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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art(...)
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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art(...)
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Duodji reader: Twelve essays on duodji by Sámi writers
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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art education. As a contribution to this interest in Indigenous art and crafts practices, we offer this book on Sámi duodji. Duodji is the artistic crafts form of the Indigenous people of the European Arctic. Duodji refers not only to the end result, the finished object itself, but also describes the whole process - from the incipient idea to the final product. Duodji demonstrates a holistic circle of creation, how nature and humans collaborate in recognising, visualising, and shaping items that serve the need for both practical use and aesthetic form. ''Duodji reader: Twelve essays on duodji by Sámi writers'' is produced by Sámi Allaskuvla and Norwegian Crafts. The publication is edited by the professors Gunvor Guttorm and Harald Gaski, and contains essays from eleven prominent Sámi scholars, duojárat, and writers from North, South, and Lule Sámi areas. The essays are presented in Lule, South or North Sámi as well as in English. The publication also contains a wide-ranging selection of photographs of duodji by more than thirty contemporary duojárat. The book is well-suited both as background and text material for education in crafts, as well as a resource for the theory and practice of Sámi duodji as an Indigenous art form with long roots in the Arctic North.
Duodji reader: Twelve essays on duodji by Sámi writers
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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art education. As a contribution to this interest in Indigenous art and crafts practices, we offer this book on Sámi duodji. Duodji is the artistic crafts form of the Indigenous people of the European Arctic. Duodji refers not only to the end result, the finished object itself, but also describes the whole process - from the incipient idea to the final product. Duodji demonstrates a holistic circle of creation, how nature and humans collaborate in recognising, visualising, and shaping items that serve the need for both practical use and aesthetic form. ''Duodji reader: Twelve essays on duodji by Sámi writers'' is produced by Sámi Allaskuvla and Norwegian Crafts. The publication is edited by the professors Gunvor Guttorm and Harald Gaski, and contains essays from eleven prominent Sámi scholars, duojárat, and writers from North, South, and Lule Sámi areas. The essays are presented in Lule, South or North Sámi as well as in English. The publication also contains a wide-ranging selection of photographs of duodji by more than thirty contemporary duojárat. The book is well-suited both as background and text material for education in crafts, as well as a resource for the theory and practice of Sámi duodji as an Indigenous art form with long roots in the Arctic North.
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books
books
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February 2022
February 2022
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Art Theory
Art Theory
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books
books
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$81.50
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For over a century, "Country Life" magazine has been influential in the world of garden design. Since 1897, its superbly illustrated essays on houses and gardens sought to inform and educate taste. Drawing from the unrivalled photographic archives of "Country Life", this magnificent volume charts the challenges, changes, and surprises of English garden design throughout(...)
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For over a century, "Country Life" magazine has been influential in the world of garden design. Since 1897, its superbly illustrated essays on houses and gardens sought to inform and educate taste. Drawing from the unrivalled photographic archives of "Country Life", this magnificent volume charts the challenges, changes, and surprises of English garden design throughout(...)
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English gardens in the twentieth century : from the archives of Country Life
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For over a century, "Country Life" magazine has been influential in the world of garden design. Since 1897, its superbly illustrated essays on houses and gardens sought to inform and educate taste. Drawing from the unrivalled photographic archives of "Country Life", this magnificent volume charts the challenges, changes, and surprises of English garden design throughout the last century. The story begins with Arts and Crafts gardens, typified by herbaceous borders and modern planting, and it continues with the Edwardian debate between formality and "wild" gardening, inter-war grandeur, postwar practicality, and pioneering artists' gardens. Beautifully illustrated with 200 colour and duotone photographs, this is an illuminating survey of an outstanding century of British garden-making.
English gardens in the twentieth century : from the archives of Country Life
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For over a century, "Country Life" magazine has been influential in the world of garden design. Since 1897, its superbly illustrated essays on houses and gardens sought to inform and educate taste. Drawing from the unrivalled photographic archives of "Country Life", this magnificent volume charts the challenges, changes, and surprises of English garden design throughout the last century. The story begins with Arts and Crafts gardens, typified by herbaceous borders and modern planting, and it continues with the Edwardian debate between formality and "wild" gardening, inter-war grandeur, postwar practicality, and pioneering artists' gardens. Beautifully illustrated with 200 colour and duotone photographs, this is an illuminating survey of an outstanding century of British garden-making.
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books
books
Publication:
June 2005, London
June 2005, London
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Gardens
Gardens
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books
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267 pages : illustrations (some color, some folded) ; 37 cm
Description:
267 pages : illustrations (some color, some folded) ; 37 cm
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[New York?] : Hugh Lauter Levin Associates, ©1998.
