$21.00
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A 1988 UN Habitat seminar considered issues of housing construction in "developing countries." Included in the presentation was a prefabricated building system designed by East German architects, which was used in an education and development center operated by the African National Congress in Tanzania. In this publication, a multidisciplinary and international group(...)
Architecture since 1900, Africa
April 2024
Doors of learning: microcosms of a future South Africa
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A 1988 UN Habitat seminar considered issues of housing construction in "developing countries." Included in the presentation was a prefabricated building system designed by East German architects, which was used in an education and development center operated by the African National Congress in Tanzania. In this publication, a multidisciplinary and international group of artists, curators, historians and researchers reflect on the education and development centers as radical experiments in learning and living, as well as their spatial and design implementation in the context of the efforts to create a future democratic South Africa free of racism. This book focuses on why education was seen as the key to building a new democratic society. What were the immediate educational needs in those temporary learning environments? How were the educational priorities implemented spatially and creatively? And what was everyday life like for the people who lived there?
Architecture since 1900, Africa
$65.00
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Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing.(...)
June 2017
Modeling history. The case for the tectonic. Stagecraft: models and photos
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$65.00
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Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing. Produced on the occasion of the exhibition 'Stagecraft: Models and Photos' at Columbia University's Arthur RossArchitecture Gallery, Modeling History moves between modes of representation, past and present, to explore Frampton's theory and pedagogy concerning tectonics. The sixteen photographs enclosed in this book by photographer James Ewing reveal the possibilities of Frampton's radical approach today. Each image not only reengages with a model built during Frampton's seminar, but, by playing with the potentials of photography, also aspires to project similar material, tectonic, and poetic realities. Printed in a limited edition of 250 copies.
$58.00
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A great deal of Aalto-related research has been conducted over the years in different parts of the world. Some of these contributions have appeared in compendiums, seminar and congress publications and similar works. Many studies, however, have remained unpublished or known inly to a small circle of experts. 'Aalto Studies' is the Alvar Aalto Museum's new scholarly(...)
Aino and Alvar Aalto - a shared journey, interpretations of an everyday modernism
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$58.00
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A great deal of Aalto-related research has been conducted over the years in different parts of the world. Some of these contributions have appeared in compendiums, seminar and congress publications and similar works. Many studies, however, have remained unpublished or known inly to a small circle of experts. 'Aalto Studies' is the Alvar Aalto Museum's new scholarly series. It seeks to compile existing research while also providing a channel of publication for new international Aalto research that is continuously growing in extent. This is the first number of 'Aalto studies' a collection of seven studies by Renja Suominen-Kokkonen PhD. Over the cours of several years, the author's research has particularly focused on the role of Aino Aalto alongside her maestro husband, thus expanding our understanding of Aalto and his works. Adjunct Professor Renja Suominen-Kokkonen PhD is at present acting professor of art history at the University of Helsinki.
Architecture Monographs
books
Description:
16 unnumbered pages : illustrations, music, portraits ; 23 cm
Montréal : [publisher not identified], 1951 (Montréal : Albert Valois)
Collège Saint-Viateur : sous la direction des Clercs de Saint Viateur.
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16 unnumbered pages : illustrations, music, portraits ; 23 cm
books
Montréal : [publisher not identified], 1951 (Montréal : Albert Valois)
books
Description:
48, [23] leaves : illustrations (some color), plans ; 28 x 43 cm
[Montréal] : [Jodoin Lamarre Pratte et associés, architectes], [1994]
Proposition de développement : Grand Séminaire et Collège de Montréal, le Domaine du Fort de la Montagne, rue Sherbrooke ouest, Montréal.
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48, [23] leaves : illustrations (some color), plans ; 28 x 43 cm
books
[Montréal] : [Jodoin Lamarre Pratte et associés, architectes], [1994]
books
Description:
xvi, 311 pages ; 22 cm
Abingdon, Oxon ; New York, NY : Routledge, 2015., ©2015
Architecture's appeal : how theory informs architectural praxis / edited by Marc J. Neveu and Negin Djavaherian.
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xvi, 311 pages ; 22 cm
books
Abingdon, Oxon ; New York, NY : Routledge, 2015., ©2015
books
Le Grand Séminaire de Montréal, de 1840 à 1990 : 150 années au service de la formation des prêtres.
Description:
462 pages : illustrations (some color), coat of arms, plans, portraits ; 23 x 25 cm
Montréal : Éditions du Grand Séminaire de Montréal, ©1990.
Le Grand Séminaire de Montréal, de 1840 à 1990 : 150 années au service de la formation des prêtres.
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462 pages : illustrations (some color), coat of arms, plans, portraits ; 23 x 25 cm
books
Montréal : Éditions du Grand Séminaire de Montréal, ©1990.
archives
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approximately 45,313 items, 17.2 linear meters of textual records, 0.05 linear meter of graphic materials., Arranged by series. 1- Architectural projects, service...
Abalos & Herreros fonds, 1920-2009.
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approximately 45,313 items, 17.2 linear meters of textual records, 0.05 linear meter of graphic materials., Arranged by series. 1- Architectural projects, service...
archives
$48.99
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From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first(...)
On painting: Courses March - June 1981
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From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon. Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?
Art Theory
books
Description:
xiii, 289 pages ; 24 cm.
Leiden : Brill, [2015], ©2015
After orientalism : critical perspectives on western agency and eastern re-appropriations / edited by François Pouillon, Jean-Claude Vatin.
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xiii, 289 pages ; 24 cm.
books
Leiden : Brill, [2015], ©2015