35294 Results
Form:
works of art
works of art
Actions:
Reference number:
DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
People:
Subject:
architecture, landscape architecture, engineering
architecture, landscape architecture, engineering
Date:
published 1884
published 1884
Title:
OEUVRE / DE / C. ROHAULT DE FLEURY / ARCHITECTE
Actions:
DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
OEUVRE / DE / C. ROHAULT DE FLEURY / ARCHITECTE
Actions:
DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
Form:
works of art
works of art
Date:
published 1884
published 1884
People:
Subject:
architecture, landscape architecture, engineering
architecture, landscape architecture, engineering
Form:
events
events
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
8 May 2003
8 May 2003
Title:
Hubert Damisch: “Effacer l’architecture?”
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Hubert Damisch: “Effacer l’architecture?”
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Form:
events
events
Date:
8 May 2003
8 May 2003
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
textual records
textual records
Actions:
Reference number:
ARCH258634
Description:
Correspondance avec des fournisseurs et J. A. A. Brodeur, président du Comité exécutif et H. A. Terrault, directeur des Travaux publics. Comprend aussi des rapports de la Commission des Architectes, une liste des soumissions, des coupures de presse.
ARCH258634
Description:
Correspondance avec des fournisseurs et J. A. A. Brodeur, président du Comité exécutif et H. A. Terrault, directeur des Travaux publics. Comprend aussi des rapports de la Commission des Architectes, une liste des soumissions, des coupures de presse.
People:
Date:
1922-1924
1922-1924
Title:
Correspondance avec des fournisseurs
Actions:
ARCH258634
Description:
Correspondance avec des fournisseurs et J. A. A. Brodeur, président du Comité exécutif et H. A. Terrault, directeur des Travaux publics. Comprend aussi des rapports de la Commission des Architectes, une liste des soumissions, des coupures de presse.
Correspondance avec des fournisseurs
Actions:
ARCH258634
Description:
Correspondance avec des fournisseurs et J. A. A. Brodeur, président du Comité exécutif et H. A. Terrault, directeur des Travaux publics. Comprend aussi des rapports de la Commission des Architectes, une liste des soumissions, des coupures de presse.
Form:
textual records
textual records
Date:
1922-1924
1922-1924
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
People:
Date:
1989-2002
1989-2002
Title:
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Level of archival description:
Project
Project
Date:
1989-2002
1989-2002
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP013.S1.D251
Description:
File documents an executed project for hospital additions in Halifax, Nova Scotia. Material in this file was produced between 1944 and 1948. File contains index cards, survey drawings, owner's drawings, preliminary and design development drawings, preliminary drawings, structural drawings, working drawings, detail drawings, mechanical drawings, electrical drawings, photographs, and textual documents.
AP013.S1.D251
Description:
File documents an executed project for hospital additions in Halifax, Nova Scotia. Material in this file was produced between 1944 and 1948. File contains index cards, survey drawings, owner's drawings, preliminary and design development drawings, preliminary drawings, structural drawings, working drawings, detail drawings, mechanical drawings, electrical drawings, photographs, and textual documents.
People:
Date:
1944-1948
1944-1948
Title:
Building Additions to Camp Hill Hospital, Ross Millar Memorial Infirmary
Actions:
AP013.S1.D251
Description:
File documents an executed project for hospital additions in Halifax, Nova Scotia. Material in this file was produced between 1944 and 1948. File contains index cards, survey drawings, owner's drawings, preliminary and design development drawings, preliminary drawings, structural drawings, working drawings, detail drawings, mechanical drawings, electrical drawings, photographs, and textual documents.
Building Additions to Camp Hill Hospital, Ross Millar Memorial Infirmary
Actions:
AP013.S1.D251
Description:
File documents an executed project for hospital additions in Halifax, Nova Scotia. Material in this file was produced between 1944 and 1948. File contains index cards, survey drawings, owner's drawings, preliminary and design development drawings, preliminary drawings, structural drawings, working drawings, detail drawings, mechanical drawings, electrical drawings, photographs, and textual documents.
Level of archival description:
Project
Project
Date:
1944-1948
1944-1948
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Marius Dufresne fonds
Marius Dufresne fonds
Reference number:
AP081
Synopsis:
Le fonds documente la formation et la pratique professionnelle de Marius Dufresne. Il contient ses cahiers de notes de cours et ses album de croquis à l'École polytechnique, datant de 1900 à 1905, ainsi que des manuels scolaires. Il contient également des dessins pour des projets d'architecture, notamment la résidence Dufresne à Montréal. On y retrouve aussi des cahiers d'arpentage (1910-1913) et des documents professionnels relatifs à la ville de Maisonneuve.
