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Eliezer (Lazar) Markovitch Lissitzky (Pochinok, près de Smolensk, Russie, 1890 – Moscou, 1941), dit El Lissitzky, est l’un des artistes les plus influents, les plus novateurs et les plus controversés du début du XXe siècle. Peintre, designer, architecte et photographe prolifique, il a travaillé avec l’avant-garde soviétique et européenne des années 1920 et participé(...)
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Eliezer (Lazar) Markovitch Lissitzky (Pochinok, près de Smolensk, Russie, 1890 – Moscou, 1941), dit El Lissitzky, est l’un des artistes les plus influents, les plus novateurs et les plus controversés du début du XXe siècle. Peintre, designer, architecte et photographe prolifique, il a travaillé avec l’avant-garde soviétique et européenne des années 1920 et participé(...)
Title:
El Lissitzky : l'expérience de la totalité
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Eliezer (Lazar) Markovitch Lissitzky (Pochinok, près de Smolensk, Russie, 1890 – Moscou, 1941), dit El Lissitzky, est l’un des artistes les plus influents, les plus novateurs et les plus controversés du début du XXe siècle. Peintre, designer, architecte et photographe prolifique, il a travaillé avec l’avant-garde soviétique et européenne des années 1920 et participé activement à l’art propagandiste stalinien des années 1930. L’une des spécificités majeures de son œuvre comme de sa vie est le « franchissement des limites » : il a rapproché les pays et les cultures, l’art et le design, l’Est et l’Ouest. Après 1917, pendant la période du communisme de guerre, il vit à l'étranger où il fait office d'ambassadeur culturel, promouvant l'art russe et les idées soviétiques à l'Ouest tout en s'informant sur la culture occidentale. Pour lui, l’art ne doit pas être considéré comme le fruit d’une expression personnelle ou comme une production d’objets, mais comme une activité sociale et collective. Avec Kazimir Malevitch, il développe un nouveau langage visuel – le suprématisme révolutionnaire – employé non seulement en peinture, mais aussi en arts graphiques et en gravure, en architecture et en théâtre, en céramique, dans les théories de l’éducation et dans les écrits révolutionnaires.
El Lissitzky : l'expérience de la totalité
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Eliezer (Lazar) Markovitch Lissitzky (Pochinok, près de Smolensk, Russie, 1890 – Moscou, 1941), dit El Lissitzky, est l’un des artistes les plus influents, les plus novateurs et les plus controversés du début du XXe siècle. Peintre, designer, architecte et photographe prolifique, il a travaillé avec l’avant-garde soviétique et européenne des années 1920 et participé activement à l’art propagandiste stalinien des années 1930. L’une des spécificités majeures de son œuvre comme de sa vie est le « franchissement des limites » : il a rapproché les pays et les cultures, l’art et le design, l’Est et l’Ouest. Après 1917, pendant la période du communisme de guerre, il vit à l'étranger où il fait office d'ambassadeur culturel, promouvant l'art russe et les idées soviétiques à l'Ouest tout en s'informant sur la culture occidentale. Pour lui, l’art ne doit pas être considéré comme le fruit d’une expression personnelle ou comme une production d’objets, mais comme une activité sociale et collective. Avec Kazimir Malevitch, il développe un nouveau langage visuel – le suprématisme révolutionnaire – employé non seulement en peinture, mais aussi en arts graphiques et en gravure, en architecture et en théâtre, en céramique, dans les théories de l’éducation et dans les écrits révolutionnaires.
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Contemporary Art Monographs
Contemporary Art Monographs
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Description:
235 pages : illustrations ; 17 x 20 cm. + 1 booklet (46 pages : illustrations ; 17 x 20 cm.)
Description:
235 pages : illustrations ; 17 x 20 cm. + 1 booklet (46 pages : illustrations ; 17 x 20 cm.)
Author:
Subject:
- Ėrenburg, Ilʹi︠a︡, 1891-1967.,
- Ėrenburg, Ilʹi︠a︡, 1891-1967 Travel France Paris.,
- Photography, Artistic.,
- Photographie artistique.,
- art photography.,
- Literature,
- Travel,
- Paris (France) In literature.,
- Paris (France) Description and travel.,
- Paris (France),
- Paris (France) Pictorial works.,
- Paris (France) Descriptions et voyages.,
- France Paris,
- facsimiles (reproductions),
- Facsimiles,
- Pictorial works,
- Fac-similés.
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Publication:
Paris : Edition 7L ; Göttingen : Distributed by Steidl , 2005., 1933.
Paris : Edition 7L ; Göttingen : Distributed by Steidl , 2005., 1933.
Title:
Moĭ Parizh / tekst i fotografii Ilʹa Ėrenburga ; redaktor, B.F. Malkin ; fotomontazh i oformlenie Khudozhnaka, Ėlʹ Lisishchkogo ; tekhnicheska͡ia redaktsh͡ia, Aleksandra Brodskogo.
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235 pages : illustrations ; 17 x 20 cm. + 1 booklet (46 pages : illustrations ; 17 x 20 cm.)
Moĭ Parizh / tekst i fotografii Ilʹa Ėrenburga ; redaktor, B.F. Malkin ; fotomontazh i oformlenie Khudozhnaka, Ėlʹ Lisishchkogo ; tekhnicheska͡ia redaktsh͡ia, Aleksandra Brodskogo.
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235 pages : illustrations ; 17 x 20 cm. + 1 booklet (46 pages : illustrations ; 17 x 20 cm.)
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books
books
Publication:
Paris : Edition 7L ; Göttingen : Distributed by Steidl , 2005., 1933.
Paris : Edition 7L ; Göttingen : Distributed by Steidl , 2005., 1933.
Subject:
- Ėrenburg, Ilʹi︠a︡, 1891-1967.,
- Ėrenburg, Ilʹi︠a︡, 1891-1967 Travel France Paris.,
- Photography, Artistic.,
- Photographie artistique.,
- art photography.,
- Literature,
- Travel,
- Paris (France) In literature.,
- Paris (France) Description and travel.,
- Paris (France),
- Paris (France) Pictorial works.,
- Paris (France) Descriptions et voyages.,
- France Paris,
- facsimiles (reproductions),
- Facsimiles,
- Pictorial works,
- Fac-similés.
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books
books
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Summary:
Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and(...)
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Summary:
Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and(...)
Subject:
Photography monographs
Photography monographs
Publication:
November 1999, New Haven/London
November 1999, New Haven/London
Title:
El Lissitzky : beyond the abstract cabinet
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Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and aesthetic aspects of Lissitzky's late multimedia work from his designs for the Abstract Cabinet to his death in 1941. The author and the two contributors give special attention to Lissitzky's intense collaboration first with German and then with Soviet photographers, designers, and filmmakers, and they discuss how his various personal friendships and acquaintances influenced the directions he took in photography and design. The book presents photographic works by Lissitzky and these other artists as well as some of Lissitzky's early non-objective art that foreshadows his experiments in figurative art. It also includes Lissitzky's correspondence with his Western colleagues and his wife Sophie Kueppers. This book will accompany an exhibition of Lissitzky's photographic works at the Sprengel Museum in Hannover, Germany, Museu d'Art Contemporani de Barcelona, and Fondaçao de Serralves, Porto.
El Lissitzky : beyond the abstract cabinet
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Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and aesthetic aspects of Lissitzky's late multimedia work from his designs for the Abstract Cabinet to his death in 1941. The author and the two contributors give special attention to Lissitzky's intense collaboration first with German and then with Soviet photographers, designers, and filmmakers, and they discuss how his various personal friendships and acquaintances influenced the directions he took in photography and design. The book presents photographic works by Lissitzky and these other artists as well as some of Lissitzky's early non-objective art that foreshadows his experiments in figurative art. It also includes Lissitzky's correspondence with his Western colleagues and his wife Sophie Kueppers. This book will accompany an exhibition of Lissitzky's photographic works at the Sprengel Museum in Hannover, Germany, Museu d'Art Contemporani de Barcelona, and Fondaçao de Serralves, Porto.
Form:
books
books
Publication:
November 1999, New Haven/London
November 1999, New Haven/London
Subject:
Photography monographs
Photography monographs
Title:
Les deux carrés
Les deux carrés
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Livre emblématique du mouvement suprématiste, Les deux carrés est « construit » par El Lissitzki en 1920 à Vitebsk, après sa rencontre avec Malevitch. Ce célèbre livre-manifeste pour enfants d'une dizaine de pages est réalisé selon un processus de stylisation cubo-futuriste visuellement dont on ne peut dire s'il est écrit ou dessiné.
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Livre emblématique du mouvement suprématiste, Les deux carrés est « construit » par El Lissitzki en 1920 à Vitebsk, après sa rencontre avec Malevitch. Ce célèbre livre-manifeste pour enfants d'une dizaine de pages est réalisé selon un processus de stylisation cubo-futuriste visuellement dont on ne peut dire s'il est écrit ou dessiné.
