3256 Results
Form:
exhibitions
exhibitions
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Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Date:
11 May 2016 to 16 October 2016
11 May 2016 to 16 October 2016
Title:
Archaeology of the Digital: Complexity and Convention
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Archaeology of the Digital: Complexity and Convention
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Form:
exhibitions
exhibitions
Date:
11 May 2016 to
16 October 2016
11 May 2016 to
16 October 2016
Form:
exhibitions
exhibitions
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Location:
Main galleries
Main galleries
Date:
22 October 1997 to 15 February 1998
22 October 1997 to 15 February 1998
Title:
Other Soundings: Selected Works by John Hejduk, 1954-1997
Actions:
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Other Soundings: Selected Works by John Hejduk, 1954-1997
Actions:
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Form:
exhibitions
exhibitions
Date:
22 October 1997 to
15 February 1998
22 October 1997 to
15 February 1998
Location:
Main galleries
Main galleries
Level of archival description:
Sub-series
Sub-series
Title:
Jacqueline Jeanneret
Jacqueline Jeanneret
Actions:
Reference number:
AP156.S5.SS1.D2
Description:
Le dossier documente les photographies prises par Jacqueline Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, de divers bâtiments et installations et du mobilier créé par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1960 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jacqueline Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, the private and governement residences, the schools, the Panjab University, various buildings and installations and furniture designed by Pierre Jeanneret. The material in this file was produced between 1960 and 1965. The file contains photographs mounted on board.
AP156.S5.SS1.D2
Description:
Le dossier documente les photographies prises par Jacqueline Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, de divers bâtiments et installations et du mobilier créé par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1960 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jacqueline Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, the private and governement residences, the schools, the Panjab University, various buildings and installations and furniture designed by Pierre Jeanneret. The material in this file was produced between 1960 and 1965. The file contains photographs mounted on board.
People:
Date:
between 1960 and 1965
between 1960 and 1965
Title:
Jacqueline Jeanneret
Actions:
AP156.S5.SS1.D2
Description:
Le dossier documente les photographies prises par Jacqueline Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, de divers bâtiments et installations et du mobilier créé par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1960 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jacqueline Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, the private and governement residences, the schools, the Panjab University, various buildings and installations and furniture designed by Pierre Jeanneret. The material in this file was produced between 1960 and 1965. The file contains photographs mounted on board.
Jacqueline Jeanneret
Actions:
AP156.S5.SS1.D2
Description:
Le dossier documente les photographies prises par Jacqueline Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, de divers bâtiments et installations et du mobilier créé par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1960 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jacqueline Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, the private and governement residences, the schools, the Panjab University, various buildings and installations and furniture designed by Pierre Jeanneret. The material in this file was produced between 1960 and 1965. The file contains photographs mounted on board.
Level of archival description:
Dossier 2
Dossier 2
Date:
between 1960 and 1965
between 1960 and 1965
People:
Form:
events
events
Title:
Liquidated Architecture
Liquidated Architecture
Actions:
Description:
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
26 February 2009
26 February 2009
Title:
Liquidated Architecture
Actions:
Description:
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Liquidated Architecture
Actions:
Description:
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Form:
events
events
Date:
26 February 2009
26 February 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Level of archival description:
Sub-series
Sub-series
Title:
Jeet Malhotra
Jeet Malhotra
Reference number:
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
People:
Date:
1953-1966
1953-1966
Title:
Jeet Malhotra
Actions:
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
Jeet Malhotra
Actions:
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
Level of archival description:
Dossier 3
Dossier 3
Date:
1953-1966
1953-1966
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Location:
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Date:
26 November 2013 to 20 April 2014
26 November 2013 to 20 April 2014
Title:
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Form:
exhibitions
exhibitions
Date:
26 November 2013 to
20 April 2014
26 November 2013 to
20 April 2014
Location:
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Form:
exhibitions
exhibitions
Actions:
Description:
Technological advances as well as the general social, political, and economic climate have always been of great interest to architects. Toys and the Modernist Tradition examines at how toy manufacturers responded to the exciting and rapidly changing ideas of modern architects. Many of the exhibited toys were designed by leading architects of the modern movement, including(...)
Technological advances as well as the general social, political, and economic climate have always been of great interest to architects. Toys and the Modernist Tradition examines at how toy manufacturers responded to the exciting and rapidly changing ideas of modern architects. Many of the exhibited toys were designed by leading architects of the modern movement, including(...)
Title:
Toys and the Modernist Tradition
Actions:
Description:
Technological advances as well as the general social, political, and economic climate have always been of great interest to architects. Toys and the Modernist Tradition examines at how toy manufacturers responded to the exciting and rapidly changing ideas of modern architects. Many of the exhibited toys were designed by leading architects of the modern movement, including(...)
Toys and the Modernist Tradition
Actions:
Description:
Technological advances as well as the general social, political, and economic climate have always been of great interest to architects. Toys and the Modernist Tradition examines at how toy manufacturers responded to the exciting and rapidly changing ideas of modern architects. Many of the exhibited toys were designed by leading architects of the modern movement, including(...)
Form:
exhibitions
exhibitions
Date:
16 December 1993 to
1 May 1994
16 December 1993 to
1 May 1994
Form:
events
events
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Date:
24 April 2014 , 6pm
24 April 2014 , 6pm
Title:
Artist’s Talk: Amie Siegel, Provenance
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Artist’s Talk: Amie Siegel, Provenance
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Form:
events
events
Date:
24 April 2014
6pm
24 April 2014
6pm
Form:
exhibitions
exhibitions
Actions:
Description:
The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
11 November 2010 to 6 February 2011
11 November 2010 to 6 February 2011
Title:
404 ERROR: The object is not online
Actions:
Description:
The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
404 ERROR: The object is not online
Actions:
Description:
The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
Form:
exhibitions
exhibitions
Date:
11 November 2010 to
6 February 2011
11 November 2010 to
6 February 2011
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
Location:
Hall cases
Hall cases
Date:
26 February 1992 to 24 May 1992
26 February 1992 to 24 May 1992
Title:
The Architect's Sketchbook: Current Practice
Actions:
Description:
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
The Architect's Sketchbook: Current Practice
Actions:
Description:
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
Form:
exhibitions
exhibitions
Date:
26 February 1992 to
24 May 1992
26 February 1992 to
24 May 1992
Location:
Hall cases
Hall cases
