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$22.95
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Since the beginning of the twentieth century, Toronto's Kensington Market neighbourhood has been home to a multicultural mosaic of immigrant communities: Jewish, Portuguese, Chinese, South Asian, Caribbean, and many others. Despite repeated transformations, the neighbourhood has never lost its vibrant, close-knit character. In Kensington Market, urban planner and public(...)
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Since the beginning of the twentieth century, Toronto's Kensington Market neighbourhood has been home to a multicultural mosaic of immigrant communities: Jewish, Portuguese, Chinese, South Asian, Caribbean, and many others. Despite repeated transformations, the neighbourhood has never lost its vibrant, close-knit character. In Kensington Market, urban planner and public(...)
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Kensington market: collective memory, public history, and Toronto's urban landscape
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Since the beginning of the twentieth century, Toronto's Kensington Market neighbourhood has been home to a multicultural mosaic of immigrant communities: Jewish, Portuguese, Chinese, South Asian, Caribbean, and many others. Despite repeated transformations, the neighbourhood has never lost its vibrant, close-knit character. In Kensington Market, urban planner and public historian Na Li explores both the Market's dynamic history and the ways in which planners can access the intangible collective memory that helps define neighbourhoods like it around the world.
Kensington market: collective memory, public history, and Toronto's urban landscape
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Since the beginning of the twentieth century, Toronto's Kensington Market neighbourhood has been home to a multicultural mosaic of immigrant communities: Jewish, Portuguese, Chinese, South Asian, Caribbean, and many others. Despite repeated transformations, the neighbourhood has never lost its vibrant, close-knit character. In Kensington Market, urban planner and public historian Na Li explores both the Market's dynamic history and the ways in which planners can access the intangible collective memory that helps define neighbourhoods like it around the world.
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books
books
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September 2015
September 2015
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Architecture in Canada
Architecture in Canada
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Blackwood Gallery 2022
Blackwood Gallery 2022
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Blackwood Gallery 2022
Blackwood Gallery 2022
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xv, 304 pages : illustrations ; 26 cm
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xv, 304 pages : illustrations ; 26 cm
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Malden, MA ; Oxford : Blackwell Pub., 2006.
Malden, MA ; Oxford : Blackwell Pub., 2006.
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The form of cities : political economy and urban design / Alexander R. Cuthbert.
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xv, 304 pages : illustrations ; 26 cm
The form of cities : political economy and urban design / Alexander R. Cuthbert.
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xv, 304 pages : illustrations ; 26 cm
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books
books
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Malden, MA ; Oxford : Blackwell Pub., 2006.
Malden, MA ; Oxford : Blackwell Pub., 2006.
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$49.95
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In 'Suspended Conversations' Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Rather than isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she demonstrates that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
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In 'Suspended Conversations' Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Rather than isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she demonstrates that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
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Suspended conversations: the afterlife of memory in photographic albums, second edition
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In 'Suspended Conversations' Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Rather than isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she demonstrates that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness.
Suspended conversations: the afterlife of memory in photographic albums, second edition
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$49.95
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In 'Suspended Conversations' Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Rather than isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she demonstrates that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness.
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books
books
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July 2021
July 2021
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Theory of Photography
Theory of Photography
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$53.95
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From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910–1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto in Poland. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the(...)
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From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910–1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto in Poland. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the(...)
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Memory unearthed: the Lodz Ghetto photographs of Henryk Ross
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From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910–1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto in Poland. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. Memory Unearthed presents a selection of the nearly 3,000 surviving images—along with original prints and other archival material including curfew notices and newspapers—from the permanent collection at the Art Gallery of Ontario.
Memory unearthed: the Lodz Ghetto photographs of Henryk Ross
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From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910–1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto in Poland. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. Memory Unearthed presents a selection of the nearly 3,000 surviving images—along with original prints and other archival material including curfew notices and newspapers—from the permanent collection at the Art Gallery of Ontario.
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books
books
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March 2015
March 2015
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Photography monographs
Photography monographs
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books
books
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Savage / Nicolas Provost.
Savage / Nicolas Provost.
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48 unnumbered pages of plates : color illustrations ; 30 cm.
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48 unnumbered pages of plates : color illustrations ; 30 cm.
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[Ghent] : Grafische Cel, LUCA School of Arts, [2021].
[Ghent] : Grafische Cel, LUCA School of Arts, [2021].
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Savage / Nicolas Provost.
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48 unnumbered pages of plates : color illustrations ; 30 cm.
Savage / Nicolas Provost.
