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Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton(...)
$65.95
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Summary:
Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton(...)
Title:
Studies in tectonic culture: the poetics of construction in nineteenth and twentieth century architecture
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Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."
Studies in tectonic culture: the poetics of construction in nineteenth and twentieth century architecture
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$65.95
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Summary:
Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."
Form:
books
books
Publication:
October 2001, Cambridge, Mass.
October 2001, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
The city reader 4th edition
The city reader 4th edition
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The fourth edition of the highly successful The City Reader brings together the very best of publications on the city. Classic writings by such authors as Lewis Mumford, Ernest W. Burgess, LeCorbusier, Lewis Wirth, Jane Jacobs and Kevin Lynch meet the best contemporary writings of, among others, Sir Peter Hall, Richard Florida, Mike Davis, Michael Porter, Robert Putnam,(...)
$83.95
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Summary:
The fourth edition of the highly successful The City Reader brings together the very best of publications on the city. Classic writings by such authors as Lewis Mumford, Ernest W. Burgess, LeCorbusier, Lewis Wirth, Jane Jacobs and Kevin Lynch meet the best contemporary writings of, among others, Sir Peter Hall, Richard Florida, Mike Davis, Michael Porter, Robert Putnam,(...)
Subject:
Urban Theory
Urban Theory
Publication:
August 2007, London New York
August 2007, London New York
Title:
The city reader 4th edition
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$83.95
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Summary:
The fourth edition of the highly successful The City Reader brings together the very best of publications on the city. Classic writings by such authors as Lewis Mumford, Ernest W. Burgess, LeCorbusier, Lewis Wirth, Jane Jacobs and Kevin Lynch meet the best contemporary writings of, among others, Sir Peter Hall, Richard Florida, Mike Davis, Michael Porter, Robert Putnam, Andrus Duany, Saskia Sassen, and Manuel Castells. New to the fourth edition are important classic writings on urban economics by Wilbur Thomson and on bosses and machines by James Bryce, Jane Addams, and William L. Riordan, and new contemporary material on sustainable urban development , the creative class, metropolitics, occidentalism, Asian megacities, and urban futurism by The Bruntland Commission, Richard Florida, Myron Orfield, Ian Buruma and Avishai Margalit, Aprodicio Laquian, and Joel Kotkin. Fifty-seven generous selections are included: a combination of forty-six readings from the third edition and eleven entirely new selections. Structured to aid student understanding, the anthology features main and part Introductions, as well as individual introductions to the selected articles. Each selection is introduced with a brief intellectual biography and a review of the author s writings and related literature, an explanation of how the piece fits into the broader context of urban history and practice, competing ideological perspectives on the city, and the major current debates concerning race and gender, globalization, terrorism, the impact of information technology on cities, civic engagement, and postmodernism. The City Reader provides the comprehensive mapping of the terrain of Urban Studies, old and new. It is illustrated with over forty photographs and is essential reading for anyone interested in the city.
The city reader 4th edition
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$83.95
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Summary:
The fourth edition of the highly successful The City Reader brings together the very best of publications on the city. Classic writings by such authors as Lewis Mumford, Ernest W. Burgess, LeCorbusier, Lewis Wirth, Jane Jacobs and Kevin Lynch meet the best contemporary writings of, among others, Sir Peter Hall, Richard Florida, Mike Davis, Michael Porter, Robert Putnam, Andrus Duany, Saskia Sassen, and Manuel Castells. New to the fourth edition are important classic writings on urban economics by Wilbur Thomson and on bosses and machines by James Bryce, Jane Addams, and William L. Riordan, and new contemporary material on sustainable urban development , the creative class, metropolitics, occidentalism, Asian megacities, and urban futurism by The Bruntland Commission, Richard Florida, Myron Orfield, Ian Buruma and Avishai Margalit, Aprodicio Laquian, and Joel Kotkin. Fifty-seven generous selections are included: a combination of forty-six readings from the third edition and eleven entirely new selections. Structured to aid student understanding, the anthology features main and part Introductions, as well as individual introductions to the selected articles. Each selection is introduced with a brief intellectual biography and a review of the author s writings and related literature, an explanation of how the piece fits into the broader context of urban history and practice, competing ideological perspectives on the city, and the major current debates concerning race and gender, globalization, terrorism, the impact of information technology on cities, civic engagement, and postmodernism. The City Reader provides the comprehensive mapping of the terrain of Urban Studies, old and new. It is illustrated with over forty photographs and is essential reading for anyone interested in the city.
