Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Octagonal gallery
31 March 2004 to 30 May 2004
Learning from… Ruscha and Venturi Scott Brown, 1962–1977
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Description:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Octagonal gallery
drawings
DR2012:0012:047:026
Description:
Includes plans, elevations and planimetric maps made by the Service de l'Habitation et de l'Urbanisme, Ville de Montréal. They depict the Old Port of Montréal and titles include "Le Vieux Port de Montréal, Secteur Ouest, Parc des Écluses: Pavillion des Écluses" and "Parc des Écluses: Place du Genie". The roll itself is labelled "Xerox/Vellum/McGill/Vieux Port 1995".
1995
Plans, elevations and planimetric maps made by the Service de l'Habitation et de l'Urbanisme, Rue de la Commune, Montréal, Québec
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DR2012:0012:047:026
Description:
Includes plans, elevations and planimetric maps made by the Service de l'Habitation et de l'Urbanisme, Ville de Montréal. They depict the Old Port of Montréal and titles include "Le Vieux Port de Montréal, Secteur Ouest, Parc des Écluses: Pavillion des Écluses" and "Parc des Écluses: Place du Genie". The roll itself is labelled "Xerox/Vellum/McGill/Vieux Port 1995".
drawings
1995
Project
CD035.S1.1979.PR01
Description:
This project series predominantly consists of material related to Coen Beeker's involvement in the restructuring of a spontaneous neighbourhood in Ouagadougou, between the 1980s and early 2000s. Beeker acted as principal technical advisor for the collaboration program between the Ministère des Infrastructures de l'habitat et de l'urbanisme of Burkina Faso, the Ambassy of The Netherlands in Burkina Faso, and the Vrije Universiteit Amsterdam (VU University Amsterdam). The project series consists predominantly of textual records, including project reports, correspondence, and a student thesis, as well as aerial photographs, maps of the Ouagadougou area, and a recording of a documentary on Ouagadougou.
1960-2005
Restructuring of spontaneous neighbourhoods, Ouagadougou, Burkina Faso (1979-2005)
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CD035.S1.1979.PR01
Description:
This project series predominantly consists of material related to Coen Beeker's involvement in the restructuring of a spontaneous neighbourhood in Ouagadougou, between the 1980s and early 2000s. Beeker acted as principal technical advisor for the collaboration program between the Ministère des Infrastructures de l'habitat et de l'urbanisme of Burkina Faso, the Ambassy of The Netherlands in Burkina Faso, and the Vrije Universiteit Amsterdam (VU University Amsterdam). The project series consists predominantly of textual records, including project reports, correspondence, and a student thesis, as well as aerial photographs, maps of the Ouagadougou area, and a recording of a documentary on Ouagadougou.
Project
1960-2005
Talking Pictures, a Circuit
In an nine-part circuit of installations and interventions travelling throughout the spaces of the CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela, and Peter Sealy invite us to reflect on photography’s critical and creative relationship with architecture. With funding from The Andrew W. Mellon Foundation,(...)
Andrew W. Mellon Foundation, photography, photographs, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela, Peter Sealy
14 October 2017, 4pm
Talking Pictures, a Circuit
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Description:
In an nine-part circuit of installations and interventions travelling throughout the spaces of the CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela, and Peter Sealy invite us to reflect on photography’s critical and creative relationship with architecture. With funding from The Andrew W. Mellon Foundation,(...)
Series
Documents professionnels
AP086.S2
Description:
Cette série contient des documents de deux natures. D'abord, les 26 photographies que Blaise Marchand a colligées alors qu'il était architecte en chef pour l'entretien au ministère des Travaux publics du Québec (1945-1968), illustrent principalement les différentes décorations temporaires installées sur les façades de l'Hôtel du Parlement à Québec, et dans les environs, à l'occasion d'événements spéciaux entre 1949 et 1960 [1963]. Pour la grande majorité, les photographies ont été réalisées par le Service de ciné-photographie de l'Office provincial de publicité du Québec, mais aussi par le ministère des Travaux publics - Service des architectes, ainsi que par le photographe Michel, photographie artistique et commerciale (Québec) et par le studio Photo Montcalm (Québec). Ensuite, les trois publications et le manuscrit ([1956]-1963) conservés dans la série documentent l'intérêt que Marchand portait à l'urbanisme et à la conservation et la restauration du patrimoine bâti. Les titres entre guillemets ont été tirés des légendes qui accompagnaient les photographies lorsque les documents sont arrivés aux archives.
