Sub-series
Slides
AP140.S2.SS7.D2
Description:
The subs-series documents, through slides, James Stirling's student work as well as visits and travels in the United Kingdom, in Spain, France, Belgium, Germany, Ireland, Italy, India, Iran, the United States and Algeria, and work by the successive firms of Stirling and Gowan, James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates. File also documents the James Stirling Memorial lecture. Material in this file was produced between ca. 1948 and 1992.
ca. 1948-1992
Slides
Actions:
AP140.S2.SS7.D2
Description:
The subs-series documents, through slides, James Stirling's student work as well as visits and travels in the United Kingdom, in Spain, France, Belgium, Germany, Ireland, Italy, India, Iran, the United States and Algeria, and work by the successive firms of Stirling and Gowan, James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates. File also documents the James Stirling Memorial lecture. Material in this file was produced between ca. 1948 and 1992.
File 2
ca. 1948-1992
Project
Red Line (1972)
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
circa 1972-2015
Red Line (1972)
Actions:
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
Project
circa 1972-2015
photographs
Quantity:
12 photograph(s)
ARCH268904
Description:
Group consists of late enlargements of photographs of Pierre Jeanneret or others, alone, in group, with family or relations during private or professional activities, predominantly in Geneva, Switzerland. There is also a photograph of him and a group of students in a workshop at the Beaux Arts, in Paris. This group also includes a photograph of Pierre Jeanneret's mother and a photograph of Pierre Jeanneret with his niece, Jacqueline Jeanneret, as a child.
Photographs of Pierre Jeanneret's family, friends and relations
Actions:
ARCH268904
Description:
Group consists of late enlargements of photographs of Pierre Jeanneret or others, alone, in group, with family or relations during private or professional activities, predominantly in Geneva, Switzerland. There is also a photograph of him and a group of students in a workshop at the Beaux Arts, in Paris. This group also includes a photograph of Pierre Jeanneret's mother and a photograph of Pierre Jeanneret with his niece, Jacqueline Jeanneret, as a child.
photographs
Quantity:
12 photograph(s)
Project
Tumbleweeds Catcher (1972)
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
circa 1972-2017
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Project
circa 1972-2017
Project
AP140.S1.SS1.D6
Description:
File documents a student project for a Plan of Town Centre and Development of Community Centre, in Newton Aycliffe, England, United Kingdom. Project was submitted in 1950 as Stirling's undergraduate thesis in his fifth year at the Liverpool School of Architecture. Material in this file was produced between 1948 and probably 1975. File contains presentation drawings and panels, a publication drawing and a few working drawings. Photographic materials includes views of drawings and of study and presentation models. File also contains a bound thesis.
1948-[1975?], predominant 1949-1950
Plan of Town Centre and Development of Community Centre
Actions:
AP140.S1.SS1.D6
Description:
File documents a student project for a Plan of Town Centre and Development of Community Centre, in Newton Aycliffe, England, United Kingdom. Project was submitted in 1950 as Stirling's undergraduate thesis in his fifth year at the Liverpool School of Architecture. Material in this file was produced between 1948 and probably 1975. File contains presentation drawings and panels, a publication drawing and a few working drawings. Photographic materials includes views of drawings and of study and presentation models. File also contains a bound thesis.
File 6
1948-[1975?], predominant 1949-1950
Series
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
1963-1996
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Series
1963-1996
19 file
DR1999:0365
Description:
videocassettes include: - 2/18/86 - Texas A + M University "Arrows, Eros and More Errors" - 12/1/88 - P.E. Higgins Renovation - June 1988 - Philip Johnson at OSU - 8/17/89 - P.E./students/faculty/staff DAAP building - August 1989 - "Banyoles al Costat de Barcelona" in English - November 16th, 1989 - Wexner Symposium - OSU - Fall 1989 - All School Lecture Series Rice University, Texas - 7/19/90 - Greater Columbus Convention Center Promo video - 3/1/90 - DAAP students/faculty/staff meeting - March 1990 - lecture University of Tennessee - July 1st - 4th 1990 - Tokyo, Koizumi - 11/1/91 - P.E./Columbia - 3/25/91 - Columbia University lecture - 4/15/92 - Pacific Design Center, Westweek 1992 "Venice Biennale" - 8/19/92 & 11/4/92 - T.V. news monitoring service - August 1992 - Nunotani on Japan T.V. - June 24th, 1993 - Philip Johnson on Charlie Rose - October 25th, 1993 - DAAP - preground breaking lecture -Peter Eisenman, Penn State April 7, 1994
Lectures for Wexner Center, Columbus, Ohio and Banyoles Olympic Hotel, Banyoles, Spain
Actions:
DR1999:0365
Description:
videocassettes include: - 2/18/86 - Texas A + M University "Arrows, Eros and More Errors" - 12/1/88 - P.E. Higgins Renovation - June 1988 - Philip Johnson at OSU - 8/17/89 - P.E./students/faculty/staff DAAP building - August 1989 - "Banyoles al Costat de Barcelona" in English - November 16th, 1989 - Wexner Symposium - OSU - Fall 1989 - All School Lecture Series Rice University, Texas - 7/19/90 - Greater Columbus Convention Center Promo video - 3/1/90 - DAAP students/faculty/staff meeting - March 1990 - lecture University of Tennessee - July 1st - 4th 1990 - Tokyo, Koizumi - 11/1/91 - P.E./Columbia - 3/25/91 - Columbia University lecture - 4/15/92 - Pacific Design Center, Westweek 1992 "Venice Biennale" - 8/19/92 & 11/4/92 - T.V. news monitoring service - August 1992 - Nunotani on Japan T.V. - June 24th, 1993 - Philip Johnson on Charlie Rose - October 25th, 1993 - DAAP - preground breaking lecture -Peter Eisenman, Penn State April 7, 1994
19 file
drawings
AP140.S2.SS1.D97.P88
Description:
Including for Sports Centre, staff housing, Student Centre and Canteen.
circa 1974-1999
Site plans, plans, elevations, sections and axonometrics, Temasek Polytechnic, Singapore
Actions:
AP140.S2.SS1.D97.P88
Description:
Including for Sports Centre, staff housing, Student Centre and Canteen.
drawings
circa 1974-1999
photographs
AP075.S1.1969.PR01.002
Description:
Original folder entitled "ACADIA PARK / MARRIED STUDENT HOUSING UBC".
circa 1970
Photographs, Acadia Park, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1969.PR01.002
Description:
Original folder entitled "ACADIA PARK / MARRIED STUDENT HOUSING UBC".
photographs
circa 1970
textual records
P. Eisenman Trustees Meeting
ARCH153448
Description:
Agenda, 19 September 1980 Addendum to the Minutes, meeting of the 9 June 1980 Development Committee, Summary of Development Needs, October 1980 List of Trustees, 22 September, 1980 Programs and "Fundable Packages" (projected budget of 1980-1) Oppositions Books Program ; budget Note to PDE from Charles Next Editors Meeting for Oppositions Journal, March 20 List of IAUS students Memo from Kenneth Frampton to PDE and Hamid Nouri about Skyline Note to PDE, not signed
October 1980
P. Eisenman Trustees Meeting
Actions:
ARCH153448
Description:
Agenda, 19 September 1980 Addendum to the Minutes, meeting of the 9 June 1980 Development Committee, Summary of Development Needs, October 1980 List of Trustees, 22 September, 1980 Programs and "Fundable Packages" (projected budget of 1980-1) Oppositions Books Program ; budget Note to PDE from Charles Next Editors Meeting for Oppositions Journal, March 20 List of IAUS students Memo from Kenneth Frampton to PDE and Hamid Nouri about Skyline Note to PDE, not signed
textual records
October 1980