Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Main galleries
19 July 1994 to 25 September 1994
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
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Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Main galleries
3 May 2018
Old Books New Cities
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Hall cases
12 December 2013 to 15 June 2014
Old Books New Cities
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The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Hall cases
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Main galleries
13 March 1991 to 2 June 1991
Myron Goldsmith: Poet of Structure
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Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Main galleries
The 60s: Montréal Thinks Big
During the 1960s, the massive scale of the changes that transformed Montréal made it an archetype of the great metropolises of the Western world. As host of Expo 67, Montréal asserted itself on the international scene as a city of the future. The 60s: Montréal Thinks Big illustrates the processes that brought about these changes. The exhibition’s original models,(...)
Main galleries
20 October 2004 to 11 September 2005
The 60s: Montréal Thinks Big
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During the 1960s, the massive scale of the changes that transformed Montréal made it an archetype of the great metropolises of the Western world. As host of Expo 67, Montréal asserted itself on the international scene as a city of the future. The 60s: Montréal Thinks Big illustrates the processes that brought about these changes. The exhibition’s original models,(...)
Main galleries
Architecture as Evidence
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Octagonal gallery
16 June 2016 to 11 September 2016
Architecture as Evidence
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Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Octagonal gallery
Sense of the City
Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban(...)
Main galleries
26 October 2005 to 10 September 2006
Sense of the City
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Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban(...)
Main galleries
T pour Typographie
Feed is an independent graphic design studio founded in 1999 by Anouk Pennel and Raphaël Daudelin that specializes in branding, publishing and typeface design. In conjunction with the graphic design they created for the exhibition ABC: MTL, the studio invites university students to a typography drawing workshop. Each student will be assigned a letter of the alphabet and(...)
Shaughnessy House
21 February 2013, 3pm - 5pm
T pour Typographie
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Feed is an independent graphic design studio founded in 1999 by Anouk Pennel and Raphaël Daudelin that specializes in branding, publishing and typeface design. In conjunction with the graphic design they created for the exhibition ABC: MTL, the studio invites university students to a typography drawing workshop. Each student will be assigned a letter of the alphabet and(...)
Shaughnessy House
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Main galleries
16 May 2012 to 14 October 2012
Notes from the Archive: James Frazer Stirling
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Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Main galleries
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Octagonal gallery
7 May 1989 to 25 March 1990
Canadian Centre for Architecture: Building and Gardens
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Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Octagonal gallery