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Eliezer (Lazar) Markovitch Lissitzky (Pochinok, près de Smolensk, Russie, 1890 – Moscou, 1941), dit El Lissitzky, est l’un des artistes les plus influents, les plus novateurs et les plus controversés du début du XXe siècle. Peintre, designer, architecte et photographe prolifique, il a travaillé avec l’avant-garde soviétique et européenne des années 1920 et participé(...)
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Eliezer (Lazar) Markovitch Lissitzky (Pochinok, près de Smolensk, Russie, 1890 – Moscou, 1941), dit El Lissitzky, est l’un des artistes les plus influents, les plus novateurs et les plus controversés du début du XXe siècle. Peintre, designer, architecte et photographe prolifique, il a travaillé avec l’avant-garde soviétique et européenne des années 1920 et participé(...)
Title:
El Lissitzky : l'expérience de la totalité
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Eliezer (Lazar) Markovitch Lissitzky (Pochinok, près de Smolensk, Russie, 1890 – Moscou, 1941), dit El Lissitzky, est l’un des artistes les plus influents, les plus novateurs et les plus controversés du début du XXe siècle. Peintre, designer, architecte et photographe prolifique, il a travaillé avec l’avant-garde soviétique et européenne des années 1920 et participé activement à l’art propagandiste stalinien des années 1930. L’une des spécificités majeures de son œuvre comme de sa vie est le « franchissement des limites » : il a rapproché les pays et les cultures, l’art et le design, l’Est et l’Ouest. Après 1917, pendant la période du communisme de guerre, il vit à l'étranger où il fait office d'ambassadeur culturel, promouvant l'art russe et les idées soviétiques à l'Ouest tout en s'informant sur la culture occidentale. Pour lui, l’art ne doit pas être considéré comme le fruit d’une expression personnelle ou comme une production d’objets, mais comme une activité sociale et collective. Avec Kazimir Malevitch, il développe un nouveau langage visuel – le suprématisme révolutionnaire – employé non seulement en peinture, mais aussi en arts graphiques et en gravure, en architecture et en théâtre, en céramique, dans les théories de l’éducation et dans les écrits révolutionnaires.
El Lissitzky : l'expérience de la totalité
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Eliezer (Lazar) Markovitch Lissitzky (Pochinok, près de Smolensk, Russie, 1890 – Moscou, 1941), dit El Lissitzky, est l’un des artistes les plus influents, les plus novateurs et les plus controversés du début du XXe siècle. Peintre, designer, architecte et photographe prolifique, il a travaillé avec l’avant-garde soviétique et européenne des années 1920 et participé activement à l’art propagandiste stalinien des années 1930. L’une des spécificités majeures de son œuvre comme de sa vie est le « franchissement des limites » : il a rapproché les pays et les cultures, l’art et le design, l’Est et l’Ouest. Après 1917, pendant la période du communisme de guerre, il vit à l'étranger où il fait office d'ambassadeur culturel, promouvant l'art russe et les idées soviétiques à l'Ouest tout en s'informant sur la culture occidentale. Pour lui, l’art ne doit pas être considéré comme le fruit d’une expression personnelle ou comme une production d’objets, mais comme une activité sociale et collective. Avec Kazimir Malevitch, il développe un nouveau langage visuel – le suprématisme révolutionnaire – employé non seulement en peinture, mais aussi en arts graphiques et en gravure, en architecture et en théâtre, en céramique, dans les théories de l’éducation et dans les écrits révolutionnaires.
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books
books
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February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and(...)
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Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and(...)
Subject:
Photography monographs
Photography monographs
Publication:
November 1999, New Haven/London
November 1999, New Haven/London
Title:
El Lissitzky : beyond the abstract cabinet
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Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and aesthetic aspects of Lissitzky's late multimedia work from his designs for the Abstract Cabinet to his death in 1941. The author and the two contributors give special attention to Lissitzky's intense collaboration first with German and then with Soviet photographers, designers, and filmmakers, and they discuss how his various personal friendships and acquaintances influenced the directions he took in photography and design. The book presents photographic works by Lissitzky and these other artists as well as some of Lissitzky's early non-objective art that foreshadows his experiments in figurative art. It also includes Lissitzky's correspondence with his Western colleagues and his wife Sophie Kueppers. This book will accompany an exhibition of Lissitzky's photographic works at the Sprengel Museum in Hannover, Germany, Museu d'Art Contemporani de Barcelona, and Fondaçao de Serralves, Porto.
