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In this contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual(...)
$39.95
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Summary:
In this contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual(...)
Title:
Screening fears: On protective media
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In this contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual media function as barriers or enclosures that defend against the apparent threats and dangers that seem increasingly to surround us. Working with an original historical overview that begins with the Phantasmagoria of the late eighteenth century, then the shared interior spaces of the movie theater in the early to mid-twentieth century, and finally the solitary digital milieus of the present, Casetti traces the outlines of the protective 'bubbles' that disconnect us from our immediate surroundings. To be provided with a shield of immunity to the hazards and uncertainties of the world while experiencing them at a safe remove might seem a positive development. But, he asks, what if these media, instead of providing invulnerability, ensnare individuals in a suffocating enclosure? What if, in their effort to keep reality under control, they exercise a violence equal to that of the dangers they resist? In a dialectical exercise, and through a vivid range of cultural artifacts, ''Screening fears'' traces the emergence of modern protective media and the way they changed our forms of mediation with the world in which we live.
Screening fears: On protective media
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$39.95
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Summary:
In this contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual media function as barriers or enclosures that defend against the apparent threats and dangers that seem increasingly to surround us. Working with an original historical overview that begins with the Phantasmagoria of the late eighteenth century, then the shared interior spaces of the movie theater in the early to mid-twentieth century, and finally the solitary digital milieus of the present, Casetti traces the outlines of the protective 'bubbles' that disconnect us from our immediate surroundings. To be provided with a shield of immunity to the hazards and uncertainties of the world while experiencing them at a safe remove might seem a positive development. But, he asks, what if these media, instead of providing invulnerability, ensnare individuals in a suffocating enclosure? What if, in their effort to keep reality under control, they exercise a violence equal to that of the dangers they resist? In a dialectical exercise, and through a vivid range of cultural artifacts, ''Screening fears'' traces the emergence of modern protective media and the way they changed our forms of mediation with the world in which we live.
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Critical Theory
Critical Theory
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
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Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
Subject:
sale books
sale books
Title:
Militant media: CRA 2
Militant media: CRA 2
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$43.00
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Since its founding in 2005, the Centre for Research Architecture (CRA) at Goldsmiths, University of London, has brought together a diverse group of architects, artists, urbanists, geographers, lawyers, scientists, journalists and activists to develop research methodologies and investigative techniques to address contemporary spatial politics. Militant Media, the second(...)
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Since its founding in 2005, the Centre for Research Architecture (CRA) at Goldsmiths, University of London, has brought together a diverse group of architects, artists, urbanists, geographers, lawyers, scientists, journalists and activists to develop research methodologies and investigative techniques to address contemporary spatial politics. Militant Media, the second(...)
Title:
Militant media: CRA 2
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$43.00
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Since its founding in 2005, the Centre for Research Architecture (CRA) at Goldsmiths, University of London, has brought together a diverse group of architects, artists, urbanists, geographers, lawyers, scientists, journalists and activists to develop research methodologies and investigative techniques to address contemporary spatial politics. Militant Media, the second volume in CRA’s series of publications, engages with the ethical and political implications of media and technology in relation to contemporary conflicts. In doing so, it also reflects upon the changing role of media in justice and human rights campaigns, examining a range of topics from the use of images in campaigning to the investigative potential of digital materials. In addition to critical and theoretical reflections, Militant Media offers a wide range of practice-based projects that have developed oppositional modes of representation and created new aesthetic strategies and tools.
Militant media: CRA 2
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$43.00
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Summary:
Since its founding in 2005, the Centre for Research Architecture (CRA) at Goldsmiths, University of London, has brought together a diverse group of architects, artists, urbanists, geographers, lawyers, scientists, journalists and activists to develop research methodologies and investigative techniques to address contemporary spatial politics. Militant Media, the second volume in CRA’s series of publications, engages with the ethical and political implications of media and technology in relation to contemporary conflicts. In doing so, it also reflects upon the changing role of media in justice and human rights campaigns, examining a range of topics from the use of images in campaigning to the investigative potential of digital materials. In addition to critical and theoretical reflections, Militant Media offers a wide range of practice-based projects that have developed oppositional modes of representation and created new aesthetic strategies and tools.
Subject:
Critical Theory
Critical Theory
Title:
Relive : media art histories
Relive : media art histories
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$56.95
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In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of "new media" and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history -- the materials through which the past is mediated. Drawing on the tools of media archaeology and the(...)