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48 unnumbered pages of plates : color illustrations ; 30 cm.
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books
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[Ghent] : Grafische Cel, LUCA School of Arts, [2021].
[Ghent] : Grafische Cel, LUCA School of Arts, [2021].
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$56.00
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture.(...)
$56.00
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture.(...)
Title:
Building after Auschwitz: Jewish architecture and the memory of the Holocaust
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this new Jewish architecture. Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.
Building after Auschwitz: Jewish architecture and the memory of the Holocaust
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$56.00
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this new Jewish architecture. Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.
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books
books
Publication:
October 2011
October 2011
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Mykola Ridnyi.
Mykola Ridnyi.
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1 online resource
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[Place of publication not identified] : Secession ; Verlag der Buchhandlung Walther und Franz König, 2023.
[Place of publication not identified] : Secession ; Verlag der Buchhandlung Walther und Franz König, 2023.
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books
books
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[Place of publication not identified] : Secession ; Verlag der Buchhandlung Walther und Franz König, 2023.
[Place of publication not identified] : Secession ; Verlag der Buchhandlung Walther und Franz König, 2023.
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$67.95
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Munich, notorious in recent history as the capital of the Nazi movement, is the site of Gavriel Rosenfeld's inquiry into the German collective memory of the Third Reich. Rosenfeld shows, with how the city's urban form developed after 1945 in direct reflection of its inhabitants'(...)
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Munich, notorious in recent history as the capital of the Nazi movement, is the site of Gavriel Rosenfeld's inquiry into the German collective memory of the Third Reich. Rosenfeld shows, with how the city's urban form developed after 1945 in direct reflection of its inhabitants'(...)
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Munich and memory : architecture, monuments, and the legacy of the third Reich
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Munich, notorious in recent history as the capital of the Nazi movement, is the site of Gavriel Rosenfeld's inquiry into the German collective memory of the Third Reich. Rosenfeld shows, with how the city's urban form developed after 1945 in direct reflection of its inhabitants' evolving memory of the Second World War and the Nazi dictatorship. In the second half of the twentieth century, the German people's struggle to come to terms with the legacy of Nazism has dramatically shaped nearly all dimensions of their political, social, and cultural life. The area of urban development and the built environment, little explored until now, offers visible evidence of the struggle. By examining the ways in which the people of Munich reconstructed the ruins of their historic buildings, created new works of architecture, dealt with surviving Nazi buildings, and erected new monuments to commemorate the horrors of the recent past, Rosenfeld identifies a spectrum of competing memories of the Nazi experience. Examining the debates between traditionalists, modernists, postmodernists, and critical preservationists, Rosenfeld shows that the memory of Nazism in Munich has never been "repressed" but has rather been defined by constant dissension and evolution. On balance, however, he concludes that Munich came to embody in its urban form a conservative view of the past that was inclined to diminish local responsibility for the Third Reich.
Munich and memory : architecture, monuments, and the legacy of the third Reich
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$67.95
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Munich, notorious in recent history as the capital of the Nazi movement, is the site of Gavriel Rosenfeld's inquiry into the German collective memory of the Third Reich. Rosenfeld shows, with how the city's urban form developed after 1945 in direct reflection of its inhabitants' evolving memory of the Second World War and the Nazi dictatorship. In the second half of the twentieth century, the German people's struggle to come to terms with the legacy of Nazism has dramatically shaped nearly all dimensions of their political, social, and cultural life. The area of urban development and the built environment, little explored until now, offers visible evidence of the struggle. By examining the ways in which the people of Munich reconstructed the ruins of their historic buildings, created new works of architecture, dealt with surviving Nazi buildings, and erected new monuments to commemorate the horrors of the recent past, Rosenfeld identifies a spectrum of competing memories of the Nazi experience. Examining the debates between traditionalists, modernists, postmodernists, and critical preservationists, Rosenfeld shows that the memory of Nazism in Munich has never been "repressed" but has rather been defined by constant dissension and evolution. On balance, however, he concludes that Munich came to embody in its urban form a conservative view of the past that was inclined to diminish local responsibility for the Third Reich.
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books
books
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April 2000, Berkeley
April 2000, Berkeley
Subject:
Urban Theory
Urban Theory
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books
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1 online resource.
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[Place of publication not identified] : Ethereum Foundation, 2024.
[Place of publication not identified] : Ethereum Foundation, 2024.
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books
books
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[Place of publication not identified] : Ethereum Foundation, 2024.
[Place of publication not identified] : Ethereum Foundation, 2024.
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