7154 Results
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
People:
Date:
1949-1956
1949-1956
Title:
Tweede Vrijzinnig Christselijk Lyceum (Second Liberal Christian Lyceum), The Hague, Netherlands (1949-1956)
Actions:
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
Tweede Vrijzinnig Christselijk Lyceum (Second Liberal Christian Lyceum), The Hague, Netherlands (1949-1956)
Actions:
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
Level of archival description:
project
project
Date:
1949-1956
1949-1956
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
People:
Date:
1952-1960
1952-1960
Title:
Bio Convalescent Centre for Children, Arnheim, Netherlands (1952-1960)
Actions:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
Bio Convalescent Centre for Children, Arnheim, Netherlands (1952-1960)
Actions:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
Level of archival description:
project
project
Date:
1952-1960
1952-1960
People:
Level of archival description:
Project
Project
Reference number:
CI005.S1.1946.PR1
Description:
In order to better coordinate numerous war memorial committees, the Dutch national government instituted a Central Commission for War and Peace Memorials. The commission initiated a national monument project in 1946 with the direction of J. Henrick Muller, who chose Dam Square, Amsterdam, for its site. The existing plan drew on an existing municipal Amsterdam memorial. Sculptor John Raedecker designed a sculpture group supported by an obelisk and Oud was enlisted by Raedecker to create the memorial's spatial design for the sculptures and urns. Oud chose the memorial site opposite the palace in Dam Square. Despite pressure to change the site position, the committee submitted Oud's design and it was approved in 1950. The sculptures and monument were completed in 1956 with an opening ceremony held in May (Taverne et al. 2001, 457-460). Project series includes partial sections and plans showing sculptures by Raedecker.
CI005.S1.1946.PR1
Description:
In order to better coordinate numerous war memorial committees, the Dutch national government instituted a Central Commission for War and Peace Memorials. The commission initiated a national monument project in 1946 with the direction of J. Henrick Muller, who chose Dam Square, Amsterdam, for its site. The existing plan drew on an existing municipal Amsterdam memorial. Sculptor John Raedecker designed a sculpture group supported by an obelisk and Oud was enlisted by Raedecker to create the memorial's spatial design for the sculptures and urns. Oud chose the memorial site opposite the palace in Dam Square. Despite pressure to change the site position, the committee submitted Oud's design and it was approved in 1950. The sculptures and monument were completed in 1956 with an opening ceremony held in May (Taverne et al. 2001, 457-460). Project series includes partial sections and plans showing sculptures by Raedecker.
People:
Date:
1946-1956
1946-1956
Title:
National Monument, Dam Square, Amsterdam, Netherlands (1946-1956)
Actions:
CI005.S1.1946.PR1
Description:
In order to better coordinate numerous war memorial committees, the Dutch national government instituted a Central Commission for War and Peace Memorials. The commission initiated a national monument project in 1946 with the direction of J. Henrick Muller, who chose Dam Square, Amsterdam, for its site. The existing plan drew on an existing municipal Amsterdam memorial. Sculptor John Raedecker designed a sculpture group supported by an obelisk and Oud was enlisted by Raedecker to create the memorial's spatial design for the sculptures and urns. Oud chose the memorial site opposite the palace in Dam Square. Despite pressure to change the site position, the committee submitted Oud's design and it was approved in 1950. The sculptures and monument were completed in 1956 with an opening ceremony held in May (Taverne et al. 2001, 457-460). Project series includes partial sections and plans showing sculptures by Raedecker.
National Monument, Dam Square, Amsterdam, Netherlands (1946-1956)
Actions:
CI005.S1.1946.PR1
Description:
In order to better coordinate numerous war memorial committees, the Dutch national government instituted a Central Commission for War and Peace Memorials. The commission initiated a national monument project in 1946 with the direction of J. Henrick Muller, who chose Dam Square, Amsterdam, for its site. The existing plan drew on an existing municipal Amsterdam memorial. Sculptor John Raedecker designed a sculpture group supported by an obelisk and Oud was enlisted by Raedecker to create the memorial's spatial design for the sculptures and urns. Oud chose the memorial site opposite the palace in Dam Square. Despite pressure to change the site position, the committee submitted Oud's design and it was approved in 1950. The sculptures and monument were completed in 1956 with an opening ceremony held in May (Taverne et al. 2001, 457-460). Project series includes partial sections and plans showing sculptures by Raedecker.