Form:
books
books
Publication:
August 2007, London New York
August 2007, London New York
Subject:
Urban Theory
Urban Theory
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books
books
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Description:
228 pages : illustrations (chiefly color) ; 23 x 24 cm
Description:
228 pages : illustrations (chiefly color) ; 23 x 24 cm
Author:
Subject:
- Fischli, Peter 1952-,
- Rist, Pipilotti 1962-,
- Weiss, David 1946-2012,
- Solomon R. Guggenheim Museum Exhibitions.,
- Solomon R. Guggenheim Museum Catalogs.,
- Solomon R. Guggenheim Museum Expositions.,
- Solomon R. Guggenheim Museum,
- Solomon R. Guggenheim Foundation,
- Photography Catalogs.,
- Video art Catalogs.,
- Photography New York (State) New York Catalogs.,
- Video art New York (State) New York Catalogs.,
- Video art Exhibitions.,
- Photography, Artistic 20th century Exhibitions.,
- Photography, Artistic 20th century Catalogs.,
- Video art New York (State) New York 20th century Exhibitions.,
- Video art New York (State) New York 20th century Catalogs.,
- Art vidéo Expositions.,
- Photography artistique Expositions.,
- Photographie Catalogues.,
- Art vidéo Catalogues.,
- Photographie New York (État) New York Catalogues.,
- Art vidéo New York (État) New York Catalogues.,
- Photographie artistique 20e siècle Expositions.,
- Photographie artistique 20e siècle Catalogues.,
- Art vidéo New York (État) New York 20e siècle Expositions.,
- Art vidéo New York (État) New York 20e siècle Catalogues.,
- 21.42 history of photographic art.,
- 24.35 videofilm.,
- Photography, Artistic,
- Photography,
- Video art,
- Photos.,
- Video films.,
- Collection de musée.,
- Photographie artistique.,
- Art vidéo.,
- 20e siècle (fin)-21e siècle (début),
- New York (State) New York,
- Exhibition catalogues.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogs,
- Exhibition catalogues (form),
- Catalogues d'exposition.
(See more)
Publication:
New York : Solomon R. Guggenheim Museum ; London : Thames & Hudson ; New York : [Distributed by] D.A.P./Distributed Art Publishers, ©2003.
New York : Solomon R. Guggenheim Museum ; London : Thames & Hudson ; New York : [Distributed by] D.A.P./Distributed Art Publishers, ©2003.
Title:
Moving pictures : contemporary photography and video from the Guggenheim Museum collections / [essays by John G. Hanhardt and Nancy Spector ; organized by Lisa Dennison, Nancy Spector, and Joan Young].
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228 pages : illustrations (chiefly color) ; 23 x 24 cm
Moving pictures : contemporary photography and video from the Guggenheim Museum collections / [essays by John G. Hanhardt and Nancy Spector ; organized by Lisa Dennison, Nancy Spector, and Joan Young].
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Description:
228 pages : illustrations (chiefly color) ; 23 x 24 cm
Form:
books
books
Publication:
New York : Solomon R. Guggenheim Museum ; London : Thames & Hudson ; New York : [Distributed by] D.A.P./Distributed Art Publishers, ©2003.
New York : Solomon R. Guggenheim Museum ; London : Thames & Hudson ; New York : [Distributed by] D.A.P./Distributed Art Publishers, ©2003.
