description:
50 pages : illustrations (chiefly color) ; 18 cm
Description:
50 pages : illustrations (chiefly color) ; 18 cm
Title:
On colour ... / Ian Whittlesea.
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Description:
50 pages : illustrations (chiefly color) ; 18 cm
On colour ... / Ian Whittlesea.
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Description:
50 pages : illustrations (chiefly color) ; 18 cm
Form:
books
books
Publication:
London : The Everyday Press, 2019., ©2019
London : The Everyday Press, 2019., ©2019
Form:
books
books
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Description:
vii, 122 pages : illustrations (some color) ; 26 x 29 cm.
Description:
vii, 122 pages : illustrations (some color) ; 26 x 29 cm.
Subject:
- Wright, Frank Lloyd, 1867-1959 Art collections Catalogs.,
- Wright, Frank Lloyd, 1867-1959,
- Frank Lloyd Wright Foundation Art collections Catalogs.,
- Frank Lloyd Wright Foundation,
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Prints, European 20th century Catalogs.,
- Prints Private collections Arizona Scottsdale Catalogs.,
- Estampe européenne 20e siècle Catalogues.,
- Art museums,
- Prints, European,
- Art Private collections,
- Prints,
- Druckgrafik,
- Catalog,
- Catalogs.,
- catalogs (documents),
- Catalogues.
(See more)
Publication:
Austin : University of Texas Press, 2012.
Austin : University of Texas Press, 2012.
Title:
Frank Lloyd Wright, art collector : Secessionist prints from the turn of the century / Anthony Alofsin.
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vii, 122 pages : illustrations (some color) ; 26 x 29 cm.
Frank Lloyd Wright, art collector : Secessionist prints from the turn of the century / Anthony Alofsin.
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vii, 122 pages : illustrations (some color) ; 26 x 29 cm.
Form:
books
books
Publication:
Austin : University of Texas Press, 2012.
Austin : University of Texas Press, 2012.
Subject:
- Wright, Frank Lloyd, 1867-1959 Art collections Catalogs.,
- Wright, Frank Lloyd, 1867-1959,
- Frank Lloyd Wright Foundation Art collections Catalogs.,
- Frank Lloyd Wright Foundation,
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Prints, European 20th century Catalogs.,
- Prints Private collections Arizona Scottsdale Catalogs.,
- Estampe européenne 20e siècle Catalogues.,
- Art museums,
- Prints, European,
- Art Private collections,
- Prints,
- Druckgrafik,
- Catalog,
- Catalogs.,
- catalogs (documents),
- Catalogues.
(See more)
Form:
books
books
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books
books
Publication:
NN Contemporary Art 2023
NN Contemporary Art 2023
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$22.00
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Summary:
À partir de 1933, de nombreux intellectuels allemands débarquent aux États-Unis. Créateur du Bauhaus (qu'il dirige jusqu'en 1928), Walter Gropius émigre en 1937, rejoint l'année suivante par Mies van der Rohe, lui aussi directeur de l'école jusqu'à sa dissolution (1930-1933). Le premier arrive à la Graduate School of Design à Harvard, le second à l'Armour Institute of(...)
$22.00
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Summary:
À partir de 1933, de nombreux intellectuels allemands débarquent aux États-Unis. Créateur du Bauhaus (qu'il dirige jusqu'en 1928), Walter Gropius émigre en 1937, rejoint l'année suivante par Mies van der Rohe, lui aussi directeur de l'école jusqu'à sa dissolution (1930-1933). Le premier arrive à la Graduate School of Design à Harvard, le second à l'Armour Institute of(...)
Title:
Un camouflage New Bauhaus: György Kepes et la militarisation de l'image
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À partir de 1933, de nombreux intellectuels allemands débarquent aux États-Unis. Créateur du Bauhaus (qu'il dirige jusqu'en 1928), Walter Gropius émigre en 1937, rejoint l'année suivante par Mies van der Rohe, lui aussi directeur de l'école jusqu'à sa dissolution (1930-1933). Le premier arrive à la Graduate School of Design à Harvard, le second à l'Armour Institute of Technology de Chicago. Débarqué dans cette ville en 1937, leur ancien professeur László Moholy Nagy y prend, sur proposition de Gropius, la direction du New Bauhaus... qui ferme brièvement l'année suivante ! Face à d'importantes difficultés, l'établissement n'aura alors de cesse, aux lendemains de Pearl Harbor, d'offrir à György Kepes l'opportunité de former des « camoufleurs industriels »...
