19461 Results
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exhibitions
exhibitions
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Description:
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Location:
Octagonal gallery and library rotunda
Octagonal gallery and library rotunda
Date:
12 April 2007 to 9 September 2007
12 April 2007 to 9 September 2007
Title:
Clip/Stamp/Fold 2: The Radical Architecture of Little Magazines 196X - 197X
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Description:
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Clip/Stamp/Fold 2: The Radical Architecture of Little Magazines 196X - 197X
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Description:
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Form:
exhibitions
exhibitions
Date:
12 April 2007 to
9 September 2007
12 April 2007 to
9 September 2007
Location:
Octagonal gallery and library rotunda
Octagonal gallery and library rotunda
Form:
events
events
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Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
Date:
27 November 2013
27 November 2013
Title:
In conversation: Yto Barrada & Takashi Homma
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Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
In conversation: Yto Barrada & Takashi Homma
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Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
Form:
events
events
Date:
27 November 2013
27 November 2013
Form:
exhibitions
exhibitions
Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Location:
Main galleries
Main galleries
Date:
5 March 1997 to 25 May 1997
5 March 1997 to 25 May 1997
Title:
The New Spirit: Modern Architecture in Vancouver, 1938-1963
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Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
The New Spirit: Modern Architecture in Vancouver, 1938-1963
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Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Form:
exhibitions
exhibitions
Date:
5 March 1997 to
25 May 1997
5 March 1997 to
25 May 1997
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
John Soane 1753-1837
John Soane 1753-1837
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Description:
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Location:
Main galleries
Main galleries
Date:
16 May 2001 to 3 September 2001
16 May 2001 to 3 September 2001
Title:
John Soane 1753-1837
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Description:
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
John Soane 1753-1837
Actions:
Description:
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Form:
exhibitions
exhibitions
Date:
16 May 2001 to
3 September 2001
16 May 2001 to
3 September 2001
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Launched in November 1998 by the International Foundation for the Canadian Centre for Architecture, The CCA Competition for the Design of Cities invited architects from around the world to submit solutions to a problem facing all major cities at the dawn of the twenty-first century: how to repair the scars left by transportation structures that are vestiges from a bygone(...)
Launched in November 1998 by the International Foundation for the Canadian Centre for Architecture, The CCA Competition for the Design of Cities invited architects from around the world to submit solutions to a problem facing all major cities at the dawn of the twenty-first century: how to repair the scars left by transportation structures that are vestiges from a bygone(...)
Location:
Main galleries
Main galleries
Date:
15 November 2000 to 1 April 2001
15 November 2000 to 1 April 2001
Title:
New York: CCA Competition for the Design of Cities
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Description:
Launched in November 1998 by the International Foundation for the Canadian Centre for Architecture, The CCA Competition for the Design of Cities invited architects from around the world to submit solutions to a problem facing all major cities at the dawn of the twenty-first century: how to repair the scars left by transportation structures that are vestiges from a bygone(...)
New York: CCA Competition for the Design of Cities
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Description:
Launched in November 1998 by the International Foundation for the Canadian Centre for Architecture, The CCA Competition for the Design of Cities invited architects from around the world to submit solutions to a problem facing all major cities at the dawn of the twenty-first century: how to repair the scars left by transportation structures that are vestiges from a bygone(...)
Form:
exhibitions
exhibitions
Date:
15 November 2000 to
1 April 2001
15 November 2000 to
1 April 2001
Location:
Main galleries
Main galleries
Form:
articles
articles
Title:
Unintended Memories
Unintended Memories
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Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Keyword(s):
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Naoya Hatakeyama, conversation, oral history
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Naoya Hatakeyama, conversation, oral history
Published:
11 September 2023
11 September 2023
Title:
Unintended Memories
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Actions:
Unintended Memories
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
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Form:
exhibitions
exhibitions
Title:
Tangent - Alain Paiement
Tangent - Alain Paiement
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Description:
The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
Date:
23 April 2003 to 23 November 2003
23 April 2003 to 23 November 2003
Title:
Tangent - Alain Paiement
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Description:
The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
Tangent - Alain Paiement
Actions:
Description:
The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
Form:
exhibitions
exhibitions
Date:
23 April 2003 to
23 November 2003
23 April 2003 to
23 November 2003
Form:
exhibitions
exhibitions
Title:
First, the Forests
First, the Forests
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Description:
*First, the Forests* examines some unexplored relationships between forestry, planning, and design. Reframing forestry as an activity that creates highly designed environments with unprecedented scale, ambition and precision, the exhibition proposes an expanded understanding of the connections between natural resources, production processes, and designed form. Curated(...)
