exhibitions
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
Hall cases
13 November 1991 to 16 February 1992
Corpus Sanum in Domo Sano: The Architecture of the Domestic Sanitation Movement, 1870-1914
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Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
exhibitions
13 November 1991 to
16 February 1992
Hall cases
Centring on Eadweard Muybridge’s panoramas, this exhibition examines the representations of San Francisco from 1850 to 1880, a period of phenomenal growth and development for the city. Contextualizing Muybridge’s work, the exhibition includes multi-panel daguerreotype panoramas, photographic panoramas (including sets of stereocards), photographic-view books and albums,(...)
Main galleries
31 March 1993 to 25 July 1993
Eadweard Muybridge and the Photographic Panorama of San Francisco, 1850-1880
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Description:
Centring on Eadweard Muybridge’s panoramas, this exhibition examines the representations of San Francisco from 1850 to 1880, a period of phenomenal growth and development for the city. Contextualizing Muybridge’s work, the exhibition includes multi-panel daguerreotype panoramas, photographic panoramas (including sets of stereocards), photographic-view books and albums,(...)
Main galleries
Robert Burley, CCA Mellon Senior Fellow and Assistant Professor at Ryerson University, speaks on “The Architecture of Photography in an Age of Obsolescence.” The CCA Mellon Foundation Senior Fellowship Program was established in 2001 to encourage advanced research in architectural history and thought. With the generous support of The Andrew W. Mellon Foundation,(...)
Paul Desmarais Theatre
16 September 2010, 6pm
Robert Burley: The Architecture of Photography in an Age of Obsolescence
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Robert Burley, CCA Mellon Senior Fellow and Assistant Professor at Ryerson University, speaks on “The Architecture of Photography in an Age of Obsolescence.” The CCA Mellon Foundation Senior Fellowship Program was established in 2001 to encourage advanced research in architectural history and thought. With the generous support of The Andrew W. Mellon Foundation,(...)
Paul Desmarais Theatre
textual records
ARCH258487
Description:
Publications diverses, incluant le premier rapport au conseil municipal de la Commission d'étude des problèmes de la circulation et du transport, le rapport annuel de « Les Parcs de Montréal » (1958), « Montréal et son service des travaux publics ». Comprend aussi 2 plans de Montréal (centre-ville/Square Victoria), une carte de Québec, des coupures de presse sur l'urbanisme, et une brochure du métro.
1947-1958
Publications diverses principalement relatives à la Ville de Montréal
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ARCH258487
Description:
Publications diverses, incluant le premier rapport au conseil municipal de la Commission d'étude des problèmes de la circulation et du transport, le rapport annuel de « Les Parcs de Montréal » (1958), « Montréal et son service des travaux publics ». Comprend aussi 2 plans de Montréal (centre-ville/Square Victoria), une carte de Québec, des coupures de presse sur l'urbanisme, et une brochure du métro.
textual records
1947-1958
Geoff Manaugh examines urban design in the context of epidemiology, pandemics and quarantine, including measures taken by the United States’ government agency Centers for Disease Control and Prevention (CDC. Geoff Manaugh is the author of BLDGBLOG and The BLDGBLOG Book, and a contributing editor at Wired UK. His fall 2009 design studio Landscapes of Quarantine examines(...)
Paul Desmarais Theatre
22 October 2009 , 7pm
Geoff Manaugh: Cities of the CDC
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Geoff Manaugh examines urban design in the context of epidemiology, pandemics and quarantine, including measures taken by the United States’ government agency Centers for Disease Control and Prevention (CDC. Geoff Manaugh is the author of BLDGBLOG and The BLDGBLOG Book, and a contributing editor at Wired UK. His fall 2009 design studio Landscapes of Quarantine examines(...)
Paul Desmarais Theatre
Chicago-based artist Michael Rakowitz speaks with Luca Stasi of Recetas Urbanas about their various projects. Rakowitz’s work explores the concepts of nomadic habitat and urban appropriation, while Recetas Urbanas uses strategies of urban intervention that take advantage of legal loopholes, opening up opportunities for autonomous architecture. The conversation is part of(...)
Paul Desmarais Theatre
2 April 2009
Michael Rakowitz and Luca Stasi of Recetas Urbanas
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Chicago-based artist Michael Rakowitz speaks with Luca Stasi of Recetas Urbanas about their various projects. Rakowitz’s work explores the concepts of nomadic habitat and urban appropriation, while Recetas Urbanas uses strategies of urban intervention that take advantage of legal loopholes, opening up opportunities for autonomous architecture. The conversation is part of(...)
Paul Desmarais Theatre
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
28 January 2016
Practicing Advocacy: Who Builds Your Architecture?
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Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Liquidated Architecture
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Paul Desmarais Theatre
26 February 2009
Liquidated Architecture
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American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Paul Desmarais Theatre
Series
Project records from Mr. Koz
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
1996
Project records from Mr. Koz
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AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Series
1996
textual records
ARCH258925
Description:
Correspondance avec les fournisseurs, le Cabinet du Ministre des Travaux Publics, et Jacques Gréber, architecte, incluant des dessins de détail, des bleus pliés, des notes et calculs, relatifs à l'électricité, à l'acoustique, et des rapports d'inspection. Comprend aussi un dossier de la documentation photographique.
1937-1940
Correspondance avec les fournisseurs, clients et architecte, notes et rapports
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ARCH258925
Description:
Correspondance avec les fournisseurs, le Cabinet du Ministre des Travaux Publics, et Jacques Gréber, architecte, incluant des dessins de détail, des bleus pliés, des notes et calculs, relatifs à l'électricité, à l'acoustique, et des rapports d'inspection. Comprend aussi un dossier de la documentation photographique.
textual records
1937-1940