Safar 9: Protests
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To protest is a fundamental human act against injustice. It takes many forms: the defiant act of existing, the organized resistance of multitudes, armed struggles, and the disruption of systems through speech, action, and refusal in person, in prints and slogans online, or on the streets. Some forms of protest require symbols, flags, and specific attire, while others are(...)
Safar 9: Protests
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To protest is a fundamental human act against injustice. It takes many forms: the defiant act of existing, the organized resistance of multitudes, armed struggles, and the disruption of systems through speech, action, and refusal in person, in prints and slogans online, or on the streets. Some forms of protest require symbols, flags, and specific attire, while others are carried out through non-verbal communication, secret dissemination, and ideological discipline. Yet all of them need cultural carriers–our bodies, our stories, and our marks to hold what can be remembered and learned from. Whether explicit or invisible, in communities or in solitude, this issue explores why we protest, and how, in the hopes of sparking solace, solidarity, and action.
Magazines
Robert Adams: 27 roads
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The road has been a central motif in the work of Robert Adams (born 1937) since the beginnings of his life as a photographer in the late 1960s. 27 Roads is the first publication to focus on this important aspect of his work, and is comprised of the artist's concise, poetic selection of images spanning almost five decades. Whether fast concrete highways, quiet cuts through(...)
Robert Adams: 27 roads
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The road has been a central motif in the work of Robert Adams (born 1937) since the beginnings of his life as a photographer in the late 1960s. 27 Roads is the first publication to focus on this important aspect of his work, and is comprised of the artist's concise, poetic selection of images spanning almost five decades. Whether fast concrete highways, quiet cuts through dark forests, paved commercial strips or dusty tracks on a clear-cut mountainside, Adams' roads function as metaphors for solitude, connection or freedom. Adams writes, "Roads can still be beautiful. Occasionally they appear like a perfect knife slicing through a perfect apple, the better to show that two halves are one."
Photography monographs
Figures seules
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Lee Ufan Arles invite Philippe Dagen, historien de l’art, critique et commissaire d’exposition à imaginer pour l’été 2023 la première exposition temporaire de l’Espace MA.Philippe Dagen, proche du travail de Lee Ufan depuis de nombreuses années, a réuni cinq artistes plasticiens travaillant en France - Brigitte Aubignac, Ymane Chabi-Gara, Marc Desgrandchamps Tim Eitel et(...)
November 2023
Figures seules
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Lee Ufan Arles invite Philippe Dagen, historien de l’art, critique et commissaire d’exposition à imaginer pour l’été 2023 la première exposition temporaire de l’Espace MA.Philippe Dagen, proche du travail de Lee Ufan depuis de nombreuses années, a réuni cinq artistes plasticiens travaillant en France - Brigitte Aubignac, Ymane Chabi-Gara, Marc Desgrandchamps Tim Eitel et Djamel Tatah - qui interrogent et représentent la figure humaine. Celle-ci se présente seule, non pour des raisons formelles, mais parce que cette solitude renvoie à des situations aux significations sociales et psychiques qui caractérisent particulièrement notre époque: l’enfermement en soi, l’absence de l’autre, la mélancolie, l'exclusion ou le deuil.L'exposition « Figures seules » sera présentée à l’Espace MA de Lee Ufan Arles du 1er Juillet au 24 septembre 2023.
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L’aménagement des territoires que l’on habite influence nos carrières, nos relations, nos aspirations, nos vies. Le modèle de banlieue qui s’est imposé dans les années 1960, centré sur la maison individuelle, la voiture et la séparation des fonctions de la ville, a largement contribué à l’isolement des femmes et aux inégalités sociales. Aujourd’hui, alors qu’une(...)
Nous serons un village au coeur de la ville
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L’aménagement des territoires que l’on habite influence nos carrières, nos relations, nos aspirations, nos vies. Le modèle de banlieue qui s’est imposé dans les années 1960, centré sur la maison individuelle, la voiture et la séparation des fonctions de la ville, a largement contribué à l’isolement des femmes et aux inégalités sociales. Aujourd’hui, alors qu’une diversité de formes familiales remplace peu à peu le modèle nucléaire traditionnel, que l’accès au logement et à la propriété est en péril, et que la solitude pèse de plus en plus lourd, il est grand temps de réimaginer nos villes, nous dit Florence Sara G. Ferraris. Elle appelle à la création de milieux de vie souples et multifonctionnels, favorisant l’entraide, les rencontres, la sécurité et le sentiment d’appartenance pour tou·te·s.
Humans and cities
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This volume presents 70 color photographs of America imbued with both clarity and nostalgia. Italian photographer Luca Campigotto takes us from the canyons, deserts and coal-mining ghost towns of the American West to Idaho’s large auto cemeteries, to the Bronx and other industrial fringes of New York City, to a town in Montana whose brick architecture is reminiscent of(...)
Photography monographs
October 2021
Luca Campigotto: American Elegy
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This volume presents 70 color photographs of America imbued with both clarity and nostalgia. Italian photographer Luca Campigotto takes us from the canyons, deserts and coal-mining ghost towns of the American West to Idaho’s large auto cemeteries, to the Bronx and other industrial fringes of New York City, to a town in Montana whose brick architecture is reminiscent of Edward Hopper’s paintings. The solitude of the wild frontier and the distance of the urban periphery alternate between dazzling daytime lights and mysterious nocturnes. Each photo is accompanied by short poetic notes—a journey of personal memories which echo literary and cinematographic works—serving as an evocation of some American topoi, above all, the timeless myth of “on the road” traveling.
Photography monographs
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Technology has become the architect of our intimacies. Online, we fall prey to the illusion of companionship, gathering thousands of Twitter and Facebook friends, and confusing tweets and wall posts with authentic communication. But this relentless connection leads to a new solitude. We turn to new technology to fill the void, but as MIT technology and society specialist(...)
Alone together: why we expect more from technology and less from each other
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Technology has become the architect of our intimacies. Online, we fall prey to the illusion of companionship, gathering thousands of Twitter and Facebook friends, and confusing tweets and wall posts with authentic communication. But this relentless connection leads to a new solitude. We turn to new technology to fill the void, but as MIT technology and society specialist Sherry Turkle argues, as technology ramps up, our emotional lives ramp down. Even the presence of sociable robots in our lives that pretend to demonstrate empathy makes us feel more isolated, as Turkle explains in a new introduction updating the book to the present day. ''Alone Together'' is the result of Turkle's nearly fifteen-year exploration of our lives on the digital terrain.
Social
Only bleeding
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Las Vegas. Ville de jeu, de néons, de débauche, d’exagération, d’entertainment. Pourtant, ni casinos, ni palaces, ni machines à sous, ni strip-tease dans le Las Vegas de Frédéric Stucin. En noir et blanc pour aller à l’essentiel et gommer tout malentendu documentaire, au format horizontal pour en accentuer la dimension cinématographique, ces images, réalisées entre 2011(...)
Only bleeding
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Las Vegas. Ville de jeu, de néons, de débauche, d’exagération, d’entertainment. Pourtant, ni casinos, ni palaces, ni machines à sous, ni strip-tease dans le Las Vegas de Frédéric Stucin. En noir et blanc pour aller à l’essentiel et gommer tout malentendu documentaire, au format horizontal pour en accentuer la dimension cinématographique, ces images, réalisées entre 2011 et 2017, n’expliquent rien. Elles sondent l'âme d'une ville somme toute imaginaire, prennent le pouls de son bourdonnement, du mouvement, de l’errance, de la solitude. Elles ressemblent aux souvenirs de jours heureux auxquels celui qui se souvient n’aurait pas participé, qui auraient passé sans lui et dont il ne parviendrait à glaner que débris fatigués. Le livre s’accompagne d’un texte de Marie Ndiaye et Jean-Yves Cendrey.
Photography monographs
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In The Preparation of the Novel, a collection of lectures delivered at a defining moment in Roland Barthes’s career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. The Neutral preceded this work, containing Barthes’s challenge to the classic oppositions of Western thought and(...)
How to live together : novelistic simulations of some everyday spaces
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In The Preparation of the Novel, a collection of lectures delivered at a defining moment in Roland Barthes’s career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. The Neutral preceded this work, containing Barthes’s challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. How to Live Together predates both achievements, a series of lectures exploring solitude and the degree of contact necessary for individuals to exist and create at their own pace. A distinct project that sets the tone for his subsequent lectures, How to Live Together is a key introduction to Barthes’s pedagogical methods and critical worldview.
Social
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Niki de Saint Phalle, Louise Bourgeois et Annette Messager : trois femmes, trois artistes, trois vies. Trois histoires passionnantes que tresse Nathalie Piégay, dans l'imbrication de l'existence quotidienne et de l'aventure artistique. Elle dit leur solitude et la part de folie qui les pousse à faire oeuvre, tout en cherchant à comprendre quels liens s'établissent entre(...)
3 nanas : Saint Phalle, Bourgeois, Messager
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Niki de Saint Phalle, Louise Bourgeois et Annette Messager : trois femmes, trois artistes, trois vies. Trois histoires passionnantes que tresse Nathalie Piégay, dans l'imbrication de l'existence quotidienne et de l'aventure artistique. Elle dit leur solitude et la part de folie qui les pousse à faire oeuvre, tout en cherchant à comprendre quels liens s'établissent entre elles. Peu à peu elle découvre tout ce qui les relie : la maternité, la cruauté, la révolte, la féminité, mais aussi l'invention de personnages, le recours au tissu et à la couture, et bien d'autres motifs. Le récit se tisse comme une toile d'araignée pour révéler l'être intime de femmes qui ont inventé des univers très singuliers et puissants, reconnaissables entre mille, et qui nous bouleversent. Raconter l'histoire de ces trois femmes, c'est s'approcher au plus près de la création.
Art Theory
Ian Bates : Lost Dog
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"Lost Dog" opens with a cat inquisitively turning towards us - a character inviting us to a vast land. And we can indeed speak of character, so much does "Lost Dog" resemble a fable. Throughout the pages, Bates is the solitary traveler on an odyssey, coming across with elusive figures, crossing depopulated places that, always, retain the mysterious traces of a past(...)
Ian Bates : Lost Dog
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"Lost Dog" opens with a cat inquisitively turning towards us - a character inviting us to a vast land. And we can indeed speak of character, so much does "Lost Dog" resemble a fable. Throughout the pages, Bates is the solitary traveler on an odyssey, coming across with elusive figures, crossing depopulated places that, always, retain the mysterious traces of a past presence - wreckage landed on the branches of a dead tree, details of a forgotten domestic life, blood stains on immaculate snow... And sometimes, among the crystal-clear images, a tenderness emerges here and there, rays of warmth found in a woman's gaze or in a benevolent flame. Through valleys and mountains, Ian Bates offers with "Lost Dog" a portrait of a mysterious American North West, whose strangeness and magnificent solitude he captures like no other.
Photography monographs