15369 Results
Level of archival description:
Project
Project
Reference number:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
People:
Date:
1931
1931
Title:
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
Level of archival description:
project
project
Date:
1931
1931
People:
Form:
exhibitions
exhibitions
Description:
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Date:
31 May 2017 to 24 September 2017
31 May 2017 to 24 September 2017
Title:
Educating Architects: Four Courses by Kenneth Frampton
Actions:
Description:
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Educating Architects: Four Courses by Kenneth Frampton
Actions:
Description:
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Form:
exhibitions
exhibitions
Date:
31 May 2017 to
24 September 2017
31 May 2017 to
24 September 2017
Form:
research
research
Title:
Visiting Scholars 1998–1999
Visiting Scholars 1998–1999
Actions:
Description:
Theme: The Baroque Phenomenon beyond Rome Annalisa Avon, Independent researcher, Fiume Veneto, Italy Topic: Baroque in France Before Bernini’s Arrival Dirk De Meyer, Universiteit Gent, Belgium Topic: Johann Santini Aichel (1677-1723) Rochelle Ziskin, Department of Art and Art History, University of Missouri-Kansas City, United States Topic: Lexicons of Feminity and(...)
Theme: The Baroque Phenomenon beyond Rome Annalisa Avon, Independent researcher, Fiume Veneto, Italy Topic: Baroque in France Before Bernini’s Arrival Dirk De Meyer, Universiteit Gent, Belgium Topic: Johann Santini Aichel (1677-1723) Rochelle Ziskin, Department of Art and Art History, University of Missouri-Kansas City, United States Topic: Lexicons of Feminity and(...)
Date:
September 1998 to August 1999
September 1998 to August 1999
Title:
Visiting Scholars 1998–1999
Actions:
Description:
Theme: The Baroque Phenomenon beyond Rome Annalisa Avon, Independent researcher, Fiume Veneto, Italy Topic: Baroque in France Before Bernini’s Arrival Dirk De Meyer, Universiteit Gent, Belgium Topic: Johann Santini Aichel (1677-1723) Rochelle Ziskin, Department of Art and Art History, University of Missouri-Kansas City, United States Topic: Lexicons of Feminity and(...)
Visiting Scholars 1998–1999
Actions:
Description:
Theme: The Baroque Phenomenon beyond Rome Annalisa Avon, Independent researcher, Fiume Veneto, Italy Topic: Baroque in France Before Bernini’s Arrival Dirk De Meyer, Universiteit Gent, Belgium Topic: Johann Santini Aichel (1677-1723) Rochelle Ziskin, Department of Art and Art History, University of Missouri-Kansas City, United States Topic: Lexicons of Feminity and(...)
Form:
research
research
Date:
September 1998 to
August 1999
September 1998 to
August 1999
Form:
research
research
Title:
Visiting Scholars 2000–2001
Visiting Scholars 2000–2001
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
Date:
September 2000 to August 2001
September 2000 to August 2001
Title:
Visiting Scholars 2000–2001
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
Visiting Scholars 2000–2001
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
Form:
research
research
Date:
September 2000 to
August 2001
September 2000 to
August 2001
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP113
Synopsis:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
AP113
Synopsis:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
People:
Date:
[1997]-1998
[1997]-1998
Title:
IIT - New Campus Center Competition fonds
Actions:
AP113
Synopsis:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
IIT - New Campus Center Competition fonds
Actions:
AP113
Synopsis:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
[1997]-1998
[1997]-1998
People:
Form:
events
events
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Date:
21 September 2017, 6:30pm
21 September 2017, 6:30pm
Title:
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Form:
events
events
Date:
21 September 2017
6:30pm
21 September 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Level of archival description:
Project
Project
Reference number:
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
People:
Date:
1963-1964
1963-1964
Title:
Bata Limited Office Building, Don Mills, Ontario (1962-1965)
Actions:
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
Bata Limited Office Building, Don Mills, Ontario (1962-1965)
Actions:
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
Level of archival description:
Project
Project
Date:
1963-1964
1963-1964
People:
Form:
textual records
textual records
Reference number:
AP206.S2.057
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.058 and AP206.S2.059. This file includes the following papers: Untitled paper on art activities in Chandigarh, 1982 "Avoidable Waste of Energy," newspaper article, 1983 "Need to Halt Waste of Energy," newspaper article, 1983 "Review of Modern Architecture Since 1900 by William JR Curtis," 1983 "Chandigarh Whose Baby?" "The Personality of a Unique City," newspaper article, 1983
AP206.S2.057
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.058 and AP206.S2.059. This file includes the following papers: Untitled paper on art activities in Chandigarh, 1982 "Avoidable Waste of Energy," newspaper article, 1983 "Need to Halt Waste of Energy," newspaper article, 1983 "Review of Modern Architecture Since 1900 by William JR Curtis," 1983 "Chandigarh Whose Baby?" "The Personality of a Unique City," newspaper article, 1983
People:
Date:
1982-1985
1982-1985
Title:
Published and unpublished papers (folder 2 of 4)
Actions:
AP206.S2.057
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.058 and AP206.S2.059. This file includes the following papers: Untitled paper on art activities in Chandigarh, 1982 "Avoidable Waste of Energy," newspaper article, 1983 "Need to Halt Waste of Energy," newspaper article, 1983 "Review of Modern Architecture Since 1900 by William JR Curtis," 1983 "Chandigarh Whose Baby?" "The Personality of a Unique City," newspaper article, 1983
Published and unpublished papers (folder 2 of 4)
Actions:
AP206.S2.057
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.058 and AP206.S2.059. This file includes the following papers: Untitled paper on art activities in Chandigarh, 1982 "Avoidable Waste of Energy," newspaper article, 1983 "Need to Halt Waste of Energy," newspaper article, 1983 "Review of Modern Architecture Since 1900 by William JR Curtis," 1983 "Chandigarh Whose Baby?" "The Personality of a Unique City," newspaper article, 1983
Form:
textual records
textual records
Date:
1982-1985
1982-1985
People:
Level of archival description:
Series
Series
Title:
Professional papers
Professional papers
Reference number:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
People:
Date:
circa 1950-2008
circa 1950-2008
Title:
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Level of archival description:
Series
Series
Date:
circa 1950-2008
circa 1950-2008
People:
Form:
drawings, textual records, graphic materials, photographs
drawings, textual records, graphic materials, photographs
Reference number:
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
People:
Date:
1956-2016
1956-2016
Title:
Kenneth Frampton certificates, diplomas, and posters
Actions:
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
Kenneth Frampton certificates, diplomas, and posters
Actions:
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
Form:
drawings, textual records, graphic materials, photographs
drawings, textual records, graphic materials, photographs
Date:
1956-2016
1956-2016
People:
