5149 Results
Form:
articles
articles
Title:
System Settings
System Settings
Actions:
Thuto Durkac-Somo considers the frictions inherent to networked architecture
Published:
6 November 2023
6 November 2023
Title:
System Settings
Thuto Durkac-Somo considers the frictions inherent to networked architecture
Actions:
System Settings
Thuto Durkac-Somo considers the frictions inherent to networked architecture
Actions:
Form:
events
events
Actions:
Description:
Topic: Design for and from Society: Socio-political meanings of minimum size housing and the impact of Americanization in Japan after World War II Presentation: Design for Society, Design from Society: The socio-political significance of minimum-size housing and prefabrication in Japan in the mid-twentieth century
Topic: Design for and from Society: Socio-political meanings of minimum size housing and the impact of Americanization in Japan after World War II Presentation: Design for Society, Design from Society: The socio-political significance of minimum-size housing and prefabrication in Japan in the mid-twentieth century
Date:
13 August 2015
13 August 2015
Title:
Visiting Scholar Seminar: Izumi Kuroishi
Actions:
Description:
Topic: Design for and from Society: Socio-political meanings of minimum size housing and the impact of Americanization in Japan after World War II Presentation: Design for Society, Design from Society: The socio-political significance of minimum-size housing and prefabrication in Japan in the mid-twentieth century
Visiting Scholar Seminar: Izumi Kuroishi
Actions:
Description:
Topic: Design for and from Society: Socio-political meanings of minimum size housing and the impact of Americanization in Japan after World War II Presentation: Design for Society, Design from Society: The socio-political significance of minimum-size housing and prefabrication in Japan in the mid-twentieth century
Form:
events
events
Date:
13 August 2015
13 August 2015
Form:
photographs
photographs
Actions:
Reference number:
AP140.S2.SS7.D2.P8
Description:
views of projects by the successive firms of James Stirling, James Stirling and Partner and James Stirling, Michael Wilford, and Associates, including the History Faculty Building, University of Cambridge, and Dorman Long Headquarters, and one view of the State Gallery Addition and New Chamber Theatre, and of the Biennale Bookshop, also views of Liverpool, probably photographed in the early 1960s, of the Maison de verre in Paris by architect Pierre Charreau, of the Villa Lante, in Bagnaia, Italy, of Villa Caprola, of churches by architect Balthasar Neumann, of buildings by architect Karl Friedrich Schinkel, also views of Gloucester, Oxford, Salisbury, Longleat, Blenheim, Bath and Stourhead, and of travels in the United States, probably photographed in the 1950s or early 1960s, in Berlin, in Italy, dated 1975, Spain, dated 1976, India, dated 1975 and 1986, Iran, dated 1976, Lambay Island, dated 1981, and Venice, dated 1984
AP140.S2.SS7.D2.P8
Description:
views of projects by the successive firms of James Stirling, James Stirling and Partner and James Stirling, Michael Wilford, and Associates, including the History Faculty Building, University of Cambridge, and Dorman Long Headquarters, and one view of the State Gallery Addition and New Chamber Theatre, and of the Biennale Bookshop, also views of Liverpool, probably photographed in the early 1960s, of the Maison de verre in Paris by architect Pierre Charreau, of the Villa Lante, in Bagnaia, Italy, of Villa Caprola, of churches by architect Balthasar Neumann, of buildings by architect Karl Friedrich Schinkel, also views of Gloucester, Oxford, Salisbury, Longleat, Blenheim, Bath and Stourhead, and of travels in the United States, probably photographed in the 1950s or early 1960s, in Berlin, in Italy, dated 1975, Spain, dated 1976, India, dated 1975 and 1986, Iran, dated 1976, Lambay Island, dated 1981, and Venice, dated 1984
People:
Title:
Views of projects by the successive firms of James Stirling
Actions:
AP140.S2.SS7.D2.P8
Description:
views of projects by the successive firms of James Stirling, James Stirling and Partner and James Stirling, Michael Wilford, and Associates, including the History Faculty Building, University of Cambridge, and Dorman Long Headquarters, and one view of the State Gallery Addition and New Chamber Theatre, and of the Biennale Bookshop, also views of Liverpool, probably photographed in the early 1960s, of the Maison de verre in Paris by architect Pierre Charreau, of the Villa Lante, in Bagnaia, Italy, of Villa Caprola, of churches by architect Balthasar Neumann, of buildings by architect Karl Friedrich Schinkel, also views of Gloucester, Oxford, Salisbury, Longleat, Blenheim, Bath and Stourhead, and of travels in the United States, probably photographed in the 1950s or early 1960s, in Berlin, in Italy, dated 1975, Spain, dated 1976, India, dated 1975 and 1986, Iran, dated 1976, Lambay Island, dated 1981, and Venice, dated 1984
Views of projects by the successive firms of James Stirling
Actions:
AP140.S2.SS7.D2.P8
Description:
views of projects by the successive firms of James Stirling, James Stirling and Partner and James Stirling, Michael Wilford, and Associates, including the History Faculty Building, University of Cambridge, and Dorman Long Headquarters, and one view of the State Gallery Addition and New Chamber Theatre, and of the Biennale Bookshop, also views of Liverpool, probably photographed in the early 1960s, of the Maison de verre in Paris by architect Pierre Charreau, of the Villa Lante, in Bagnaia, Italy, of Villa Caprola, of churches by architect Balthasar Neumann, of buildings by architect Karl Friedrich Schinkel, also views of Gloucester, Oxford, Salisbury, Longleat, Blenheim, Bath and Stourhead, and of travels in the United States, probably photographed in the 1950s or early 1960s, in Berlin, in Italy, dated 1975, Spain, dated 1976, India, dated 1975 and 1986, Iran, dated 1976, Lambay Island, dated 1981, and Venice, dated 1984
Form:
photographs
photographs
People:
Form:
events
events
Title:
The Dark Edge of a Clear-cut
The Dark Edge of a Clear-cut
Actions:
Description:
In a conversation moderated by Louise Désy, CCA Curator, Photographs, Lorraine Gilbert presents her work: The documentation of landscapes I have lived and worked in has resulted in a body of work that questions our place within nature and within our built environments. The seemingly objective nature of the way I have pictured these natural and urban spaces, has given way(...)
In a conversation moderated by Louise Désy, CCA Curator, Photographs, Lorraine Gilbert presents her work: The documentation of landscapes I have lived and worked in has resulted in a body of work that questions our place within nature and within our built environments. The seemingly objective nature of the way I have pictured these natural and urban spaces, has given way(...)
Location:
Main galleries Keyword(s):
The Dark Edge of a Clear-cut, Canada, It's all happening so fast, conversation
Main galleries Keyword(s):
The Dark Edge of a Clear-cut, Canada, It's all happening so fast, conversation
Date:
4 February 2017, 3pm
4 February 2017, 3pm
Title:
The Dark Edge of a Clear-cut
Actions:
Description:
In a conversation moderated by Louise Désy, CCA Curator, Photographs, Lorraine Gilbert presents her work: The documentation of landscapes I have lived and worked in has resulted in a body of work that questions our place within nature and within our built environments. The seemingly objective nature of the way I have pictured these natural and urban spaces, has given way(...)
The Dark Edge of a Clear-cut
Actions:
Description:
In a conversation moderated by Louise Désy, CCA Curator, Photographs, Lorraine Gilbert presents her work: The documentation of landscapes I have lived and worked in has resulted in a body of work that questions our place within nature and within our built environments. The seemingly objective nature of the way I have pictured these natural and urban spaces, has given way(...)
Form:
events
events
Date:
4 February 2017
3pm
4 February 2017
3pm
Location:
Main galleries Keyword(s):
The Dark Edge of a Clear-cut, Canada, It's all happening so fast, conversation
Main galleries Keyword(s):
The Dark Edge of a Clear-cut, Canada, It's all happening so fast, conversation
Form:
textual records
textual records
Title:
Press clippings and reference materials related to Melvin Charney, his projects and exhibitions
Press clippings and reference materials related to Melvin Charney, his projects and exhibitions
Actions:
Reference number:
DR2012:0012:087:007
Description:
File containing assorted documents in English and French, including newspaper clippings and reference materials related to the following projects: - Corridart; - Venice biennale; - Visions of the temple; - Les maisons de la rue Sherbrooke; - Parables and other allegories; - Power Plant Gallery, Toronto; - Sable-Castelli Gallery, New York; - Cities on the move; - Chicago construction.
DR2012:0012:087:007
Description:
File containing assorted documents in English and French, including newspaper clippings and reference materials related to the following projects: - Corridart; - Venice biennale; - Visions of the temple; - Les maisons de la rue Sherbrooke; - Parables and other allegories; - Power Plant Gallery, Toronto; - Sable-Castelli Gallery, New York; - Cities on the move; - Chicago construction.
People:
Date:
between 1969 and 2010
between 1969 and 2010
Title:
Press clippings and reference materials related to Melvin Charney, his projects and exhibitions
Actions:
DR2012:0012:087:007
Description:
File containing assorted documents in English and French, including newspaper clippings and reference materials related to the following projects: - Corridart; - Venice biennale; - Visions of the temple; - Les maisons de la rue Sherbrooke; - Parables and other allegories; - Power Plant Gallery, Toronto; - Sable-Castelli Gallery, New York; - Cities on the move; - Chicago construction.
Press clippings and reference materials related to Melvin Charney, his projects and exhibitions
Actions:
DR2012:0012:087:007
Description:
File containing assorted documents in English and French, including newspaper clippings and reference materials related to the following projects: - Corridart; - Venice biennale; - Visions of the temple; - Les maisons de la rue Sherbrooke; - Parables and other allegories; - Power Plant Gallery, Toronto; - Sable-Castelli Gallery, New York; - Cities on the move; - Chicago construction.
Form:
textual records
textual records
Date:
between 1969 and 2010
between 1969 and 2010
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
Location:
Main galleries, octagonal gallery, and hall cases
Main galleries, octagonal gallery, and hall cases
Date:
16 June 1998 to 8 November 1998
16 June 1998 to 8 November 1998
Title:
The American Lawn: Surface of Everyday Life
Actions:
Description:
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
The American Lawn: Surface of Everyday Life
Actions:
Description:
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
Form:
exhibitions
exhibitions
Date:
16 June 1998 to
8 November 1998
16 June 1998 to
8 November 1998
Location:
Main galleries, octagonal gallery, and hall cases
Main galleries, octagonal gallery, and hall cases
Form:
events
events
Title:
Learning from... Mexico City
Learning from... Mexico City
Actions:
Description:
Arturo Ortiz Struck describes the boundaries of formal and legal building in the context of Mexico:“In order to build a critical view of the production of space and architecture in this environment, we should start from two fundamental premises. The first considers that spaces reflect who we are, and they express our cultural ways and how we unfold in everyday life. The(...)
Arturo Ortiz Struck describes the boundaries of formal and legal building in the context of Mexico:“In order to build a critical view of the production of space and architecture in this environment, we should start from two fundamental premises. The first considers that spaces reflect who we are, and they express our cultural ways and how we unfold in everyday life. The(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
10 May 2012 , 7pm
10 May 2012 , 7pm
Title:
Learning from... Mexico City
Actions:
Description:
Arturo Ortiz Struck describes the boundaries of formal and legal building in the context of Mexico:“In order to build a critical view of the production of space and architecture in this environment, we should start from two fundamental premises. The first considers that spaces reflect who we are, and they express our cultural ways and how we unfold in everyday life. The(...)
Learning from... Mexico City
Actions:
Description:
Arturo Ortiz Struck describes the boundaries of formal and legal building in the context of Mexico:“In order to build a critical view of the production of space and architecture in this environment, we should start from two fundamental premises. The first considers that spaces reflect who we are, and they express our cultural ways and how we unfold in everyday life. The(...)
Form:
events
events
Date:
10 May 2012
7pm
10 May 2012
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
DR2012:0012:131:005
Description:
File containing documents in English, including an artist's statement, correspondence, invitations, newspaper clippings, notes, and a sketch related to the exhibition "Invitational IV" at the John Weber Gallery, which included the following artworks by Melvin Charney: - Les maisons de la rue Sherbrooke; - Streetwork; - Room 202. Original folder inscribed in graphite: John Weber Gallery
DR2012:0012:131:005
Description:
File containing documents in English, including an artist's statement, correspondence, invitations, newspaper clippings, notes, and a sketch related to the exhibition "Invitational IV" at the John Weber Gallery, which included the following artworks by Melvin Charney: - Les maisons de la rue Sherbrooke; - Streetwork; - Room 202. Original folder inscribed in graphite: John Weber Gallery
People:
Date:
1979-1983
1979-1983
Title:
Artist's statement, correspondence, invitations, newspaper clippings, notes, and a sketch related to the exhibition "Invitational IV"
Actions:
DR2012:0012:131:005
Description:
File containing documents in English, including an artist's statement, correspondence, invitations, newspaper clippings, notes, and a sketch related to the exhibition "Invitational IV" at the John Weber Gallery, which included the following artworks by Melvin Charney: - Les maisons de la rue Sherbrooke; - Streetwork; - Room 202. Original folder inscribed in graphite: John Weber Gallery
Artist's statement, correspondence, invitations, newspaper clippings, notes, and a sketch related to the exhibition "Invitational IV"
Actions:
DR2012:0012:131:005
Description:
File containing documents in English, including an artist's statement, correspondence, invitations, newspaper clippings, notes, and a sketch related to the exhibition "Invitational IV" at the John Weber Gallery, which included the following artworks by Melvin Charney: - Les maisons de la rue Sherbrooke; - Streetwork; - Room 202. Original folder inscribed in graphite: John Weber Gallery
Form:
drawings, textual records
drawings, textual records
Date:
1979-1983
1979-1983
People:
Form:
exhibitions
exhibitions
Title:
Cedric Price: Mean Time
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
19 October 1999 to 27 February 2000
19 October 1999 to 27 February 2000
Title:
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Form:
exhibitions
exhibitions
Date:
19 October 1999 to
27 February 2000
19 October 1999 to
27 February 2000
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Location:
Main galleries
Main galleries
Date:
22 October 1997 to 15 February 1998
22 October 1997 to 15 February 1998
Title:
Other Soundings: Selected Works by John Hejduk, 1954-1997
Actions:
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Other Soundings: Selected Works by John Hejduk, 1954-1997
Actions:
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Form:
exhibitions
exhibitions
Date:
22 October 1997 to
15 February 1998
22 October 1997 to
15 February 1998
Location:
Main galleries
Main galleries
