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This is Höweler + Yoon’s second book. It highlights verification as an integral part of the design process and demonstrates it as a productive tool to test ideas and act on the world. For both disciplinary and contractual reasons, the instruments of design—drawings, models, and prototypes—operate on the world at a distance. This book features recent designs by Höweler +(...)
Höweler + Yoon:Verify in field: projects and conversation
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This is Höweler + Yoon’s second book. It highlights verification as an integral part of the design process and demonstrates it as a productive tool to test ideas and act on the world. For both disciplinary and contractual reasons, the instruments of design—drawings, models, and prototypes—operate on the world at a distance. This book features recent designs by Höweler + Yoon and also examines the discipline’s pressing questions, as they relate to verification, uncertainty, and agency, in a series of essays by Eric Höweler and J. Meejin Yoon on topics that include means and methods, the public realm, energy and environments, the construction detail, and social media. These themes are echoed in conversations with collaborators, historians, and theorists.
Architecture Monographs
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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an(...)
Passing images: Art in the post-digital age
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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an ''exhibitio''? And how should we write about the new types of post-digital images we are seeing (in them)? In ''Passing images: Art in the post-digital age,'' Marie France Rafael provides an attempt to write with art, rather than just about it. Rafael aims to retrace the living spirit of art and the procedural-performative experience of art in her writing.
Art Theory
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This book is a bold interdisciplinary critique of claims regarding the free movement of goods, people, services, and capital throughout Europe. Ginette Verstraete interrogates European discourses on unlimited movement for everyone and a utopian unity-in-diversity in light of contemporary social practices, cultural theories, historical texts, media representations, and(...)
Tracking Europe: mobility, diaspora, and the politics of location
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This book is a bold interdisciplinary critique of claims regarding the free movement of goods, people, services, and capital throughout Europe. Ginette Verstraete interrogates European discourses on unlimited movement for everyone and a utopian unity-in-diversity in light of contemporary social practices, cultural theories, historical texts, media representations, and critical art projects. Arguing against the persistent myth of borderless travel, Verstraete shows the discourses on Europe to be caught in an unresolvable contradiction on a conceptual level and in deeply unsettling asymmetries on a performative level. She asks why the age-old notion of Europe as a borderless space of mobility goes hand-in-hand with the at times violent containment and displacement of people.
Transportation, Tourism, Migration
Dark mirrors
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''Dark mirrors'' assembles sixteen essays by photographer and critic Stanley Wolukau-Wanambwa focusing on contemporary fine art photographic and video practices that are principally, though not exclusively, rooted in the United States, written between 2015 and 2021. Wolukau-Wanambwa analyses the image’s relationship to the urgent and complex questions that define our era,(...)
Dark mirrors
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''Dark mirrors'' assembles sixteen essays by photographer and critic Stanley Wolukau-Wanambwa focusing on contemporary fine art photographic and video practices that are principally, though not exclusively, rooted in the United States, written between 2015 and 2021. Wolukau-Wanambwa analyses the image’s relationship to the urgent and complex questions that define our era, through the lens of artistic practices and works which insightfully engage with the ongoing contemporaneity of disparate histories and the ever-changing status of the visual in social life. The book sets out an argument that one of the most dynamic sites of artistic invention in photographic practice over the past decade has been the photographic book, and thus many of the essays in the volume assess artistic works as they are bodied forth in that form. Among the recurrent themes that emerge from these rigorous, probing essays are the complex interrelationship of anti-blackness and visuality, the fragility and complexity of embodied difference in portraiture, the potency of verbal and visual media as social forms, and the politics of attention.
Theory of Photography
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A reflection on a series of T-shirt works produced throughout Takashi Homma’s career, documented using the Risograph printing technique and translated into a zine format. Homma’s conversational approach to process is expanded upon through the inclusion of social media screenshots. Throughout the zine, the viewer embarks on a dialogical journey through the act of seeing,(...)
Hato Zines 50 : My Nice T-shirts by Takashi Homma
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A reflection on a series of T-shirt works produced throughout Takashi Homma’s career, documented using the Risograph printing technique and translated into a zine format. Homma’s conversational approach to process is expanded upon through the inclusion of social media screenshots. Throughout the zine, the viewer embarks on a dialogical journey through the act of seeing, encountering the distant gaze of a model, the smile of a baby, or the lens of a camera. Takashi Homma is a Japanese photographer, born and based in Tokyo. His work is recognised for its tender and thoughtful portrayal of identity and culture in suburban Tokyo.The zine is available in blue or pink, with both colours featuring the same images and artworks. Cover colours are supplied randomly.