AP081
Synopsis:
Le fonds documente la formation et la pratique professionnelle de Marius Dufresne. Il contient ses cahiers de notes de cours et ses album de croquis à l'École polytechnique, datant de 1900 à 1905, ainsi que des manuels scolaires. Il contient également des dessins pour des projets d'architecture, notamment la résidence Dufresne à Montréal. On y retrouve aussi des cahiers d'arpentage (1910-1913) et des documents professionnels relatifs à la ville de Maisonneuve.
People:
Date:
1883-1945
1883-1945
Title:
Marius Dufresne fonds
Actions:
AP081
Synopsis:
Le fonds documente la formation et la pratique professionnelle de Marius Dufresne. Il contient ses cahiers de notes de cours et ses album de croquis à l'École polytechnique, datant de 1900 à 1905, ainsi que des manuels scolaires. Il contient également des dessins pour des projets d'architecture, notamment la résidence Dufresne à Montréal. On y retrouve aussi des cahiers d'arpentage (1910-1913) et des documents professionnels relatifs à la ville de Maisonneuve.
Marius Dufresne fonds
Actions:
AP081
Synopsis:
Le fonds documente la formation et la pratique professionnelle de Marius Dufresne. Il contient ses cahiers de notes de cours et ses album de croquis à l'École polytechnique, datant de 1900 à 1905, ainsi que des manuels scolaires. Il contient également des dessins pour des projets d'architecture, notamment la résidence Dufresne à Montréal. On y retrouve aussi des cahiers d'arpentage (1910-1913) et des documents professionnels relatifs à la ville de Maisonneuve.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1883-1945
1883-1945
People:
Level of archival description:
Project
Project
Title:
Detroit Think Grid
Detroit Think Grid
Reference number:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
People:
Date:
1957-1975, predominant 1969-1971
1957-1975, predominant 1969-1971
Title:
Detroit Think Grid
Actions:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
Detroit Think Grid
Actions:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
Level of archival description:
File 73
File 73
Date:
1957-1975, predominant 1969-1971
1957-1975, predominant 1969-1971
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
People:
Date:
1953-2018
1953-2018
Title:
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Level of archival description:
Sub-series
Sub-series
Date:
1953-2018
1953-2018
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
People:
Date:
1997
1997
Title:
Open Arena – Töölö Football Stadium, international competition entry
Actions:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Open Arena – Töölö Football Stadium, international competition entry
Actions:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Level of archival description:
Project
Project
Date:
1997
1997
People:
Form:
events
events
Title:
Mapping Rural Montréal
Mapping Rural Montréal
Actions:
Description:
On a tour of downtown Montréal, San Francisco-based artist Amy Franceschini shows participants ‘rural’ sites and activities and questions the dichotomy of country and city. Franceschini founded Futurefarmers, a collaborative and experimental studio that addresses ecological issues, as well as the online magazine, Atlas. Inspired by the exhibition Actions: What You Can Do(...)
On a tour of downtown Montréal, San Francisco-based artist Amy Franceschini shows participants ‘rural’ sites and activities and questions the dichotomy of country and city. Franceschini founded Futurefarmers, a collaborative and experimental studio that addresses ecological issues, as well as the online magazine, Atlas. Inspired by the exhibition Actions: What You Can Do(...)
Date:
4 April 2009
4 April 2009
Title:
Mapping Rural Montréal
Actions:
Description:
On a tour of downtown Montréal, San Francisco-based artist Amy Franceschini shows participants ‘rural’ sites and activities and questions the dichotomy of country and city. Franceschini founded Futurefarmers, a collaborative and experimental studio that addresses ecological issues, as well as the online magazine, Atlas. Inspired by the exhibition Actions: What You Can Do(...)
Mapping Rural Montréal
Actions:
Description:
On a tour of downtown Montréal, San Francisco-based artist Amy Franceschini shows participants ‘rural’ sites and activities and questions the dichotomy of country and city. Franceschini founded Futurefarmers, a collaborative and experimental studio that addresses ecological issues, as well as the online magazine, Atlas. Inspired by the exhibition Actions: What You Can Do(...)
Form:
events
events
Date:
4 April 2009
4 April 2009