1949-1963
Documents professionnels
Actions:
AP086.S2
Description:
Cette série contient des documents de deux natures. D'abord, les 26 photographies que Blaise Marchand a colligées alors qu'il était architecte en chef pour l'entretien au ministère des Travaux publics du Québec (1945-1968), illustrent principalement les différentes décorations temporaires installées sur les façades de l'Hôtel du Parlement à Québec, et dans les environs, à l'occasion d'événements spéciaux entre 1949 et 1960 [1963]. Pour la grande majorité, les photographies ont été réalisées par le Service de ciné-photographie de l'Office provincial de publicité du Québec, mais aussi par le ministère des Travaux publics - Service des architectes, ainsi que par le photographe Michel, photographie artistique et commerciale (Québec) et par le studio Photo Montcalm (Québec). Ensuite, les trois publications et le manuscrit ([1956]-1963) conservés dans la série documentent l'intérêt que Marchand portait à l'urbanisme et à la conservation et la restauration du patrimoine bâti. Les titres entre guillemets ont été tirés des légendes qui accompagnaient les photographies lorsque les documents sont arrivés aux archives.
Série
1949-1963
Project
AP206.S1.1982.PR31
Description:
This project series documents consulting work in the Jharia Coalfields in Jharia, India for the National Thermal Power Corporation, likely sometime in the 1980s or 1990s. The project consisted of reporting on ways to curtail the environmental impacts of the coalfields, but it is not clear if the suggestions were ever implemented.[1] The project is recorded through drawings of an area map and location plans of the coalfields, probably dating from around the 1980s-1990s. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 224.
circa 1980s-1990s
Jharia Coalfields, Jharia, India (circa 1980s-1990s)
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AP206.S1.1982.PR31
Description:
This project series documents consulting work in the Jharia Coalfields in Jharia, India for the National Thermal Power Corporation, likely sometime in the 1980s or 1990s. The project consisted of reporting on ways to curtail the environmental impacts of the coalfields, but it is not clear if the suggestions were ever implemented.[1] The project is recorded through drawings of an area map and location plans of the coalfields, probably dating from around the 1980s-1990s. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 224.
Project
circa 1980s-1990s
Learning from... Beirut
Hashim Sarkis, Aga Khan Professor at Harvard University and Director of the Aga Khan Program at the Harvard Graduate School of Design (GSD), proposes an alternative reading of urban issues in Beirut that considers elements beyond the city’s post-war reconstruction and identity politics. Through a series of specific architectural and urban analyses, the lecture proposes(...)
Paul Desmarais Theatre
11 March 2010 , 7pm
Learning from... Beirut
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Description:
Hashim Sarkis, Aga Khan Professor at Harvard University and Director of the Aga Khan Program at the Harvard Graduate School of Design (GSD), proposes an alternative reading of urban issues in Beirut that considers elements beyond the city’s post-war reconstruction and identity politics. Through a series of specific architectural and urban analyses, the lecture proposes(...)
Paul Desmarais Theatre
textual records
ARCH6383
Description:
Correspondance avec J.-Étienne Gauthier, greffier-adjoint, et Gaspard De Serres, trésorier de la Cité de Montréal. Projets de règlements afin de créer la Commission d'urbanisme, 1923. « Replanning Montréal and District », extrait du Journal of the Engineering Institute of Canada / James Ewing, ingénieur. « What Can the Matter be? A Study of National Development », extrait du Journal, Town Planning Institute of Canada, juillet 1923 / James Ewing, ingénieur. Coupures de journaux, 1923.
1923
Coupures de presse, correspondence et proposition pour la Commission d'urbanisme
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ARCH6383
Description:
Correspondance avec J.-Étienne Gauthier, greffier-adjoint, et Gaspard De Serres, trésorier de la Cité de Montréal. Projets de règlements afin de créer la Commission d'urbanisme, 1923. « Replanning Montréal and District », extrait du Journal of the Engineering Institute of Canada / James Ewing, ingénieur. « What Can the Matter be? A Study of National Development », extrait du Journal, Town Planning Institute of Canada, juillet 1923 / James Ewing, ingénieur. Coupures de journaux, 1923.
textual records
1923
drawings
AP206.S3.061
Description:
These drawings consist of architectural drawings "by Prakash, dated 1984, retrospectively recalling the design process of the School of Art while working with Le Corbusier,"[1] frame control drawings, a Chandigarh sun chart and Modular drawings. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 75.
1984
Architectural and Modular drawings
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AP206.S3.061
Description:
These drawings consist of architectural drawings "by Prakash, dated 1984, retrospectively recalling the design process of the School of Art while working with Le Corbusier,"[1] frame control drawings, a Chandigarh sun chart and Modular drawings. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 75.
drawings
1984
events
Speed and its Limits
Speed and its Limits explores the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. A colloquium organised by the CCA, in collaboration with the Wolfsonian-Florida International University and Stanford Humanities Lab, in preparation for the(...)
Paul Desmarais Theatre
21 June 2008, 9am - 5pm
Speed and its Limits
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Description:
Speed and its Limits explores the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. A colloquium organised by the CCA, in collaboration with the Wolfsonian-Florida International University and Stanford Humanities Lab, in preparation for the(...)
events
21 June 2008
9am - 5pm
Paul Desmarais Theatre