[New York?] : Hugh Lauter Levin Associates, ©1998.
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Michelangelo : The Complete Sculpture, Painting, Architecture / William E. Wallace.
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267 pages : illustrations (some color, some folded) ; 37 cm
Michelangelo : The Complete Sculpture, Painting, Architecture / William E. Wallace.
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267 pages : illustrations (some color, some folded) ; 37 cm
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books
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[New York?] : Hugh Lauter Levin Associates, ©1998.
[New York?] : Hugh Lauter Levin Associates, ©1998.
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$32.00
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The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken’s commissions and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior(...)
$32.00
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The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken’s commissions and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior(...)
Title:
The domestic scene (1897-1927)
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The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken’s commissions and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior designer, and client in the first quarter of the twentieth century. This expanded second edition includes updated photography, additional color images, and an essay by John C. Eastberg that deepens our understanding of Niedecken’s career by presenting his lesser-known work in the context of Milwaukee’s artistic and social history. Niedecken worked also in the Colonial and Renaissance Revival modes, and these works illustrate his versatility as a designer and entrepreneur.
The domestic scene (1897-1927)
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The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken’s commissions and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior designer, and client in the first quarter of the twentieth century. This expanded second edition includes updated photography, additional color images, and an essay by John C. Eastberg that deepens our understanding of Niedecken’s career by presenting his lesser-known work in the context of Milwaukee’s artistic and social history. Niedecken worked also in the Colonial and Renaissance Revival modes, and these works illustrate his versatility as a designer and entrepreneur.
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books
books
Publication:
March 2008, Milwaukee
March 2008, Milwaukee
Subject:
Design Monographs
Design Monographs
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books
books
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$46.00
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Many people think modernist architecture never flowered in California north of the San Fernando Valley. "NorCalMod" dispels that notion in an illustrated history showcasing examples of its contribution to the Bay Area and environs. As a style, modernist architecture was hotly debated in its day (why create modern structures where such distinctive Victorian and Arts and(...)
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Many people think modernist architecture never flowered in California north of the San Fernando Valley. "NorCalMod" dispels that notion in an illustrated history showcasing examples of its contribution to the Bay Area and environs. As a style, modernist architecture was hotly debated in its day (why create modern structures where such distinctive Victorian and Arts and(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
July 2006, San Francisco
July 2006, San Francisco
Title:
NorCalMod: icons of Northern California modernism
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Many people think modernist architecture never flowered in California north of the San Fernando Valley. "NorCalMod" dispels that notion in an illustrated history showcasing examples of its contribution to the Bay Area and environs. As a style, modernist architecture was hotly debated in its day (why create modern structures where such distinctive Victorian and Arts and Crafts buildings already existed?) pulling heavyweights such as Frank Lloyd Wright, Lewis Mumford, and Walter Gropius into the fray. Ultimately, that existing "Bay Region Style" would remain the area's architectural hallmark, but not before hundreds of important modernist projects, many still standing yet unjustly neglected today, had been established. The photos in this book open our eyes to a long-lost chapter in the history of California architecture.
NorCalMod: icons of Northern California modernism
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Many people think modernist architecture never flowered in California north of the San Fernando Valley. "NorCalMod" dispels that notion in an illustrated history showcasing examples of its contribution to the Bay Area and environs. As a style, modernist architecture was hotly debated in its day (why create modern structures where such distinctive Victorian and Arts and Crafts buildings already existed?) pulling heavyweights such as Frank Lloyd Wright, Lewis Mumford, and Walter Gropius into the fray. Ultimately, that existing "Bay Region Style" would remain the area's architectural hallmark, but not before hundreds of important modernist projects, many still standing yet unjustly neglected today, had been established. The photos in this book open our eyes to a long-lost chapter in the history of California architecture.
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books
books
Publication:
July 2006, San Francisco
July 2006, San Francisco
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
Title:
Anton Podstrasky, 1939-2007
Anton Podstrasky, 1939-2007
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Beginning with his studies at the photographic department of the School of Arts and Crafts in Bratislava, this book shows how, in the mid-1970s, Podstrasky began to work as freelancer and his photos appeared in newspapers and magazines. He rarely participated in the activities of the photographic community and the whole of his work remained practically unknown to the(...)
$79.54
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Beginning with his studies at the photographic department of the School of Arts and Crafts in Bratislava, this book shows how, in the mid-1970s, Podstrasky began to work as freelancer and his photos appeared in newspapers and magazines. He rarely participated in the activities of the photographic community and the whole of his work remained practically unknown to the(...)
