1152 Results
Title:
Sherrie Levine
Sherrie Levine
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The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture(...)
$32.00
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Summary:
The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture(...)
Title:
Sherrie Levine
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Price:
$32.00
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Summary:
The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts—most notably as it emerged in the pages of October magazine.
Sherrie Levine
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Price:
$32.00
(available to order)
Summary:
The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts—most notably as it emerged in the pages of October magazine.
Subject:
Art Theory
Art Theory
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$115.00
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Summary:
Long a pioneer in architecture, Emilio Ambasz has retained a belief in the environment, or rather the larger ecology, as fundamental in viewing the world: as the author notes in the introduction, "his philosophy of ‘green over gray’ may often have fallen on deaf ears at the height of Postmodernism, but it today seems profoundly relevant." And it is in the context of today(...)
$115.00
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Summary:
Long a pioneer in architecture, Emilio Ambasz has retained a belief in the environment, or rather the larger ecology, as fundamental in viewing the world: as the author notes in the introduction, "his philosophy of ‘green over gray’ may often have fallen on deaf ears at the height of Postmodernism, but it today seems profoundly relevant." And it is in the context of today(...)
Title:
Emilio Ambasz: Curating a new nature
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$115.00
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Long a pioneer in architecture, Emilio Ambasz has retained a belief in the environment, or rather the larger ecology, as fundamental in viewing the world: as the author notes in the introduction, "his philosophy of ‘green over gray’ may often have fallen on deaf ears at the height of Postmodernism, but it today seems profoundly relevant." And it is in the context of today that the book considers his work and its three main areas of concentration—architecture, industrial design, curating—with an aim of shining a light on the interdisciplinary nature of the work as a whole. Featuring built and manufactured designs that have achieved iconic fame and challenged others to approach new ways of reconciling architecture and nature, the book also considers Ambasz’s work as curator at MoMA and his ongoing influence and legacy.
Emilio Ambasz: Curating a new nature
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$115.00
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Summary:
Long a pioneer in architecture, Emilio Ambasz has retained a belief in the environment, or rather the larger ecology, as fundamental in viewing the world: as the author notes in the introduction, "his philosophy of ‘green over gray’ may often have fallen on deaf ears at the height of Postmodernism, but it today seems profoundly relevant." And it is in the context of today that the book considers his work and its three main areas of concentration—architecture, industrial design, curating—with an aim of shining a light on the interdisciplinary nature of the work as a whole. Featuring built and manufactured designs that have achieved iconic fame and challenged others to approach new ways of reconciling architecture and nature, the book also considers Ambasz’s work as curator at MoMA and his ongoing influence and legacy.
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Description:
175 pages ; 23 cm
Description:
175 pages ; 23 cm
Subject:
- Avant Garde Musikgruppe,
- Avant-garde (Aesthetics) History 20th century.,
- Art, Modern 20th century.,
- Art 20e siècle.,
- Art, Modern,
- Avant-garde (Aesthetics),
- Kunst,
- Künstler,
- Künstlerkult,
- Leitbild,
- Avant-garde.,
- Esthetica.,
- Estetica (arte),
- Esthétique.,
- Avant-garde (esthétique),
- Avant-garde (esthétique) États-Unis.,
- Art 19e siècle Europe.,
- Art 20e siècle États-Unis.,
- Art,
- Modernism (Art),
- History
(See more)
Publication:
Cambridge ; New York : Cambridge University Press, 1993.
Cambridge ; New York : Cambridge University Press, 1993.
Title:
The cult of the Avant-Garde artist / Donald Kuspit.
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Description:
175 pages ; 23 cm
The cult of the Avant-Garde artist / Donald Kuspit.
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Description:
175 pages ; 23 cm
Form:
books
books
Publication:
Cambridge ; New York : Cambridge University Press, 1993.
Cambridge ; New York : Cambridge University Press, 1993.
Subject:
- Avant Garde Musikgruppe,
- Avant-garde (Aesthetics) History 20th century.,
- Art, Modern 20th century.,
- Art 20e siècle.,
- Art, Modern,
- Avant-garde (Aesthetics),
- Kunst,
- Künstler,
- Künstlerkult,
- Leitbild,
- Avant-garde.,
- Esthetica.,
- Estetica (arte),
- Esthétique.,
- Avant-garde (esthétique),
- Avant-garde (esthétique) États-Unis.,
- Art 19e siècle Europe.,
- Art 20e siècle États-Unis.,
- Art,
- Modernism (Art),
- History
(See more)
Form:
books
books
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Description:
xxii, 102 pages ; 23 cm.
