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An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing(...)
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An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing(...)
Title:
Tracings: Writing art, 1975-2020
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An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing insights into methods of representation and the role of criticism in contemporary art. In clear and intelligent prose, Carr-Harris offers detailed studies of individual artists and exhibitions as well as theoretically informed reflections on broader cultural concerns. Whether writing about the complexities involved in the construction and transmission of knowledge, meaning, and historical narrative; discussing the material matters of government cultural funding, patronage, and artist-run centres; or describing his own process and artworks, these pieces reveal a literary love of language and a nuanced and investigative mind at work. Throughout his writing, he considers themes of identity, cultural nationalism, postcolonialism, institutionalism, the act of viewing, and relations of power. An introduction by Dan Adler situates Carr-Harris’s work within the context of his contemporaries, collaborators, and cultural environment, pointing out the mutually reinforcing qualities and relationships between his art and his writing. Covering decades of critical thought and engagement, "Tracings" confirms why Ian Carr-Harris has indelibly written himself into Canadian art.
Tracings: Writing art, 1975-2020
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An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing insights into methods of representation and the role of criticism in contemporary art. In clear and intelligent prose, Carr-Harris offers detailed studies of individual artists and exhibitions as well as theoretically informed reflections on broader cultural concerns. Whether writing about the complexities involved in the construction and transmission of knowledge, meaning, and historical narrative; discussing the material matters of government cultural funding, patronage, and artist-run centres; or describing his own process and artworks, these pieces reveal a literary love of language and a nuanced and investigative mind at work. Throughout his writing, he considers themes of identity, cultural nationalism, postcolonialism, institutionalism, the act of viewing, and relations of power. An introduction by Dan Adler situates Carr-Harris’s work within the context of his contemporaries, collaborators, and cultural environment, pointing out the mutually reinforcing qualities and relationships between his art and his writing. Covering decades of critical thought and engagement, "Tracings" confirms why Ian Carr-Harris has indelibly written himself into Canadian art.
Subject:
Art Theory
Art Theory
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books
books
Title:
Claus en Kaan building
Claus en Kaan building
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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and(...)
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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and(...)
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Claus en Kaan building
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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and architecture that speaks over the heads of its users to colleagues and critics. Severity and repose are hallmarks of Claus and Kaan's oeuvre and these qualities are often found in it simultaneously. For even at its most Spartan, their architecture is never harsh. Although one can hardly describe Claus and Kaan's architecture as postmodern, their stance does owe something to postmodernism. This can be seen in their free handling of references, such as Marcel Breuer's Whitney Museum or Mies van der Rohe's Barcelona Pavilion, and in their undogmatically broad range of interest, spanning from Heinrich Tessenow to Gordon Bunshaft and from Auguste Perret to I.M. Pei. For them there is no essential contradiction between modernity and classical values. This first comprehensive monograph on Claus and Kaan gives a complete overview of all their projects (250 or so), including those yet to be realized. Of this total, fifty are exhaustively documented and illustrated. With essays by Rafael Moneo, David Chipperfield, Andrea Deplazes, Christoph Grafe, Han Michel, and Felix Claus and Kees Kaan themselves. The book is designed by Karel Martens and Jaap van Triest.
Claus en Kaan building
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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and architecture that speaks over the heads of its users to colleagues and critics. Severity and repose are hallmarks of Claus and Kaan's oeuvre and these qualities are often found in it simultaneously. For even at its most Spartan, their architecture is never harsh. Although one can hardly describe Claus and Kaan's architecture as postmodern, their stance does owe something to postmodernism. This can be seen in their free handling of references, such as Marcel Breuer's Whitney Museum or Mies van der Rohe's Barcelona Pavilion, and in their undogmatically broad range of interest, spanning from Heinrich Tessenow to Gordon Bunshaft and from Auguste Perret to I.M. Pei. For them there is no essential contradiction between modernity and classical values. This first comprehensive monograph on Claus and Kaan gives a complete overview of all their projects (250 or so), including those yet to be realized. Of this total, fifty are exhaustively documented and illustrated. With essays by Rafael Moneo, David Chipperfield, Andrea Deplazes, Christoph Grafe, Han Michel, and Felix Claus and Kees Kaan themselves. The book is designed by Karel Martens and Jaap van Triest.
Form:
books
books
Publication:
May 2002, Rotterdam
May 2002, Rotterdam
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Description:
144 pages : illustrations ; 19 cm
Description:
144 pages : illustrations ; 19 cm
Author:
Subject:
- Bronstein, Pablo, 1977- Exhibitions.,
- Bronstein, Pablo, 1977-,
- Architectural drawing Exhibitions.,
- Architecture, Georgian England London Exhibitions.,
- Architectural drawing.,
- Architecture, Georgian.,
- England London.,
- Exhibition Publications.,
- exhibition catalogs.,
- Exhibition catalogs.,
- Catalogues d'exposition.
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Publication:
London ; Köln : Koenig Books, [2017], ©2017
London ; Köln : Koenig Books, [2017], ©2017
Title:
Pseudo-Georgian London / Pablo Bronstein.
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144 pages : illustrations ; 19 cm
Pseudo-Georgian London / Pablo Bronstein.
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Description:
144 pages : illustrations ; 19 cm
Form:
books
books
Publication:
London ; Köln : Koenig Books, [2017], ©2017
London ; Köln : Koenig Books, [2017], ©2017
Subject:
- Bronstein, Pablo, 1977- Exhibitions.,
- Bronstein, Pablo, 1977-,
- Architectural drawing Exhibitions.,
- Architecture, Georgian England London Exhibitions.,
- Architectural drawing.,
- Architecture, Georgian.,
- England London.,
- Exhibition Publications.,
- exhibition catalogs.,
- Exhibition catalogs.,
- Catalogues d'exposition.
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books
books
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Description:
88 pages : illustrations ; 27 cm
Description:
88 pages : illustrations ; 27 cm
Subject:
- Sustainable architecture Taiwan.,
- Architecture Environmental aspects Taiwan.,
- Urban ecology (Sociology) Taiwan.,
- Architecture durable Taiwan.,
- Architecture Aspect de l'environnement Taiwan.,
- Écologie urbaine Taiwan.,
- Architecture Environmental aspects,
- Sustainable architecture,
- Urban ecology (Sociology),
- Taiwan
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Publication:
Taiwan : National Taiwan Museum of Fine Arts, 2023.
Taiwan : National Taiwan Museum of Fine Arts, 2023.
Title:
Diachronic apparatuses of Taiwan : architecture as on-going details within landscape / chief editor, Chia-Cheng Wang
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88 pages : illustrations ; 27 cm
Diachronic apparatuses of Taiwan : architecture as on-going details within landscape / chief editor, Chia-Cheng Wang
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Description:
88 pages : illustrations ; 27 cm
Form:
books
books
Publication:
Taiwan : National Taiwan Museum of Fine Arts, 2023.
Taiwan : National Taiwan Museum of Fine Arts, 2023.
Subject:
- Sustainable architecture Taiwan.,
- Architecture Environmental aspects Taiwan.,
- Urban ecology (Sociology) Taiwan.,
- Architecture durable Taiwan.,
- Architecture Aspect de l'environnement Taiwan.,
- Écologie urbaine Taiwan.,
- Architecture Environmental aspects,
- Sustainable architecture,
- Urban ecology (Sociology),
- Taiwan
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$40.95
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Summary:
Vast interior spaces have become ubiquitous in the contemporary city. The soaring atriums and concourses of mega-hotels, shopping malls and transport interchanges define an increasingly normal experience of being 'inside' in a city. Yet such spaces are also subject to intense criticism and claims that they can destroy the quality of a city's authentic life 'on the(...)
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Vast interior spaces have become ubiquitous in the contemporary city. The soaring atriums and concourses of mega-hotels, shopping malls and transport interchanges define an increasingly normal experience of being 'inside' in a city. Yet such spaces are also subject to intense criticism and claims that they can destroy the quality of a city's authentic life 'on the(...)
Title:
Interior urbanism: architecture, John Portman and downtown America
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Vast interior spaces have become ubiquitous in the contemporary city. The soaring atriums and concourses of mega-hotels, shopping malls and transport interchanges define an increasingly normal experience of being 'inside' in a city. Yet such spaces are also subject to intense criticism and claims that they can destroy the quality of a city's authentic life 'on the outside'. ''Interior Urbanism'' explores the roots of this contemporary tension between inside and outside, identifying and analysing the concept of interior urbanism and tracing its history back to the works of John Portman and Associates in 1960s and 70s America. Portman – increasingly recognised as an influential yet understudied figure – was responsible for projects such as Peachtree Center in Atlanta and the Los Angeles Bonaventure Hotel, developments that employed vast internal atriums to define a world of possibilities not just for hotels and commercial spaces, but for the future of the American downtown amid the upheavals of the 1960s and 70s. The book analyses Portman's architecture in order to reconsider major contexts of debate in architecture and urbanism in this period, including the massive expansion of a commercial imperative in architecture, shifts in the governance and development of cities amid social and economic instability, the rise of postmodernism and critical urban studies, and the defence of the street and public space amid the continual upheavals of urban development. In this way the book reconsiders the American city at a crucial time in its development, identifying lessons for how we consider the forces at work, and the spaces produced, in cities in the present.
Interior urbanism: architecture, John Portman and downtown America
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Summary:
Vast interior spaces have become ubiquitous in the contemporary city. The soaring atriums and concourses of mega-hotels, shopping malls and transport interchanges define an increasingly normal experience of being 'inside' in a city. Yet such spaces are also subject to intense criticism and claims that they can destroy the quality of a city's authentic life 'on the outside'. ''Interior Urbanism'' explores the roots of this contemporary tension between inside and outside, identifying and analysing the concept of interior urbanism and tracing its history back to the works of John Portman and Associates in 1960s and 70s America. Portman – increasingly recognised as an influential yet understudied figure – was responsible for projects such as Peachtree Center in Atlanta and the Los Angeles Bonaventure Hotel, developments that employed vast internal atriums to define a world of possibilities not just for hotels and commercial spaces, but for the future of the American downtown amid the upheavals of the 1960s and 70s. The book analyses Portman's architecture in order to reconsider major contexts of debate in architecture and urbanism in this period, including the massive expansion of a commercial imperative in architecture, shifts in the governance and development of cities amid social and economic instability, the rise of postmodernism and critical urban studies, and the defence of the street and public space amid the continual upheavals of urban development. In this way the book reconsiders the American city at a crucial time in its development, identifying lessons for how we consider the forces at work, and the spaces produced, in cities in the present.
Subject:
Architectural Theory
Architectural Theory
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books
books
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Description:
196 pages : illustrations (some colour), portraits ; 27 cm
Description:
196 pages : illustrations (some colour), portraits ; 27 cm
Author:
Subject:
- Venturi, Robert.,
- Venturi, Robert. Learning from Las Vegas.,
- Scott Brown, Denise, 1931-,
- Architecture Research Nevada Las Vegas History 20th century Exhibitions.,
- Architecture Recherche Nevada Las Vegas Histoire 20e siècle Expositions.,
- Architecture Research,
- Buildings,
- Las Vegas (Nev.) Pictorial works Exhibitions.,
- Las Vegas (Nev.) Buildings, structures, etc. Exhibitions.,
- Nevada Las Vegas,
- Architecture (object genre) United States Nevada Las Vegas 1960-1970.,
- Photography United States Nevada Las Vegas 1960-1970.,
- Exhibition Publications.,
- Interviews.,
- Exhibition catalogs,
- Exhibition, pictorial works,
- History
(See more)
Publication:
Zürich : Scheidegger & Spiess, [2015], ©2015
Zürich : Scheidegger & Spiess, [2015], ©2015
Title:
Las Vegas studio : images des archives de Robert Venturi et Denise Scott Brown / sous la direction de Hilar Stadler et Martino Stierli ; avec la collaboration de Peter Fischli.
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196 pages : illustrations (some colour), portraits ; 27 cm
Las Vegas studio : images des archives de Robert Venturi et Denise Scott Brown / sous la direction de Hilar Stadler et Martino Stierli ; avec la collaboration de Peter Fischli.
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196 pages : illustrations (some colour), portraits ; 27 cm
Form:
books
books
Publication:
Zürich : Scheidegger & Spiess, [2015], ©2015
Zürich : Scheidegger & Spiess, [2015], ©2015
Subject:
- Venturi, Robert.,
- Venturi, Robert. Learning from Las Vegas.,
- Scott Brown, Denise, 1931-,
- Architecture Research Nevada Las Vegas History 20th century Exhibitions.,
- Architecture Recherche Nevada Las Vegas Histoire 20e siècle Expositions.,
- Architecture Research,
- Buildings,
- Las Vegas (Nev.) Pictorial works Exhibitions.,
- Las Vegas (Nev.) Buildings, structures, etc. Exhibitions.,
- Nevada Las Vegas,
- Architecture (object genre) United States Nevada Las Vegas 1960-1970.,
- Photography United States Nevada Las Vegas 1960-1970.,
- Exhibition Publications.,
- Interviews.,
- Exhibition catalogs,
- Exhibition, pictorial works,
- History
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books
books
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$65.95
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Summary:
Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton(...)
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Summary:
Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton(...)
Title:
Studies in tectonic culture: the poetics of construction in nineteenth and twentieth century architecture
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Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."
Studies in tectonic culture: the poetics of construction in nineteenth and twentieth century architecture
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$65.95
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Summary:
Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."
Form:
books
books
Publication:
October 2001, Cambridge, Mass.
October 2001, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Title:
The city reader 4th edition
The city reader 4th edition
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Summary:
The fourth edition of the highly successful The City Reader brings together the very best of publications on the city. Classic writings by such authors as Lewis Mumford, Ernest W. Burgess, LeCorbusier, Lewis Wirth, Jane Jacobs and Kevin Lynch meet the best contemporary writings of, among others, Sir Peter Hall, Richard Florida, Mike Davis, Michael Porter, Robert Putnam,(...)
$83.95
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Summary:
The fourth edition of the highly successful The City Reader brings together the very best of publications on the city. Classic writings by such authors as Lewis Mumford, Ernest W. Burgess, LeCorbusier, Lewis Wirth, Jane Jacobs and Kevin Lynch meet the best contemporary writings of, among others, Sir Peter Hall, Richard Florida, Mike Davis, Michael Porter, Robert Putnam,(...)
Subject:
Urban Theory
Urban Theory
Publication:
August 2007, London New York
August 2007, London New York
Title:
The city reader 4th edition
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$83.95
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Summary:
The fourth edition of the highly successful The City Reader brings together the very best of publications on the city. Classic writings by such authors as Lewis Mumford, Ernest W. Burgess, LeCorbusier, Lewis Wirth, Jane Jacobs and Kevin Lynch meet the best contemporary writings of, among others, Sir Peter Hall, Richard Florida, Mike Davis, Michael Porter, Robert Putnam, Andrus Duany, Saskia Sassen, and Manuel Castells. New to the fourth edition are important classic writings on urban economics by Wilbur Thomson and on bosses and machines by James Bryce, Jane Addams, and William L. Riordan, and new contemporary material on sustainable urban development , the creative class, metropolitics, occidentalism, Asian megacities, and urban futurism by The Bruntland Commission, Richard Florida, Myron Orfield, Ian Buruma and Avishai Margalit, Aprodicio Laquian, and Joel Kotkin. Fifty-seven generous selections are included: a combination of forty-six readings from the third edition and eleven entirely new selections. Structured to aid student understanding, the anthology features main and part Introductions, as well as individual introductions to the selected articles. Each selection is introduced with a brief intellectual biography and a review of the author s writings and related literature, an explanation of how the piece fits into the broader context of urban history and practice, competing ideological perspectives on the city, and the major current debates concerning race and gender, globalization, terrorism, the impact of information technology on cities, civic engagement, and postmodernism. The City Reader provides the comprehensive mapping of the terrain of Urban Studies, old and new. It is illustrated with over forty photographs and is essential reading for anyone interested in the city.
The city reader 4th edition
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$83.95
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Summary:
The fourth edition of the highly successful The City Reader brings together the very best of publications on the city. Classic writings by such authors as Lewis Mumford, Ernest W. Burgess, LeCorbusier, Lewis Wirth, Jane Jacobs and Kevin Lynch meet the best contemporary writings of, among others, Sir Peter Hall, Richard Florida, Mike Davis, Michael Porter, Robert Putnam, Andrus Duany, Saskia Sassen, and Manuel Castells. New to the fourth edition are important classic writings on urban economics by Wilbur Thomson and on bosses and machines by James Bryce, Jane Addams, and William L. Riordan, and new contemporary material on sustainable urban development , the creative class, metropolitics, occidentalism, Asian megacities, and urban futurism by The Bruntland Commission, Richard Florida, Myron Orfield, Ian Buruma and Avishai Margalit, Aprodicio Laquian, and Joel Kotkin. Fifty-seven generous selections are included: a combination of forty-six readings from the third edition and eleven entirely new selections. Structured to aid student understanding, the anthology features main and part Introductions, as well as individual introductions to the selected articles. Each selection is introduced with a brief intellectual biography and a review of the author s writings and related literature, an explanation of how the piece fits into the broader context of urban history and practice, competing ideological perspectives on the city, and the major current debates concerning race and gender, globalization, terrorism, the impact of information technology on cities, civic engagement, and postmodernism. The City Reader provides the comprehensive mapping of the terrain of Urban Studies, old and new. It is illustrated with over forty photographs and is essential reading for anyone interested in the city.
Subject:
Urban Theory
Urban Theory
Form:
books
books
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Description:
228 pages : illustrations (chiefly color) ; 23 x 24 cm
Description:
228 pages : illustrations (chiefly color) ; 23 x 24 cm
Author:
Subject:
- Fischli, Peter 1952-,
- Rist, Pipilotti 1962-,
- Weiss, David 1946-2012,
- Solomon R. Guggenheim Museum Exhibitions.,
- Solomon R. Guggenheim Museum Catalogs.,
- Solomon R. Guggenheim Museum Expositions.,
- Solomon R. Guggenheim Museum,
- Solomon R. Guggenheim Foundation,
- Photography Catalogs.,
- Video art Catalogs.,
- Photography New York (State) New York Catalogs.,
- Video art New York (State) New York Catalogs.,
- Video art Exhibitions.,
- Photography, Artistic 20th century Exhibitions.,
- Photography, Artistic 20th century Catalogs.,
- Video art New York (State) New York 20th century Exhibitions.,
- Video art New York (State) New York 20th century Catalogs.,
- Art vidéo Expositions.,
- Photography artistique Expositions.,
- Photographie Catalogues.,
- Art vidéo Catalogues.,
- Photographie New York (État) New York Catalogues.,
- Art vidéo New York (État) New York Catalogues.,
- Photographie artistique 20e siècle Expositions.,
- Photographie artistique 20e siècle Catalogues.,
- Art vidéo New York (État) New York 20e siècle Expositions.,
- Art vidéo New York (État) New York 20e siècle Catalogues.,
- 21.42 history of photographic art.,
- 24.35 videofilm.,
- Photography, Artistic,
- Photography,
- Video art,
- Photos.,
- Video films.,
- Collection de musée.,
- Photographie artistique.,
- Art vidéo.,
- 20e siècle (fin)-21e siècle (début),
- New York (State) New York,
- Exhibition catalogues.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogs,
- Exhibition catalogues (form),
- Catalogues d'exposition.
(See more)
Publication:
New York : Solomon R. Guggenheim Museum ; London : Thames & Hudson ; New York : [Distributed by] D.A.P./Distributed Art Publishers, ©2003.
New York : Solomon R. Guggenheim Museum ; London : Thames & Hudson ; New York : [Distributed by] D.A.P./Distributed Art Publishers, ©2003.
Title:
Moving pictures : contemporary photography and video from the Guggenheim Museum collections / [essays by John G. Hanhardt and Nancy Spector ; organized by Lisa Dennison, Nancy Spector, and Joan Young].
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Description:
228 pages : illustrations (chiefly color) ; 23 x 24 cm
Moving pictures : contemporary photography and video from the Guggenheim Museum collections / [essays by John G. Hanhardt and Nancy Spector ; organized by Lisa Dennison, Nancy Spector, and Joan Young].
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Description:
228 pages : illustrations (chiefly color) ; 23 x 24 cm
Form:
books
books
Publication:
New York : Solomon R. Guggenheim Museum ; London : Thames & Hudson ; New York : [Distributed by] D.A.P./Distributed Art Publishers, ©2003.
New York : Solomon R. Guggenheim Museum ; London : Thames & Hudson ; New York : [Distributed by] D.A.P./Distributed Art Publishers, ©2003.
Subject:
- Fischli, Peter 1952-,
- Rist, Pipilotti 1962-,
- Weiss, David 1946-2012,
- Solomon R. Guggenheim Museum Exhibitions.,
- Solomon R. Guggenheim Museum Catalogs.,
- Solomon R. Guggenheim Museum Expositions.,
- Solomon R. Guggenheim Museum,
- Solomon R. Guggenheim Foundation,
- Photography Catalogs.,
- Video art Catalogs.,
- Photography New York (State) New York Catalogs.,
- Video art New York (State) New York Catalogs.,
- Video art Exhibitions.,
- Photography, Artistic 20th century Exhibitions.,
- Photography, Artistic 20th century Catalogs.,
- Video art New York (State) New York 20th century Exhibitions.,
- Video art New York (State) New York 20th century Catalogs.,
- Art vidéo Expositions.,
- Photography artistique Expositions.,
- Photographie Catalogues.,
- Art vidéo Catalogues.,
- Photographie New York (État) New York Catalogues.,
- Art vidéo New York (État) New York Catalogues.,
- Photographie artistique 20e siècle Expositions.,
- Photographie artistique 20e siècle Catalogues.,
- Art vidéo New York (État) New York 20e siècle Expositions.,
- Art vidéo New York (État) New York 20e siècle Catalogues.,
- 21.42 history of photographic art.,
- 24.35 videofilm.,
- Photography, Artistic,
- Photography,
- Video art,
- Photos.,
- Video films.,
- Collection de musée.,
- Photographie artistique.,
- Art vidéo.,
- 20e siècle (fin)-21e siècle (début),
- New York (State) New York,
- Exhibition catalogues.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogs,
- Exhibition catalogues (form),
- Catalogues d'exposition.
(See more)
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books
books
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Description:
xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
Description:
xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
Title:
Urbanization : an introduction to urban geography / Paul L. Knox, Linda McCarthy.
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Description:
xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
Urbanization : an introduction to urban geography / Paul L. Knox, Linda McCarthy.
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Description:
xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
Form:
books
books
Publication:
Boston : Pearson, ©2012.
Boston : Pearson, ©2012.