43395 Results
Level of archival description:
Project
Project
Reference number:
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
People:
Date:
2003-2011
2003-2011
Title:
Museum of Anthropology Renewal, University of British Columbia, Vancouver, British Columbia (2004-2007)
Actions:
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Museum of Anthropology Renewal, University of British Columbia, Vancouver, British Columbia (2004-2007)
Actions:
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Level of archival description:
Project
Project
Date:
2003-2011
2003-2011
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP103.S7
Description:
Series documents the exhibition of the IFCCA Prize Competition finalists' work at Grand Central Terminal, New York City, New York, 4-20 October 1999 and the accompanying colloquium "Urban Design and the Future of Cities," held 8 October 1999 at The Cooper Union, New York City, New York. Material in file was produced in 1999. Series contains a publication, a poster and invitations.
AP103.S7
Description:
Series documents the exhibition of the IFCCA Prize Competition finalists' work at Grand Central Terminal, New York City, New York, 4-20 October 1999 and the accompanying colloquium "Urban Design and the Future of Cities," held 8 October 1999 at The Cooper Union, New York City, New York. Material in file was produced in 1999. Series contains a publication, a poster and invitations.
People:
Date:
October 1999
October 1999
Title:
1999 Exhibition and Colloquium
Actions:
AP103.S7
Description:
Series documents the exhibition of the IFCCA Prize Competition finalists' work at Grand Central Terminal, New York City, New York, 4-20 October 1999 and the accompanying colloquium "Urban Design and the Future of Cities," held 8 October 1999 at The Cooper Union, New York City, New York. Material in file was produced in 1999. Series contains a publication, a poster and invitations.
1999 Exhibition and Colloquium
Actions:
AP103.S7
Description:
Series documents the exhibition of the IFCCA Prize Competition finalists' work at Grand Central Terminal, New York City, New York, 4-20 October 1999 and the accompanying colloquium "Urban Design and the Future of Cities," held 8 October 1999 at The Cooper Union, New York City, New York. Material in file was produced in 1999. Series contains a publication, a poster and invitations.
Level of archival description:
Series 7
Series 7
Date:
October 1999
October 1999
People:
Level of archival description:
Series
Series
Reference number:
AP114.S1
Description:
Series contains material documenting Gene Summers’ professional work from 1957 - 2004. It includes records from Summers’ architectural and furniture projects, promotional material, and documents related to the preparation of Gene Summers: Art / Architecture, a 2003 monograph by Werner Blaser. The records in this series mostly consist of drawings, including reprographic copies, photographs, artefacts, and textual records.
AP114.S1
Description:
Series contains material documenting Gene Summers’ professional work from 1957 - 2004. It includes records from Summers’ architectural and furniture projects, promotional material, and documents related to the preparation of Gene Summers: Art / Architecture, a 2003 monograph by Werner Blaser. The records in this series mostly consist of drawings, including reprographic copies, photographs, artefacts, and textual records.
People:
Date:
1957 - 2004
1957 - 2004
Title:
Professional documents (1957-2004)
Actions:
AP114.S1
Description:
Series contains material documenting Gene Summers’ professional work from 1957 - 2004. It includes records from Summers’ architectural and furniture projects, promotional material, and documents related to the preparation of Gene Summers: Art / Architecture, a 2003 monograph by Werner Blaser. The records in this series mostly consist of drawings, including reprographic copies, photographs, artefacts, and textual records.
Professional documents (1957-2004)
Actions:
AP114.S1
Description:
Series contains material documenting Gene Summers’ professional work from 1957 - 2004. It includes records from Summers’ architectural and furniture projects, promotional material, and documents related to the preparation of Gene Summers: Art / Architecture, a 2003 monograph by Werner Blaser. The records in this series mostly consist of drawings, including reprographic copies, photographs, artefacts, and textual records.
Level of archival description:
Series 1
Series 1
Date:
1957 - 2004
1957 - 2004
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
People:
Date:
1953-1962
1953-1962
Title:
Goldsmith - Ferris Portfolios
Actions:
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
Goldsmith - Ferris Portfolios
Actions:
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
Level of archival description:
File 1
File 1
Date:
1953-1962
1953-1962
People:
Level of archival description:
Series
Series
Title:
Research materials on Africa
Research materials on Africa
Actions:
Reference number:
CD037.S1
Description:
This series consists of research materials from the 1960s to the1980s collected by Georg Lippsmeier during his work for the Institut für Tropenbau (Institute for Tropical Building). Topics covered in these research materials inlcude: low-cost housing, construction materials and technologies, and urbanization in Africa. The material is predominantly comprised of photocopies of publications, reports, and various maps of Africa.
CD037.S1
Description:
This series consists of research materials from the 1960s to the1980s collected by Georg Lippsmeier during his work for the Institut für Tropenbau (Institute for Tropical Building). Topics covered in these research materials inlcude: low-cost housing, construction materials and technologies, and urbanization in Africa. The material is predominantly comprised of photocopies of publications, reports, and various maps of Africa.
People:
Date:
1960s-1980s
1960s-1980s
Title:
Research materials on Africa
Actions:
CD037.S1
Description:
This series consists of research materials from the 1960s to the1980s collected by Georg Lippsmeier during his work for the Institut für Tropenbau (Institute for Tropical Building). Topics covered in these research materials inlcude: low-cost housing, construction materials and technologies, and urbanization in Africa. The material is predominantly comprised of photocopies of publications, reports, and various maps of Africa.
Research materials on Africa
Actions:
CD037.S1
Description:
This series consists of research materials from the 1960s to the1980s collected by Georg Lippsmeier during his work for the Institut für Tropenbau (Institute for Tropical Building). Topics covered in these research materials inlcude: low-cost housing, construction materials and technologies, and urbanization in Africa. The material is predominantly comprised of photocopies of publications, reports, and various maps of Africa.
Level of archival description:
Series
Series
Date:
1960s-1980s
1960s-1980s
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:086:002
Description:
File containing assorted documents in English and French, including newspaper clippings related to Melvin Charney's retrospective exhibition at the CCA "Parables and other allegories: the work of Melvin Charney, 1975-1990". Includes multiple duplicates. Original folder inscribed in graphite: 1991 - CCA EXHIBITION: MISC REVIEWS
DR2012:0012:086:002
Description:
File containing assorted documents in English and French, including newspaper clippings related to Melvin Charney's retrospective exhibition at the CCA "Parables and other allegories: the work of Melvin Charney, 1975-1990". Includes multiple duplicates. Original folder inscribed in graphite: 1991 - CCA EXHIBITION: MISC REVIEWS
People:
Date:
1991
1991
Title:
Newspaper clippings related to Melvin Charney and his exhibitions
Actions:
DR2012:0012:086:002
Description:
File containing assorted documents in English and French, including newspaper clippings related to Melvin Charney's retrospective exhibition at the CCA "Parables and other allegories: the work of Melvin Charney, 1975-1990". Includes multiple duplicates. Original folder inscribed in graphite: 1991 - CCA EXHIBITION: MISC REVIEWS
Newspaper clippings related to Melvin Charney and his exhibitions
Actions:
DR2012:0012:086:002
Description:
File containing assorted documents in English and French, including newspaper clippings related to Melvin Charney's retrospective exhibition at the CCA "Parables and other allegories: the work of Melvin Charney, 1975-1990". Includes multiple duplicates. Original folder inscribed in graphite: 1991 - CCA EXHIBITION: MISC REVIEWS
Form:
textual records
textual records
Date:
1991
1991
People:
Reference number:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
People:
Date:
2001-2002
2001-2002
Title:
Reviews, Announcements, Catalogues 2001-2002
Actions:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
Reviews, Announcements, Catalogues 2001-2002
Actions:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
Date:
2001-2002
2001-2002
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
People:
Date:
1997-2000
1997-2000
Title:
Kivi Sotamaa OCEAN North project records
Actions:
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Kivi Sotamaa OCEAN North project records
Actions:
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1997-2000
1997-2000
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
People:
Date:
1972-1980
1972-1980
Title:
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Level of archival description:
Project
Project
Date:
1972-1980
1972-1980
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP163.S2.SS1.D22
Description:
File documents Victor Prus's work with the National Industrial Design Council for the creation of an Industrial Design Exhibition in Canada, to be held in Stratford, Ontario. Material in this file was produced between 1957 and 1960. The file contains site plans and plans for the exhibition. There are also textual records, including correspondence and reports, and a photograph of the proposed site for the exhibition.
AP163.S2.SS1.D22
Description:
File documents Victor Prus's work with the National Industrial Design Council for the creation of an Industrial Design Exhibition in Canada, to be held in Stratford, Ontario. Material in this file was produced between 1957 and 1960. The file contains site plans and plans for the exhibition. There are also textual records, including correspondence and reports, and a photograph of the proposed site for the exhibition.
People:
Date:
1957-1960
1957-1960
Title:
Stratford Industrial Design Exhibition
Actions:
AP163.S2.SS1.D22
Description:
File documents Victor Prus's work with the National Industrial Design Council for the creation of an Industrial Design Exhibition in Canada, to be held in Stratford, Ontario. Material in this file was produced between 1957 and 1960. The file contains site plans and plans for the exhibition. There are also textual records, including correspondence and reports, and a photograph of the proposed site for the exhibition.
Stratford Industrial Design Exhibition
Actions:
AP163.S2.SS1.D22
Description:
File documents Victor Prus's work with the National Industrial Design Council for the creation of an Industrial Design Exhibition in Canada, to be held in Stratford, Ontario. Material in this file was produced between 1957 and 1960. The file contains site plans and plans for the exhibition. There are also textual records, including correspondence and reports, and a photograph of the proposed site for the exhibition.
Level of archival description:
File 22
File 22
Date:
1957-1960
1957-1960
People:
