1732 Results
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42 pages, 1 leaf 72 plates (including plans; some folded) 32 cm.
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42 pages, 1 leaf 72 plates (including plans; some folded) 32 cm.
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Paris, Vincent, Fréal et cie [1933]
Paris, Vincent, Fréal et cie [1933]
Title:
Salles de spectacles et d'auditions; documents recueillis et présentés par Roger Poulain.
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42 pages, 1 leaf 72 plates (including plans; some folded) 32 cm.
Salles de spectacles et d'auditions; documents recueillis et présentés par Roger Poulain.
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42 pages, 1 leaf 72 plates (including plans; some folded) 32 cm.
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books
books
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Paris, Vincent, Fréal et cie [1933]
Paris, Vincent, Fréal et cie [1933]
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archives
archives
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ca. 3,747 items.
Description:
ca. 3,747 items.
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Historic Theatres' Trust collection = Fonds Société des salles historiques, 1879-2006, predominant 1989-2006.
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ca. 3,747 items.
Historic Theatres' Trust collection = Fonds Société des salles historiques, 1879-2006, predominant 1989-2006.
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ca. 3,747 items.
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archives
archives
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books
books
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xxii, 367 pages, 12 unnumbered pages of plates : illustrations (some color) ; 26 cm
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xxii, 367 pages, 12 unnumbered pages of plates : illustrations (some color) ; 26 cm
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Oxford ; New York : Oxford University Press, 2000.
Oxford ; New York : Oxford University Press, 2000.
Title:
Eduardo Paolozzi : writings and interviews / edited by Robin Spencer.
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xxii, 367 pages, 12 unnumbered pages of plates : illustrations (some color) ; 26 cm
Eduardo Paolozzi : writings and interviews / edited by Robin Spencer.
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xxii, 367 pages, 12 unnumbered pages of plates : illustrations (some color) ; 26 cm
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books
books
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Oxford ; New York : Oxford University Press, 2000.
Oxford ; New York : Oxford University Press, 2000.
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books
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13 pages ; 28 cm.
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13 pages ; 28 cm.
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Monticello, Ill. : Vance Bibliographies, 1981.
Monticello, Ill. : Vance Bibliographies, 1981.
Title:
Perspectives on a vanishing species in architecture : the movie palace, a selected bibliography / Robert B. Harmon.
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13 pages ; 28 cm.
Perspectives on a vanishing species in architecture : the movie palace, a selected bibliography / Robert B. Harmon.
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13 pages ; 28 cm.
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books
books
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Monticello, Ill. : Vance Bibliographies, 1981.
Monticello, Ill. : Vance Bibliographies, 1981.
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books
books
Title:
Le crépuscule des cinémas
Le crépuscule des cinémas
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$75.95
(available to order)
Summary:
Simon Edelstein parcourt le monde depuis douze ans sur les traces des cinémas abandonnés aux USA, en France, en Italie, en Inde, au Maroc, à Cuba. Il s’est rendu dans plus de trente pays, patrouillant à travers les quartiers lointains de nombreuses villes pour retrouver sur les façades usées par le temps et l’oubli les stigmates de leurs splendeurs passées. Si la foule du(...)
$75.95
(available to order)
Summary:
Simon Edelstein parcourt le monde depuis douze ans sur les traces des cinémas abandonnés aux USA, en France, en Italie, en Inde, au Maroc, à Cuba. Il s’est rendu dans plus de trente pays, patrouillant à travers les quartiers lointains de nombreuses villes pour retrouver sur les façades usées par le temps et l’oubli les stigmates de leurs splendeurs passées. Si la foule du(...)
Title:
Le crépuscule des cinémas
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$75.95
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Simon Edelstein parcourt le monde depuis douze ans sur les traces des cinémas abandonnés aux USA, en France, en Italie, en Inde, au Maroc, à Cuba. Il s’est rendu dans plus de trente pays, patrouillant à travers les quartiers lointains de nombreuses villes pour retrouver sur les façades usées par le temps et l’oubli les stigmates de leurs splendeurs passées. Si la foule du samedi soir ne converge plus vers ces cinémas endormis sous la poussière des ans, ils dévoilent sous l’objectif d’Edelstein la belle archéologie de leurs façades, de leurs entrées, de leurs vastes salles de navires à la dérive. Ce livre est un hommage à ce qui demeure de l’âge d’or des salles de cinémas du monde entier. Mais aussi à leur silence et à leur résistance.
Le crépuscule des cinémas
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$75.95
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Summary:
Simon Edelstein parcourt le monde depuis douze ans sur les traces des cinémas abandonnés aux USA, en France, en Italie, en Inde, au Maroc, à Cuba. Il s’est rendu dans plus de trente pays, patrouillant à travers les quartiers lointains de nombreuses villes pour retrouver sur les façades usées par le temps et l’oubli les stigmates de leurs splendeurs passées. Si la foule du samedi soir ne converge plus vers ces cinémas endormis sous la poussière des ans, ils dévoilent sous l’objectif d’Edelstein la belle archéologie de leurs façades, de leurs entrées, de leurs vastes salles de navires à la dérive. Ce livre est un hommage à ce qui demeure de l’âge d’or des salles de cinémas du monde entier. Mais aussi à leur silence et à leur résistance.
