Empire
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Octagonal gallery
8 December 2005 to 12 March 2006
Empire
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Description:
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Octagonal gallery
Sub-series
AP140.S2.SS4.D12
Description:
File documents the International Conference 'Problems Facing Present-day Architecture and Town Planning in Relation to the Processes of Industrialization', held in November 1966 at Bologna University. Material in this file was probably produced in 1966. File contains textual records.
circa 1966
Problems Facing Present-day Architectural and Town Planning in Relation to the Processes of Industrialization, International Conference
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AP140.S2.SS4.D12
Description:
File documents the International Conference 'Problems Facing Present-day Architecture and Town Planning in Relation to the Processes of Industrialization', held in November 1966 at Bologna University. Material in this file was probably produced in 1966. File contains textual records.
File 12
circa 1966
Paul Nelson (1895–1979), American architect, film set designer, painter, critic, and educator, taught and practised architecture in the United States and France for over fifty years. Nelson was a central figure in the development of functionalism in the 1930s and 1940s, which rejected the Beaux-Arts language in favour of technological and functional expression. The Filter(...)
Main galleries
27 March 1991 to 26 May 1991
The Filter of Reason: The Work of Paul Nelson
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Description:
Paul Nelson (1895–1979), American architect, film set designer, painter, critic, and educator, taught and practised architecture in the United States and France for over fifty years. Nelson was a central figure in the development of functionalism in the 1930s and 1940s, which rejected the Beaux-Arts language in favour of technological and functional expression. The Filter(...)
Main galleries
Learning from... Rome
Filmmaker and photographer Armin Linke reveals the societal changes, cultural complexities, and beauty of contemporary Rome through two short films and architectural photographs from his archives. The first film focuses on a moment of natural choreography as some 100,000 starlings fly against the backdrop of the city of Rome. Linke presents a selection of photographs,(...)
Paul Desmarais Theatre
5 March 2009
Learning from... Rome
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Description:
Filmmaker and photographer Armin Linke reveals the societal changes, cultural complexities, and beauty of contemporary Rome through two short films and architectural photographs from his archives. The first film focuses on a moment of natural choreography as some 100,000 starlings fly against the backdrop of the city of Rome. Linke presents a selection of photographs,(...)
Paul Desmarais Theatre
archives
Level of archival description:
Fonds
Alessandro Poli fonds
AP148
Synopsis:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
1963-1996
Alessandro Poli fonds
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AP148
Synopsis:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
archives
Level of archival description:
Fonds
1963-1996
The CCA presents Toolkit for Today 2014, a summer seminar held as part of the TD Bank Group-CCA Collection Research Grants program. This year the seminar aims to address questions related to contemporary architecture, showing how projects enrich and diverge from each other and how their differences are born of unusual perspectives and new ways of articulating(...)
23 June 2014 to 28 June 2014
Toolkit for Today: Materials and Atmospheres
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Description:
The CCA presents Toolkit for Today 2014, a summer seminar held as part of the TD Bank Group-CCA Collection Research Grants program. This year the seminar aims to address questions related to contemporary architecture, showing how projects enrich and diverge from each other and how their differences are born of unusual perspectives and new ways of articulating(...)
Project
AP140.S1.SS1.D2
Description:
File documents a student project for an Organic Chemistry Laboratories for a Northern University, in England, United Kingdom. Project was designed in Stirling's fourth year at the Liverpool School of Architecture. Material in this file was produced in 1949. File contains presentation panels.
1949
Organic Chemistry Laboratories for a Northern University
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AP140.S1.SS1.D2
Description:
File documents a student project for an Organic Chemistry Laboratories for a Northern University, in England, United Kingdom. Project was designed in Stirling's fourth year at the Liverpool School of Architecture. Material in this file was produced in 1949. File contains presentation panels.
File 2
1949
Project
School of Architecture
AP163.S1.SS1.D1
Description:
File documents Victor Prus's unrealized project for a school of architecture. Material in this file was produced between 1945 and 1950, in England. Drawings in this file are original work, mostly graphite and paint on paper. File contains presentation drawings and textual records.
between 1945 and 1950
School of Architecture
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AP163.S1.SS1.D1
Description:
File documents Victor Prus's unrealized project for a school of architecture. Material in this file was produced between 1945 and 1950, in England. Drawings in this file are original work, mostly graphite and paint on paper. File contains presentation drawings and textual records.
File 1
between 1945 and 1950
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Main galleries
9 October 1991 to 12 January 1992
Parables and Other Allegories: The Work of Melvin Charney, 1975-1990
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Description:
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Main galleries
Since 2006, the Aggregate Architectural History Collaborative has engaged in numerous shared projects from collected volumes and joint authorship to peer review workshopping and website publishing, alongside conferences, symposia, and public presentations. Operated as a self-funded, non-profit corporation, Aggregate continues to evolve its means and outputs of production(...)
13 July 2023, 2pm to 4pm (EST)
Modes and Bounds of Collaboration
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Description:
Since 2006, the Aggregate Architectural History Collaborative has engaged in numerous shared projects from collected volumes and joint authorship to peer review workshopping and website publishing, alongside conferences, symposia, and public presentations. Operated as a self-funded, non-profit corporation, Aggregate continues to evolve its means and outputs of production(...)