405779 Results
Form:
exhibitions
exhibitions
Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
23 July 2015 to 13 September 2015
23 July 2015 to 13 September 2015
Title:
Landscapes of the Hyperreal: Ábalos&Herreros selected by SO – IL
Actions:
Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Landscapes of the Hyperreal: Ábalos&Herreros selected by SO – IL
Actions:
Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Form:
exhibitions
exhibitions
Date:
23 July 2015 to
13 September 2015
23 July 2015 to
13 September 2015
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Title:
Old Books New Cities
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Location:
Hall cases
Hall cases
Date:
12 December 2013 to 15 June 2014
12 December 2013 to 15 June 2014
Title:
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Form:
exhibitions
exhibitions
Date:
12 December 2013 to
15 June 2014
12 December 2013 to
15 June 2014
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Location:
Main galleries
Main galleries
Date:
21 May 2014 to 5 October 2014
21 May 2014 to 5 October 2014
Title:
Archaeology of the Digital: Media and Machines
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Archaeology of the Digital: Media and Machines
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Form:
exhibitions
exhibitions
Date:
21 May 2014 to
5 October 2014
21 May 2014 to
5 October 2014
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Location:
Main galleries
Main galleries
Date:
14 November 1990 to 24 February 1991
14 November 1990 to 24 February 1991
Title:
Money Matters: A Critical Look at Bank Architecture
Actions:
Description:
Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Money Matters: A Critical Look at Bank Architecture
Actions:
Description:
Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Form:
exhibitions
exhibitions
Date:
14 November 1990 to
24 February 1991
14 November 1990 to
24 February 1991
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Location:
Main galleries
Main galleries
Date:
13 March 1991 to 2 June 1991
13 March 1991 to 2 June 1991
Title:
Myron Goldsmith: Poet of Structure
Actions:
Description:
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Myron Goldsmith: Poet of Structure
Actions:
Description:
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Form:
exhibitions
exhibitions
Date:
13 March 1991 to
2 June 1991
13 March 1991 to
2 June 1991
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition presents the work of a generation of Japanese architects that reached architectural maturity at a time of unprecedented wealth in Japan. The six young architects included—Kiyoshi Sey Takeyama/AMORPHE; Norihiko Dan; Hiroyuki Wakabayashi; WORKSHOP; Hisashi Hara; and Atsushi Kitagawara—freely incorporate Western and Japanese architectural traditions. For this(...)
The exhibition presents the work of a generation of Japanese architects that reached architectural maturity at a time of unprecedented wealth in Japan. The six young architects included—Kiyoshi Sey Takeyama/AMORPHE; Norihiko Dan; Hiroyuki Wakabayashi; WORKSHOP; Hisashi Hara; and Atsushi Kitagawara—freely incorporate Western and Japanese architectural traditions. For this(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
17 April 1991 to 30 June 1991
17 April 1991 to 30 June 1991
Title:
Emerging Japanese Architects of the 1990s
Actions:
Description:
The exhibition presents the work of a generation of Japanese architects that reached architectural maturity at a time of unprecedented wealth in Japan. The six young architects included—Kiyoshi Sey Takeyama/AMORPHE; Norihiko Dan; Hiroyuki Wakabayashi; WORKSHOP; Hisashi Hara; and Atsushi Kitagawara—freely incorporate Western and Japanese architectural traditions. For this(...)
Emerging Japanese Architects of the 1990s
Actions:
Description:
The exhibition presents the work of a generation of Japanese architects that reached architectural maturity at a time of unprecedented wealth in Japan. The six young architects included—Kiyoshi Sey Takeyama/AMORPHE; Norihiko Dan; Hiroyuki Wakabayashi; WORKSHOP; Hisashi Hara; and Atsushi Kitagawara—freely incorporate Western and Japanese architectural traditions. For this(...)
Form:
exhibitions
exhibitions
Date:
17 April 1991 to
30 June 1991
17 April 1991 to
30 June 1991
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
The exhibition explores one of the most adventurous and influential moments in the history of architecture: the explosion of invention and ideas that followed the October Revolution in Russia. The Soviet avant-garde architects were productivist as much as aesthetic in their concerns; they saw architecture and the arts as one, and they were committed to bringing design(...)
The exhibition explores one of the most adventurous and influential moments in the history of architecture: the explosion of invention and ideas that followed the October Revolution in Russia. The Soviet avant-garde architects were productivist as much as aesthetic in their concerns; they saw architecture and the arts as one, and they were committed to bringing design(...)
Location:
Main galleries
Main galleries
Date:
19 June 1991 to 8 September 1991
19 June 1991 to 8 September 1991
Title:
Architectural Drawings of the Russian Avant-Garde, 1917-1935
Actions:
Description:
The exhibition explores one of the most adventurous and influential moments in the history of architecture: the explosion of invention and ideas that followed the October Revolution in Russia. The Soviet avant-garde architects were productivist as much as aesthetic in their concerns; they saw architecture and the arts as one, and they were committed to bringing design(...)
Architectural Drawings of the Russian Avant-Garde, 1917-1935
Actions:
Description:
The exhibition explores one of the most adventurous and influential moments in the history of architecture: the explosion of invention and ideas that followed the October Revolution in Russia. The Soviet avant-garde architects were productivist as much as aesthetic in their concerns; they saw architecture and the arts as one, and they were committed to bringing design(...)
Form:
exhibitions
exhibitions
Date:
19 June 1991 to
8 September 1991
19 June 1991 to
8 September 1991
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
Location:
Hall cases
Hall cases
Date:
13 November 1991 to 16 February 1992
13 November 1991 to 16 February 1992
Title:
Corpus Sanum in Domo Sano: The Architecture of the Domestic Sanitation Movement, 1870-1914
Actions:
Description:
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
Corpus Sanum in Domo Sano: The Architecture of the Domestic Sanitation Movement, 1870-1914
Actions:
Description:
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
Form:
exhibitions
exhibitions
Date:
13 November 1991 to
16 February 1992
13 November 1991 to
16 February 1992
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Location:
Main galleries
Main galleries
Date:
12 February 1992 to 19 April 1992
12 February 1992 to 19 April 1992
Title:
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Form:
exhibitions
exhibitions
Date:
12 February 1992 to
19 April 1992
12 February 1992 to
19 April 1992
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
Location:
Hall cases
Hall cases
Date:
26 February 1992 to 24 May 1992
26 February 1992 to 24 May 1992
Title:
The Architect's Sketchbook: Current Practice
Actions:
Description:
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
The Architect's Sketchbook: Current Practice
Actions:
Description:
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
Form:
exhibitions
exhibitions
Date:
26 February 1992 to
24 May 1992
26 February 1992 to
24 May 1992
Location:
Hall cases
Hall cases
