19169 Results
Form:
exhibitions
exhibitions
Description:
A look at Louis Kahn’s graphic work shows that his search for abstract monumentality, which culminated in his works of the 1960s, began decades earlier in his abundant drawings, travel sketches, and landscapes. The studies, travel sketches, and landscapes shown in the exhibition—such as Kahns intimate landscapes from Gaspé, where he regularly vacationed during the 1930s(...)
A look at Louis Kahn’s graphic work shows that his search for abstract monumentality, which culminated in his works of the 1960s, began decades earlier in his abundant drawings, travel sketches, and landscapes. The studies, travel sketches, and landscapes shown in the exhibition—such as Kahns intimate landscapes from Gaspé, where he regularly vacationed during the 1930s(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
19 May 1993 to 29 August 1993
19 May 1993 to 29 August 1993
Title:
An Architectural Odyssey: The Travel Sketches of Louis I. Kahn
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Description:
A look at Louis Kahn’s graphic work shows that his search for abstract monumentality, which culminated in his works of the 1960s, began decades earlier in his abundant drawings, travel sketches, and landscapes. The studies, travel sketches, and landscapes shown in the exhibition—such as Kahns intimate landscapes from Gaspé, where he regularly vacationed during the 1930s(...)
An Architectural Odyssey: The Travel Sketches of Louis I. Kahn
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Description:
A look at Louis Kahn’s graphic work shows that his search for abstract monumentality, which culminated in his works of the 1960s, began decades earlier in his abundant drawings, travel sketches, and landscapes. The studies, travel sketches, and landscapes shown in the exhibition—such as Kahns intimate landscapes from Gaspé, where he regularly vacationed during the 1930s(...)
Form:
exhibitions
exhibitions
Date:
19 May 1993 to
29 August 1993
19 May 1993 to
29 August 1993
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Title:
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
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Description:
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
11 December 2003 to 7 March 2004
11 December 2003 to 7 March 2004
Title:
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
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Description:
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
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Description:
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
Form:
exhibitions
exhibitions
Date:
11 December 2003 to
7 March 2004
11 December 2003 to
7 March 2004
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Description:
While we wait for the climate crisis to convince us that it is real, what is the right attitude to take? Should we panic, start saving food, or just lie down and try to relax? Join us in a temporary tv studio for a live recording of diverse thinkers presenting their work and reflecting on how it suggests different ways forward. To mark the opening of It’s All Happening(...)
While we wait for the climate crisis to convince us that it is real, what is the right attitude to take? Should we panic, start saving food, or just lie down and try to relax? Join us in a temporary tv studio for a live recording of diverse thinkers presenting their work and reflecting on how it suggests different ways forward. To mark the opening of It’s All Happening(...)
Date:
16 November 2016
16 November 2016
Title:
Hostile or docile?
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Description:
While we wait for the climate crisis to convince us that it is real, what is the right attitude to take? Should we panic, start saving food, or just lie down and try to relax? Join us in a temporary tv studio for a live recording of diverse thinkers presenting their work and reflecting on how it suggests different ways forward. To mark the opening of It’s All Happening(...)
Hostile or docile?
Actions:
Description:
While we wait for the climate crisis to convince us that it is real, what is the right attitude to take? Should we panic, start saving food, or just lie down and try to relax? Join us in a temporary tv studio for a live recording of diverse thinkers presenting their work and reflecting on how it suggests different ways forward. To mark the opening of It’s All Happening(...)
Form:
events
events
Date:
16 November 2016
16 November 2016
Form:
exhibitions
exhibitions
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Location:
Baile Park
Baile Park
Date:
6 May 2004 to 6 September 2004
6 May 2004 to 6 September 2004
Title:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970)
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Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970)
Actions:
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Form:
exhibitions
exhibitions
Date:
6 May 2004 to
6 September 2004
6 May 2004 to
6 September 2004
Location:
Baile Park
Baile Park
Form:
exhibitions
exhibitions
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Location:
Main galleries
Main galleries
Date:
15 May 2003 to 14 September 2003
15 May 2003 to 14 September 2003
Title:
Traces of India: Photography, Architecture, and the Politics of Representation
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Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India: Photography, Architecture, and the Politics of Representation
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Form:
exhibitions
exhibitions
Date:
15 May 2003 to
14 September 2003
15 May 2003 to
14 September 2003
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Location:
Main galleries
Main galleries
Date:
18 March 1998 to 24 May 1998
18 March 1998 to 24 May 1998
Title:
Montréal Métropole, 1880–1930
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Description:
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Montréal Métropole, 1880–1930
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Description:
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Form:
exhibitions
exhibitions
Date:
18 March 1998 to
24 May 1998
18 March 1998 to
24 May 1998
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Location:
Main galleries
Main galleries
Date:
18 June 1996 to 29 September 1996
18 June 1996 to 29 September 1996
Title:
Frank Lloyd Wright: Designs for an American Landscape, 1922-1932
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Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Frank Lloyd Wright: Designs for an American Landscape, 1922-1932
Actions:
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Form:
exhibitions
exhibitions
Date:
18 June 1996 to
29 September 1996
18 June 1996 to
29 September 1996
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Location:
Main galleries
Main galleries
Date:
22 October 1997 to 15 February 1998
22 October 1997 to 15 February 1998
Title:
Other Soundings: Selected Works by John Hejduk, 1954-1997
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Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Other Soundings: Selected Works by John Hejduk, 1954-1997
Actions:
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Form:
exhibitions
exhibitions
Date:
22 October 1997 to
15 February 1998
22 October 1997 to
15 February 1998
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Location:
Main galleries
Main galleries
Date:
26 May 1999 to 31 October 1999
26 May 1999 to 31 October 1999
Title:
Carlo Scarpa, Architect: Intervening with History
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Description:
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Carlo Scarpa, Architect: Intervening with History
Actions:
Description:
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Form:
exhibitions
exhibitions
Date:
26 May 1999 to
31 October 1999
26 May 1999 to
31 October 1999
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
The Idea of the Penitentiary
The Idea of the Penitentiary
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Description:
This exhibition explores the notion of penitentiary, which worked its way into the consciousness and across the landscape of Europe and North America during the nineteenth century. Drawing upon the growing rationalist tendencies in architecture and social theory during the eighteenth century, proponents of penitentiary emphasised a clear geometry of separation,(...)
This exhibition explores the notion of penitentiary, which worked its way into the consciousness and across the landscape of Europe and North America during the nineteenth century. Drawing upon the growing rationalist tendencies in architecture and social theory during the eighteenth century, proponents of penitentiary emphasised a clear geometry of separation,(...)
Location:
Hall cases
Hall cases
Date:
8 November 1995 to 31 May 1996
8 November 1995 to 31 May 1996
Title:
The Idea of the Penitentiary
Actions:
Description:
This exhibition explores the notion of penitentiary, which worked its way into the consciousness and across the landscape of Europe and North America during the nineteenth century. Drawing upon the growing rationalist tendencies in architecture and social theory during the eighteenth century, proponents of penitentiary emphasised a clear geometry of separation,(...)
The Idea of the Penitentiary
Actions:
Description:
This exhibition explores the notion of penitentiary, which worked its way into the consciousness and across the landscape of Europe and North America during the nineteenth century. Drawing upon the growing rationalist tendencies in architecture and social theory during the eighteenth century, proponents of penitentiary emphasised a clear geometry of separation,(...)
Form:
exhibitions
exhibitions
Date:
8 November 1995 to
31 May 1996
8 November 1995 to
31 May 1996
Location:
Hall cases
Hall cases