Subject:
- Fischli, Peter 1952-,
- Rist, Pipilotti 1962-,
- Weiss, David 1946-2012,
- Solomon R. Guggenheim Museum Exhibitions.,
- Solomon R. Guggenheim Museum Catalogs.,
- Solomon R. Guggenheim Museum Expositions.,
- Solomon R. Guggenheim Museum,
- Solomon R. Guggenheim Foundation,
- Photography Catalogs.,
- Video art Catalogs.,
- Photography New York (State) New York Catalogs.,
- Video art New York (State) New York Catalogs.,
- Video art Exhibitions.,
- Photography, Artistic 20th century Exhibitions.,
- Photography, Artistic 20th century Catalogs.,
- Video art New York (State) New York 20th century Exhibitions.,
- Video art New York (State) New York 20th century Catalogs.,
- Art vidéo Expositions.,
- Photography artistique Expositions.,
- Photographie Catalogues.,
- Art vidéo Catalogues.,
- Photographie New York (État) New York Catalogues.,
- Art vidéo New York (État) New York Catalogues.,
- Photographie artistique 20e siècle Expositions.,
- Photographie artistique 20e siècle Catalogues.,
- Art vidéo New York (État) New York 20e siècle Expositions.,
- Art vidéo New York (État) New York 20e siècle Catalogues.,
- 21.42 history of photographic art.,
- 24.35 videofilm.,
- Photography, Artistic,
- Photography,
- Video art,
- Photos.,
- Video films.,
- Collection de musée.,
- Photographie artistique.,
- Art vidéo.,
- 20e siècle (fin)-21e siècle (début),
- New York (State) New York,
- Exhibition catalogues.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogs,
- Exhibition catalogues (form),
- Catalogues d'exposition.
(See more)
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books
books
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Description:
xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
Description:
xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
Title:
Urbanization : an introduction to urban geography / Paul L. Knox, Linda McCarthy.
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Description:
xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
Urbanization : an introduction to urban geography / Paul L. Knox, Linda McCarthy.
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xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
Form:
books
books
Publication:
Boston : Pearson, ©2012.
Boston : Pearson, ©2012.
Form:
books
books
Title:
The space of appearance
The space of appearance
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$41.95
(available to order)
Summary:
What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the(...)
$41.95
(available to order)
Summary:
What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the(...)
Title:
The space of appearance
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$41.95
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Summary:
What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the public sphere. Hannah Arendt's imperative of worldliness plays a pivotal role in Baird's reading of what has come to be called architecture's belief system. It is not enough, he argues, to reject the totalizing models of publicness that have been typical both of modernism and of many of its postmodern successors. Rather, he insists, it is necessary to construct a "space of appearance" that is large and diverse enough to make places for all of us. Baird stakes out clearly and sharply the recent history of ideas that bear on the field, recovering influences and ideas that have been omitted from standard histories of modernism and building an understanding of our present dilemmas that is constructive and critically informed. The period from 1960 to the present has seen the collapse of the conditions that shored up modern architecture, as conventionally understood, and has also seen modernism succeeded by a whole series of tentative alternatives, none of which has successfully achieved the decisive legitimization modernism once held. After an extended introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in the trajectory of contemporary cultural theory since the key interventions of Arendt in the 1950s. (first edition : 1995.)
The space of appearance
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$41.95
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Summary:
What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the public sphere. Hannah Arendt's imperative of worldliness plays a pivotal role in Baird's reading of what has come to be called architecture's belief system. It is not enough, he argues, to reject the totalizing models of publicness that have been typical both of modernism and of many of its postmodern successors. Rather, he insists, it is necessary to construct a "space of appearance" that is large and diverse enough to make places for all of us. Baird stakes out clearly and sharply the recent history of ideas that bear on the field, recovering influences and ideas that have been omitted from standard histories of modernism and building an understanding of our present dilemmas that is constructive and critically informed. The period from 1960 to the present has seen the collapse of the conditions that shored up modern architecture, as conventionally understood, and has also seen modernism succeeded by a whole series of tentative alternatives, none of which has successfully achieved the decisive legitimization modernism once held. After an extended introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in the trajectory of contemporary cultural theory since the key interventions of Arendt in the 1950s. (first edition : 1995.)
Form:
books
books
Publication:
April 2003, Cambridge / London
April 2003, Cambridge / London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Building home : Howard F. Ahmanson and the politics of the American dream / Eric John Abrahamson.
Building home : Howard F. Ahmanson and the politics of the American dream / Eric John Abrahamson.
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Description:
x, 357 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
Description:
x, 357 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
Subject:
- Ahmanson, Howard F.,
- Mortgage loans California Los Angeles History 20th century.,
- Savings and loan associations Los Angeles History 20th century.,
- American Dream History 20th century.,
- Prêts hypothécaires Californie Los Angeles Histoire 20e siècle.,
- Rêve américain Histoire 20e siècle.,
- HISTORY United States State & Local West (AK, CA, CO, HI, ID, MT, NV, UT, WY),
- American Dream.,
- Mortgage loans.,
- Savings and loan associations.,
- Bauwirtschaft,
- California Los Angeles.,
- USA.,
- Biographies.,
- History.
