photographs
Quantity:
7 photograph(s)
ARCH269544
Description:
Group consists of photographs predominantly of Le Corbusier in Chandigarh, India, including a photograph of him with the model of the Bhakra Dam around 1960 or 1961, photographs with engineers and contractors at the Capitol Complex in 1953 and in 1956. There is also a photograph of him at work at the Bhakra Dam in construction. The group also contains photographs of Maxwell Fry, including a photograph of him and Jawaharlal Nehru in 1958.
1953-1961
Le Corbusier and others at Chandigarh, India
Actions:
ARCH269544
Description:
Group consists of photographs predominantly of Le Corbusier in Chandigarh, India, including a photograph of him with the model of the Bhakra Dam around 1960 or 1961, photographs with engineers and contractors at the Capitol Complex in 1953 and in 1956. There is also a photograph of him at work at the Bhakra Dam in construction. The group also contains photographs of Maxwell Fry, including a photograph of him and Jawaharlal Nehru in 1958.
photographs
Quantity:
7 photograph(s)
1953-1961
Series
Publications and writings
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
1947-2008
Publications and writings
Actions:
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
Series
1947-2008
Project
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
1978-1979
Piscina de "Görlitzer Bad" Kreuzberg, Berlim Oeste [Görlitzer Bad swimming pool], Berlin, Germany (1978-1979)
Actions:
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
Project
1978-1979
Project
AP075.S1.1971.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project of gardens for a housing project Marine Gardens, situated at the corner of S. W. Marine Drive and Yukon Street in Vancouver, British Columbia. Oberlander worked on this project in 1971 with architect Michael Katz. It was created as a demonstration project for the United Nation Habitat Conference held in Vancouver in 1976. The project consisted in a middle income family housing complex of 70 two-storey town houses connected by walkways and a shared garden space. The housing complex also included a day care centre. Oberlander was in charged of designing the gardens for the row houses development and the central shared courtyard. The development has been progressively destroyed and remplaced by condo towers since 2015. The project series contains a perspective drawing and working drawings such as a site plan, a unit plan, sections and elevations, a parking level plan, landscape plans, planting plans and sections of planters. The project is also recorded through photographs of the landscape work and textual records, including specifications, correspondence, inspection reports, and plant lists.
1971
Marine Gardens housing project, S. W. Marine Drive, Vancouver, British Columbia (1971)
Actions:
AP075.S1.1971.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project of gardens for a housing project Marine Gardens, situated at the corner of S. W. Marine Drive and Yukon Street in Vancouver, British Columbia. Oberlander worked on this project in 1971 with architect Michael Katz. It was created as a demonstration project for the United Nation Habitat Conference held in Vancouver in 1976. The project consisted in a middle income family housing complex of 70 two-storey town houses connected by walkways and a shared garden space. The housing complex also included a day care centre. Oberlander was in charged of designing the gardens for the row houses development and the central shared courtyard. The development has been progressively destroyed and remplaced by condo towers since 2015. The project series contains a perspective drawing and working drawings such as a site plan, a unit plan, sections and elevations, a parking level plan, landscape plans, planting plans and sections of planters. The project is also recorded through photographs of the landscape work and textual records, including specifications, correspondence, inspection reports, and plant lists.
Project
1971
Project
AP075.S1.1992.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Thunderbird Housing at University of British Columbia, in Vancouver, British Columbia. Orberlander worked on this project from 1992-1995 with architectural firm Waisman Dewar Grout Carter. Oberlander landscape design for this project included planting beds, trees and espaliers to screen the windows from the paved commun courtyard. The courtyard also includes a circular barbecue construsted by continuing pavers, the same used as pavement for the courtyard. She also included planting of trees along the facades of the building and along the pathway connecting the student housing to the rest of the campus pavilions. The project series includes sketches, design development drawings, including landscape concept plans with plant lists, landscape elevations and sections, presentation drawings, and working drawings, such as irrigation plans, site plans, landscape plans and planting plans. The project is also documented through working drawings for the new student housing used as reference and photographs of the landscaping work. Textual records for this project comprises a proposal, concept notes by Oberlander, correspondence, including with clients, architects and consultants, and specifications.
1991-2001
Thunderbird Housing, University of British Columbia, Vancouver, British Columbia (1992-1996)
Actions:
AP075.S1.1992.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Thunderbird Housing at University of British Columbia, in Vancouver, British Columbia. Orberlander worked on this project from 1992-1995 with architectural firm Waisman Dewar Grout Carter. Oberlander landscape design for this project included planting beds, trees and espaliers to screen the windows from the paved commun courtyard. The courtyard also includes a circular barbecue construsted by continuing pavers, the same used as pavement for the courtyard. She also included planting of trees along the facades of the building and along the pathway connecting the student housing to the rest of the campus pavilions. The project series includes sketches, design development drawings, including landscape concept plans with plant lists, landscape elevations and sections, presentation drawings, and working drawings, such as irrigation plans, site plans, landscape plans and planting plans. The project is also documented through working drawings for the new student housing used as reference and photographs of the landscaping work. Textual records for this project comprises a proposal, concept notes by Oberlander, correspondence, including with clients, architects and consultants, and specifications.
