17000 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP143.S6.D14
Description:
File documents an installation for "The American Century 1900-2000" exhibition, The Whitney Museum of American Art, New York City, New York, 1997. File contains 31 drawings, 4 prints, 4 study models, 1 box of models and 1 file of textual documents. Documentation includes copies of building sections of the Whitney Museum by Marcel Breuer & Associates Architects. The textual document file consists of sketches, template, exhibition descriptions and photographs.
AP143.S6.D14
Description:
File documents an installation for "The American Century 1900-2000" exhibition, The Whitney Museum of American Art, New York City, New York, 1997. File contains 31 drawings, 4 prints, 4 study models, 1 box of models and 1 file of textual documents. Documentation includes copies of building sections of the Whitney Museum by Marcel Breuer & Associates Architects. The textual document file consists of sketches, template, exhibition descriptions and photographs.
People:
Date:
1997
1997
Title:
Installation for the "American Century 1900-2000" exhibition
Actions:
AP143.S6.D14
Description:
File documents an installation for "The American Century 1900-2000" exhibition, The Whitney Museum of American Art, New York City, New York, 1997. File contains 31 drawings, 4 prints, 4 study models, 1 box of models and 1 file of textual documents. Documentation includes copies of building sections of the Whitney Museum by Marcel Breuer & Associates Architects. The textual document file consists of sketches, template, exhibition descriptions and photographs.
Installation for the "American Century 1900-2000" exhibition
Actions:
AP143.S6.D14
Description:
File documents an installation for "The American Century 1900-2000" exhibition, The Whitney Museum of American Art, New York City, New York, 1997. File contains 31 drawings, 4 prints, 4 study models, 1 box of models and 1 file of textual documents. Documentation includes copies of building sections of the Whitney Museum by Marcel Breuer & Associates Architects. The textual document file consists of sketches, template, exhibition descriptions and photographs.
Level of archival description:
File 14
File 14
Date:
1997
1997
People:
Actions:
Reference number:
PHCON2003:0005:024
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "Conical Intersect A/P"; "Reference Only (Emul Out)"; "Beaubourg Museum."
PHCON2003:0005:024
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "Conical Intersect A/P"; "Reference Only (Emul Out)"; "Beaubourg Museum."
People:
Date:
1975
1975
Title:
16mm answer print of Conical Intersect
Actions:
PHCON2003:0005:024
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "Conical Intersect A/P"; "Reference Only (Emul Out)"; "Beaubourg Museum."
16mm answer print of Conical Intersect
Actions:
PHCON2003:0005:024
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "Conical Intersect A/P"; "Reference Only (Emul Out)"; "Beaubourg Museum."
Date:
1975
1975
People:
Level of archival description:
Project
Project
Title:
Pipes
Pipes
Reference number:
CP138.S5.D9
Description:
File consists of 1971 photographs for a 1971-1972 exhibition project presented at the Museum of Fine Arts, in Boston, Massachusetts. File contains photographs.
CP138.S5.D9
Description:
File consists of 1971 photographs for a 1971-1972 exhibition project presented at the Museum of Fine Arts, in Boston, Massachusetts. File contains photographs.
People:
Date:
1971
1971
Title:
Pipes
Actions:
CP138.S5.D9
Description:
File consists of 1971 photographs for a 1971-1972 exhibition project presented at the Museum of Fine Arts, in Boston, Massachusetts. File contains photographs.
Pipes
Actions:
CP138.S5.D9
Description:
File consists of 1971 photographs for a 1971-1972 exhibition project presented at the Museum of Fine Arts, in Boston, Massachusetts. File contains photographs.
Level of archival description:
File 9
File 9
Date:
1971
1971
People:
Form:
exhibitions
exhibitions
Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Location:
Octagonal gallery ante-room
Octagonal gallery ante-room
Date:
6 December 1989 to 11 February 1990
6 December 1989 to 11 February 1990
Title:
Mills and Factories of New England: Photographs by Serge Hambourg
Actions:
Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Mills and Factories of New England: Photographs by Serge Hambourg
Actions:
Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Form:
exhibitions
exhibitions
Date:
6 December 1989 to
11 February 1990
6 December 1989 to
11 February 1990
Location:
Octagonal gallery ante-room
Octagonal gallery ante-room
Form:
textual records
textual records
Actions:
Reference number:
PHCON2002:0016:003:075
Description:
Letter contains a diagram for the project "six houses in a row".
