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Dans ce livre, il y a des ruines et des martyrs, des vestiges, des temples, des sanctuaires, des portiques, il y a des tombes, des cercueils, des mausolées, des cimetières, des épitaphes. Il y a des sépultures mythiques et des fosses communes. Il y a des résistants tués, des révoltés abattus, des leaders assassinés, des enfants massacrés, des nationalistes pendus. Il y a(...)
Ma très grande mélancolie arabe
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Dans ce livre, il y a des ruines et des martyrs, des vestiges, des temples, des sanctuaires, des portiques, il y a des tombes, des cercueils, des mausolées, des cimetières, des épitaphes. Il y a des sépultures mythiques et des fosses communes. Il y a des résistants tués, des révoltés abattus, des leaders assassinés, des enfants massacrés, des nationalistes pendus. Il y a des prophètes, des dieux, des vierges, des archanges, il y a des victimes et des assassins. Il y a aussi des citadelles, des basiliques, des mosquées, des dômes, des minarets, des miradors, des barbelés, des carcasses d'hôtels, de cinémas, des camps et des prisons. Et des détenus, des captifs, des séquestrés, des torturés. Il y a des condamnés à mort. Il y a des miliciens et des dictateurs, des fidayins et des moudjahidins, une infirmière kamikaze, une miss Univers et un prince rouge, des émirs, des C'est une danse macabre. Il y a un siècle au Proche-Orient.
Literature and poetry
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Phase de transition entre tradition et modernité, la période du Mandat (1920-1940), après la disparition de l'Empire ottoman, place le Liban sous l'administration de la France. Cette influence occidentale, tant politique que culturelle, laisse son empreinte sur l'architecture et le paysage urbain, en particulier à Beyrouth qui devient alors le siège du pouvoir français(...)
Beyrouth, architectures aux sources de la modernité, 1920-1940
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Phase de transition entre tradition et modernité, la période du Mandat (1920-1940), après la disparition de l'Empire ottoman, place le Liban sous l'administration de la France. Cette influence occidentale, tant politique que culturelle, laisse son empreinte sur l'architecture et le paysage urbain, en particulier à Beyrouth qui devient alors le siège du pouvoir français en Orient. Les analyses socio-historiques et typologiques dévoilent la richesse architecturale de cet héritage en étudiant les débuts de l'occidentalisation à Beyrouth dans l'architecture domestique, processus qui s'étend des dernières années du XIXe siècle jusqu'aux années trente. Un des modèles emblématiques est notamment révélé par le développement des bâtiments construits autour d'un hall central évoluant depuis la maison de banlieue jusqu'à l'appartement urbain type. Une abondante documentation inédite répertorie une trentaine de bâtiments caractéristiques, avec relevés détaillés de façade, éléments de modénature et photographies. Ce recensement est désormais d'autant plus précieux que nombre de bâtiments ont aujourd'hui disparu.
Architecture since 1900, Europe
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293 pages : illustrations ; 19 cm.
Gütersloh : Bauverlag ; Basel : Birkhäuser, [2017], ©2017
Critique of urbanization : selected essays / Neil Brenner.
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293 pages : illustrations ; 19 cm.
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Gütersloh : Bauverlag ; Basel : Birkhäuser, [2017], ©2017
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250 pages : illustrations ; 22 cm.
Milano, Italy : F. Angeli, ©1985.
Sul restauro dei monumenti / Salvatore Boscarino.
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250 pages : illustrations ; 22 cm.
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Milano, Italy : F. Angeli, ©1985.
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127 pages ; 18 cm
Paris : PUF, 1997.
Histoire du métier d'architecte en France / Gérard Ringon ...
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127 pages ; 18 cm
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Paris : PUF, 1997.
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x, 166 pages : illustrations (some color) ; 21 cm
Washington, DC : Island Press, [2020]
DIY city : the collective power of small actions / Hank Dittmar.