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books
books
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September 2022
September 2022
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
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books
books
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145 pages : illustrations ; 22 x 26 cm
Description:
145 pages : illustrations ; 22 x 26 cm
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Oakville, Ont. ; Niagara Falls, NY : Mosaic Press, 2001.
Oakville, Ont. ; Niagara Falls, NY : Mosaic Press, 2001.
Title:
The "nabes" : Toronto's wonderful neighbourhood movie houses / John Sebert.
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145 pages : illustrations ; 22 x 26 cm
The "nabes" : Toronto's wonderful neighbourhood movie houses / John Sebert.
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145 pages : illustrations ; 22 x 26 cm
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books
books
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Oakville, Ont. ; Niagara Falls, NY : Mosaic Press, 2001.
Oakville, Ont. ; Niagara Falls, NY : Mosaic Press, 2001.
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books
books
Title:
Autrefois, maison privée / Bill Burke ; letter by Prince Sirik Matak ; essay by Bernard Fall.
Autrefois, maison privée / Bill Burke ; letter by Prince Sirik Matak ; essay by Bernard Fall.
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1 volume (unpaged) : chiefly illustrations ; 27 x 35 cm
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1 volume (unpaged) : chiefly illustrations ; 27 x 35 cm
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New York : powerHouse Books, 2004.
New York : powerHouse Books, 2004.
Title:
Autrefois, maison privée / Bill Burke ; letter by Prince Sirik Matak ; essay by Bernard Fall.
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1 volume (unpaged) : chiefly illustrations ; 27 x 35 cm
Autrefois, maison privée / Bill Burke ; letter by Prince Sirik Matak ; essay by Bernard Fall.
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1 volume (unpaged) : chiefly illustrations ; 27 x 35 cm
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books
books
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New York : powerHouse Books, 2004.
New York : powerHouse Books, 2004.
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books
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$135.00
(available to order)
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“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with(...)
$135.00
(available to order)
Summary:
“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with(...)
Title:
Architecture & arts 1900 /2004 : a century of creative projects in building, design, cinema, painting, sculpture
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$135.00
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“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with architecture a common project of a radical, at times visionary, aesthetic transformation of reality. The volume includes works by Malevich, Cartier-Bresson, Steichen, Terragni, Depero, Fritz Lang, Le Corbusier, Gehry, Rossi, Piano, and Oldenburg, to name a few. This richly illustrated volume offers a complete overview of architects and artists from the historic avant-gardes (Futurism, Suprematism, Constructivism, Dadaism, Neoplasticism, Expressionism, Surrealism, and the modern movements until the postwar period) to the contemporary world, starting from Informal-Spatialist work and continuing with Situationism, Brutalism, Pop Art, Minimalism, and Post modernism to the present day.
Architecture & arts 1900 /2004 : a century of creative projects in building, design, cinema, painting, sculpture
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Price:
$135.00
(available to order)
Summary:
“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with architecture a common project of a radical, at times visionary, aesthetic transformation of reality. The volume includes works by Malevich, Cartier-Bresson, Steichen, Terragni, Depero, Fritz Lang, Le Corbusier, Gehry, Rossi, Piano, and Oldenburg, to name a few. This richly illustrated volume offers a complete overview of architects and artists from the historic avant-gardes (Futurism, Suprematism, Constructivism, Dadaism, Neoplasticism, Expressionism, Surrealism, and the modern movements until the postwar period) to the contemporary world, starting from Informal-Spatialist work and continuing with Situationism, Brutalism, Pop Art, Minimalism, and Post modernism to the present day.
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books
books
Publication:
February 2005, Milan
February 2005, Milan
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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Description:
x, 407 pages, 12 pages of plates : illustrations (some color) ; 27 cm
Description:
x, 407 pages, 12 pages of plates : illustrations (some color) ; 27 cm
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Publication:
Berkeley : University of California Press, [2006]
Berkeley : University of California Press, [2006]
Title:
Picturing the city : urban vision and the Ashcan School / Rebecca Zurier.
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x, 407 pages, 12 pages of plates : illustrations (some color) ; 27 cm
Picturing the city : urban vision and the Ashcan School / Rebecca Zurier.
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x, 407 pages, 12 pages of plates : illustrations (some color) ; 27 cm
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books
books
Publication:
Berkeley : University of California Press, [2006]
Berkeley : University of California Press, [2006]
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books
books
Title:
Exhibiting the moving image
Exhibiting the moving image
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$39.95
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Summary:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
$39.95
(available to order)
Summary:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
Publication:
March 2016
March 2016
Title:
Exhibiting the moving image
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$39.95
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Summary:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
Exhibiting the moving image
Actions:
Price:
$39.95
(available to order)
Summary:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
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books
books
Publication:
March 2016
March 2016