PHCON2002:0016:003:075
Description:
Letter contains a diagram for the project "six houses in a row".
People:
Date:
15 May 1975
15 May 1975
Title:
Letter from Gordon Matta-Clark to Marilyn Lubetkin
Actions:
PHCON2002:0016:003:075
Description:
Letter contains a diagram for the project "six houses in a row".
Letter from Gordon Matta-Clark to Marilyn Lubetkin
Actions:
PHCON2002:0016:003:075
Description:
Letter contains a diagram for the project "six houses in a row".
Form:
textual records
textual records
Date:
15 May 1975
15 May 1975
People:
Form:
textual records
textual records
Reference number:
PHCON2002:0016:004:136
PHCON2002:0016:004:136
People:
Date:
14 December 1977
14 December 1977
Form:
textual records
textual records
Date:
14 December 1977
14 December 1977
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP142.S2.D3
Description:
File documents a museums fair held in the Grand Palais, Paris, France. Aldo Rossi exhibited his models and drawings for the Wettbewerb Deutsches Historisches Museum and designed the installations for the Wettbewerb Deutsches Historisches Museum's exhibit at the fair. Material in this file was produced in 1989 and 1990. File contains textual records, including sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair.
AP142.S2.D3
Description:
File documents a museums fair held in the Grand Palais, Paris, France. Aldo Rossi exhibited his models and drawings for the Wettbewerb Deutsches Historisches Museum and designed the installations for the Wettbewerb Deutsches Historisches Museum's exhibit at the fair. Material in this file was produced in 1989 and 1990. File contains textual records, including sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair.
People:
Date:
1989-1990
1989-1990
Title:
2e Salon International des Musées et des Expositions
Actions:
AP142.S2.D3
Description:
File documents a museums fair held in the Grand Palais, Paris, France. Aldo Rossi exhibited his models and drawings for the Wettbewerb Deutsches Historisches Museum and designed the installations for the Wettbewerb Deutsches Historisches Museum's exhibit at the fair. Material in this file was produced in 1989 and 1990. File contains textual records, including sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair.
2e Salon International des Musées et des Expositions
Actions:
AP142.S2.D3
Description:
File documents a museums fair held in the Grand Palais, Paris, France. Aldo Rossi exhibited his models and drawings for the Wettbewerb Deutsches Historisches Museum and designed the installations for the Wettbewerb Deutsches Historisches Museum's exhibit at the fair. Material in this file was produced in 1989 and 1990. File contains textual records, including sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair.
Level of archival description:
File 3
File 3
Date:
1989-1990
1989-1990
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP041.S3.SS08
Description:
This sub-series documents Melvin Charney’s solo exhibition "Displacements: the Work of Melvin Charney", at the Israel Museum in Jerusalem, in 1995. It includes textual records, and photographic materials.
AP041.S3.SS08
Description:
This sub-series documents Melvin Charney’s solo exhibition "Displacements: the Work of Melvin Charney", at the Israel Museum in Jerusalem, in 1995. It includes textual records, and photographic materials.
People:
Date:
1995
1995
Title:
Displacements: the Work of Melvin Charney
Actions:
AP041.S3.SS08
Description:
This sub-series documents Melvin Charney’s solo exhibition "Displacements: the Work of Melvin Charney", at the Israel Museum in Jerusalem, in 1995. It includes textual records, and photographic materials.
Displacements: the Work of Melvin Charney
Actions:
AP041.S3.SS08
Description:
This sub-series documents Melvin Charney’s solo exhibition "Displacements: the Work of Melvin Charney", at the Israel Museum in Jerusalem, in 1995. It includes textual records, and photographic materials.
Level of archival description:
Subseries
Subseries
Date:
1995
1995
People:
Level of archival description:
Project
Project
Title:
Auditorium, Claverton Bath
Auditorium, Claverton Bath
Reference number:
AP144.S2.D41
Description:
File documents an unexecuted project for a domed auditorium at Claverton in Bath, England, for the American Museum in Britain. Adapted from Buckmister Fuller's design for the Radome it was to serve as a multipurpose auditorium and exhibition space. The 250-seat auditorium was enclosed by a double dome construction which could be raised and lowered by hydraulic jacks. Design development sketches and perspective studies show various layouts for seating, and diagrams contain directions for erecting the stage and positioning the dome. A section shows the major components: the dome, both lowered and raised; the location of the hydraulic jacks, screens, and baffles; and the seating layout. Two interior perspectives show the dome both raised and lowered. Material in this file was produced between 1962 and 1964. Some perspective diagrams in the file are attributed to M. Haxworth. File contains design development drawings, photographic materials, and textual records.
AP144.S2.D41
Description:
File documents an unexecuted project for a domed auditorium at Claverton in Bath, England, for the American Museum in Britain. Adapted from Buckmister Fuller's design for the Radome it was to serve as a multipurpose auditorium and exhibition space. The 250-seat auditorium was enclosed by a double dome construction which could be raised and lowered by hydraulic jacks. Design development sketches and perspective studies show various layouts for seating, and diagrams contain directions for erecting the stage and positioning the dome. A section shows the major components: the dome, both lowered and raised; the location of the hydraulic jacks, screens, and baffles; and the seating layout. Two interior perspectives show the dome both raised and lowered. Material in this file was produced between 1962 and 1964. Some perspective diagrams in the file are attributed to M. Haxworth. File contains design development drawings, photographic materials, and textual records.
People:
Date:
1962-1964
1962-1964
Title:
Auditorium, Claverton Bath
Actions:
AP144.S2.D41
Description:
File documents an unexecuted project for a domed auditorium at Claverton in Bath, England, for the American Museum in Britain. Adapted from Buckmister Fuller's design for the Radome it was to serve as a multipurpose auditorium and exhibition space. The 250-seat auditorium was enclosed by a double dome construction which could be raised and lowered by hydraulic jacks. Design development sketches and perspective studies show various layouts for seating, and diagrams contain directions for erecting the stage and positioning the dome. A section shows the major components: the dome, both lowered and raised; the location of the hydraulic jacks, screens, and baffles; and the seating layout. Two interior perspectives show the dome both raised and lowered. Material in this file was produced between 1962 and 1964. Some perspective diagrams in the file are attributed to M. Haxworth. File contains design development drawings, photographic materials, and textual records.
Auditorium, Claverton Bath
Actions:
AP144.S2.D41
Description:
File documents an unexecuted project for a domed auditorium at Claverton in Bath, England, for the American Museum in Britain. Adapted from Buckmister Fuller's design for the Radome it was to serve as a multipurpose auditorium and exhibition space. The 250-seat auditorium was enclosed by a double dome construction which could be raised and lowered by hydraulic jacks. Design development sketches and perspective studies show various layouts for seating, and diagrams contain directions for erecting the stage and positioning the dome. A section shows the major components: the dome, both lowered and raised; the location of the hydraulic jacks, screens, and baffles; and the seating layout. Two interior perspectives show the dome both raised and lowered. Material in this file was produced between 1962 and 1964. Some perspective diagrams in the file are attributed to M. Haxworth. File contains design development drawings, photographic materials, and textual records.
Level of archival description:
File 41
File 41
Date:
1962-1964
1962-1964
People:
Form:
articles
articles
Title:
I could reinvent myself
I could reinvent myself
Actions:
An exercise in imagining new institutions marked by stringent limitations on their structures
Keyword(s):
institution, unlearning, curating, the museum is not enough, grant application, Giovanna Borasi, Albert Ferré, Francesco Garutti, Jayne Kelley, Mirko Zardini
institution, unlearning, curating, the museum is not enough, grant application, Giovanna Borasi, Albert Ferré, Francesco Garutti, Jayne Kelley, Mirko Zardini
Published:
1 May 2022
1 May 2022
Title:
I could reinvent myself
An exercise in imagining new institutions marked by stringent limitations on their structures
Actions:
I could reinvent myself
An exercise in imagining new institutions marked by stringent limitations on their structures
Actions:
