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xv, 732 pages : illustrations (some color) ; 32 cm
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
The great utopia : the Russian and Soviet avant-garde, 1915-1932 / Solomon R. Guggenheim Museum [and others].
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xv, 732 pages : illustrations (some color) ; 32 cm
books
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
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Christopher Tadgell covers the major architectural traditions of the Middle Ages, from the Romanesque architecture of the 9th and 10th centuries, built on the legacy of ancient Rome and including elements from Carolingian, Ottonian, Byzantine and northern European traditions, through to the evolution of the Gothic which heralded new, structurally daring architecture. The(...)
The West: from the advent of Christendom to the eve of Reformation
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Christopher Tadgell covers the major architectural traditions of the Middle Ages, from the Romanesque architecture of the 9th and 10th centuries, built on the legacy of ancient Rome and including elements from Carolingian, Ottonian, Byzantine and northern European traditions, through to the evolution of the Gothic which heralded new, structurally daring architecture. The book ends with the Italian rediscovery of Classical ideas and ideals and the emergence of the great Renaissance theorists and architects, including Brunelleschi, Alberti, and Bramante. As well as the palazzos, villas and churches of Renaissance Italy, this period saw the building of great chateaux in France, palaces in Germany and the golden-domed cathedrals of Russia.
books
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xiii, 151 pages : illustrations ; 26 x 28 cm
Baton Rouge : Louisiana State University Press, ©2011.
Robert W. Tebbs, photographer to architects : Louisiana plantations in 1926 / Richard Anthony Lewis ; foreword by Robert J. Cangelosi, Jr.
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xiii, 151 pages : illustrations ; 26 x 28 cm
books
Baton Rouge : Louisiana State University Press, ©2011.
books
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330 pages : illustrations (some color), facsimiles, maps, plans ; 31 cm
Venice : Marsilio, [2009]
Andrea Palladio and the architecture of battle : with the unpublished edition of Polybius' Histories / edited by Guido Beltramini ; translation from the Italian, David Kerr.
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330 pages : illustrations (some color), facsimiles, maps, plans ; 31 cm
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Venice : Marsilio, [2009]
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising(...)
August 2016
Nature's truth: photography, painting, and science in Victorian Britain
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception. Drawing on sources ranging from artists' letters to scientific treatises, ''Nature's Truth'' illuminates the dynamic relationship between art and science throughout the nineteenth century. Helmreich's study shows that this relatively short-lived movement had a profound effect on modern British art and changed conceptions of truth and the role of art in modern society.
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How and why Palladio has become the most influential architect of the Renaissance and beyond.For more than four and a half centuries, his works have continuously provided a touchstone for architects, not only in the Veneto, where architects were able to scrutinize his works firsthand, but abroad as well. Indeed, his followers are legion; however, the manner in which his(...)
Palladio's Legacy: architectural polemics in eighteenth-century Venice
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How and why Palladio has become the most influential architect of the Renaissance and beyond.For more than four and a half centuries, his works have continuously provided a touchstone for architects, not only in the Veneto, where architects were able to scrutinize his works firsthand, but abroad as well. Indeed, his followers are legion; however, the manner in which his oeuvre has been interpreted varied considerably according to time and place. His successors have ranged from those advocating a return to classical orthodoxy to those who have sought to borrow from his work more freely. Yet as the call for architectural reform grew ever more urgent over the course of the eighteenth century, this polysemy came to be overshadowed by a rationalized classical interpretation of Palladio's work.
Architectural Theory
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Minerva Parker Nichols (1862–1949) was the first American woman to practice architecture independently. Her specialty was residential spaces—though her commissions also included an iron foundry and a macaroni factory—and she was a significant figure in the design of the emerging railroad towns just outside of Philadelphia, where she was in active practice from 1883 until(...)
Minerva Parker Nichols: The search for a forgotten architect
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Minerva Parker Nichols (1862–1949) was the first American woman to practice architecture independently. Her specialty was residential spaces—though her commissions also included an iron foundry and a macaroni factory—and she was a significant figure in the design of the emerging railroad towns just outside of Philadelphia, where she was in active practice from 1883 until 1896. She was also a writer, teacher, and active participant in several reform movements of the era. Creating an archive in the absence of one, this book recovers Nichols’s forgotten story to document a career that spanned seven decades, engaging with contemporary questions about absences in the historical record, the challenges of architectural history and preservation, and the need for new tools and frameworks to address these gaps.
Architecture Monographs
The documentary impulse
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Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and(...)
The documentary impulse
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Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and science. Looking at photojournalism, war photography and work recording our culture, Franklin identifies some of its driving impulses: curiosity, outrage, reform and ritual; the search for evidence, for beauty, for therapy; and the immortalization of memory. As our understanding of 'documentary' continues to expand, Franklin considers photographic staging - where, perhaps, the future of the genre may lie: in search of truth over fact.
Theory of Photography
Politics of learning, politics of space: architecture and the education shock of the 1960s and 1970s
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How the relationships between education and outer space have developed historically is exemplified in an incisive way by the decades that followed the 'Sputnik shock' of 1957. The wake-up call that resulted from the Soviet space program set the global landscape of learning in motion. New schools and universities came into being against the backdrop of the reform euphoria(...)
February 2021
Politics of learning, politics of space: architecture and the education shock of the 1960s and 1970s
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How the relationships between education and outer space have developed historically is exemplified in an incisive way by the decades that followed the 'Sputnik shock' of 1957. The wake-up call that resulted from the Soviet space program set the global landscape of learning in motion. New schools and universities came into being against the backdrop of the reform euphoria and mood of catastrophe. At the same time, traditional pedagogical concepts were severely called into question—including the call to do away with institutions of education. What is shown in the architectures of learning is not only a politics of space, but also the educational shock that intensively shook up the global societies of the 1960s and 1970s, while they were gradually being transformed into knowledge societies.
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Modern hygienic urbanism originated in the airy boulevards, public parks, and sewer system that transformed the Parisian cityscape in the mid-nineteenth century. Yet these well-known developments in public health built on a previous moment of anxiety about the hygiene of modern city dwellers. These forgotten efforts to renew and reform the physical and moral health of the(...)
Ideals of the body: architecture, urbanism, and hygiene in postrevolutionary Paris
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Modern hygienic urbanism originated in the airy boulevards, public parks, and sewer system that transformed the Parisian cityscape in the mid-nineteenth century. Yet these well-known developments in public health built on a previous moment of anxiety about the hygiene of modern city dwellers. These forgotten efforts to renew and reform the physical and moral health of the urban subject found expression in the built environment of the city—in the gymnasiums, swimming pools, and green spaces of private and public institutions, from the pedagogical to the recreational. Sun-Young Park reveals how these anxieties about health and social order, which manifested in emerging ideals of the body, created a uniquely spatial and urban experience of modernity in the postrevolutionary capital, one profoundly impacted by hygiene, mobility, productivity, leisure, spectacle, and technology.
Architectural Theory