photographs
ARCH256440
Description:
"Au vol d'oiseau, voici l'île Sainte-Hélène à son état naturel, il y a deux ans, avant le début des travaux de récupération qui ont presque triplé la superficie afin d'y loger l'Exposition universelle de 1967. Le magnifique parc boisé restera tel quel pour l'agrément des visiteurs. / Air view of Ile Sainte-Hélène, as of July 23, 1963, just before work began on the enlargement of the island to provide the ground for Expo 67. View is from the upstream end of the island. Stipulation in the program for building Expo 67 is the condition that the original Ile Sainte-Helene public park be left untouched."--Description.
23 July 1963
Aerial views of the Île Sainte-Hélène and Île Notre-Dame sites prior the enlargement and the creation phases were completed, Expo 67, Montréal, Québec
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ARCH256440
Description:
"Au vol d'oiseau, voici l'île Sainte-Hélène à son état naturel, il y a deux ans, avant le début des travaux de récupération qui ont presque triplé la superficie afin d'y loger l'Exposition universelle de 1967. Le magnifique parc boisé restera tel quel pour l'agrément des visiteurs. / Air view of Ile Sainte-Hélène, as of July 23, 1963, just before work began on the enlargement of the island to provide the ground for Expo 67. View is from the upstream end of the island. Stipulation in the program for building Expo 67 is the condition that the original Ile Sainte-Helene public park be left untouched."--Description.
photographs
23 July 1963
Learning from… São Paulo
Angelo Bucci, architect and professor at the University of São Paulo, Brazil, addresses the violence and changing environment of São Paulo in search of new urban forms. São Paulo’s urban violence can be understood as ruining the experience of the city and, as a result, the purpose of the architect’s work. The lecture examines São Paulo not as a static object, but as an(...)
22 April 2010
Learning from… São Paulo
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Angelo Bucci, architect and professor at the University of São Paulo, Brazil, addresses the violence and changing environment of São Paulo in search of new urban forms. São Paulo’s urban violence can be understood as ruining the experience of the city and, as a result, the purpose of the architect’s work. The lecture examines São Paulo not as a static object, but as an(...)
archives
Level of archival description:
Fonds
Roger D’Astous fonds
AP060
Synopsis:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
1893-1998, surtout 1951-1998
Roger D’Astous fonds
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AP060
Synopsis:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
archives
Level of archival description:
Fonds
1893-1998, surtout 1951-1998
Mies in America
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
17 October 2001 to 20 January 2002
Mies in America
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A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Main galleries
4 July 2007 to 30 September 2007
Lessons from Bernard Rudofsky
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Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Main galleries
articles
First, the Forests
Nature reorganized
16th century, 20th century, carte, D'abord les forêts, Dan Handel, dessin, drawing, États-Unis, First the Forests, forest, foresterie, forestry, forêt, Inde, India, Italie, Italy, map, photographie, photography, Programme pour jeune commissaire, United States, Venice, Venise, XVIe siècle, XXe siècle, Young Curator Program
28 August 2012
Nature reorganized
On New Year’s Eve 1987, the people of Gonaïves, an impoverished port town on Haiti’s west coast, awoke to 4,000 tons of toxic ash. Amidst political turmoil in Haiti, officials had approved the import of toxic waste from the United States classified as “fertilizer.” In this case, the ash came from Philadelphia, which was facing a waste management crisis brought on by the(...)
Canada, environment, Jodoin, Müller, It's all happening so fast, toxic, Haiti, voluntary exchange, garbage imperialism, Gonaives
16 March 2017
Here It Is Toxic, There It Is Not
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Description:
On New Year’s Eve 1987, the people of Gonaïves, an impoverished port town on Haiti’s west coast, awoke to 4,000 tons of toxic ash. Amidst political turmoil in Haiti, officials had approved the import of toxic waste from the United States classified as “fertilizer.” In this case, the ash came from Philadelphia, which was facing a waste management crisis brought on by the(...)
Canada, environment, Jodoin, Müller, It's all happening so fast, toxic, Haiti, voluntary exchange, garbage imperialism, Gonaives
textual records, photographs
Documents relatifs au comité de rédaction du journal du Royal Architectural Institute of Canada
ARCH184131
Description:
Documents relatifs au comité de rédaction du journal du Royal Architectural Institute of Canada (1944): 2 procès verbaux (2 feuilles chaque), 1 liste des membres du comité de rédaction, la 2ième feuille d'une lettre, résumé comparatif des pages du journal pour les premiers 6 mois de 1942, 1943 et 1944 avec état financier (2 feuilles), coupure de presse, 2 cartes d'abonnements. 3 photographies n/b de maisons avec texte en manuscrit au verso: [1] "Residence of M. Marc Jarry, 8 Glencoe Av. Detail of the staircase window and the terrasse over the garage. Marcel Parizeau, architect"; [2] "Residence M. & Mde Paul Laroque, 7 Ainslie, Marcel Parizeau, architect. Master bedroom window"; [3] "Residence M. & Mde Paul Laroque, dining-room window, rear elevation, 7 Ainslie [St.]. Marcel Parizeau, architect". Les 2 photographies de la maison Laroque portent un timbre de l'Associated Screen News Limited.
Documents relatifs au comité de rédaction du journal du Royal Architectural Institute of Canada
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ARCH184131
Description:
Documents relatifs au comité de rédaction du journal du Royal Architectural Institute of Canada (1944): 2 procès verbaux (2 feuilles chaque), 1 liste des membres du comité de rédaction, la 2ième feuille d'une lettre, résumé comparatif des pages du journal pour les premiers 6 mois de 1942, 1943 et 1944 avec état financier (2 feuilles), coupure de presse, 2 cartes d'abonnements. 3 photographies n/b de maisons avec texte en manuscrit au verso: [1] "Residence of M. Marc Jarry, 8 Glencoe Av. Detail of the staircase window and the terrasse over the garage. Marcel Parizeau, architect"; [2] "Residence M. & Mde Paul Laroque, 7 Ainslie, Marcel Parizeau, architect. Master bedroom window"; [3] "Residence M. & Mde Paul Laroque, dining-room window, rear elevation, 7 Ainslie [St.]. Marcel Parizeau, architect". Les 2 photographies de la maison Laroque portent un timbre de l'Associated Screen News Limited.
textual records, photographs
articles
Controlling Comfort
The rest of your senses
20th century, advertisement, air conditioning, American Iron and Steel Institute, Amérique du Nord, Architectural Forum, Architectural Review, Chrysler, climatisation, Committee on Steel Pipe Research, États-Unis, House Beautiful, Manfredo di Robilant, National Electric Products, North America, Progressive Architecture, publication, publicité, Seconde Guerre mondiale, Second World War, technologie, technology, United States, XXe siècle
1 October 2012
The rest of your senses
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
11 May 2016 to 16 October 2016
Archaeology of the Digital: Complexity and Convention
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Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)