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x, 166 pages : illustrations (some color) ; 21 cm
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Washington, DC : Island Press, [2020]
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560 pages : illustrations (chiefly color) ; 25 cm
Karlsruhe, Germany : ZKM, Center for Art and Media ; Cambridge, MA : MIT Press, [2016], ©2016
Reset modernity! / edited by Bruno Latour ; with Christophe Leclercq.
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560 pages : illustrations (chiefly color) ; 25 cm
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Karlsruhe, Germany : ZKM, Center for Art and Media ; Cambridge, MA : MIT Press, [2016], ©2016
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This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon(...)
April 2005, London
Indigenous modernities : negotiating architecture and urbanism
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This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon conventional understandings of it. Conventional discourse in the West defines modern as the antithesis of that which is 'not-modern' or is 'traditional.' Many scholars have debated the significance of the words and most agree that the very word 'tradition' was a modernist creation that variously implied backwardness, threatened by change, resistance to innovation. The first part of this book reflects on the transformations and discontinuities in built form and spatial culture and calls into question accepted notions of the static nature of what is normally referred to as 'traditional' and 'non-Western' architecture. The second part is a critical discussion of Delhi in the nineteenth and early twentieth centuries. It expands upon conventional understandings of modernity in a way that wrenches free the city's architecture and the society from the objectified realm of the exotic while also acknowledging cultural conditions of modernity and modern architecture outside the West. Stepping outside Western canons, this project looks at late nineteenth and early twentieth century architecture to include them in a conversation on architecture that has typically focused on Western Europe and North America. Finally, the author seeks out the 'indigenous modernities': the irregular, the uneven, and the unexpected in what uncritical observers might label a perfectly coherent 'traditional' built environment; or in the influence of local society and institutions on forms that appear modern by conventional standards in the West.
Cities of change Addis Ababa: transformation strategies for urban territories in the 21st century
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Economic strengthening and the developments associated with it, such as population growth, rural flight, and the explosive growth of cities, pose enormous challenges for city planners in urban centers throughout the world. But clumsy "test-tube" urban plans like those developed for China in part by German planners have shown that different standards and rules apply in the(...)
December 2009
Cities of change Addis Ababa: transformation strategies for urban territories in the 21st century
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Economic strengthening and the developments associated with it, such as population growth, rural flight, and the explosive growth of cities, pose enormous challenges for city planners in urban centers throughout the world. But clumsy "test-tube" urban plans like those developed for China in part by German planners have shown that different standards and rules apply in the non-European world than in Europe s organically developed urban structures. This manual analyzes contemporary urban phenomena in economic growth regions using the Ethiopian capital city of Addis Abeba as an example, and presents a catalogue of sustainable strategies for city planning practice in the Second and Third Worlds. In the process, it provides planners with generally applicable methods and tools that are usable at the design stage and equip them to develop and deploy dynamic planning and project management processes. To this end, it illuminates such topical subjects as the changing agrarian and industrial landscape, the activation of urban wastelands, and the increasing density of urban hubs. In addition, it uses real projects as examples to highlight avenues for practical implementation.
A culture of stone
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A major contribution to both art history and Latin American studies, A Culture of Stone offers new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and(...)
A culture of stone
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A major contribution to both art history and Latin American studies, A Culture of Stone offers new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and played a vital role in the unfolding of Inka history. Examining the multiple uses of stone, she argues that the Inka understood building in stone as a way of ordering the chaos of unordered nature, converting untamed spaces into domesticated places, and laying claim to new territories. Dean contends that understanding what the rocks signified requires seeing them as the Inka saw them: as potentially animate, sentient, and sacred. Through careful analysis of Inka stonework, colonial-period accounts of the Inka, and contemporary ethnographic and folkloric studies of indigenous Andean culture, Dean reconstructs the relationships between stonework and other aspects of Inka life, including imperial expansion, worship, and agriculture. She also scrutinizes meanings imposed on Inka stone by the colonial Spanish and, later, by tourism and the tourist industry.