*First, the Forests* examines some unexplored relationships between forestry, planning, and design. Reframing forestry as an activity that creates highly designed environments with unprecedented scale, ambition and precision, the exhibition proposes an expanded understanding of the connections between natural resources, production processes, and designed form. Curated(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
4 October 2012 to 6 January 2013
4 October 2012 to 6 January 2013
Title:
First, the Forests
Actions:
Description:
*First, the Forests* examines some unexplored relationships between forestry, planning, and design. Reframing forestry as an activity that creates highly designed environments with unprecedented scale, ambition and precision, the exhibition proposes an expanded understanding of the connections between natural resources, production processes, and designed form. Curated(...)
First, the Forests
Actions:
Description:
*First, the Forests* examines some unexplored relationships between forestry, planning, and design. Reframing forestry as an activity that creates highly designed environments with unprecedented scale, ambition and precision, the exhibition proposes an expanded understanding of the connections between natural resources, production processes, and designed form. Curated(...)
Form:
exhibitions
exhibitions
Date:
4 October 2012 to
6 January 2013
4 October 2012 to
6 January 2013
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Location:
Main galleries
Main galleries
Date:
23 October 2002 to 6 April 2003
23 October 2002 to 6 April 2003
Title:
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Form:
exhibitions
exhibitions
Date:
23 October 2002 to
6 April 2003
23 October 2002 to
6 April 2003
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Wohnhaus Schlesisches Tor—also known as Bonjour Tristesse—in Berlin and Punt en Komma in The Hague are Álvaro Siza’s first built works outside his native Portugal. The two projects resemble one another in size, scale, program, and ambition: both were built in the 1980s, both are results of a distinct attitude towards the city, and both were social housing projects(...)
Wohnhaus Schlesisches Tor—also known as Bonjour Tristesse—in Berlin and Punt en Komma in The Hague are Álvaro Siza’s first built works outside his native Portugal. The two projects resemble one another in size, scale, program, and ambition: both were built in the 1980s, both are results of a distinct attitude towards the city, and both were social housing projects(...)
Location:
Octagonal gallery Keyword(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Octagonal gallery Keyword(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Date:
24 September 2015 to 22 May 2016
24 September 2015 to 22 May 2016
Title:
Corner, Block, Neighbourhood, Cities. Álvaro Siza in Berlin and The Hague
Actions:
Description:
Wohnhaus Schlesisches Tor—also known as Bonjour Tristesse—in Berlin and Punt en Komma in The Hague are Álvaro Siza’s first built works outside his native Portugal. The two projects resemble one another in size, scale, program, and ambition: both were built in the 1980s, both are results of a distinct attitude towards the city, and both were social housing projects(...)
Corner, Block, Neighbourhood, Cities. Álvaro Siza in Berlin and The Hague
Actions:
Description:
Wohnhaus Schlesisches Tor—also known as Bonjour Tristesse—in Berlin and Punt en Komma in The Hague are Álvaro Siza’s first built works outside his native Portugal. The two projects resemble one another in size, scale, program, and ambition: both were built in the 1980s, both are results of a distinct attitude towards the city, and both were social housing projects(...)
Form:
exhibitions
exhibitions
Date:
24 September 2015 to
22 May 2016
24 September 2015 to
22 May 2016
Location:
Octagonal gallery Keyword(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Octagonal gallery Keyword(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