Title:
Les deux carrés
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Livre emblématique du mouvement suprématiste, Les deux carrés est « construit » par El Lissitzki en 1920 à Vitebsk, après sa rencontre avec Malevitch. Ce célèbre livre-manifeste pour enfants d'une dizaine de pages est réalisé selon un processus de stylisation cubo-futuriste visuellement dont on ne peut dire s'il est écrit ou dessiné.
Les deux carrés
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Livre emblématique du mouvement suprématiste, Les deux carrés est « construit » par El Lissitzki en 1920 à Vitebsk, après sa rencontre avec Malevitch. Ce célèbre livre-manifeste pour enfants d'une dizaine de pages est réalisé selon un processus de stylisation cubo-futuriste visuellement dont on ne peut dire s'il est écrit ou dessiné.
Subject:
Current Exhibitions
Current Exhibitions
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books
books
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Description:
xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
Description:
xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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Publication:
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Title:
An unfinished ... encyclopedia of ... scale figures without ... architecture / edited by Michael Meredith, Hilary Sample & MOS.
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Description:
xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
An unfinished ... encyclopedia of ... scale figures without ... architecture / edited by Michael Meredith, Hilary Sample & MOS.
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Description:
xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
Form:
books
books
Publication:
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Price:
$69.00
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Summary:
Reprinted facsimile edition of a masterpiece of modern typography. "For the Voice" is considered to be Lissitzky's masterpiece of modern typography which was originally published in Berlin in 1923. As Lissitzky explained, "I have tried to create an equivalent unity using the poem and the typography," this book is a magnificent example of collaboration between poet and(...)
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Summary:
Reprinted facsimile edition of a masterpiece of modern typography. "For the Voice" is considered to be Lissitzky's masterpiece of modern typography which was originally published in Berlin in 1923. As Lissitzky explained, "I have tried to create an equivalent unity using the poem and the typography," this book is a magnificent example of collaboration between poet and(...)
Title:
El Lissitzky, Vladimir Mayakovsky: For the voice. Facsimile edition
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Reprinted facsimile edition of a masterpiece of modern typography. "For the Voice" is considered to be Lissitzky's masterpiece of modern typography which was originally published in Berlin in 1923. As Lissitzky explained, "I have tried to create an equivalent unity using the poem and the typography," this book is a magnificent example of collaboration between poet and artist. Lissitzky provided visual interpretation of Mayakovsky's poems and each of them is accompanied by a dynamic visual composition with symbolic meaning. Printed letters in red, black and white tones become pictorial signs, contributing to each poem's identity.
El Lissitzky, Vladimir Mayakovsky: For the voice. Facsimile edition
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Reprinted facsimile edition of a masterpiece of modern typography. "For the Voice" is considered to be Lissitzky's masterpiece of modern typography which was originally published in Berlin in 1923. As Lissitzky explained, "I have tried to create an equivalent unity using the poem and the typography," this book is a magnificent example of collaboration between poet and artist. Lissitzky provided visual interpretation of Mayakovsky's poems and each of them is accompanied by a dynamic visual composition with symbolic meaning. Printed letters in red, black and white tones become pictorial signs, contributing to each poem's identity.
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Price:
$44.00
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Summary:
About Two Squares, a book for children by the Russian avant-garde artist El Lissitzky, will extend the boundaries of anyone's imagination. Radically simple, and yet sophisticated, this book tells the story of two squares who take on the mission of rebuilding the world. First published in 1922 in post-revolutionary Russia, About Two Squares was "constructed" using pure(...)
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Summary:
About Two Squares, a book for children by the Russian avant-garde artist El Lissitzky, will extend the boundaries of anyone's imagination. Radically simple, and yet sophisticated, this book tells the story of two squares who take on the mission of rebuilding the world. First published in 1922 in post-revolutionary Russia, About Two Squares was "constructed" using pure(...)
Title:
About two squares: a suprematist tale of two squares in six constructions
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About Two Squares, a book for children by the Russian avant-garde artist El Lissitzky, will extend the boundaries of anyone's imagination. Radically simple, and yet sophisticated, this book tells the story of two squares who take on the mission of rebuilding the world. First published in 1922 in post-revolutionary Russia, About Two Squares was "constructed" using pure geometric forms and typographic elements as a means to disseminate the new order, with Lissitzky propelling the reader to build their own future and pointing them in a daringly modern direction. Inspired by Kazimir Malevich's suprematist vision of a non-objective art, About Two Squares had an immediate impact on the European art world with its publication in Theo van Doesburg's avant-garde art journal, De Stijl, and redefined what an illustrated book could be.
