19236 Results
Form:
exhibitions
exhibitions
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
21 April 1999 to 26 September 1999
21 April 1999 to 26 September 1999
Title:
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Form:
exhibitions
exhibitions
Date:
21 April 1999 to
26 September 1999
21 April 1999 to
26 September 1999
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
2 May 1990 to 28 October 1990
2 May 1990 to 28 October 1990
Title:
Sighting the Université de Montréal: Photographs by Gabor Szilasi
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Description:
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Sighting the Université de Montréal: Photographs by Gabor Szilasi
Actions:
Description:
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Form:
exhibitions
exhibitions
Date:
2 May 1990 to
28 October 1990
2 May 1990 to
28 October 1990
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
14 May 2015 , 6pm
14 May 2015 , 6pm
Title:
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Form:
events
events
Date:
14 May 2015
6pm
14 May 2015
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
events
events
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Date:
7 December 2017
7 December 2017
Title:
Come and Forget the Internet, with Evgeny Morozov
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Internet, with Evgeny Morozov
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
7 December 2017
7 December 2017
Form:
events
events
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Keyword(s):
Craig Hodgetts
Craig Hodgetts
Date:
29 March 2018
29 March 2018
Title:
Come and Forget the Grid, with Craig Hodgetts
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Grid, with Craig Hodgetts
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
29 March 2018
29 March 2018
Keyword(s):
Craig Hodgetts
Craig Hodgetts
Form:
events
events
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Date:
12 April 2018
12 April 2018
Title:
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
12 April 2018
12 April 2018
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Form:
exhibitions
exhibitions
Actions:
Description:
Born out of the Portuguese revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities. There was not only one SAAL: its initiatives and results varied widely depending on complex(...)
Born out of the Portuguese revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities. There was not only one SAAL: its initiatives and results varied widely depending on complex(...)
Location:
Main galleries
Main galleries
Date:
12 May 2015 to 4 October 2015
12 May 2015 to 4 October 2015
Title:
The SAAL Process: Housing in Portugal 1974–76
Actions:
Description:
Born out of the Portuguese revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities. There was not only one SAAL: its initiatives and results varied widely depending on complex(...)
The SAAL Process: Housing in Portugal 1974–76
Actions:
Description:
Born out of the Portuguese revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities. There was not only one SAAL: its initiatives and results varied widely depending on complex(...)
Form:
exhibitions
exhibitions
Date:
12 May 2015 to
4 October 2015
12 May 2015 to
4 October 2015
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
19 March 2009 to 23 August 2009
19 March 2009 to 23 August 2009
Title:
Total Environment: Montréal, 1965-1975
Actions:
Description:
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
Total Environment: Montréal, 1965-1975
Actions:
Description:
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
Form:
exhibitions
exhibitions
Date:
19 March 2009 to
23 August 2009
19 March 2009 to
23 August 2009
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
7 December 2006 to 25 March 2007
7 December 2006 to 25 March 2007
Title:
Victor Burgin: Voyage to Italy
Actions:
Description:
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Victor Burgin: Voyage to Italy
Actions:
Description:
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Form:
exhibitions
exhibitions
Date:
7 December 2006 to
25 March 2007
7 December 2006 to
25 March 2007
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Description:
In this lecture, Amy Kulper locates architecture’s “digital turn” in 1988, when Thomas Knoll invented Photoshop. Originally developed as an image-editing software, Photoshop fit neatly within the long history of optical correction in the discipline. Yet its ubiquity today also prompts new questions. Does Photoshop simply introduce logics of adjustment, correction, and(...)
In this lecture, Amy Kulper locates architecture’s “digital turn” in 1988, when Thomas Knoll invented Photoshop. Originally developed as an image-editing software, Photoshop fit neatly within the long history of optical correction in the discipline. Yet its ubiquity today also prompts new questions. Does Photoshop simply introduce logics of adjustment, correction, and(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
9 June 2016, 6pm
9 June 2016, 6pm
Title:
Amy Kulper: Architecture’s Digital Turn and the Advent of Photoshop
Actions:
Description:
In this lecture, Amy Kulper locates architecture’s “digital turn” in 1988, when Thomas Knoll invented Photoshop. Originally developed as an image-editing software, Photoshop fit neatly within the long history of optical correction in the discipline. Yet its ubiquity today also prompts new questions. Does Photoshop simply introduce logics of adjustment, correction, and(...)
Amy Kulper: Architecture’s Digital Turn and the Advent of Photoshop
Actions:
Description:
In this lecture, Amy Kulper locates architecture’s “digital turn” in 1988, when Thomas Knoll invented Photoshop. Originally developed as an image-editing software, Photoshop fit neatly within the long history of optical correction in the discipline. Yet its ubiquity today also prompts new questions. Does Photoshop simply introduce logics of adjustment, correction, and(...)
Form:
events
events
Date:
9 June 2016
6pm
9 June 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