$56.95
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Summary:
In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of "new media" and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history -- the materials through which the past is mediated. Drawing on the tools of media archaeology and the(...)
Title:
Relive : media art histories
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$56.95
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Summary:
In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of "new media" and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history -- the materials through which the past is mediated. Drawing on the tools of media archaeology and the history and philosophy of media, they propose a new materialist media art history.
Relive : media art histories
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$56.95
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Summary:
In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of "new media" and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history -- the materials through which the past is mediated. Drawing on the tools of media archaeology and the history and philosophy of media, they propose a new materialist media art history.
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
What is media archaeology?
What is media archaeology?
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$26.95
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This text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author(...)
$26.95
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Summary:
This text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author(...)
Publication:
September 2012
September 2012
Title:
What is media archaeology?
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$26.95
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Summary:
This text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities.
What is media archaeology?
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$26.95
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Summary:
This text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities.
Form:
books
books
Publication:
September 2012
September 2012
Title:
A geology of media
A geology of media
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$34.99
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Summary:
Media history is millions, even billions, of years old. That is the premise of Jussi Parikka’s book, A Geology of Media, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves—Earth’s history, geological formations, minerals, and energy.
$34.99
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Summary:
Media history is millions, even billions, of years old. That is the premise of Jussi Parikka’s book, A Geology of Media, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves—Earth’s history, geological formations, minerals, and energy.
Title:
A geology of media
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$34.99
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Summary:
Media history is millions, even billions, of years old. That is the premise of Jussi Parikka’s book, A Geology of Media, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves—Earth’s history, geological formations, minerals, and energy.
A geology of media
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$34.99
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Summary:
Media history is millions, even billions, of years old. That is the premise of Jussi Parikka’s book, A Geology of Media, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves—Earth’s history, geological formations, minerals, and energy.
Subject:
Critical Theory
Critical Theory
Form:
audio
audio
Title:
Reinventing the Surface.
Reinventing the Surface.
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Description:
1 online resource.
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Publication:
[Place of publication not identified] : Disintegrator, 2024.
[Place of publication not identified] : Disintegrator, 2024.
Form:
audio
audio
Publication:
[Place of publication not identified] : Disintegrator, 2024.
[Place of publication not identified] : Disintegrator, 2024.
Form:
audio
audio
Title:
Annet Dekker.
Annet Dekker.
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Description:
1 online resource.
Subject:
Publication:
[Place of publication not identified] : Art and Obsolescence, 2022.
[Place of publication not identified] : Art and Obsolescence, 2022.
Form:
audio
audio
Publication:
[Place of publication not identified] : Art and Obsolescence, 2022.
[Place of publication not identified] : Art and Obsolescence, 2022.
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books
books
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Description:
575 pages : illustrations ; 21 cm.
Description:
575 pages : illustrations ; 21 cm.
Author:
- Architecture et archives numériques natives (2007 : Paris, France),
- Peyceré, David.,
- Wierre, Florence, 1973-,
- Koch, Carole.,
- Alzua, Jérôme de.,
- Ansuini, Roberta.,
- Banat-Berger, Françoise.,
- Barzon, Furio, 1972-,
- Busarayat, Chawee.,
- Beasley, Gerald.,
- Chupin, Jean-Pierre.,
- De Grassi, Mario.,
- De Luca, Livio.,
- De Meyer, Dirk, 1961-,
- Domenichini, Riccardo.,
- Dubois, Lionel.,
- Enge, Jürgen.,
- Fallon, Kristine K.,
- Farinati, Valeria, 1956-,
- Florenzano, Michel.,
- Franken, Bernhard.,
- Garret, Pascal.,
- Giretti, Alberto.,
- Kowalski, Carissa.,
- Loret, Stephane.,
- Žantovská Murray, Irena, 1946-,
- Pariset, Jean-Daniel.,
- Pérennès-Poncet, Ségolène.,
- Picon, Antoine.,
- Pourtois, Christophe.,
- Procida, Elisabetta.,
- Reed, Anthony.,
- Sauge, Birgitte.,
- Scharrer, Berthold.,
- Schumacher, Susanne.,
- Shubert, Howard.,
- Smith, MacKenzie.,
- Stefani, Chiara.,
- Triunveri, Elena.,
- Véron, Philippe.,
- Willinge, Mariet.,
- Wolf, Inge.,
- Zambelli, Matteo, 1968-,
- Cité de l'architecture et du patrimoine (Paris, France),
- Institut national d'histoire de l'art (France),
- GAUDI programme.