Un camouflage New Bauhaus: György Kepes et la militarisation de l'image
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Summary:
À partir de 1933, de nombreux intellectuels allemands débarquent aux États-Unis. Créateur du Bauhaus (qu'il dirige jusqu'en 1928), Walter Gropius émigre en 1937, rejoint l'année suivante par Mies van der Rohe, lui aussi directeur de l'école jusqu'à sa dissolution (1930-1933). Le premier arrive à la Graduate School of Design à Harvard, le second à l'Armour Institute of Technology de Chicago. Débarqué dans cette ville en 1937, leur ancien professeur László Moholy Nagy y prend, sur proposition de Gropius, la direction du New Bauhaus... qui ferme brièvement l'année suivante ! Face à d'importantes difficultés, l'établissement n'aura alors de cesse, aux lendemains de Pearl Harbor, d'offrir à György Kepes l'opportunité de former des « camoufleurs industriels »...
Subject:
small format
small format
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$69.50
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Summary:
The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on(...)
$69.50
(available to order)
Summary:
The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on(...)
Title:
Form and light: from Bauhaus to Tel Aviv
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$69.50
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Summary:
The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on architecture, Gawze highlights the encounter between a building style originating in Europe and the glare of the Mediterranean. His images culminate in a portrait of place, revealing the poetic essence of the White City's architecture and the role light takes in shaping it.
Form and light: from Bauhaus to Tel Aviv
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$69.50
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Summary:
The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on architecture, Gawze highlights the encounter between a building style originating in Europe and the glare of the Mediterranean. His images culminate in a portrait of place, revealing the poetic essence of the White City's architecture and the role light takes in shaping it.
Subject:
Modernism
Modernism
Form:
books
books
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Description:
446 pages : illustrations (some color), portraits ; 27 cm
- Library main 102874 | ND37.M698 (PO13056) | c. 1 | hardcover | Available
- Library main 102875 | ND37.M698 (ID:85-B16029) | c. 2 | paperback | Available
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Description:
446 pages : illustrations (some color), portraits ; 27 cm
Author:
Subject:
- Moholy-Nagy, László, 1895-1946.,
- Moholy-Nagy, László, 1895-1946 Correspondence.,
- Moholy-Nagy, László 1895-1946,
- Moholy-Nagy, László.,
- Bauhaus.,
- Painters Hungary 20th century Correspondence.,
- Photographers Hungary 20th century Correspondence.,
- Design History 20th century.,
- Constructivism (Art),
- Constructivism (Architecture),
- Design Histoire 20e siècle.,
- Constructivisme (Art),
- Constructivisme (Architecture),
- Peintres Hongrie 20e siècle Correspondance.,
- Photographes Hongrie 20e siècle Correspondance.,
- Design,
- Beeldende kunsten.,
- Moholy-Nagy, Laszlo.,
- Stephen Rose Photography Collection (IMA Library),
- Correspondence,
- History,
- Personal correspondence
(See more)
Publication:
New York : Thames and Hudson, 1985.
New York : Thames and Hudson, 1985.
Title:
Moholy-Nagy / Krisztina Passuth.
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Description:
446 pages : illustrations (some color), portraits ; 27 cm
Moholy-Nagy / Krisztina Passuth.
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Holdings:
- Library main 102874 | ND37.M698 (PO13056) | c. 1 | hardcover | Available
- Library main 102875 | ND37.M698 (ID:85-B16029) | c. 2 | paperback | Available
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Description:
446 pages : illustrations (some color), portraits ; 27 cm
Form:
books
books
Publication:
New York : Thames and Hudson, 1985.
New York : Thames and Hudson, 1985.
Subject:
- Moholy-Nagy, László, 1895-1946.,
- Moholy-Nagy, László, 1895-1946 Correspondence.,
- Moholy-Nagy, László 1895-1946,
- Moholy-Nagy, László.,
- Bauhaus.,
- Painters Hungary 20th century Correspondence.,
- Photographers Hungary 20th century Correspondence.,
- Design History 20th century.,
- Constructivism (Art),
- Constructivism (Architecture),
- Design Histoire 20e siècle.,
- Constructivisme (Art),
- Constructivisme (Architecture),
- Peintres Hongrie 20e siècle Correspondance.,
- Photographes Hongrie 20e siècle Correspondance.,
- Design,
- Beeldende kunsten.,
- Moholy-Nagy, Laszlo.,
- Stephen Rose Photography Collection (IMA Library),
- Correspondence,
- History,
- Personal correspondence
(See more)
Form:
books
books
Title:
Architektur und Kunst : das Meisterhaus Kandinsky-Klee in Dessau / [Norbert Michels and others].
Architektur und Kunst : das Meisterhaus Kandinsky-Klee in Dessau / [Norbert Michels and others].
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Description:
112 pages : illustrations (some color) ; 28 cm.
Description:
112 pages : illustrations (some color) ; 28 cm.
Subject:
- Kandinsky, Wassily, 1866-1944 Homes and haunts Germany Dessau (Dessau),
- Klee, Paul, 1879-1940 Homes and haunts Germany Dessau (Dessau),
- Gropius, Walter, 1883-1969 Criticism and interpretation.,
- Gropius, Walter, 1883-1969,
- Kandinsky, Wassily, 1866-1944,
- Klee, Paul, 1879-1940,
- Kandinsky, Wassily 1866-1944,
- Klee, Paul 1879-1940,
- Meisterhaus Kandinsky-Klee.,
- Artists' studios Germany Dessau (Dessau),
- Color in architecture Germany Dessau (Dessau),
- Artists' studios,
- Buildings,
- Color in architecture,
- Homes,
- Wohnungsbau,
- Woningen.,
- Kleurtheorie.,
- Bauhaus.,
- Dessau (Dessau, Germany) Buildings, structures, etc.,
- Germany Dessau (Dessau),
- Deutschland,
- Meisterhaus,
- Dessau-Roßlau Meisterhaus.,
- Criticism, interpretation, etc.
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Publication:
Leipzig : Seemann, 2000.
Leipzig : Seemann, 2000.
Title:
Architektur und Kunst : das Meisterhaus Kandinsky-Klee in Dessau / [Norbert Michels and others].
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Description:
112 pages : illustrations (some color) ; 28 cm.
Architektur und Kunst : das Meisterhaus Kandinsky-Klee in Dessau / [Norbert Michels and others].
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Description:
112 pages : illustrations (some color) ; 28 cm.
Form:
books
books
Publication:
Leipzig : Seemann, 2000.
Leipzig : Seemann, 2000.
Subject:
- Kandinsky, Wassily, 1866-1944 Homes and haunts Germany Dessau (Dessau),
- Klee, Paul, 1879-1940 Homes and haunts Germany Dessau (Dessau),
- Gropius, Walter, 1883-1969 Criticism and interpretation.,
- Gropius, Walter, 1883-1969,
- Kandinsky, Wassily, 1866-1944,
- Klee, Paul, 1879-1940,
- Kandinsky, Wassily 1866-1944,
- Klee, Paul 1879-1940,
- Meisterhaus Kandinsky-Klee.,
- Artists' studios Germany Dessau (Dessau),
- Color in architecture Germany Dessau (Dessau),
- Artists' studios,
- Buildings,
- Color in architecture,
- Homes,
- Wohnungsbau,
- Woningen.,
- Kleurtheorie.,
- Bauhaus.,
- Dessau (Dessau, Germany) Buildings, structures, etc.,
- Germany Dessau (Dessau),
- Deutschland,
- Meisterhaus,
- Dessau-Roßlau Meisterhaus.,
- Criticism, interpretation, etc.
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Form:
books
books
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$31.50
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Summary:
In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass(...)
$31.50
(available to order)
Summary:
In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass(...)
Title:
Bauhaus culture : from Weimar to the Cold War
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$31.50
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Summary:
In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass culture; establish the complexity of its relationship with Wilhelmine, Nazi, and postwar German politics; and challenge the claim that its architects greatly influenced American architecture in the 1930s.
Bauhaus culture : from Weimar to the Cold War
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Price:
$31.50
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Summary:
In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass culture; establish the complexity of its relationship with Wilhelmine, Nazi, and postwar German politics; and challenge the claim that its architects greatly influenced American architecture in the 1930s.
Form:
books
books
Publication:
July 2006, Minneapolis
July 2006, Minneapolis
Subject:
Modernism
Modernism