(See more)
Publication:
Berkeley : University of California Press, ©2013.
Berkeley : University of California Press, ©2013.
Title:
Building home : Howard F. Ahmanson and the politics of the American dream / Eric John Abrahamson.
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Description:
x, 357 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
Building home : Howard F. Ahmanson and the politics of the American dream / Eric John Abrahamson.
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Description:
x, 357 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
Form:
books
books
Publication:
Berkeley : University of California Press, ©2013.
Berkeley : University of California Press, ©2013.
Subject:
- Ahmanson, Howard F.,
- Mortgage loans California Los Angeles History 20th century.,
- Savings and loan associations Los Angeles History 20th century.,
- American Dream History 20th century.,
- Prêts hypothécaires Californie Los Angeles Histoire 20e siècle.,
- Rêve américain Histoire 20e siècle.,
- HISTORY United States State & Local West (AK, CA, CO, HI, ID, MT, NV, UT, WY),
- American Dream.,
- Mortgage loans.,
- Savings and loan associations.,
- Bauwirtschaft,
- California Los Angeles.,
- USA.,
- Biographies.,
- History.
(See more)
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books
books
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$125.00
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Summary:
Dieter Kienast (1945–1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in societal understandings of nature, he sought a synthesis between design and ecology. He designed spaces to make the dissolving opposition between city and countryside legible and to enable aesthetic experience to help cope with increasingly complex everyday(...)
$125.00
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Summary:
Dieter Kienast (1945–1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in societal understandings of nature, he sought a synthesis between design and ecology. He designed spaces to make the dissolving opposition between city and countryside legible and to enable aesthetic experience to help cope with increasingly complex everyday(...)
Title:
The landscapes of Dieter Kienast
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$125.00
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Summary:
Dieter Kienast (1945–1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in societal understandings of nature, he sought a synthesis between design and ecology. He designed spaces to make the dissolving opposition between city and countryside legible and to enable aesthetic experience to help cope with increasingly complex everyday life. Kienast introduced new challenges into the discussion of those fields. Critique of urban planning, processes of participation and the significance of urban vegetation played just as much a role in these discussions as did art, literature, architecture, and the popularity of postmodernism.
The landscapes of Dieter Kienast
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$125.00
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Dieter Kienast (1945–1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in societal understandings of nature, he sought a synthesis between design and ecology. He designed spaces to make the dissolving opposition between city and countryside legible and to enable aesthetic experience to help cope with increasingly complex everyday life. Kienast introduced new challenges into the discussion of those fields. Critique of urban planning, processes of participation and the significance of urban vegetation played just as much a role in these discussions as did art, literature, architecture, and the popularity of postmodernism.
Form:
books
books
Publication:
June 2021
June 2021
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Form:
books
books
Title:
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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$97.00
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Summary:
After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi(...)
