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Otto Wagner is considered as the "father of the Viennese modernism" and one of the most important international architects. The publication on the MAK exhibition illustrates the resonance of Wagner's oeuvre by protagonists of early modernism as well as his influence on his contemporaries, students and subsequent generations of architects and designers such as Josef(...)
Post-modernism
July 2018
Post Otto Wagner: from the postal savings bank to post-modernism
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Otto Wagner is considered as the "father of the Viennese modernism" and one of the most important international architects. The publication on the MAK exhibition illustrates the resonance of Wagner's oeuvre by protagonists of early modernism as well as his influence on his contemporaries, students and subsequent generations of architects and designers such as Josef Hoffmann, Joze Plecnik, Leopold Bauer, Rudolph M. Schindler, Frank Lloyd Wright, Auguste Perret, Frei Otto, Aldo Rossi and Robert Venturi/Denise Scott Brown. With generous and often unknown image material the book illustrates Wagner's influence on international architecture from the turn of the century to the present, and thus a link between the intricate relationship of modernism and postmodernism.
Post-modernism
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Retrieving both the globalising branches and the overlooked cross-cultural roots of critical regionalism, this publication resituates the movement within the wider framework of debates around postmodern architecture, the diverse contexts from which it emerged, and the cultural media complex that conditioned its reception. In so doing, it explores the intersection of three(...)
Resisting postmodern architecture: Critical regionalism before globalisation
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Retrieving both the globalising branches and the overlooked cross-cultural roots of critical regionalism, this publication resituates the movement within the wider framework of debates around postmodern architecture, the diverse contexts from which it emerged, and the cultural media complex that conditioned its reception. In so doing, it explores the intersection of three areas of growing historical and theoretical interest: postmodernism, critical regionalism and globalisation. Based on more than 50 interviews and previously unpublished archival material from six countries, the book transgresses existing barriers to integrate sources in other languages into anglophone architectural scholarship. In so doing, it shows how the ‘periphery’ was not just a passive recipient, but also an active generator of architectural theory and practice.
Post-modernism
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308 pages : illustrations, plans ; 26 cm
Minneapolis, MN : University of Minnesota Press, [2018], ©2018
Modernism as memory : building identity in the Federal Republic of Germany / Kathleen James-Chakraborty.
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308 pages : illustrations, plans ; 26 cm
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Minneapolis, MN : University of Minnesota Press, [2018], ©2018
books
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208 pages : illustrations (some colour) ; 24 cm
London : Thames & Hudson, 2013., ©2013
Architecture on the carpet : the curious tale of construction toys and the genesis of modern buildings / Brenda and Robert Vale ; with 111 illustrations, 97 in colour.
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208 pages : illustrations (some colour) ; 24 cm
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London : Thames & Hudson, 2013., ©2013
books
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224 pages : color illustrations ; 31 cm
New York : H.N. Abrams, 1994.
Water and architecture / text by Charles W. Moore ; photographs by Jane Lidz.
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224 pages : color illustrations ; 31 cm
books
New York : H.N. Abrams, 1994.
books
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354 pages : illustrations (some color) ; 26 cm
Los Angeles, Calif. : Getty Research Institute, ©2013.
Las Vegas in the rearview mirror : the city in theory, photography, and film / Martino Stierli ; translation by Elizabeth Tucker.
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354 pages : illustrations (some color) ; 26 cm
books
Los Angeles, Calif. : Getty Research Institute, ©2013.
$44.95
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"Art Theory: An Historical Introduction" is a unique survey of Western thought about art from ancient times to the present. It provides a lucid and lively narrative geared to the needs of the general reader and beginning student, Covering the major periods of Western art history: Antiquity and the Middle Ages, the early modern period (Renaissance and Baroque), the(...)
Art theory : an historical introduction
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"Art Theory: An Historical Introduction" is a unique survey of Western thought about art from ancient times to the present. It provides a lucid and lively narrative geared to the needs of the general reader and beginning student, Covering the major periods of Western art history: Antiquity and the Middle Ages, the early modern period (Renaissance and Baroque), the Enlightenment, the nineteenth century, early twentieth-century modernism, and postmodernism. It relates theory to the practice as well as to the intellectual- and cultural-historical currents of each period, thus demonstrating the value of an historical approach to theoretical issues, and includes an extensive bibliography that provides a useful and up-to-date guide to the primary sources and secondary literature.
Architectural Theory
$29.95
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Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment. In an expanded(...)
Appropriation: Documents of contemporary art
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Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures.
Art Theory
$47.50
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism.(...)
September 2019
Moscow: a guide to Soviet modernist architecture 1955-1991
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
$34.00
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design(...)
Memphis again: Triennale Milano
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design coordinator since the late 1950s, and continued with the research of the radical architecture movements of the 1960s and 1970s, in Florence and Europe. The publication documents the eponymous 2022 Milan exhibition on the group, for which Memphis works were dynamically installed in chronological order in the style of a fashion show, with quotes by critics, architects and designers projected on the walls.
Industrial Design