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Anton Podstrasky, 1939-2007
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Beginning with his studies at the photographic department of the School of Arts and Crafts in Bratislava, this book shows how, in the mid-1970s, Podstrasky began to work as freelancer and his photos appeared in newspapers and magazines. He rarely participated in the activities of the photographic community and the whole of his work remained practically unknown to the expert and general public and only recently did it become obvious that he was one of few Slovak photographers to succeed in fully capturing the other face of life during “real socialism”—the final phase of development of the communist system before its ultimate decline. This biography details Podstrasky’s ability to record gloominess, helplessness, and personal and social resignation and stands as a testament to the artist’s important place in the history of photography.
Anton Podstrasky, 1939-2007
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Beginning with his studies at the photographic department of the School of Arts and Crafts in Bratislava, this book shows how, in the mid-1970s, Podstrasky began to work as freelancer and his photos appeared in newspapers and magazines. He rarely participated in the activities of the photographic community and the whole of his work remained practically unknown to the expert and general public and only recently did it become obvious that he was one of few Slovak photographers to succeed in fully capturing the other face of life during “real socialism”—the final phase of development of the communist system before its ultimate decline. This biography details Podstrasky’s ability to record gloominess, helplessness, and personal and social resignation and stands as a testament to the artist’s important place in the history of photography.
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books
books
Publication:
May 2014
May 2014
Subject:
Photography monographs
Photography monographs
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books
books
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$34.00
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Avec Christopher Alexander, Brian Hanson, Michael Mehaffy, Terry M. Mikiten. "Le roi est nu": ce vieil adage est définitivement approprié au triste cas du déconstructivisme, car ce dernier n’est rien d’autre qu’un modernisme déguisé sous une autre forme. Les modernistes, notamment ceux du Bauhaus, voulaient la table rase ; se débarrasser de tout l’existant, tout en(...)
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Avec Christopher Alexander, Brian Hanson, Michael Mehaffy, Terry M. Mikiten. "Le roi est nu": ce vieil adage est définitivement approprié au triste cas du déconstructivisme, car ce dernier n’est rien d’autre qu’un modernisme déguisé sous une autre forme. Les modernistes, notamment ceux du Bauhaus, voulaient la table rase ; se débarrasser de tout l’existant, tout en(...)
Title:
Anti-architecture et déconstruction
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Avec Christopher Alexander, Brian Hanson, Michael Mehaffy, Terry M. Mikiten. "Le roi est nu": ce vieil adage est définitivement approprié au triste cas du déconstructivisme, car ce dernier n’est rien d’autre qu’un modernisme déguisé sous une autre forme. Les modernistes, notamment ceux du Bauhaus, voulaient la table rase ; se débarrasser de tout l’existant, tout en revendiquant cependant certains liens avec le passé : le Parthénon (Jeanneret-Gris, alias Le Corbusier, etc.), le mouvement anglais Arts and Crafts (Pevsner, etc.) et le néoclassicisme prussien (Mies Van der Rohe), afin de donner une fausse parenté historique à leurs fins et à leurs créations. Aujourd’hui, ce sont les architectes déconstructivistes et leurs supporters qui se réclament de toutes sortes de liens et de précédents fumeux pour soutenir leurs travaux.
Anti-architecture et déconstruction
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Avec Christopher Alexander, Brian Hanson, Michael Mehaffy, Terry M. Mikiten. "Le roi est nu": ce vieil adage est définitivement approprié au triste cas du déconstructivisme, car ce dernier n’est rien d’autre qu’un modernisme déguisé sous une autre forme. Les modernistes, notamment ceux du Bauhaus, voulaient la table rase ; se débarrasser de tout l’existant, tout en revendiquant cependant certains liens avec le passé : le Parthénon (Jeanneret-Gris, alias Le Corbusier, etc.), le mouvement anglais Arts and Crafts (Pevsner, etc.) et le néoclassicisme prussien (Mies Van der Rohe), afin de donner une fausse parenté historique à leurs fins et à leurs créations. Aujourd’hui, ce sont les architectes déconstructivistes et leurs supporters qui se réclament de toutes sortes de liens et de précédents fumeux pour soutenir leurs travaux.
Form:
books
books
Publication:
January 1900, Solingen
January 1900, Solingen
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Designing modern Germany
Designing modern Germany
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This publication reveals how German attitudes toward national identity, modernity and technology are crucial to understanding German design. Aynsley traces the historical development of German design, beginning in the 1870s with the first dedicated Arts and Crafts schools and stretching through to the famous institutions of the Bauhaus and the Ulm Hochschule für(...)