El Lissitzky : beyond the abstract cabinet
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Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and aesthetic aspects of Lissitzky's late multimedia work from his designs for the Abstract Cabinet to his death in 1941. The author and the two contributors give special attention to Lissitzky's intense collaboration first with German and then with Soviet photographers, designers, and filmmakers, and they discuss how his various personal friendships and acquaintances influenced the directions he took in photography and design. The book presents photographic works by Lissitzky and these other artists as well as some of Lissitzky's early non-objective art that foreshadows his experiments in figurative art. It also includes Lissitzky's correspondence with his Western colleagues and his wife Sophie Kueppers. This book will accompany an exhibition of Lissitzky's photographic works at the Sprengel Museum in Hannover, Germany, Museu d'Art Contemporani de Barcelona, and Fondaçao de Serralves, Porto.
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books
books
Publication:
November 1999, New Haven/London
November 1999, New Haven/London
Subject:
Photography monographs
Photography monographs
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books
books
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Description:
155 pages : illustrations, plans ; 36 cm
Description:
155 pages : illustrations, plans ; 36 cm
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Moskva : Gos. tekhnicheskoe izd-vo, [1929]
Moskva : Gos. tekhnicheskoe izd-vo, [1929]
Title:
Типовые проекты и конструкции жилищного строительства, рекомендуемые на 1930 г. / в разработке проектных и текстовых материалов сборника-альбома приняли участие следующие авторы, М.О. Барш ... М.Я. Гинзбург ... Эль Лисицкий [and others] ; редакция В.И. Вельмана. Tipovye proekty i konstrukt︠s︡ii zhilishchnogo stroitelʹstva, rekomenduemye na 1930 g. / v razrabotke proektnykh i tekstovykh materialov sbornika-alʹboma prini︠a︡li uchastie sledui︠u︡shchie avtory, M.O. Barsh ... M.I︠A︡. Ginzburg ... Ėlʹ Lisit︠s︡kiĭ [and others] ; redakt︠s︡ii︠a︡ V.I. Velʹmana.
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155 pages : illustrations, plans ; 36 cm
Типовые проекты и конструкции жилищного строительства, рекомендуемые на 1930 г. / в разработке проектных и текстовых материалов сборника-альбома приняли участие следующие авторы, М.О. Барш ... М.Я. Гинзбург ... Эль Лисицкий [and others] ; редакция В.И. Вельмана. Tipovye proekty i konstrukt︠s︡ii zhilishchnogo stroitelʹstva, rekomenduemye na 1930 g. / v razrabotke proektnykh i tekstovykh materialov sbornika-alʹboma prini︠a︡li uchastie sledui︠u︡shchie avtory, M.O. Barsh ... M.I︠A︡. Ginzburg ... Ėlʹ Lisit︠s︡kiĭ [and others] ; redakt︠s︡ii︠a︡ V.I. Velʹmana.
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155 pages : illustrations, plans ; 36 cm
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books
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Moskva : Gos. tekhnicheskoe izd-vo, [1929]
Moskva : Gos. tekhnicheskoe izd-vo, [1929]
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journals and magazines
journals and magazines
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G.
G.
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6 volumes illustrations
Description:
6 volumes illustrations
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Berlin, 1923-26.
Berlin, 1923-26.
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journals and magazines
journals and magazines
Publication:
Berlin, 1923-26.
Berlin, 1923-26.
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books
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$69.00
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Summary:
Reprinted facsimile edition of a masterpiece of modern typography. "For the Voice" is considered to be Lissitzky's masterpiece of modern typography which was originally published in Berlin in 1923. As Lissitzky explained, "I have tried to create an equivalent unity using the poem and the typography," this book is a magnificent example of collaboration between poet and(...)
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Reprinted facsimile edition of a masterpiece of modern typography. "For the Voice" is considered to be Lissitzky's masterpiece of modern typography which was originally published in Berlin in 1923. As Lissitzky explained, "I have tried to create an equivalent unity using the poem and the typography," this book is a magnificent example of collaboration between poet and(...)
Title:
El Lissitzky, Vladimir Mayakovsky: For the voice. Facsimile edition
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Reprinted facsimile edition of a masterpiece of modern typography. "For the Voice" is considered to be Lissitzky's masterpiece of modern typography which was originally published in Berlin in 1923. As Lissitzky explained, "I have tried to create an equivalent unity using the poem and the typography," this book is a magnificent example of collaboration between poet and artist. Lissitzky provided visual interpretation of Mayakovsky's poems and each of them is accompanied by a dynamic visual composition with symbolic meaning. Printed letters in red, black and white tones become pictorial signs, contributing to each poem's identity.
El Lissitzky, Vladimir Mayakovsky: For the voice. Facsimile edition
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Reprinted facsimile edition of a masterpiece of modern typography. "For the Voice" is considered to be Lissitzky's masterpiece of modern typography which was originally published in Berlin in 1923. As Lissitzky explained, "I have tried to create an equivalent unity using the poem and the typography," this book is a magnificent example of collaboration between poet and artist. Lissitzky provided visual interpretation of Mayakovsky's poems and each of them is accompanied by a dynamic visual composition with symbolic meaning. Printed letters in red, black and white tones become pictorial signs, contributing to each poem's identity.
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books
books
Publication:
October 2018
October 2018
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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235 pages : illustrations ; 17 x 20 cm. + 1 booklet (46 pages : illustrations ; 17 x 20 cm.)
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235 pages : illustrations ; 17 x 20 cm. + 1 booklet (46 pages : illustrations ; 17 x 20 cm.)
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Paris : Edition 7L ; Göttingen : Distributed by Steidl , 2005., 1933.
Paris : Edition 7L ; Göttingen : Distributed by Steidl , 2005., 1933.
Title:
Moĭ Parizh / tekst i fotografii Ilʹa Ėrenburga ; redaktor, B.F. Malkin ; fotomontazh i oformlenie Khudozhnaka, Ėlʹ Lisishchkogo ; tekhnicheska͡ia redaktsh͡ia, Aleksandra Brodskogo.
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235 pages : illustrations ; 17 x 20 cm. + 1 booklet (46 pages : illustrations ; 17 x 20 cm.)
Moĭ Parizh / tekst i fotografii Ilʹa Ėrenburga ; redaktor, B.F. Malkin ; fotomontazh i oformlenie Khudozhnaka, Ėlʹ Lisishchkogo ; tekhnicheska͡ia redaktsh͡ia, Aleksandra Brodskogo.
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235 pages : illustrations ; 17 x 20 cm. + 1 booklet (46 pages : illustrations ; 17 x 20 cm.)
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books
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Paris : Edition 7L ; Göttingen : Distributed by Steidl , 2005., 1933.
Paris : Edition 7L ; Göttingen : Distributed by Steidl , 2005., 1933.
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Title:
An unfinished ... encyclopedia of ... scale figures without ... architecture / edited by Michael Meredith, Hilary Sample & MOS.
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
An unfinished ... encyclopedia of ... scale figures without ... architecture / edited by Michael Meredith, Hilary Sample & MOS.
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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books
books
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Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
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books
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$84.95
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Summary:
À travers près de 300 illustrations, cette publication explore un chapitre méconnu de l'histoire de l'avant-garde russe : la rencontre de Marc Chagall avec les protagonistes de l'art abstrait El Lissitzky et Kazimir Malévitch, autour du projet d'une École populaire d'art fondée par Chagall dans sa ville natale, Vitebsk. Chacun des trois artistes élabore à sa façon, aux(...)
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À travers près de 300 illustrations, cette publication explore un chapitre méconnu de l'histoire de l'avant-garde russe : la rencontre de Marc Chagall avec les protagonistes de l'art abstrait El Lissitzky et Kazimir Malévitch, autour du projet d'une École populaire d'art fondée par Chagall dans sa ville natale, Vitebsk. Chacun des trois artistes élabore à sa façon, aux(...)