Description:
xxii, 102 pages ; 23 cm.
Subject:
Publication:
Tuscaloosa : University of Alabama Press, ©2002.
Tuscaloosa : University of Alabama Press, ©2002.
Title:
Architectural body / Madeline Gins and Arakawa.
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Description:
xxii, 102 pages ; 23 cm.
Architectural body / Madeline Gins and Arakawa.
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Description:
xxii, 102 pages ; 23 cm.
Form:
books
books
Publication:
Tuscaloosa : University of Alabama Press, ©2002.
Tuscaloosa : University of Alabama Press, ©2002.
Form:
audio
audio
Title:
LONGUE DURÉE II Pt. 2.
LONGUE DURÉE II Pt. 2.
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Description:
1 online resource
Author:
Subject:
Publication:
[Place of publication not identified] : Disintegrator, 2026.
[Place of publication not identified] : Disintegrator, 2026.
Form:
audio
audio
Publication:
[Place of publication not identified] : Disintegrator, 2026.
[Place of publication not identified] : Disintegrator, 2026.
Form:
books
books
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Description:
240 pages : illustrations (some illustrations) ; 29 cm
Description:
240 pages : illustrations (some illustrations) ; 29 cm
Subject:
- Realism in art.,
- Painting, American.,
- PAINTING, AMERICAN.,
- REALISM IN ART UNITED STATES.,
- Réalisme (Art),
- Peinture américaine.,
- realism (artistic form of expression),
- Malerei,
- Realismus,
- Geschichte,
- Peinture États-Unis.,
- Réalité Dans l'art États-Unis Histoire.,
- USA,
- Realism in art United States
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Publication:
New York : Abrams, 1994.
New York : Abrams, 1994.
Title:
American realism / Edward Lucie-Smith.
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Description:
240 pages : illustrations (some illustrations) ; 29 cm
American realism / Edward Lucie-Smith.
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Description:
240 pages : illustrations (some illustrations) ; 29 cm
Form:
books
books
Publication:
New York : Abrams, 1994.
New York : Abrams, 1994.
Subject:
- Realism in art.,
- Painting, American.,
- PAINTING, AMERICAN.,
- REALISM IN ART UNITED STATES.,
- Réalisme (Art),
- Peinture américaine.,
- realism (artistic form of expression),
- Malerei,
- Realismus,
- Geschichte,
- Peinture États-Unis.,
- Réalité Dans l'art États-Unis Histoire.,
- USA,
- Realism in art United States
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Form:
books
books
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Description:
xiv, 405 pages : illustrations ; 24 cm.
Description:
xiv, 405 pages : illustrations ; 24 cm.
Subject:
- Motion pictures China.,
- Cities and towns in motion pictures.,
- City and town life in motion pictures.,
- Theater China.,
- Cinéma Chine.,
- Villes au cinéma.,
- Vie urbaine au cinéma.,
- Théâtre Chine.,
- Performing Arts.,
- Motion pictures.,
- Theater.,
- Film,
- Stadt,
- Stadt Motiv Film China.,
- Film Motiv Stadt China.,
- China.
(See more)
Publication:
Durham [NC] : Duke University Press, 2010.
Durham [NC] : Duke University Press, 2010.
Title:
Painting the city red : Chinese cinema and the urban contract / Yomi Braester.
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Description:
xiv, 405 pages : illustrations ; 24 cm.
Painting the city red : Chinese cinema and the urban contract / Yomi Braester.
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Description:
xiv, 405 pages : illustrations ; 24 cm.
Form:
books
books
Publication:
Durham [NC] : Duke University Press, 2010.
Durham [NC] : Duke University Press, 2010.
Subject:
- Motion pictures China.,
- Cities and towns in motion pictures.,
- City and town life in motion pictures.,
- Theater China.,
- Cinéma Chine.,
- Villes au cinéma.,
- Vie urbaine au cinéma.,
- Théâtre Chine.,
- Performing Arts.,
- Motion pictures.,
- Theater.,
- Film,
- Stadt,
- Stadt Motiv Film China.,
- Film Motiv Stadt China.,
- China.
(See more)
Form:
books
books
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Description:
164 pages : illustrations ; 29 cm
Description:
164 pages : illustrations ; 29 cm
Subject:
- English literature 20th century History and criticism.,
- Literature and photography English-speaking countries History 20th century.,
- American literature 20th century History and criticism.,
- Photography, Artistic.,
- Realism in literature.,
- Littérature anglaise 20e siècle Histoire et critique.,
- Littérature et photographie Anglophonie Histoire 20e siècle.,
- Littérature américaine 20e siècle Histoire et critique.,
- Photographie artistique.,
- Réalisme dans la littérature.,
- art photography.,
- 20.09 art in relation with other areas of culture: other.,
- American literature.,
- English literature.,
- Literature and photography.,
- Englisch,
- Fotografie,
- Literatur,
- Aufsatzsammlung,
- Letterkunde.,
- Literature and photography Great Britain.,
- Literature and photography United States.,
- English-speaking countries.,
- English literature -- 20th century -- History and criticism,
- Literature and photography -- Great Britain -- History -20th century,
- Literature and photography -- United States -- History -20th century,
- American literature -- 20th century -- History and criticism,
- Photography, Artistic -- History and criticism,
- Criticism, interpretation, etc.,
- History.
(See more)
Publication:
Newark : University of Delaware Press ; London ; Cranbury, NJ : Associated University Presses, ©1996.
Newark : University of Delaware Press ; London ; Cranbury, NJ : Associated University Presses, ©1996.
Title:
Photo-textualities : reading photographs and literature / edited by Marsha Bryant.
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Description:
164 pages : illustrations ; 29 cm
Photo-textualities : reading photographs and literature / edited by Marsha Bryant.
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Description:
164 pages : illustrations ; 29 cm
Form:
books
books
Publication:
Newark : University of Delaware Press ; London ; Cranbury, NJ : Associated University Presses, ©1996.
Newark : University of Delaware Press ; London ; Cranbury, NJ : Associated University Presses, ©1996.
Subject:
- English literature 20th century History and criticism.,
- Literature and photography English-speaking countries History 20th century.,
- American literature 20th century History and criticism.,
- Photography, Artistic.,
- Realism in literature.,
- Littérature anglaise 20e siècle Histoire et critique.,
- Littérature et photographie Anglophonie Histoire 20e siècle.,
- Littérature américaine 20e siècle Histoire et critique.,
- Photographie artistique.,
- Réalisme dans la littérature.,
- art photography.,
- 20.09 art in relation with other areas of culture: other.,
- American literature.,
- English literature.,
- Literature and photography.,
- Englisch,
- Fotografie,
- Literatur,
- Aufsatzsammlung,
- Letterkunde.,
- Literature and photography Great Britain.,
- Literature and photography United States.,
- English-speaking countries.,
- English literature -- 20th century -- History and criticism,
- Literature and photography -- Great Britain -- History -20th century,
- Literature and photography -- United States -- History -20th century,
- American literature -- 20th century -- History and criticism,
- Photography, Artistic -- History and criticism,
- Criticism, interpretation, etc.,
- History.
(See more)
Form:
books
books
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Description:
312 pages : illustrations (some color) ; 25 cm
Description:
312 pages : illustrations (some color) ; 25 cm
Subject:
Publication:
New York : Thames & Hudson, 2012.
New York : Thames & Hudson, 2012.
Title:
Medieval modern : art out of time / Alexander Nagel.
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Description:
312 pages : illustrations (some color) ; 25 cm
Medieval modern : art out of time / Alexander Nagel.
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Description:
312 pages : illustrations (some color) ; 25 cm
Form:
books
books
Publication:
New York : Thames & Hudson, 2012.
New York : Thames & Hudson, 2012.
Title:
Hans Hollein
Hans Hollein
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$145.00
(available to order)
Summary:
The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
$145.00
(available to order)
Summary:
The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
Title:
Hans Hollein
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Price:
$145.00
(available to order)
Summary:
The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
Hans Hollein
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Price:
$145.00
(available to order)
Summary:
The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.