1851 Results
Level of archival description:
Series
Series
Title:
Publications
Publications
Actions:
Reference number:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
People:
Date:
1992-2018
1992-2018
Title:
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Level of archival description:
Series
Series
Date:
1992-2018
1992-2018
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
People:
Date:
circa 1970-2015
circa 1970-2015
Title:
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Level of archival description:
Project
Project
Date:
circa 1970-2015
circa 1970-2015
People:
Level of archival description:
Series
Series
Title:
Wenzel Hablik
Wenzel Hablik
Actions:
Reference number:
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
People:
Date:
circa 1919-1920
circa 1919-1920
Title:
Wenzel Hablik
Actions:
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
Wenzel Hablik
Actions:
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
Level of archival description:
series
series
Date:
circa 1919-1920
circa 1919-1920
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Location:
Main galleries
Main galleries
Date:
4 July 2007 to 30 September 2007
4 July 2007 to 30 September 2007
Title:
Lessons from Bernard Rudofsky
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Lessons from Bernard Rudofsky
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Form:
exhibitions
exhibitions
Date:
4 July 2007 to
30 September 2007
4 July 2007 to
30 September 2007
Location:
Main galleries
Main galleries
Form:
articles
articles
Title:
What It Takes to Make a Home
What It Takes to Make a Home
Actions:
A film conceived by Giovanna Borasi and directed by Daniel Schwartz
Published:
30 November 2020
30 November 2020
Title:
What It Takes to Make a Home
A film conceived by Giovanna Borasi and directed by Daniel Schwartz
Actions:
What It Takes to Make a Home
A film conceived by Giovanna Borasi and directed by Daniel Schwartz
Actions:
Reference number:
PHCON2002:0016:009
Description:
Binder documents exhibitions from 1998 to 2000 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. Additional documentation of the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany, is found in this binder. Binder contains photographs and textual records.
PHCON2002:0016:009
Description:
Binder documents exhibitions from 1998 to 2000 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. Additional documentation of the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany, is found in this binder. Binder contains photographs and textual records.
People:
Date:
1998-2000
1998-2000
Title:
Reviews, Announcements, Catalogues 1998-2000
Actions:
PHCON2002:0016:009
Description:
Binder documents exhibitions from 1998 to 2000 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. Additional documentation of the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany, is found in this binder. Binder contains photographs and textual records.
Reviews, Announcements, Catalogues 1998-2000
Actions:
PHCON2002:0016:009
Description:
Binder documents exhibitions from 1998 to 2000 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. Additional documentation of the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany, is found in this binder. Binder contains photographs and textual records.
Date:
1998-2000
1998-2000
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Peter Eisenman fonds
Peter Eisenman fonds
Reference number:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
People:
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Title:
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
People:
Form:
events
events
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Date:
12 April 2018
12 April 2018
Title:
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
12 April 2018
12 April 2018
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Reference number:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
People:
Date:
1990-1997
1990-1997
Title:
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Date:
1990-1997
1990-1997
People:
Form:
research
research
Title:
Visiting Scholars 2012
Visiting Scholars 2012
Actions:
Description:
Elke Krasny, Akademie der bildenden Künste Wien, Vienna, Austria Topic: Shim-Sutcliffe: Crafting Architecture. A Monograph as Critical Reflection Shannon Mattern, The New School, New York, United States Topic: Urban Media Archaeology. Communication Infrastructure and Material Cities Manfredo Nicolis di Robilant, Politecnico di Torino, Turin, Italy Topic: Utility versus(...)
Elke Krasny, Akademie der bildenden Künste Wien, Vienna, Austria Topic: Shim-Sutcliffe: Crafting Architecture. A Monograph as Critical Reflection Shannon Mattern, The New School, New York, United States Topic: Urban Media Archaeology. Communication Infrastructure and Material Cities Manfredo Nicolis di Robilant, Politecnico di Torino, Turin, Italy Topic: Utility versus(...)
Date:
2 April 2012 to 31 August 2012
2 April 2012 to 31 August 2012
Title:
Visiting Scholars 2012
Actions:
Description:
Elke Krasny, Akademie der bildenden Künste Wien, Vienna, Austria Topic: Shim-Sutcliffe: Crafting Architecture. A Monograph as Critical Reflection Shannon Mattern, The New School, New York, United States Topic: Urban Media Archaeology. Communication Infrastructure and Material Cities Manfredo Nicolis di Robilant, Politecnico di Torino, Turin, Italy Topic: Utility versus(...)
Visiting Scholars 2012
Actions:
Description:
Elke Krasny, Akademie der bildenden Künste Wien, Vienna, Austria Topic: Shim-Sutcliffe: Crafting Architecture. A Monograph as Critical Reflection Shannon Mattern, The New School, New York, United States Topic: Urban Media Archaeology. Communication Infrastructure and Material Cities Manfredo Nicolis di Robilant, Politecnico di Torino, Turin, Italy Topic: Utility versus(...)
Form:
research
research
Date:
2 April 2012 to
31 August 2012
2 April 2012 to
31 August 2012