Title:
Chagall Lissitzky Malevitch : l'avant-garde russe à Vitebsk, 1918-1922
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À travers près de 300 illustrations, cette publication explore un chapitre méconnu de l'histoire de l'avant-garde russe : la rencontre de Marc Chagall avec les protagonistes de l'art abstrait El Lissitzky et Kazimir Malévitch, autour du projet d'une École populaire d'art fondée par Chagall dans sa ville natale, Vitebsk. Chacun des trois artistes élabore à sa façon, aux côtés des étudiants, un art nouveau - un art révolutionnaire. Une anthologie de textes inédits et une chronologie détaillée complètent l'ouvrage.
Chagall Lissitzky Malevitch : l'avant-garde russe à Vitebsk, 1918-1922
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À travers près de 300 illustrations, cette publication explore un chapitre méconnu de l'histoire de l'avant-garde russe : la rencontre de Marc Chagall avec les protagonistes de l'art abstrait El Lissitzky et Kazimir Malévitch, autour du projet d'une École populaire d'art fondée par Chagall dans sa ville natale, Vitebsk. Chacun des trois artistes élabore à sa façon, aux côtés des étudiants, un art nouveau - un art révolutionnaire. Une anthologie de textes inédits et une chronologie détaillée complètent l'ouvrage.
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books
books
Publication:
June 2018
June 2018
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books
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212 pages, [1] folded leaf of plates : illustrations (some color), facsimiles ; 26 cm
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212 pages, [1] folded leaf of plates : illustrations (some color), facsimiles ; 26 cm
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London : AA Publications, [2012], ©2012
London : AA Publications, [2012], ©2012
Title:
In search of a forgotten architect : Stefan Sebök 1901-1941 / Lilly Dubowitz.
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212 pages, [1] folded leaf of plates : illustrations (some color), facsimiles ; 26 cm
In search of a forgotten architect : Stefan Sebök 1901-1941 / Lilly Dubowitz.
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212 pages, [1] folded leaf of plates : illustrations (some color), facsimiles ; 26 cm
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books
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London : AA Publications, [2012], ©2012
London : AA Publications, [2012], ©2012
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$44.00
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About Two Squares, a book for children by the Russian avant-garde artist El Lissitzky, will extend the boundaries of anyone's imagination. Radically simple, and yet sophisticated, this book tells the story of two squares who take on the mission of rebuilding the world. First published in 1922 in post-revolutionary Russia, About Two Squares was "constructed" using pure(...)
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About Two Squares, a book for children by the Russian avant-garde artist El Lissitzky, will extend the boundaries of anyone's imagination. Radically simple, and yet sophisticated, this book tells the story of two squares who take on the mission of rebuilding the world. First published in 1922 in post-revolutionary Russia, About Two Squares was "constructed" using pure(...)
Title:
About two squares: a suprematist tale of two squares in six constructions
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About Two Squares, a book for children by the Russian avant-garde artist El Lissitzky, will extend the boundaries of anyone's imagination. Radically simple, and yet sophisticated, this book tells the story of two squares who take on the mission of rebuilding the world. First published in 1922 in post-revolutionary Russia, About Two Squares was "constructed" using pure geometric forms and typographic elements as a means to disseminate the new order, with Lissitzky propelling the reader to build their own future and pointing them in a daringly modern direction. Inspired by Kazimir Malevich's suprematist vision of a non-objective art, About Two Squares had an immediate impact on the European art world with its publication in Theo van Doesburg's avant-garde art journal, De Stijl, and redefined what an illustrated book could be.
About two squares: a suprematist tale of two squares in six constructions
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About Two Squares, a book for children by the Russian avant-garde artist El Lissitzky, will extend the boundaries of anyone's imagination. Radically simple, and yet sophisticated, this book tells the story of two squares who take on the mission of rebuilding the world. First published in 1922 in post-revolutionary Russia, About Two Squares was "constructed" using pure geometric forms and typographic elements as a means to disseminate the new order, with Lissitzky propelling the reader to build their own future and pointing them in a daringly modern direction. Inspired by Kazimir Malevich's suprematist vision of a non-objective art, About Two Squares had an immediate impact on the European art world with its publication in Theo van Doesburg's avant-garde art journal, De Stijl, and redefined what an illustrated book could be.
Publication:
March 2015
March 2015