Project
1991-2001
Project
AP142.S2.D11
Description:
File documents an exhibition titled 'Espace pour l'art - espace de l'art' that was held 29 June to 24 August 1997 at the Fondation Louis Moret, Martigny, Switzerland. The exhibition included work by Candida Höfer, Gigon & Guyer, Renzo Piano Building Workshop, Herzog & de Meuron, and Aldo Rossi. Aldo Rossi presented materials relating to his design for Centre d'Art Contemporain de Vassivière (see AP142.S1.D119). Material in this file was produced in 1997. File contains textual records, including sketches, drawings, correspondence, estimates, a list of projects by Aldo Rossi, a title page, photocopies of views of an exhibition, a business card, and notes.
1997
Esposizione d'arte ed architettura a Martigny
Actions:
AP142.S2.D11
Description:
File documents an exhibition titled 'Espace pour l'art - espace de l'art' that was held 29 June to 24 August 1997 at the Fondation Louis Moret, Martigny, Switzerland. The exhibition included work by Candida Höfer, Gigon & Guyer, Renzo Piano Building Workshop, Herzog & de Meuron, and Aldo Rossi. Aldo Rossi presented materials relating to his design for Centre d'Art Contemporain de Vassivière (see AP142.S1.D119). Material in this file was produced in 1997. File contains textual records, including sketches, drawings, correspondence, estimates, a list of projects by Aldo Rossi, a title page, photocopies of views of an exhibition, a business card, and notes.
File 11
1997
Sub-series
AP207.S2.SS07
Description:
The sub-series documents the exhibition "Ettore Sottsass sr. Architetto", curated by Pettena and presented at Palazzo delle Albere, in Trento, in 1991. The exhibition presented the work of Italian architect Ettore Sottsass. The exhibition, promoted by his son Ettore Sottsass Jr, led to the donation of the Sottsass archive to the MART, in Trento. The sub-series contains research material, including photocopies of articles and books on Ettore Sottsass, photographs of his projects and reproductions of his plans, as well as some notes by Gianni Pettena. This sub-series also contains preliminary project descriptions for the exhibition catalogue with a selection of plans and images of the buildings designed by Sottsass.
1980-1996
Ettore Sottsass sr. Architetto (1991)
Actions:
AP207.S2.SS07
Description:
The sub-series documents the exhibition "Ettore Sottsass sr. Architetto", curated by Pettena and presented at Palazzo delle Albere, in Trento, in 1991. The exhibition presented the work of Italian architect Ettore Sottsass. The exhibition, promoted by his son Ettore Sottsass Jr, led to the donation of the Sottsass archive to the MART, in Trento. The sub-series contains research material, including photocopies of articles and books on Ettore Sottsass, photographs of his projects and reproductions of his plans, as well as some notes by Gianni Pettena. This sub-series also contains preliminary project descriptions for the exhibition catalogue with a selection of plans and images of the buildings designed by Sottsass.
Subseries
1980-1996
drawings, textual records, photographs
Quantity:
5 file(s)
DR1988:0019:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes three letters, a page from a letter with drawings for a concert hall, and a photograph of a model of the same concert hall. The letters and photograph were accessioned as received in a beige folder.
circa 1919-1920
Material from Wassili Luckhardt and Hans Luckhardt mostly for Die gläserne Kette
Actions:
DR1988:0019:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes three letters, a page from a letter with drawings for a concert hall, and a photograph of a model of the same concert hall. The letters and photograph were accessioned as received in a beige folder.
drawings, textual records, photographs
Quantity:
5 file(s)
circa 1919-1920
PH1993:0212
Description:
- This photograph shows Vladimir Tatlin (1885-1953) (bottom right) with two assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (top to bottom): Iosif Aizikovich Meerzon (1900-1941), and Tevel' Markovich Shapiro (1898-1984 or later).
architecture, portrait
between March and 7 November 1920
Vladimir Tatlin and his assistants I.A. Meerzon and T.M. Shapiro constructing the first model for the monument to the Third International, Petrograd, Soviet Union (now Saint Petersburg, Russia)
Actions:
PH1993:0212
Description:
- This photograph shows Vladimir Tatlin (1885-1953) (bottom right) with two assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (top to bottom): Iosif Aizikovich Meerzon (1900-1941), and Tevel' Markovich Shapiro (1898-1984 or later).
architecture, portrait
madskills: Self-Documenting Construction on Social Media investigates popular social media clips documenting construction work by those present on site. Inspired by the rise of the creator economy, contractors, builders, and tradespeople have started to record and share their skills, creativity, and concerns with a digitally connected community of peers, clients, and(...)
Octagonal gallery Keyword(s):
social media, TikTok, Instagram, architectural photography, construction workers, labour, skills
June 2024 to October 2024
madskills: Self-Documenting Construction on Social Media
Actions:
Description:
madskills: Self-Documenting Construction on Social Media investigates popular social media clips documenting construction work by those present on site. Inspired by the rise of the creator economy, contractors, builders, and tradespeople have started to record and share their skills, creativity, and concerns with a digitally connected community of peers, clients, and(...)
Octagonal gallery Keyword(s):
social media, TikTok, Instagram, architectural photography, construction workers, labour, skills