About two squares: a suprematist tale of two squares in six constructions
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Summary:
About Two Squares, a book for children by the Russian avant-garde artist El Lissitzky, will extend the boundaries of anyone's imagination. Radically simple, and yet sophisticated, this book tells the story of two squares who take on the mission of rebuilding the world. First published in 1922 in post-revolutionary Russia, About Two Squares was "constructed" using pure geometric forms and typographic elements as a means to disseminate the new order, with Lissitzky propelling the reader to build their own future and pointing them in a daringly modern direction. Inspired by Kazimir Malevich's suprematist vision of a non-objective art, About Two Squares had an immediate impact on the European art world with its publication in Theo van Doesburg's avant-garde art journal, De Stijl, and redefined what an illustrated book could be.
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books
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212 pages, [1] folded leaf of plates : illustrations (some color), facsimiles ; 26 cm
Description:
212 pages, [1] folded leaf of plates : illustrations (some color), facsimiles ; 26 cm
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Publication:
London : AA Publications, [2012], ©2012
London : AA Publications, [2012], ©2012
Title:
In search of a forgotten architect : Stefan Sebök 1901-1941 / Lilly Dubowitz.
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Description:
212 pages, [1] folded leaf of plates : illustrations (some color), facsimiles ; 26 cm
In search of a forgotten architect : Stefan Sebök 1901-1941 / Lilly Dubowitz.
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212 pages, [1] folded leaf of plates : illustrations (some color), facsimiles ; 26 cm
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books
books
Publication:
London : AA Publications, [2012], ©2012
London : AA Publications, [2012], ©2012
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Form:
books
books
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Description:
111 pages : illustrations (chiefly color) ; 26 cm
Description:
111 pages : illustrations (chiefly color) ; 26 cm
Author:
Subject:
- Chashnik, Ilʹi︠a︡ Grigorʹevich, 1902-1929 Exhibitions.,
- I︠E︡rmilov, Vasylʹ, 1894-1968 Exhibitions.,
- Lissitzky, El, 1890-1941 Exhibitions.,
- Malevich, Kazimir Severinovich, 1878-1935 Exhibitions.,
- Popova, Li︠u︡bovʹ Sergeevna, 1889-1924 Exhibitions.,
- Rodchenko, Aleksandr Mikhaĭlovich, 1891-1956 Exhibitions.,
- Stepanova, Varvara Fedorovna, 1894-1958 Exhibitions.,
- Suetin, Nikolaĭ Mikhaĭlovich, 1897-1954 Exhibitions.,
- Tatlin, Vladimir Evgrafovich, 1885-1953 Exhibitions.,
- Udalʹt︠s︡ova, Nadezhda, 1886-1961 Exhibitions.,
- Chashnik, Ilʹi︠a︡ Grigorʹevich, 1902-1929,
- I︠E︡rmilov, Vasylʹ, 1894-1968,
- Lissitzky, El, 1890-1941,
- Malevich, Kazimir Severinovich, 1878-1935,
- Popova, Li︠u︡bovʹ Sergeevna, 1889-1924,
- Rodchenko, Aleksandr Mikhaĭlovich, 1891-1956,
- Stepanova, Varvara Fedorovna, 1894-1958,
- Suetin, Nikolaĭ Mikhaĭlovich, 1897-1954,
- Tatlin, Vladimir Evgrafovich, 1885-1953,
- Udalʹt︠s︡ova, Nadezhda, 1886-1961,
- Sepherot Foundation,
- Avant-garde (Aesthetics) Russia Exhibitions.,
- Avant-garde (Aesthetics) Soviet Union Exhibitions.,
- Design Russia History 20th century Exhibitions.,
- Design Soviet Union Exhibitions.,
- Cubism Soviet Union Exhibitions.,
- Suprematism in art Exhibitions.,
- Constructivism (Art) Soviet Union Exhibitions.,
- Art, Russian 20th century Exhibitions.,
- Design Russie Histoire 20e siècle Expositions.,
- Design URSS Expositions.,
- Cubisme URSS Expositions.,
- Suprématisme Expositions.,
- Constructivisme (Art) URSS Expositions.,
- Art russe 20e siècle Expositions.,
- Art, Russian,
- Avant-garde (Aesthetics),
- Constructivism (Art),
- Cubism,
- Design,
- Suprematism in art,
- Avantgarde,
- Suprematismus,
- Konstruktivismus,
- Russia,
- Soviet Union,
- Russland,
- 1910-1930,
- Exhibition catalogs.,
- History
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Publication:
Köln : Buchhandlung Walther König, [2014], ©2014
Köln : Buchhandlung Walther König, [2014], ©2014
Title:
Für den neuen Menschen : russisches Avantgarde-Design : Ideen, Entwürfe, Gestaltung : aus der Sammlung der Sepherot Foundation (Liechtenstein) / Herausgeber: Alla Chilova und Nana Shekhter-Pusenkoff ; Autor des Beitrags: Alexander Lawrentjew ; Übersetzung aus dem Russischen und Redaktion: Brigitte van Kann.