(See more)
Subject:
- Architecture Archival resources Congresses.,
- Archives Administration Congresses.,
- Electronic records Conservation and restoration Congresses.,
- Architecture Fonds d'archives Congrès.,
- Archives Gestion Congrès.,
- Archives électroniques Conservation et restauration Congrès.,
- Architecture Archival resources.,
- Archives Administration.,
- Electronic records Conservation and restoration.,
- Computer-generated architectural records.,
- Proceedings.,
- Conference papers and proceedings.
(See more)
Publication:
Gollion : Infolio, ©2008.
Gollion : Infolio, ©2008.
Title:
Architecture et archives numériques : l'architecture à l'ère numérique : un enjeu de mémoire / sous la direction de David Peyceré, Florence Wierre ; coordination éditoriale, Carole Koch ; [traduction, Philip Watterson, Reinald Freling] = Architecture and digital archives : architecture in the digital age : a question of memory / executive editors, David Peyceré, Florence Wierre ; publishing co-ordinator, Carole Koch ; translation, Philip Watterson, Reinald Freling].
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Description:
575 pages : illustrations ; 21 cm.
Architecture et archives numériques : l'architecture à l'ère numérique : un enjeu de mémoire / sous la direction de David Peyceré, Florence Wierre ; coordination éditoriale, Carole Koch ; [traduction, Philip Watterson, Reinald Freling] = Architecture and digital archives : architecture in the digital age : a question of memory / executive editors, David Peyceré, Florence Wierre ; publishing co-ordinator, Carole Koch ; translation, Philip Watterson, Reinald Freling].
Actions:
Holdings:
Description:
575 pages : illustrations ; 21 cm.
Form:
books
books
Publication:
Gollion : Infolio, ©2008.
Gollion : Infolio, ©2008.
Author:
- Architecture et archives numériques natives (2007 : Paris, France),
- Peyceré, David.,
- Wierre, Florence, 1973-,
- Koch, Carole.,
- Alzua, Jérôme de.,
- Ansuini, Roberta.,
- Banat-Berger, Françoise.,
- Barzon, Furio, 1972-,
- Busarayat, Chawee.,
- Beasley, Gerald.,
- Chupin, Jean-Pierre.,
- De Grassi, Mario.,
- De Luca, Livio.,
- De Meyer, Dirk, 1961-,
- Domenichini, Riccardo.,
- Dubois, Lionel.,
- Enge, Jürgen.,
- Fallon, Kristine K.,
- Farinati, Valeria, 1956-,
- Florenzano, Michel.,
- Franken, Bernhard.,
- Garret, Pascal.,
- Giretti, Alberto.,
- Kowalski, Carissa.,
- Loret, Stephane.,
- Žantovská Murray, Irena, 1946-,
- Pariset, Jean-Daniel.,
- Pérennès-Poncet, Ségolène.,
- Picon, Antoine.,
- Pourtois, Christophe.,
- Procida, Elisabetta.,
- Reed, Anthony.,
- Sauge, Birgitte.,
- Scharrer, Berthold.,
- Schumacher, Susanne.,
- Shubert, Howard.,
- Smith, MacKenzie.,
- Stefani, Chiara.,
- Triunveri, Elena.,
- Véron, Philippe.,
- Willinge, Mariet.,
- Wolf, Inge.,
- Zambelli, Matteo, 1968-,
- Cité de l'architecture et du patrimoine (Paris, France),
- Institut national d'histoire de l'art (France),
- GAUDI programme.
(See more)
Subject:
- Architecture Archival resources Congresses.,
- Archives Administration Congresses.,
- Electronic records Conservation and restoration Congresses.,
- Architecture Fonds d'archives Congrès.,
- Archives Gestion Congrès.,
- Archives électroniques Conservation et restauration Congrès.,
- Architecture Archival resources.,
- Archives Administration.,
- Electronic records Conservation and restoration.,
- Computer-generated architectural records.,
- Proceedings.,
- Conference papers and proceedings.
(See more)
Form:
books
books
Actions:
Form:
books
books
Publication:
Gauss PDF 2014
Gauss PDF 2014