Photography monographs
Carrie Schneider: Sphinx
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MASS MoCA presents a suite of new works made over the past 2½ years by artist Carrie Schneider. Reminiscent of abstract paintings, her photographs play with the camera’s imaginative potential and its relationship to the subconscious, while experimenting with the medium’s sculptural possibilities. Isolated during the pandemic, Schneider, like many of us, relied on her(...)
Carrie Schneider: Sphinx
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MASS MoCA presents a suite of new works made over the past 2½ years by artist Carrie Schneider. Reminiscent of abstract paintings, her photographs play with the camera’s imaginative potential and its relationship to the subconscious, while experimenting with the medium’s sculptural possibilities. Isolated during the pandemic, Schneider, like many of us, relied on her phone to find community and inspiration. Working with a room-sized camera she built herself – a sort of camera obscura affixed with a large-format Rodenstock lens – she exposes screen grabs of friends’ social media feeds, images from her private archive, and shots of historical artworks directly to photo paper. The enigmatic results provide glimpses into the artist’s interior life and present a picture of a deep desire for connection.
Contemporary Art Monographs
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Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. On the outside, they have become icons of corporate identity, while on the inside, they have remained invisible in order to be(...)
In the studio: Visual creation and its material environments
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Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. On the outside, they have become icons of corporate identity, while on the inside, they have remained invisible in order to be seen. As such, they have actively faded into the background of critical discourse and into the margins of film and media history. Recovering their hidden role in the history of visual creation, ''In the studio'' demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the material, ecological, social, political, and economic dynamics that quietly mark the worlds on our screens.
Architecture and Film, Set Design
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Are you bored of the endless scroll of your social media feed? Do you swipe left before considering the human being whose face you just summarily rejected? Do you skim articles on your screen in search of intellectual stimulation that never arrives? If so, this book is the philosophical lifeline you have been waiting for. Offering a timely meditation on the profound(...)
Wish I were here: boredom and the interface
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Are you bored of the endless scroll of your social media feed? Do you swipe left before considering the human being whose face you just summarily rejected? Do you skim articles on your screen in search of intellectual stimulation that never arrives? If so, this book is the philosophical lifeline you have been waiting for. Offering a timely meditation on the profound effects of constant immersion in technology, also known as the ''Interface,'' ''Wish I Were Here'' draws on philosophical analysis of boredom and happiness to examine the pressing issues of screen addiction and the lure of online outrage. Without moralizing, Mark Kingwell takes seriously the possibility that current conditions of life and connection are creating hollowed-out human selves, divorced from their own external world.
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Penelope Umbrico: Photographs offers a radical reinterpretation of everyday consumer and vernacular images. She works within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects and information that surrounds us, searching for decisive moments. presents a unique and challenging approach to(...)
Penelope Umbrico: Photographs
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Penelope Umbrico: Photographs offers a radical reinterpretation of everyday consumer and vernacular images. She works within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects and information that surrounds us, searching for decisive moments. presents a unique and challenging approach to quintessential issues of representation in contemporary culture, including how images are used to construct and communicate consumer desire, and whether or not the growing volume of images we view online fosters a critical visual literacy. This volume, Umbrico's first monograph, is accompanied by a series of essays, appendices of source material, excerpts from theoretical works and other material serving as resources for engaging further with the work and issues involved.
Photography monographs
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This new edition of The Photographic Image in Digital Culture explores the condition of photography after some 20 years of remediation and transformation by digital technology. Through ten especially commissioned essays, by some of the leading scholars in the field of contemporary photography studies, a range of key topics are discussed including: the meaning of(...)
The photographic image in digital culture
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This new edition of The Photographic Image in Digital Culture explores the condition of photography after some 20 years of remediation and transformation by digital technology. Through ten especially commissioned essays, by some of the leading scholars in the field of contemporary photography studies, a range of key topics are discussed including: the meaning of software in the production of photograph; the nature of networked photographs; the screen as the site of photographic display; the simulation of photography in the videogame; photography, ubiquitous computing and technologies of ambient intelligence; developments in vernacular photography and social media; the photograph and the digital archive; the curation and exhibition of the networked photograph; the dominance of the image bank in commercial and advertising photography; the complexities of citizen photojournalism.
Theory of Photography