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After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. In this illustrated history of midcentury modern churches in the Midwest, Gretchen Buggeln shows how architects and suburban congregations joined forces to work out a vision of how modernist churches might help reinvigorate Protestant worship and(...)
The suburban church: modernism and community in postwar America
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After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. In this illustrated history of midcentury modern churches in the Midwest, Gretchen Buggeln shows how architects and suburban congregations joined forces to work out a vision of how modernist churches might help reinvigorate Protestant worship and community. The result offers a new perspective on postwar architecture, religion, and society. Drawing on the architectural record, church archives, and oral histories, The Suburban Church focuses on collaborations between architects Edward D. Dart, Edward A. Sövik, Charles E. Stade, and seventy-five congregations. By telling the stories behind their modernist churches, the book describes how the buildings both reflected and shaped developments in postwar religion—its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change.
Architectural Theory
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Cette chronique biographique de Pierre Lescot, nous plonge au coeur de la Renaissance, siècle tourmenté par les guerres de religion. Au jour le jour, nous suivons, la construction des différents bâtiments dont le plus célèbre est le nouveau Louvre. Durant trente-deux années, Pierre Lescot, architecte et familier des rois, oeuvrera tour à tour sous François 1er, Henri II,(...)
Pierre Lescot: 1515-1578. Histoire
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Cette chronique biographique de Pierre Lescot, nous plonge au coeur de la Renaissance, siècle tourmenté par les guerres de religion. Au jour le jour, nous suivons, la construction des différents bâtiments dont le plus célèbre est le nouveau Louvre. Durant trente-deux années, Pierre Lescot, architecte et familier des rois, oeuvrera tour à tour sous François 1er, Henri II, François II, Charles IX et Henri III.
Architecture Monographs
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Photographer Laura McPhee, noted for her stunning large-scale landscapes and portraits of the people who live and work in them, has been traveling to eastern India for over a decade. There she has devoted her perceptive vision to picturing layers of history, culture, religion, and class as they appear in private heritage homes and public markets, in lively street(...)
The home and the world: a view of Calcutta
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Photographer Laura McPhee, noted for her stunning large-scale landscapes and portraits of the people who live and work in them, has been traveling to eastern India for over a decade. There she has devoted her perceptive vision to picturing layers of history, culture, religion, and class as they appear in private heritage homes and public markets, in lively street festivals, and in the faces of city dwellers in Calcutta (also known as Kolkata).
Photography monographs
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My Big Art Show is a game in which children curate their own art shows. Each card represents a work of art as well as key information, such as artist and date. The cards also use symbols and colors to indicate which movement and theme the work represents. There are twelve movements: Renaissance, Baroque, Neoclassicism, Romanticism, Realism, Impressionism,(...)
My big art show: a card game + book
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My Big Art Show is a game in which children curate their own art shows. Each card represents a work of art as well as key information, such as artist and date. The cards also use symbols and colors to indicate which movement and theme the work represents. There are twelve movements: Renaissance, Baroque, Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Expressionism, Cubism, Futurism, Surrealism, and Pop Art, and six themes: People, Places, Objects, Animals, Story, and Religion.
Children's Books
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Working together since their graduation from the Royal College of Art in 1990, the Chapman brothers are famous for their iconoclastic sculpture, prints and installations that examine contemporary politics, religion and morality with biting wit and energy. End of Fun leads on from the original Hell (1999) tabletop tableau that was destroyed in the Momart fire in 2004, and(...)
Jake and Dinos Chapman: the end of fun
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Working together since their graduation from the Royal College of Art in 1990, the Chapman brothers are famous for their iconoclastic sculpture, prints and installations that examine contemporary politics, religion and morality with biting wit and energy. End of Fun leads on from the original Hell (1999) tabletop tableau that was destroyed in the Momart fire in 2004, and the later Fucking Hell (2008). A three-dimensional collage, End of Fun consists of thousands of plastic figurines, many dressed in Nazi regalia or enacting egregious acts of cruelty, displayed in nine glass cases or dioramas.
Contemporary Art Monographs
A history of the barricade
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The barricade was always a makeshift construction (the word derives from barrique or barrel), and in working-class districts these ersatz fortifications could spread like wildfire. They doubled as a stage, from which insurgents could harangue soldiers and subvert their allegiance. Their symbolic power persisted into May 1968 and, more recently, the Occupy(...)
A history of the barricade
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The barricade was always a makeshift construction (the word derives from barrique or barrel), and in working-class districts these ersatz fortifications could spread like wildfire. They doubled as a stage, from which insurgents could harangue soldiers and subvert their allegiance. Their symbolic power persisted into May 1968 and, more recently, the Occupy movements. Hazan traces the many stages in the barricade’s evolution, from the Wars of Religion through to the Paris Commune, drawing on the work of thinkers throughout the periods examined to illustrate and bring to life the violent practicalities of revolutionary uprising.
Critical Theory
books
Nature et politique : contribution à une anthropologie de la modernité et de la globalisation
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L’écologie politique est-elle progressiste? Est-elle réactionnaire? Est-elle libertaire ou autoritaire? S’agit-il d’une nouvelle religion? S’agit-il du nouveau conflit central? En partant des questions clé qui ont orienté les débats autour de l’écologisme depuis son apparition dans les années 1960, Fabrice Flipo organise la discussion et relie les fils épars de l’analyse(...)
Nature et politique : contribution à une anthropologie de la modernité et de la globalisation
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L’écologie politique est-elle progressiste? Est-elle réactionnaire? Est-elle libertaire ou autoritaire? S’agit-il d’une nouvelle religion? S’agit-il du nouveau conflit central? En partant des questions clé qui ont orienté les débats autour de l’écologisme depuis son apparition dans les années 1960, Fabrice Flipo organise la discussion et relie les fils épars de l’analyse empirique et théorique. Il nous montre que l’écologie politique se définit non par la protection de l’environnement mais par une remise en cause de l’universalité du mode de vie moderne. L’écologisme est ainsi un mouvement d’emblée global, qui renverse les cadres établis de la politique.
books
February 2014
Green Architecture
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Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The(...)
Raymond Pettibon: here's your irony back, political works 1975-2013
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Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The resulting, highly poetic constructions function as acute reflections of contemporary society. Seen here are images of Ronald and Nancy Reagan, J. Edgar Hoover, both Bush presidents, the Kennedys, Hitler, scenes from the Vietnam War and protest movements, wars in Iraq and Afghanistan, the prisoner abuse of Abu Ghraib, President Obama and Osama bin Laden.
Illustration
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Louis-Joseph Papineau est une figure à la fois mythique et controversée du nationalisme et de l’indépendantisme québécois. Il paraît aujourd’hui autant susceptible d’être annexé que son souvenir est flou, comme effacé par le temps ou peut-être sciemment poussé vers l’oubli. Ambigu, il rappelle les espoirs et les frustrations d’un peuple qui peine encore à se représenter(...)
Fais ce que dois, advienne que pourra
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Louis-Joseph Papineau est une figure à la fois mythique et controversée du nationalisme et de l’indépendantisme québécois. Il paraît aujourd’hui autant susceptible d’être annexé que son souvenir est flou, comme effacé par le temps ou peut-être sciemment poussé vers l’oubli. Ambigu, il rappelle les espoirs et les frustrations d’un peuple qui peine encore à se représenter lui-même et à imaginer son destin. Yvan Lamonde nous livre une analyse historique de la pensée de Papineau qui éclaire la vision qu’avait celui-ci de l’indépendance et de l’émancipation de ses concitoyens. On découvre qu’avant d’être une question de langue ou de religion, la séparation d’avec la métropole était d’abord pour Papineau une question de démocratie.
Social Studies (Québec)
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Freestyle thinking—that is Vilém Flusser’s intellectual modus operandi: challenging and offensive, paradoxical and audacious. His thought knows no disciplines or subjects nor does it pay tribute to other academic frameworks or rituals. Above all else his thought wants to intervene in ongoing cultural and artistic processes and influence them. In order to achieve this, no(...)
Flusseriana: an intellectual toolbox
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Freestyle thinking—that is Vilém Flusser’s intellectual modus operandi: challenging and offensive, paradoxical and audacious. His thought knows no disciplines or subjects nor does it pay tribute to other academic frameworks or rituals. Above all else his thought wants to intervene in ongoing cultural and artistic processes and influence them. In order to achieve this, no closed theoretical systems are necessary—only open, operative structures. The Flusseriana is a toolbox capable of being developed and expanded. It contains more than two hundred “thinkthings” (Denkdinge) of all kinds: particularities like “Indian Summer,” “Atlas,” “Submissiveness,” “Animal,” and “Mediterranean Sea”; condensed Flusserian thought concerning the big eternal questions such as “History,” “Language,” “Myth,” and “Religion”; the central concepts of his media analysis including “Apparatus,” “Abstraction,” “Cybernetics,” and “Telematics”; as well as Flusser’s own neologisms, “Communicology,” “Universe of Dots,” and the old and the new “Imaginations.” More than one hundred authors produced the entries under these entries in a dialogic practice entirely in the spirit of the philosophical writer from Prague.
Critical Theory