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111 pages : illustrations (chiefly color) ; 26 cm
Für den neuen Menschen : russisches Avantgarde-Design : Ideen, Entwürfe, Gestaltung : aus der Sammlung der Sepherot Foundation (Liechtenstein) / Herausgeber: Alla Chilova und Nana Shekhter-Pusenkoff ; Autor des Beitrags: Alexander Lawrentjew ; Übersetzung aus dem Russischen und Redaktion: Brigitte van Kann.
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Description:
111 pages : illustrations (chiefly color) ; 26 cm
Form:
books
books
Publication:
Köln : Buchhandlung Walther König, [2014], ©2014
Köln : Buchhandlung Walther König, [2014], ©2014
Subject:
- Chashnik, Ilʹi︠a︡ Grigorʹevich, 1902-1929 Exhibitions.,
- I︠E︡rmilov, Vasylʹ, 1894-1968 Exhibitions.,
- Lissitzky, El, 1890-1941 Exhibitions.,
- Malevich, Kazimir Severinovich, 1878-1935 Exhibitions.,
- Popova, Li︠u︡bovʹ Sergeevna, 1889-1924 Exhibitions.,
- Rodchenko, Aleksandr Mikhaĭlovich, 1891-1956 Exhibitions.,
- Stepanova, Varvara Fedorovna, 1894-1958 Exhibitions.,
- Suetin, Nikolaĭ Mikhaĭlovich, 1897-1954 Exhibitions.,
- Tatlin, Vladimir Evgrafovich, 1885-1953 Exhibitions.,
- Udalʹt︠s︡ova, Nadezhda, 1886-1961 Exhibitions.,
- Chashnik, Ilʹi︠a︡ Grigorʹevich, 1902-1929,
- I︠E︡rmilov, Vasylʹ, 1894-1968,
- Lissitzky, El, 1890-1941,
- Malevich, Kazimir Severinovich, 1878-1935,
- Popova, Li︠u︡bovʹ Sergeevna, 1889-1924,
- Rodchenko, Aleksandr Mikhaĭlovich, 1891-1956,
- Stepanova, Varvara Fedorovna, 1894-1958,
- Suetin, Nikolaĭ Mikhaĭlovich, 1897-1954,
- Tatlin, Vladimir Evgrafovich, 1885-1953,
- Udalʹt︠s︡ova, Nadezhda, 1886-1961,
- Sepherot Foundation,
- Avant-garde (Aesthetics) Russia Exhibitions.,
- Avant-garde (Aesthetics) Soviet Union Exhibitions.,
- Design Russia History 20th century Exhibitions.,
- Design Soviet Union Exhibitions.,
- Cubism Soviet Union Exhibitions.,
- Suprematism in art Exhibitions.,
- Constructivism (Art) Soviet Union Exhibitions.,
- Art, Russian 20th century Exhibitions.,
- Design Russie Histoire 20e siècle Expositions.,
- Design URSS Expositions.,
- Cubisme URSS Expositions.,
- Suprématisme Expositions.,
- Constructivisme (Art) URSS Expositions.,
- Art russe 20e siècle Expositions.,
- Art, Russian,
- Avant-garde (Aesthetics),
- Constructivism (Art),
- Cubism,
- Design,
- Suprematism in art,
- Avantgarde,
- Suprematismus,
- Konstruktivismus,
- Russia,
- Soviet Union,
- Russland,
- 1910-1930,
- Exhibition catalogs.,
- History
(See more)
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books
books
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Price:
$67.50
(available to order)
Summary:
**épuisé / out of print**
$67.50
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Summary:
**épuisé / out of print**
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
November 2000, Cambridge, Mass.
November 2000, Cambridge, Mass.
Title:
For the voice: Mayakovsky / El Lissitzky
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$67.50
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Summary:
**épuisé / out of print**
For the voice: Mayakovsky / El Lissitzky
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$67.50
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Summary:
**épuisé / out of print**
Form:
books
books
Publication:
November 2000, Cambridge, Mass.
November 2000, Cambridge, Mass.
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs