44145 Results
Form:
photographs
photographs
Actions:
Reference number:
PH2019:0002:001-245
Description:
A collection of 245 photographs covering the entire built work of Robert Mallet-Stevens. The collection comprises views of models, buildings, from residences to public facilities, views of furniture and exhibition displays as well as some portraits. The photographers represented include Albin Salaün, Germaine Krull, Studio Chevojon, Marc Vaux and Laure Albin-Guillot among others.
PH2019:0002:001-245
Description:
A collection of 245 photographs covering the entire built work of Robert Mallet-Stevens. The collection comprises views of models, buildings, from residences to public facilities, views of furniture and exhibition displays as well as some portraits. The photographers represented include Albin Salaün, Germaine Krull, Studio Chevojon, Marc Vaux and Laure Albin-Guillot among others.
People:
Date:
1920-1939
1920-1939
Title:
A collection of photographs on the architecture of Robert Mallet-Stevens
Actions:
PH2019:0002:001-245
Description:
A collection of 245 photographs covering the entire built work of Robert Mallet-Stevens. The collection comprises views of models, buildings, from residences to public facilities, views of furniture and exhibition displays as well as some portraits. The photographers represented include Albin Salaün, Germaine Krull, Studio Chevojon, Marc Vaux and Laure Albin-Guillot among others.
A collection of photographs on the architecture of Robert Mallet-Stevens
Actions:
PH2019:0002:001-245
Description:
A collection of 245 photographs covering the entire built work of Robert Mallet-Stevens. The collection comprises views of models, buildings, from residences to public facilities, views of furniture and exhibition displays as well as some portraits. The photographers represented include Albin Salaün, Germaine Krull, Studio Chevojon, Marc Vaux and Laure Albin-Guillot among others.
Form:
photographs
photographs
Date:
1920-1939
1920-1939
People:
Form:
drawings, textual records
drawings, textual records
Reference number:
DR1990:0009:001-021
Description:
- This scrapbook of miscellaneous sketches and other material drawn from the large body of documents by Lutyens were probably saved by Gertrude Jekyll, in memory of their relationship. Principally composed of sketches from the 1890s, but also includes seven sheets of correspondence from 1907 and 1909 relating to their early work at Lambay Castle, along with a few caricatures.
DR1990:0009:001-021
Description:
- This scrapbook of miscellaneous sketches and other material drawn from the large body of documents by Lutyens were probably saved by Gertrude Jekyll, in memory of their relationship. Principally composed of sketches from the 1890s, but also includes seven sheets of correspondence from 1907 and 1909 relating to their early work at Lambay Castle, along with a few caricatures.
People:
Subject:
architecture, landscape architecture
architecture, landscape architecture
Date:
drawings executed between 1889 and 1910
drawings executed between 1889 and 1910
Title:
"Sketches of cottages" including letters to Gertrude Jekyll
Actions:
DR1990:0009:001-021
Description:
- This scrapbook of miscellaneous sketches and other material drawn from the large body of documents by Lutyens were probably saved by Gertrude Jekyll, in memory of their relationship. Principally composed of sketches from the 1890s, but also includes seven sheets of correspondence from 1907 and 1909 relating to their early work at Lambay Castle, along with a few caricatures.
"Sketches of cottages" including letters to Gertrude Jekyll
Actions:
DR1990:0009:001-021
Description:
- This scrapbook of miscellaneous sketches and other material drawn from the large body of documents by Lutyens were probably saved by Gertrude Jekyll, in memory of their relationship. Principally composed of sketches from the 1890s, but also includes seven sheets of correspondence from 1907 and 1909 relating to their early work at Lambay Castle, along with a few caricatures.
Form:
drawings, textual records
drawings, textual records
Date:
drawings executed between 1889 and 1910
drawings executed between 1889 and 1910
People:
Subject:
architecture, landscape architecture
architecture, landscape architecture
Level of archival description:
Series
Series
Title:
Publications
Publications
Actions:
Reference number:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
People:
Date:
1992-2018
1992-2018
Title:
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Level of archival description:
Series
Series
Date:
1992-2018
1992-2018
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
DR1988:0018:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes letters and drawings which made up part of the Die gläserne Kette correspondence. The documents were accessioned as received in a beige folder.
DR1988:0018:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes letters and drawings which made up part of the Die gläserne Kette correspondence. The documents were accessioned as received in a beige folder.
People:
Date:
circa 1919-1920
circa 1919-1920
Title:
Material from Wenzel Hablik mostly for Die gläserne Kette
Actions:
DR1988:0018:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes letters and drawings which made up part of the Die gläserne Kette correspondence. The documents were accessioned as received in a beige folder.
Material from Wenzel Hablik mostly for Die gläserne Kette
Actions:
DR1988:0018:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes letters and drawings which made up part of the Die gläserne Kette correspondence. The documents were accessioned as received in a beige folder.
Form:
drawings, textual records
drawings, textual records
Date:
circa 1919-1920
circa 1919-1920
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP207.S3.SS04
Description:
The sub-series documents the two chapters "Area di progetto" and "Dai radicali a Memphis" written by Pettena for the publication "Sottsass Associati 1980-1999 frammenti" published by Rizzoli in 1999. The book focuses on the work of Ettore Sottsass' design consultant studio Sottsass Associati from 1980 to 1999. The publication accompanied an exhibition of the same name. The sub-series contains reference material on Ettore Sottsass Associatti, draft texts for Pettena's chapters, promotional material for the exhibition, and photographs of the exhibition.
AP207.S3.SS04
Description:
The sub-series documents the two chapters "Area di progetto" and "Dai radicali a Memphis" written by Pettena for the publication "Sottsass Associati 1980-1999 frammenti" published by Rizzoli in 1999. The book focuses on the work of Ettore Sottsass' design consultant studio Sottsass Associati from 1980 to 1999. The publication accompanied an exhibition of the same name. The sub-series contains reference material on Ettore Sottsass Associatti, draft texts for Pettena's chapters, promotional material for the exhibition, and photographs of the exhibition.
People:
Date:
circa 1999
circa 1999
Title:
Sottsass Associati 1980-1999 frammenti (1999)
Actions:
AP207.S3.SS04
Description:
The sub-series documents the two chapters "Area di progetto" and "Dai radicali a Memphis" written by Pettena for the publication "Sottsass Associati 1980-1999 frammenti" published by Rizzoli in 1999. The book focuses on the work of Ettore Sottsass' design consultant studio Sottsass Associati from 1980 to 1999. The publication accompanied an exhibition of the same name. The sub-series contains reference material on Ettore Sottsass Associatti, draft texts for Pettena's chapters, promotional material for the exhibition, and photographs of the exhibition.
Sottsass Associati 1980-1999 frammenti (1999)
Actions:
AP207.S3.SS04
Description:
The sub-series documents the two chapters "Area di progetto" and "Dai radicali a Memphis" written by Pettena for the publication "Sottsass Associati 1980-1999 frammenti" published by Rizzoli in 1999. The book focuses on the work of Ettore Sottsass' design consultant studio Sottsass Associati from 1980 to 1999. The publication accompanied an exhibition of the same name. The sub-series contains reference material on Ettore Sottsass Associatti, draft texts for Pettena's chapters, promotional material for the exhibition, and photographs of the exhibition.
Level of archival description:
Subseries
Subseries
Date:
circa 1999
circa 1999
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.1995.PR01
Description:
This project series documents renovations made to the Piscina de Marés in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 33/90. The office assigned the date 1995 to this project. The project is recorded through drawings, photographs, negatives and textual records dating from 1993-1995. The drawings consist of sketches, plans and details, while the photographic materials show the construction work. Textual records include specifications and correspondence from the city.
AP178.S1.1995.PR01
Description:
This project series documents renovations made to the Piscina de Marés in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 33/90. The office assigned the date 1995 to this project. The project is recorded through drawings, photographs, negatives and textual records dating from 1993-1995. The drawings consist of sketches, plans and details, while the photographic materials show the construction work. Textual records include specifications and correspondence from the city.
People:
Date:
1993-1995
1993-1995
Title:
Recuperação de Piscina de Marés [Ocean swimming pool renovations], Leça da Palmeira (1995)
Actions:
AP178.S1.1995.PR01
Description:
This project series documents renovations made to the Piscina de Marés in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 33/90. The office assigned the date 1995 to this project. The project is recorded through drawings, photographs, negatives and textual records dating from 1993-1995. The drawings consist of sketches, plans and details, while the photographic materials show the construction work. Textual records include specifications and correspondence from the city.
Recuperação de Piscina de Marés [Ocean swimming pool renovations], Leça da Palmeira (1995)
Actions:
AP178.S1.1995.PR01
Description:
This project series documents renovations made to the Piscina de Marés in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 33/90. The office assigned the date 1995 to this project. The project is recorded through drawings, photographs, negatives and textual records dating from 1993-1995. The drawings consist of sketches, plans and details, while the photographic materials show the construction work. Textual records include specifications and correspondence from the city.
Level of archival description:
Project
Project
Date:
1993-1995
1993-1995
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
People:
Date:
1989-circa 1994
1989-circa 1994
Title:
Hasbro Headquarters, Phase 2B, Pawtucket, Rhode Island (1991-1994)
Actions:
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
Hasbro Headquarters, Phase 2B, Pawtucket, Rhode Island (1991-1994)
Actions:
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
Level of archival description:
Project
Project
Date:
1989-circa 1994
1989-circa 1994
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2016.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the restauration of the landscape of the Canada Pavilion at Venice Biennale site, in Venice, Italy. Oberlander worked on this project in 2016 with Enns Gauthier Landscape Architects and in collaboration with the National Gallery of Canada. Oberlander's first goal in the redesigning of the landscape was to give better accessibility to the site. Her design consisted in creating paths to connect the Canadian Pavilion to the neighbouring British and German Pavilions, and also paths and plateforms to give access to the site that includes a cafe and a belvedere. The restored pavilion was unveiled at the 16th Venice Biennale in 2018 The project series contains predominantly presentation drawings, such as site plans, grading plants, plating plans, and details. The project is also documented through correspondence with landscape architects, proposal by Oberlander, reports, minutes of meetings, and documentation.
AP075.S1.2016.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the restauration of the landscape of the Canada Pavilion at Venice Biennale site, in Venice, Italy. Oberlander worked on this project in 2016 with Enns Gauthier Landscape Architects and in collaboration with the National Gallery of Canada. Oberlander's first goal in the redesigning of the landscape was to give better accessibility to the site. Her design consisted in creating paths to connect the Canadian Pavilion to the neighbouring British and German Pavilions, and also paths and plateforms to give access to the site that includes a cafe and a belvedere. The restored pavilion was unveiled at the 16th Venice Biennale in 2018 The project series contains predominantly presentation drawings, such as site plans, grading plants, plating plans, and details. The project is also documented through correspondence with landscape architects, proposal by Oberlander, reports, minutes of meetings, and documentation.
People:
Date:
2011-2018
2011-2018
Title:
Venice Biennale Canada Pavilion, Venice, Italy (2016)
Actions:
AP075.S1.2016.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the restauration of the landscape of the Canada Pavilion at Venice Biennale site, in Venice, Italy. Oberlander worked on this project in 2016 with Enns Gauthier Landscape Architects and in collaboration with the National Gallery of Canada. Oberlander's first goal in the redesigning of the landscape was to give better accessibility to the site. Her design consisted in creating paths to connect the Canadian Pavilion to the neighbouring British and German Pavilions, and also paths and plateforms to give access to the site that includes a cafe and a belvedere. The restored pavilion was unveiled at the 16th Venice Biennale in 2018 The project series contains predominantly presentation drawings, such as site plans, grading plants, plating plans, and details. The project is also documented through correspondence with landscape architects, proposal by Oberlander, reports, minutes of meetings, and documentation.
Venice Biennale Canada Pavilion, Venice, Italy (2016)
Actions:
AP075.S1.2016.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the restauration of the landscape of the Canada Pavilion at Venice Biennale site, in Venice, Italy. Oberlander worked on this project in 2016 with Enns Gauthier Landscape Architects and in collaboration with the National Gallery of Canada. Oberlander's first goal in the redesigning of the landscape was to give better accessibility to the site. Her design consisted in creating paths to connect the Canadian Pavilion to the neighbouring British and German Pavilions, and also paths and plateforms to give access to the site that includes a cafe and a belvedere. The restored pavilion was unveiled at the 16th Venice Biennale in 2018 The project series contains predominantly presentation drawings, such as site plans, grading plants, plating plans, and details. The project is also documented through correspondence with landscape architects, proposal by Oberlander, reports, minutes of meetings, and documentation.
Level of archival description:
Project
Project
Date:
2011-2018
2011-2018
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1974.PR18
Description:
This project series documents additions to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7423. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase II of the work, consisted of the addition of a new convention hall and approximately 200 new guest rooms to the lodge. Different schemes were proposed for the locations of these new buildings, including attaching them to the existing structure, or building them separately near the main lodge. Phase I of this work began under a different project number, assigned by the office (see project series AP018.S1.1974.PR17 in this fonds). The project is recorded through drawings and textual records dating from 1974-1977. Some drawings in this project series include reprographic copies dating from 1925, which were prepared by the Canadian National Railways. Textual records include conference reports and correspondence.
AP018.S1.1974.PR18
Description:
This project series documents additions to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7423. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase II of the work, consisted of the addition of a new convention hall and approximately 200 new guest rooms to the lodge. Different schemes were proposed for the locations of these new buildings, including attaching them to the existing structure, or building them separately near the main lodge. Phase I of this work began under a different project number, assigned by the office (see project series AP018.S1.1974.PR17 in this fonds). The project is recorded through drawings and textual records dating from 1974-1977. Some drawings in this project series include reprographic copies dating from 1925, which were prepared by the Canadian National Railways. Textual records include conference reports and correspondence.
People:
Date:
1974-1975
1974-1975
Title:
Minaki Lodge, New Building, Minaki, Ontario (1974-1977)
Actions:
AP018.S1.1974.PR18
Description:
This project series documents additions to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7423. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase II of the work, consisted of the addition of a new convention hall and approximately 200 new guest rooms to the lodge. Different schemes were proposed for the locations of these new buildings, including attaching them to the existing structure, or building them separately near the main lodge. Phase I of this work began under a different project number, assigned by the office (see project series AP018.S1.1974.PR17 in this fonds). The project is recorded through drawings and textual records dating from 1974-1977. Some drawings in this project series include reprographic copies dating from 1925, which were prepared by the Canadian National Railways. Textual records include conference reports and correspondence.
Minaki Lodge, New Building, Minaki, Ontario (1974-1977)
Actions:
AP018.S1.1974.PR18
Description:
This project series documents additions to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7423. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase II of the work, consisted of the addition of a new convention hall and approximately 200 new guest rooms to the lodge. Different schemes were proposed for the locations of these new buildings, including attaching them to the existing structure, or building them separately near the main lodge. Phase I of this work began under a different project number, assigned by the office (see project series AP018.S1.1974.PR17 in this fonds). The project is recorded through drawings and textual records dating from 1974-1977. Some drawings in this project series include reprographic copies dating from 1925, which were prepared by the Canadian National Railways. Textual records include conference reports and correspondence.
Level of archival description:
Project
Project
Date:
1974-1975
1974-1975
People:
Form:
photographs
photographs
Reference number:
ARCH274437
Description:
Group consists of negatives (706 negatives), photographs (41 photographs) and contact sheets (20 contact sheets) of Chandigarh, India, including photographs of government housing, the Capitol Complex's buildings, the Gandhi Bhawan, the Fine Arts Museum and photographs of the everyday life and construction work. The group also includes photographs of India, other than Chandigarh, including photographs of sculptures.
ARCH274437
Description:
Group consists of negatives (706 negatives), photographs (41 photographs) and contact sheets (20 contact sheets) of Chandigarh, India, including photographs of government housing, the Capitol Complex's buildings, the Gandhi Bhawan, the Fine Arts Museum and photographs of the everyday life and construction work. The group also includes photographs of India, other than Chandigarh, including photographs of sculptures.
People:
Date:
between 1958 and 1967
between 1958 and 1967
Title:
Photographs of Chandigarh, India
Actions:
ARCH274437
Description:
Group consists of negatives (706 negatives), photographs (41 photographs) and contact sheets (20 contact sheets) of Chandigarh, India, including photographs of government housing, the Capitol Complex's buildings, the Gandhi Bhawan, the Fine Arts Museum and photographs of the everyday life and construction work. The group also includes photographs of India, other than Chandigarh, including photographs of sculptures.
Photographs of Chandigarh, India
Actions:
ARCH274437
Description:
Group consists of negatives (706 negatives), photographs (41 photographs) and contact sheets (20 contact sheets) of Chandigarh, India, including photographs of government housing, the Capitol Complex's buildings, the Gandhi Bhawan, the Fine Arts Museum and photographs of the everyday life and construction work. The group also includes photographs of India, other than Chandigarh, including photographs of sculptures.
Form:
photographs
photographs
Date:
between 1958 and 1967
between 1958 and 1967
People:
