14783 Results
Level of archival description:
Project
Project
Title:
Centro Cultural Manzana del Revellin [Manzana dei Revellin Cultural Centre], Ceuta, Spain (1997)
Centro Cultural Manzana del Revellin [Manzana dei Revellin Cultural Centre], Ceuta, Spain (1997)
Actions:
Reference number:
AP178.S1.1997.PR04
Description:
This project series documents the Centro Cultural Manzana de Revellin in Ceuta, Spain. While the records were held in the office’s archives this project was assigned the number 85/90. The office assigned the date 1997 to this project. The project site is located in the historic center of Ceuta. The project consists of five white buildings, including an auditorium, a museum, offices and shops, and two buildings for the school of music, school of languages and school of commerce. Each of the buildings is a different size and shape and occupies a city block. Collaborators on the project were Lia Kiladis, Angela Princiotto, Francesca Montalto, Andrea Smaniotto, Axel Baudendistel, Avelino Silva, Markus Elmiger, Nicola Natali, Rita Amaral, and Duarte Kruger. The project was realized between 1998 and 2012. Documenting this project are sketches, studies, presentation drawings, working drawings, and mechanical drawings. Textual material includes documentation about the structure, electricity, and acoustics of the auditorium. Photographs and negatives document the model.
AP178.S1.1997.PR04
Description:
This project series documents the Centro Cultural Manzana de Revellin in Ceuta, Spain. While the records were held in the office’s archives this project was assigned the number 85/90. The office assigned the date 1997 to this project. The project site is located in the historic center of Ceuta. The project consists of five white buildings, including an auditorium, a museum, offices and shops, and two buildings for the school of music, school of languages and school of commerce. Each of the buildings is a different size and shape and occupies a city block. Collaborators on the project were Lia Kiladis, Angela Princiotto, Francesca Montalto, Andrea Smaniotto, Axel Baudendistel, Avelino Silva, Markus Elmiger, Nicola Natali, Rita Amaral, and Duarte Kruger. The project was realized between 1998 and 2012. Documenting this project are sketches, studies, presentation drawings, working drawings, and mechanical drawings. Textual material includes documentation about the structure, electricity, and acoustics of the auditorium. Photographs and negatives document the model.
People:
Date:
1997-2007
1997-2007
Title:
Centro Cultural Manzana del Revellin [Manzana dei Revellin Cultural Centre], Ceuta, Spain (1997)
Actions:
AP178.S1.1997.PR04
Description:
This project series documents the Centro Cultural Manzana de Revellin in Ceuta, Spain. While the records were held in the office’s archives this project was assigned the number 85/90. The office assigned the date 1997 to this project. The project site is located in the historic center of Ceuta. The project consists of five white buildings, including an auditorium, a museum, offices and shops, and two buildings for the school of music, school of languages and school of commerce. Each of the buildings is a different size and shape and occupies a city block. Collaborators on the project were Lia Kiladis, Angela Princiotto, Francesca Montalto, Andrea Smaniotto, Axel Baudendistel, Avelino Silva, Markus Elmiger, Nicola Natali, Rita Amaral, and Duarte Kruger. The project was realized between 1998 and 2012. Documenting this project are sketches, studies, presentation drawings, working drawings, and mechanical drawings. Textual material includes documentation about the structure, electricity, and acoustics of the auditorium. Photographs and negatives document the model.
Centro Cultural Manzana del Revellin [Manzana dei Revellin Cultural Centre], Ceuta, Spain (1997)
Actions:
AP178.S1.1997.PR04
Description:
This project series documents the Centro Cultural Manzana de Revellin in Ceuta, Spain. While the records were held in the office’s archives this project was assigned the number 85/90. The office assigned the date 1997 to this project. The project site is located in the historic center of Ceuta. The project consists of five white buildings, including an auditorium, a museum, offices and shops, and two buildings for the school of music, school of languages and school of commerce. Each of the buildings is a different size and shape and occupies a city block. Collaborators on the project were Lia Kiladis, Angela Princiotto, Francesca Montalto, Andrea Smaniotto, Axel Baudendistel, Avelino Silva, Markus Elmiger, Nicola Natali, Rita Amaral, and Duarte Kruger. The project was realized between 1998 and 2012. Documenting this project are sketches, studies, presentation drawings, working drawings, and mechanical drawings. Textual material includes documentation about the structure, electricity, and acoustics of the auditorium. Photographs and negatives document the model.
Level of archival description:
Project
Project
Date:
1997-2007
1997-2007
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
People:
Date:
1991-2000
1991-2000
Title:
Ceramique Terrein Blocos de habitação e escritórios [Ceramic Terrain apartments and offices], Maastricht, The Netherlands (1990)
Actions:
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
Ceramique Terrein Blocos de habitação e escritórios [Ceramic Terrain apartments and offices], Maastricht, The Netherlands (1990)
Actions:
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
Level of archival description:
Project
Project
Date:
1991-2000
1991-2000
People:
Form:
textual records
textual records
Actions:
Reference number:
AP178.S1.1995.PR07.078.1
Description:
Original file title: Stedelijk museum Corsmit 98 This file also includes documentation from suppliers.
AP178.S1.1995.PR07.078.1
Description:
Original file title: Stedelijk museum Corsmit 98 This file also includes documentation from suppliers.
People:
Date:
1998
1998
Title:
Documentation and drawings for Corsmit, Renovação e extensão do Museu Stedelijk, Amsterdam (folder 1 of 2)
Actions:
AP178.S1.1995.PR07.078.1
Description:
Original file title: Stedelijk museum Corsmit 98 This file also includes documentation from suppliers.
Documentation and drawings for Corsmit, Renovação e extensão do Museu Stedelijk, Amsterdam (folder 1 of 2)
Actions:
AP178.S1.1995.PR07.078.1
Description:
Original file title: Stedelijk museum Corsmit 98 This file also includes documentation from suppliers.
Form:
textual records
textual records
Date:
1998
1998
People:
Actions:
Reference number:
ARCH279801
Description:
Videocassette contains broadcast footage of Chuck Hoberman with kids at the CA Museum of Science and Industry.
ARCH279801
Description:
Videocassette contains broadcast footage of Chuck Hoberman with kids at the CA Museum of Science and Industry.
People:
Date:
1997
1997
Title:
Video recording of broadcast footage of Chuck Hoberman at the Lemelson Center
Actions:
ARCH279801
Description:
Videocassette contains broadcast footage of Chuck Hoberman with kids at the CA Museum of Science and Industry.
Video recording of broadcast footage of Chuck Hoberman at the Lemelson Center
Actions:
ARCH279801
Description:
Videocassette contains broadcast footage of Chuck Hoberman with kids at the CA Museum of Science and Industry.
Date:
1997
1997
People:
Form:
articles
articles
Actions:
Andrea Lissoni and Akram Zaatari on films, institutions, and their metamorphic characters
Published:
5 May 2025
5 May 2025
Title:
The Transformative Power of Film
Andrea Lissoni and Akram Zaatari on films, institutions, and their metamorphic characters
Actions:
The Transformative Power of Film
Andrea Lissoni and Akram Zaatari on films, institutions, and their metamorphic characters
Actions:
Form:
textual records, photographs
textual records, photographs
Actions:
Reference number:
DR2012:0012:085:025
Description:
File containing documents in English (predominant), Hebrew, and French, including correspondence, photographs, and press clippings, and sketches related to the exhibition, Displacements: the Work of Melvin Charney, at the Israel Museum, Jerusalem. Original folder inscribed in graphite: THE ISRAEL MUSEUM / 1991-1996
DR2012:0012:085:025
Description:
File containing documents in English (predominant), Hebrew, and French, including correspondence, photographs, and press clippings, and sketches related to the exhibition, Displacements: the Work of Melvin Charney, at the Israel Museum, Jerusalem. Original folder inscribed in graphite: THE ISRAEL MUSEUM / 1991-1996
People:
Date:
1991-1997
1991-1997
Title:
Correspondence, photographs, press clippings, and sketches related to exhibition "Displacements: the Work of Melvin Charney"
Actions:
DR2012:0012:085:025
Description:
File containing documents in English (predominant), Hebrew, and French, including correspondence, photographs, and press clippings, and sketches related to the exhibition, Displacements: the Work of Melvin Charney, at the Israel Museum, Jerusalem. Original folder inscribed in graphite: THE ISRAEL MUSEUM / 1991-1996
Correspondence, photographs, press clippings, and sketches related to exhibition "Displacements: the Work of Melvin Charney"
Actions:
DR2012:0012:085:025
Description:
File containing documents in English (predominant), Hebrew, and French, including correspondence, photographs, and press clippings, and sketches related to the exhibition, Displacements: the Work of Melvin Charney, at the Israel Museum, Jerusalem. Original folder inscribed in graphite: THE ISRAEL MUSEUM / 1991-1996
Form:
textual records, photographs
textual records, photographs
Date:
1991-1997
1991-1997
People:
Level of archival description:
Project
Project
Title:
Food for the Future
Food for the Future
Actions:
Reference number:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
People:
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
Title:
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Level of archival description:
File 87
File 87
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
People:
Level of archival description:
Project
Project
Title:
Human Wall (2012)
Human Wall (2012)
Actions:
Reference number:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
People:
Date:
2012-2018
2012-2018
Title:
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2018
2012-2018
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
André Blouin fonds
André Blouin fonds
Actions:
Reference number:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
People:
Date:
1933-1996
1933-1996
Title:
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-1996
1933-1996
People:
Form:
drawings
drawings
Actions:
Reference number:
DR2004:0774:002
Description:
The drawing and the text in black were originally created in 1981 for an exhibition at the Cooper-Hewitt Museum.
DR2004:0774:002
Description:
The drawing and the text in black were originally created in 1981 for an exhibition at the Cooper-Hewitt Museum.
People:
Date:
2000?
2000?
Title:
"Delight in ruins and remains"
Actions:
DR2004:0774:002
Description:
The drawing and the text in black were originally created in 1981 for an exhibition at the Cooper-Hewitt Museum.
"Delight in ruins and remains"
Actions:
DR2004:0774:002
Description:
The drawing and the text in black were originally created in 1981 for an exhibition at the Cooper-Hewitt Museum.
Form:
drawings
drawings
Date:
2000?
2000?
People:
