Open architecture: migration, citizenship, and the urban renewal of Berlin-Kreuzberg by IBA 1984-87
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The International Building Exhibition 1984/87 in Berlin constitutes one of the most remarkable examples to discuss "open architecture". Almost 10,000 dwellings were constructed or restored in the Kreuzberg districts adjacent to the Berlin Wall, inhabited about halfway by immigrants. The renowned author Esra Akcan, related in many ways to Turkey, Berlin and the USA,(...)
Open architecture: migration, citizenship, and the urban renewal of Berlin-Kreuzberg by IBA 1984-87
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The International Building Exhibition 1984/87 in Berlin constitutes one of the most remarkable examples to discuss "open architecture". Almost 10,000 dwellings were constructed or restored in the Kreuzberg districts adjacent to the Berlin Wall, inhabited about halfway by immigrants. The renowned author Esra Akcan, related in many ways to Turkey, Berlin and the USA, narrates the history and reverberations of this architectural-political event.
Architectural Theory
A landscape of events
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In "A Landscape of Events", the celebrated French architect, urban planner, and philosopher Paul Virilio focuses on the cultural chaos of the 1980s and 1990s. It was a time, he writes, that reflected the "cruelty of an epoch, the hills and dales of daily life, the usual clumps of habits and commonplaces." Urban disorientation, the machines of war, and the acceleration(...)
A landscape of events
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In "A Landscape of Events", the celebrated French architect, urban planner, and philosopher Paul Virilio focuses on the cultural chaos of the 1980s and 1990s. It was a time, he writes, that reflected the "cruelty of an epoch, the hills and dales of daily life, the usual clumps of habits and commonplaces." Urban disorientation, the machines of war, and the acceleration of events in contemporary life are Virilio's ongoing concerns. He explores them in events ranging from media coverage of the Gulf War to urban rioting and lawlessness. Some will see Virilio as a pessimist discouraged by "the acceleration of the reality of time," while others will find his recording of "atypical events" to be clairvoyant.
Architectural Theory
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Paul Howell, a planning consultant and key player in the Montreal Olympic Organizing Committee, offers an insider's perspective on how a vast, complex, expensive, and highly politicized event was organized within the constraints imposed by limited resources, an unyielding deadline, and intense pressures from international and local special interest groups. He looks at(...)
The Montréal Olympics : an insider's view of organizing a self-financing Games
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Paul Howell, a planning consultant and key player in the Montreal Olympic Organizing Committee, offers an insider's perspective on how a vast, complex, expensive, and highly politicized event was organized within the constraints imposed by limited resources, an unyielding deadline, and intense pressures from international and local special interest groups. He looks at both the struggles and what went uniquely right in Montreal, setting the record straight on operations, political involvement, and finance, including details of the well-publicized multi-billion dollar deficit that was misrepresented by the press and misunderstood by the public for decades. For students of organizations the Montreal 1976 Games were a watershed - the first example of a large-scale sports endeavour that applied formal project management using computers as well as critical path planning and scheduling. Focusing on this historic event to illustrate issues of organization, structure, planning, and execution, Howell offers valuable insights not only for those involved in planning Vancouver 2010 and future Games but for anyone involved in ad hoc planning on a massive scale.
Architecture de Montréal
Architecture : the common
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In 2012, the international congress ‘Architecture: The Common’ was held in Pamplona, presented by Norman Foster. It appealed to civic solidarity as an instrument of architecture in facing the urgent economic and environmental challenges of today. This publication is a record of the event through the interviews conducted by four prominent critics – Peter Buchanan, François(...)
Architecture : the common
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In 2012, the international congress ‘Architecture: The Common’ was held in Pamplona, presented by Norman Foster. It appealed to civic solidarity as an instrument of architecture in facing the urgent economic and environmental challenges of today. This publication is a record of the event through the interviews conducted by four prominent critics – Peter Buchanan, François Chaslin, Juli Capella and Kosme de Barañano – with the participating speakers, including Eduardo Souto de Moura, Rafael Moneo, Ann Heringer, Roger Diener and others. In this way, it covers a broad spectrum of contemporary sensibilities in architectural practice.
Architectural Theory
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
sale books
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an(...)
February 2007, Cambridge (MA)
The beautiful language of my century : reinventing the language of contestation in postwar France, 1945-1968
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged Mémoires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The beautiful language of my century" describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of détournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France déchirée"), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the fête as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968 - when the struggle over language and culture merged with a broader resistance to capitalist modernization.
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The Amsterdam-based design office of EventArchitectuur has been active in the fields of exhibition and interior design and temporary architecture for more than 20 years, with their projects and interventions present in Berlin, Paris, New York and many other locations world-wide. In this substantial book, designed by the Dutch design studio Experimental Jetset, Herman(...)
EVENTS: situating the temporary
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The Amsterdam-based design office of EventArchitectuur has been active in the fields of exhibition and interior design and temporary architecture for more than 20 years, with their projects and interventions present in Berlin, Paris, New York and many other locations world-wide. In this substantial book, designed by the Dutch design studio Experimental Jetset, Herman Verkerk and his team dedicate their knowledge and experience to the design community. With contributions by Bernard Tschumi, Beatriz Colomina, Dirk van den Heuvel, Ellen Blumenstein and many others, topics comprise time-based narrative architecture, the architecture of events, display in public context, building-related landscape and many others. This approach makes the book a content-driven tool of communication and knowledge.
Architecture Monographs
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October 2017 marks the centenary of the admission of the first female students to the Architectural Association. Published to coincide with a symposium, exhibition and series of talks all celebrating this event, "AA Women in architecture" puts forward the stories of women who have entered the architectural profession and their contributions to architectural practice and education.
Breaking the mould: AA women in architecture
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October 2017 marks the centenary of the admission of the first female students to the Architectural Association. Published to coincide with a symposium, exhibition and series of talks all celebrating this event, "AA Women in architecture" puts forward the stories of women who have entered the architectural profession and their contributions to architectural practice and education.
Architectural Theory
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With today's ecological imperatives, contemporary architecture faces its greatest challenges since Modernism. In 2009, Denmark hosted an international summit on climate and sustainability. The Louisiana Museum is supporting this event with a major exhibition, The Future Has Arrived: Architecture for a Sustainable World, the second show in the series The Frontiers of(...)
Green architecture for the future
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With today's ecological imperatives, contemporary architecture faces its greatest challenges since Modernism. In 2009, Denmark hosted an international summit on climate and sustainability. The Louisiana Museum is supporting this event with a major exhibition, The Future Has Arrived: Architecture for a Sustainable World, the second show in the series The Frontiers of Architecture. This exhibition catalogue presents a spectrum of new visions for sustainable global development, based upon the three parameters of economy, environment and social change, with essays by German architect Wilfried Wang, Danish philosopher Ole Thyssen and interviews with Ecosistema Urbano, Foster & Partners, Philippe Rahm and R(n).
Green Architecture
Giovanna Silva: Napoli
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Italian photographer Giovanna Silva (born 1980) highlights the decorative forms that populate the chromatic landscape of Naples. The result is part anthropological and costume study, part photographic research on urban architectures and part artistic reflection on a historical event.
Giovanna Silva: Napoli
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Italian photographer Giovanna Silva (born 1980) highlights the decorative forms that populate the chromatic landscape of Naples. The result is part anthropological and costume study, part photographic research on urban architectures and part artistic reflection on a historical event.
Photography monographs