Do glaciers listen? Local knowledge, colonial encounters, and social imagination. Anniversay edition
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"Do Glaciers Listen?" examines conflicting understandings of glaciers in the Saint Elias Mountains, a rugged area where Alaska, British Columbia, and the Yukon Territory meet. In the late eighteenth and early nineteenth centuries, significant geophysical change coincided with social upheaval from a growing European colonial presence and increased trade among Indigenous(...)
Do glaciers listen? Local knowledge, colonial encounters, and social imagination. Anniversay edition
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"Do Glaciers Listen?" examines conflicting understandings of glaciers in the Saint Elias Mountains, a rugged area where Alaska, British Columbia, and the Yukon Territory meet. In the late eighteenth and early nineteenth centuries, significant geophysical change coincided with social upheaval from a growing European colonial presence and increased trade among Indigenous Peoples. The European visitors saw glaciers as inanimate and subject to empirical investigation. However, Indigenous oral histories described glaciers as sentient, responding to human behavior and shaping the physical and cultural environments through which they move. Through these contrasts, Cruikshank demonstrates how local knowledge is produced rather than discovered through colonial encounters, and how it often conjoins social and biophysical processes. The result is an interdisciplinary tour de force filled with insight about our relationship to the world around us.
Architectural Theory
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"A Moving Border: Alpine Cartographies of Climate Change" builds upon the Italian Limes project by Studio Folder, which was devised in 2014 to survey the fluctuations of the boundary line across the Alps in real time. The book charts the effects of climate change on geopolitical understandings of border and the cartographic methods used to represent them. Locating the(...)
Architectural Theory
December 2018
A moving border: alpine cartographies of climate change
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"A Moving Border: Alpine Cartographies of Climate Change" builds upon the Italian Limes project by Studio Folder, which was devised in 2014 to survey the fluctuations of the boundary line across the Alps in real time. The book charts the effects of climate change on geopolitical understandings of border and the cartographic methods used to represent them. Locating the Italian condition alongside a longer political history of boundary making, the book brings together critical essays, visualizations, and unpublished documents from state archives. By examining the nexus of nationalism and cartography, "A Moving Border" details how borders are both material and imagined, and the ways global warming challenges Western conceptions of territory. Even more, it provides a blueprint for spatial intervention in a world where ecological processes are bound to dominate geopolitical affairs.
Architectural Theory
Atlas of the Copenhagens
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"Atlas of the Copenhagens" explores the urban territories of Copenhagen, often identified in city-ranking indices as the world’s most sustainable and livable city. Such claims position Copenhagen as an opportune site to engage in a wider debate on contemporary urban ideals, prompting questions such as: What is sustainability or livability? On whose terms are these(...)
Atlas of the Copenhagens
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"Atlas of the Copenhagens" explores the urban territories of Copenhagen, often identified in city-ranking indices as the world’s most sustainable and livable city. Such claims position Copenhagen as an opportune site to engage in a wider debate on contemporary urban ideals, prompting questions such as: What is sustainability or livability? On whose terms are these concepts defined? What agendas are included or excluded? The increasing authority attributed to city-ranking metrics prompts a second line of inquiry. How are the territorial and conceptual limits of a city drawn to define it as an object of measurement? What is Copenhagen as a territory in this case – the urban core, the municipality, the urbanized area, the regional urban system, or…? And how does this impact our understanding of something as complex and manifold as a city?
Architecture since 1900, Europe
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Over more than three decades, Gerry Johansson has brought his shrewd and sensitive eye to bear on peripheral landscapes the world over, from Ulan Bator to Antarctica. Spanish Summer sees him return to one of the first places that captured his imagination: the plains of central Spain. The chapel remained etched into Johansson’s memory and, decades later, led him to return(...)
Gerry Johansson: Spanish Summer
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Over more than three decades, Gerry Johansson has brought his shrewd and sensitive eye to bear on peripheral landscapes the world over, from Ulan Bator to Antarctica. Spanish Summer sees him return to one of the first places that captured his imagination: the plains of central Spain. The chapel remained etched into Johansson’s memory and, decades later, led him to return and rediscover the country’s architectural heritage, religious significance, and beauty. With these images, a survey is conducted of a landscape into which thousands of years of cultural traces have bedded down. Johansson’s exacting composition and delicate black-and-white tonalities reveal a transient territory in which telephone wires transcend hoary crucifixes, modern plaster meets timeworn stone, and the shadows of industrial megaliths reach blindly across the dust.
Photography monographs
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''Infinite realism'' brings together 99+1 photographs, many of them never published before, taken over a period of two decades from 1980 to the early 2000s. This volume forms an organic overview of Giovanni Chiaramonte’s complex work on the representation of the landscape and the urban view, developed after a long period of theoretical reflection. In this exploration,(...)
Giovanni Chiaramonte: Realismo infinito
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''Infinite realism'' brings together 99+1 photographs, many of them never published before, taken over a period of two decades from 1980 to the early 2000s. This volume forms an organic overview of Giovanni Chiaramonte’s complex work on the representation of the landscape and the urban view, developed after a long period of theoretical reflection. In this exploration, Italy offers a privileged vantage point: its territory, which appears as a stratification of cultures and civilizations, tells the story of the whole of the West at a glance. Italy is therefore a ''contemporary space,'' as it encompasses different eras that are visible simultaneously. The Italian landscape serves as the matrix for reading and understanding the West as a whole—its culture and destiny. It is the lens through which Chiaramonte explores.
Photography monographs
Translated by
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Translated By is published to coincide with an exhibition at the AA, which gathers eleven literary writers and eleven literary places and subjects them to an act of immaterial translation – via the voice. The stories run through Ramallah, recollect turn-of-the-century Sofia, remember the spaceship-looking-Sheraton Hotel in Doha, wander through the 'Metaverse' and(...)
Translated by
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Translated By is published to coincide with an exhibition at the AA, which gathers eleven literary writers and eleven literary places and subjects them to an act of immaterial translation – via the voice. The stories run through Ramallah, recollect turn-of-the-century Sofia, remember the spaceship-looking-Sheraton Hotel in Doha, wander through the 'Metaverse' and end at the end of the world in West Vancouver. Each of the authors invent or interpret place. Mundane, marginal, infamous, impossible. Together, the texts create a strange and beautiful territory that traverses distance and time. Writers include Douglas Coupland, Rana Dasgupta, Hu Fang, Julien Gracq, Jonathan Letham, Tom McCarthy, Guy Mannes Abbott, Sophia Al Maria, Hisham Matar, Adania Shibli, and Neal Stephenson, with essays by Charles Arsène-Henry and Shumon Basar.
Literature and poetry
books
The civil contract of photography / Ariella Azoulay ; translated by Rela Mazali and Ruvik Danieli.
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585 pages, 8 unnumbered pages of color plates : illustrations (some color) ; 24 cm
New York : Zone Books ; Princeton, New Jersey : Distributed by Princeton University Press, 2008., ©2008
The civil contract of photography / Ariella Azoulay ; translated by Rela Mazali and Ruvik Danieli.
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585 pages, 8 unnumbered pages of color plates : illustrations (some color) ; 24 cm
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New York : Zone Books ; Princeton, New Jersey : Distributed by Princeton University Press, 2008., ©2008
books
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147 pages : color illustrations ; 21 cm
Detroit : MOCAD, Museum of Contemporary Art Detroit ; Paris/San Francisco : Kadist Art Foundation ; Berlin : Sternberg Press, [2016], ©2016
United States of Latin America / organized by Museum of Contemporary Art Detroit ; with Kadist Art Foundation Paris/San Francisco ; curated by Jens Hoffmann, Susanne Feld Hilberry, and Pablo León de la Barra ; editor, Jens Hoffmann.
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147 pages : color illustrations ; 21 cm
books
Detroit : MOCAD, Museum of Contemporary Art Detroit ; Paris/San Francisco : Kadist Art Foundation ; Berlin : Sternberg Press, [2016], ©2016
books
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379 pages : illustrations ; 24 cm
Rotterdam : 010 Publishers, 2010, ©2010.
Megacities : exploring a sustainable future / edited by Steef Buijs, Wendy Tan, Devisari Tunas ; contributing authors: George Brugmans [and others].
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379 pages : illustrations ; 24 cm
books
Rotterdam : 010 Publishers, 2010, ©2010.
$38.95
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Parklife is an independent publication edited by Continente Editions about outdoor space, curated by Paola Ristoldo and Alessandro Furchino Capria. The magazine addresses stories of ordinary and uncommon places by developing visual and literary narratives. Driven by a primordial need to create, occupy and control a territory, human being becomes inhabitant of a place(...)
Parklife, issue 1: a refuge from the urban sprawl
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Parklife is an independent publication edited by Continente Editions about outdoor space, curated by Paola Ristoldo and Alessandro Furchino Capria. The magazine addresses stories of ordinary and uncommon places by developing visual and literary narratives. Driven by a primordial need to create, occupy and control a territory, human being becomes inhabitant of a place defined and circumscribed by and for himself. Why does humanity feel the need to design these spaces? How are they experienced? Through an authorial approach and with unpublished projects, thirteen artists and a confrontation between an architect and a designer explore the concept of the park understood as a place of daily life. All these visions make it possible to conceive green space and its inhabitants as an essential and united part of the city context. Parklife is a refuge from the urban sprawl.
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