$97.00
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Summary:
After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
August 2006, Milano
August 2006, Milano
Title:
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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$97.00
(available to order)
Summary:
After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi Forum, the book is the first to explore this topic, broadly interpreted to encompass the fields of architecture, cinema, photography, music, performance and video. By selectively focusing on the successive arts movements of those decades (including Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, and Postmodernism ), it highlights the dominant role that American artists have, through their work, played in the art world; these American artists turned New York into a unique place to express themselves as fully as possible, and to become known and established on the international arts scene. The artists, photographers, architects, musicians and filmmakers included in the book: Vito Acconci, Laurie Anderson, Carl Andre, Diane Arbus, Richard Artschwager, Richard Avedon, Matthew Barney, Jean-Michel Basquiat, John Cage, John Chamberlain, Gregory Crewdson, Merce Cunningham, John Currin, Bruce Davidson, Willem de Kooning, Jim Dine, Mark di Suvero, Elliot Erwitt, Richard Estes, Eric Fischl, Dan Flavin, Robert Frank, Helen Frankenthaler, Lee Friedlander, Tom Friedman, Robert Gober, Nan Goldin, Felix Gonzalez-Torres, Eva Hesse, Hans Hoffman, Jenny Holzer, Peter Hujar, Jasper Johns, Donald Judd, Alex Katz, Ellsworth Kelly, Andrés Kertész, Franz Kline, Joseph Kosuth, Barbara Kruger, Annie Leibovitz, Sol LeWitt, Roy Lichtenstein, Robert Longo, Philip-Lorca diCorcia, Morris Louis, Robert Mapplethorpe, Brice Marden, Mary Ellen Mark, Agnes Martin, Susan Meiselas, Joel Meyerowitz, Duane Michals, Joan Mitchell, Robert Morris, Robert Motherwell, Bruce Nauman, Barnet Newman, Claes Oldenburg, Nam June Paik, Irving Penn, Gilles Peress, Sylvia Plachy, Jackson Pollock, Richard Prince, Robert Rauschenberg, Ad Reinhardt, Eugene Richards, James Rosenquist, Mark Rothko, Susan Rothenberg, Robert Ryman, David Salle, Lucas Samaras, Tom Sachs, Andres Serrano, Joel Shapiro, Julian Schnabel, Richard Serra, Cindy Sherman, Laurie Simmons, David Smith, Doug and Mike Starn, Frank Stella, Haim Steinbach, Joel Sternfeld, Clyfford Still, Cy Twombly, Kara Walker, Andy Warhol, Lawrence Weiner, Tom Wesselman, Brian Weil, Sue Williams, Garry Winogrand, David Wojnarowicz, Christopher Wool.
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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$97.00
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Summary:
After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi Forum, the book is the first to explore this topic, broadly interpreted to encompass the fields of architecture, cinema, photography, music, performance and video. By selectively focusing on the successive arts movements of those decades (including Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, and Postmodernism ), it highlights the dominant role that American artists have, through their work, played in the art world; these American artists turned New York into a unique place to express themselves as fully as possible, and to become known and established on the international arts scene. The artists, photographers, architects, musicians and filmmakers included in the book: Vito Acconci, Laurie Anderson, Carl Andre, Diane Arbus, Richard Artschwager, Richard Avedon, Matthew Barney, Jean-Michel Basquiat, John Cage, John Chamberlain, Gregory Crewdson, Merce Cunningham, John Currin, Bruce Davidson, Willem de Kooning, Jim Dine, Mark di Suvero, Elliot Erwitt, Richard Estes, Eric Fischl, Dan Flavin, Robert Frank, Helen Frankenthaler, Lee Friedlander, Tom Friedman, Robert Gober, Nan Goldin, Felix Gonzalez-Torres, Eva Hesse, Hans Hoffman, Jenny Holzer, Peter Hujar, Jasper Johns, Donald Judd, Alex Katz, Ellsworth Kelly, Andrés Kertész, Franz Kline, Joseph Kosuth, Barbara Kruger, Annie Leibovitz, Sol LeWitt, Roy Lichtenstein, Robert Longo, Philip-Lorca diCorcia, Morris Louis, Robert Mapplethorpe, Brice Marden, Mary Ellen Mark, Agnes Martin, Susan Meiselas, Joel Meyerowitz, Duane Michals, Joan Mitchell, Robert Morris, Robert Motherwell, Bruce Nauman, Barnet Newman, Claes Oldenburg, Nam June Paik, Irving Penn, Gilles Peress, Sylvia Plachy, Jackson Pollock, Richard Prince, Robert Rauschenberg, Ad Reinhardt, Eugene Richards, James Rosenquist, Mark Rothko, Susan Rothenberg, Robert Ryman, David Salle, Lucas Samaras, Tom Sachs, Andres Serrano, Joel Shapiro, Julian Schnabel, Richard Serra, Cindy Sherman, Laurie Simmons, David Smith, Doug and Mike Starn, Frank Stella, Haim Steinbach, Joel Sternfeld, Clyfford Still, Cy Twombly, Kara Walker, Andy Warhol, Lawrence Weiner, Tom Wesselman, Brian Weil, Sue Williams, Garry Winogrand, David Wojnarowicz, Christopher Wool.
Form:
books
books
Publication:
August 2006, Milano
August 2006, Milano
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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Description:
283 pages : illustrations (some color) ; 20 cm.
Description:
283 pages : illustrations (some color) ; 20 cm.
Subject:
Publication:
Dijon : Presses du réel, ©2012.
Dijon : Presses du réel, ©2012.
Title:
Claes Oldenburg et Coosje van Bruggen : la sculpture comme subversion de l'architecture, 1981-1997 / Éric Valentin.
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Description:
283 pages : illustrations (some color) ; 20 cm.
Claes Oldenburg et Coosje van Bruggen : la sculpture comme subversion de l'architecture, 1981-1997 / Éric Valentin.
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283 pages : illustrations (some color) ; 20 cm.
Form:
books
books
Publication:
Dijon : Presses du réel, ©2012.
Dijon : Presses du réel, ©2012.
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books
books
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Description:
236 pages ; 21 cm.
Description:
236 pages ; 21 cm.
Author:
- Elizabeth S. Goodstein -- Walter Benjamin -- Julian Jason Haladyn -- Siefgried Kracauer -- Georges Teyssot -- Patrice Petro -- Ivan Chtcheglov -- Situationist International -- Henri Lefebvre -- Maurice Blanchot -- Georges Perec -- Raoul Vaneigem -- Sadie Plant -- John Cage -- Moira Roth -- Jonathan D. Katz -- Dick Higgins -- Ina Blom -- Andy Warhol -- Notes after reseeing the movies of Andy Warhol, 1970 / Jonas Mekas -- Tan Lin --,
- Yvonne Rainer -- Robert Morris -- Barbara Rose -- Susan Sontag -- Nicolas Bourriaud -- Jonathan Flatley -- John Miller -- Betty Friedan -- Simone de Beauvoir -- Mierle Laderman Ukeles -- Faith Wilding -- Ivone Margulies -- Jennifer Doyle -- Valerie Solanas -- Peter Fischli -- Jon Savage -- Dan Graham -- Greil Marcus -- Dick Hebdige -- Richard Hell -- Geoff Waite --,
- Aleksandr Zinoviev -- Agne Narusyte -- Alla Efimova -- Ilya Kabakov -- Mikhail Epstein -- Boris Groys -- Critical Art Ensemble -- David Foster Wallace -- Sianne Ngai -- Christine Ross -- Dominic Fox -- Bernadette Corporation -- Claire Fontaine -- The Invisible Committee -- Sven Lütticken -- Peter Osborne -- Stefan Brüggemann -- Chris Kraus.,
- McDonough, Tom, 1969-
(See more)
Subject:
Publication:
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
Form:
books
books
Publication:
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
Author:
- Elizabeth S. Goodstein -- Walter Benjamin -- Julian Jason Haladyn -- Siefgried Kracauer -- Georges Teyssot -- Patrice Petro -- Ivan Chtcheglov -- Situationist International -- Henri Lefebvre -- Maurice Blanchot -- Georges Perec -- Raoul Vaneigem -- Sadie Plant -- John Cage -- Moira Roth -- Jonathan D. Katz -- Dick Higgins -- Ina Blom -- Andy Warhol -- Notes after reseeing the movies of Andy Warhol, 1970 / Jonas Mekas -- Tan Lin --,
- Yvonne Rainer -- Robert Morris -- Barbara Rose -- Susan Sontag -- Nicolas Bourriaud -- Jonathan Flatley -- John Miller -- Betty Friedan -- Simone de Beauvoir -- Mierle Laderman Ukeles -- Faith Wilding -- Ivone Margulies -- Jennifer Doyle -- Valerie Solanas -- Peter Fischli -- Jon Savage -- Dan Graham -- Greil Marcus -- Dick Hebdige -- Richard Hell -- Geoff Waite --,
- Aleksandr Zinoviev -- Agne Narusyte -- Alla Efimova -- Ilya Kabakov -- Mikhail Epstein -- Boris Groys -- Critical Art Ensemble -- David Foster Wallace -- Sianne Ngai -- Christine Ross -- Dominic Fox -- Bernadette Corporation -- Claire Fontaine -- The Invisible Committee -- Sven Lütticken -- Peter Osborne -- Stefan Brüggemann -- Chris Kraus.,
- McDonough, Tom, 1969-
(See more)