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Summary:
This publication reveals how German attitudes toward national identity, modernity and technology are crucial to understanding German design. Aynsley traces the historical development of German design, beginning in the 1870s with the first dedicated Arts and Crafts schools and stretching through to the famous institutions of the Bauhaus and the Ulm Hochschule für(...)
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Designing modern Germany
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This publication reveals how German attitudes toward national identity, modernity and technology are crucial to understanding German design. Aynsley traces the historical development of German design, beginning in the 1870s with the first dedicated Arts and Crafts schools and stretching through to the famous institutions of the Bauhaus and the Ulm Hochschule für Gestaltung. He analyses the works of leading figures such as Peter Behrens and Hannes Meyer, through to Ingo Maurer and Jil Sander, and many others in design specialties, including graphics, industrial products and furniture, fashion and architecture. He also offers the first consideration of the contrasting traditions of East and West Germany between 1945 and 1989. Whether examining the pre-First World War department store, the National Socialist fashion system or East Germany’s official design culture, German design significantly affected citizens’ daily lives.
Designing modern Germany
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$40.95
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This publication reveals how German attitudes toward national identity, modernity and technology are crucial to understanding German design. Aynsley traces the historical development of German design, beginning in the 1870s with the first dedicated Arts and Crafts schools and stretching through to the famous institutions of the Bauhaus and the Ulm Hochschule für Gestaltung. He analyses the works of leading figures such as Peter Behrens and Hannes Meyer, through to Ingo Maurer and Jil Sander, and many others in design specialties, including graphics, industrial products and furniture, fashion and architecture. He also offers the first consideration of the contrasting traditions of East and West Germany between 1945 and 1989. Whether examining the pre-First World War department store, the National Socialist fashion system or East Germany’s official design culture, German design significantly affected citizens’ daily lives.
Form:
books
books
Publication:
November 2008
November 2008
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Title:
Bauhaus World Heritage Site
Bauhaus World Heritage Site
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$21.00
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy,(...)
$21.00
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy,(...)
Title:
Bauhaus World Heritage Site
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$21.00
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy, the Bauhaus buildings in Weimar and Dessau were named UNESCO World Heritage Sites in 1996. More recently, UNESCO added several other Bauhaus buildings to the list, including the houses with balcony access in Dessau, the ADGB Trades Union School in Bernau, the Haus am Horn and the old Art School and the old School of Arts and Crafts in Weimar. Bauhaus World Heritage Site documents the Bauhaus buildings protected by UNESCO, exploring the architectural legacy of the Bauhaus through a close look at the school’s own architecture.
Bauhaus World Heritage Site
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$21.00
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Summary:
Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy, the Bauhaus buildings in Weimar and Dessau were named UNESCO World Heritage Sites in 1996. More recently, UNESCO added several other Bauhaus buildings to the list, including the houses with balcony access in Dessau, the ADGB Trades Union School in Bernau, the Haus am Horn and the old Art School and the old School of Arts and Crafts in Weimar. Bauhaus World Heritage Site documents the Bauhaus buildings protected by UNESCO, exploring the architectural legacy of the Bauhaus through a close look at the school’s own architecture.
Form:
books
books
Publication:
June 2018
June 2018
Subject:
Modernism
Modernism
Form:
books
books
Title:
EP Vol.3: Post-craft
EP Vol.3: Post-craft
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$37.00
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Summary:
The notion of the handmade has shifted from the margins to center stage. Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are(...)
$37.00
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Summary:
The notion of the handmade has shifted from the margins to center stage. Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are(...)
Title:
EP Vol.3: Post-craft
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$37.00
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Summary:
The notion of the handmade has shifted from the margins to center stage. Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are in question, its role is poised for optimization within the contemporary climate. Amid new economies of making, craft is moving from modern craft to post-craft. Through essays, conversations, and projects by designers, artists, and scholars, the third volume in the EP series examines not only the practice of post-craft but also its mediation and interpretation.
EP Vol.3: Post-craft
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$37.00
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Summary:
The notion of the handmade has shifted from the margins to center stage. Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are in question, its role is poised for optimization within the contemporary climate. Amid new economies of making, craft is moving from modern craft to post-craft. Through essays, conversations, and projects by designers, artists, and scholars, the third volume in the EP series examines not only the practice of post-craft but also its mediation and interpretation.
Form:
books
books
Publication:
November 2022
November 2022
Subject:
Art Theory
Art Theory