Level of archival description:
project
project
Date:
1946-1956
1946-1956
People:
Form:
maps, drawings, textual records
maps, drawings, textual records
Title:
RIBA, ARCUK, UKAAA
RIBA, ARCUK, UKAAA
Reference number:
DR2006:0104
Description:
notes, correspondence, promotional materials, a trade catalogue, a brochure, clippings, maps, drawings, an invitation, a publication of the UKAAA (United Kingdom Architects Against Apartheid), minutes, statements and other UKAAA materials, drafts for lightbox texts for the RIBA President's Medals for Architectural Education (2001), a folder, minutes and other documents relating to the RIBA collection and the British Architecture Library, a report titled 'London in the 1990s: Planning and Design', and a handbill titled 'Campaign for Architects'
DR2006:0104
Description:
notes, correspondence, promotional materials, a trade catalogue, a brochure, clippings, maps, drawings, an invitation, a publication of the UKAAA (United Kingdom Architects Against Apartheid), minutes, statements and other UKAAA materials, drafts for lightbox texts for the RIBA President's Medals for Architectural Education (2001), a folder, minutes and other documents relating to the RIBA collection and the British Architecture Library, a report titled 'London in the 1990s: Planning and Design', and a handbill titled 'Campaign for Architects'
People:
Date:
1986-1992, 1998, 2001
1986-1992, 1998, 2001
Title:
RIBA, ARCUK, UKAAA
Actions:
DR2006:0104
Description:
notes, correspondence, promotional materials, a trade catalogue, a brochure, clippings, maps, drawings, an invitation, a publication of the UKAAA (United Kingdom Architects Against Apartheid), minutes, statements and other UKAAA materials, drafts for lightbox texts for the RIBA President's Medals for Architectural Education (2001), a folder, minutes and other documents relating to the RIBA collection and the British Architecture Library, a report titled 'London in the 1990s: Planning and Design', and a handbill titled 'Campaign for Architects'
RIBA, ARCUK, UKAAA
Actions:
DR2006:0104
Description:
notes, correspondence, promotional materials, a trade catalogue, a brochure, clippings, maps, drawings, an invitation, a publication of the UKAAA (United Kingdom Architects Against Apartheid), minutes, statements and other UKAAA materials, drafts for lightbox texts for the RIBA President's Medals for Architectural Education (2001), a folder, minutes and other documents relating to the RIBA collection and the British Architecture Library, a report titled 'London in the 1990s: Planning and Design', and a handbill titled 'Campaign for Architects'
Form:
maps, drawings, textual records
maps, drawings, textual records
Date:
1986-1992, 1998, 2001
1986-1992, 1998, 2001
People:
Level of archival description:
Series
Series
Title:
Weaver software
Weaver software
Actions:
Reference number:
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
People:
Date:
ca. 2001-2004
ca. 2001-2004
Title:
Weaver software
Actions:
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
Weaver software
Actions:
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
Level of archival description:
Series
Series
Date:
ca. 2001-2004
ca. 2001-2004
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1995.PR05
Description:
This project series documents the Pavilions Condominiums, later referred to as the H2O Condominiums, in Toronto from 1995-1999. The office identified the project number as 9505. This project consisted of the design of four large condo buildings located on the shoreline of Lake Ontario at 500 Queens Quay West. The first two buildings, with an exterior of concrete, red brick and glass, were completed and occupied in the spring of 1999. The two eleven-storey towers were connected in a U-shape by a smaller building, creating a courtyard at their centre. Two more towers were scheduled for completion in 2001, but they were never built. The project is recorded through drawings dating from 1995-1997. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and details. There are also some reprographic copies of watercolour paintings in the materials.
AP056.S1.1995.PR05
Description:
This project series documents the Pavilions Condominiums, later referred to as the H2O Condominiums, in Toronto from 1995-1999. The office identified the project number as 9505. This project consisted of the design of four large condo buildings located on the shoreline of Lake Ontario at 500 Queens Quay West. The first two buildings, with an exterior of concrete, red brick and glass, were completed and occupied in the spring of 1999. The two eleven-storey towers were connected in a U-shape by a smaller building, creating a courtyard at their centre. Two more towers were scheduled for completion in 2001, but they were never built. The project is recorded through drawings dating from 1995-1997. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and details. There are also some reprographic copies of watercolour paintings in the materials.
People:
Date:
1995-1997
1995-1997
Title:
The Pavilions Condominiums, Toronto (1995-1999)
Actions:
AP056.S1.1995.PR05
Description:
This project series documents the Pavilions Condominiums, later referred to as the H2O Condominiums, in Toronto from 1995-1999. The office identified the project number as 9505. This project consisted of the design of four large condo buildings located on the shoreline of Lake Ontario at 500 Queens Quay West. The first two buildings, with an exterior of concrete, red brick and glass, were completed and occupied in the spring of 1999. The two eleven-storey towers were connected in a U-shape by a smaller building, creating a courtyard at their centre. Two more towers were scheduled for completion in 2001, but they were never built. The project is recorded through drawings dating from 1995-1997. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and details. There are also some reprographic copies of watercolour paintings in the materials.
The Pavilions Condominiums, Toronto (1995-1999)
Actions:
AP056.S1.1995.PR05
Description:
This project series documents the Pavilions Condominiums, later referred to as the H2O Condominiums, in Toronto from 1995-1999. The office identified the project number as 9505. This project consisted of the design of four large condo buildings located on the shoreline of Lake Ontario at 500 Queens Quay West. The first two buildings, with an exterior of concrete, red brick and glass, were completed and occupied in the spring of 1999. The two eleven-storey towers were connected in a U-shape by a smaller building, creating a courtyard at their centre. Two more towers were scheduled for completion in 2001, but they were never built. The project is recorded through drawings dating from 1995-1997. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and details. There are also some reprographic copies of watercolour paintings in the materials.
Level of archival description:
Project
Project
Date:
1995-1997
1995-1997
People:
Quantity:
15 videocassette(s)
15 videocassette(s)
Title:
Videocassettes
Videocassettes
Actions:
Reference number:
AP140.S2.SS7.D3.P13
Description:
videocassettes, including 'Seventh Praemium Imperial'; 'J.S. Memorial Video (B.B.C.)'; The Second Praemium Imperiale: Awards Ceremony', dated 1990; Praemium Imperiale Laureates Profiles 2001'; Praemium Imperiale Laureates Profiles 2003'; 'Sir James Stirling Memorial Celebration', dated 1992; 'Building Sights: Series Two, Katharine Stephen Room, Newnham College, Cambridge, Presenter James Stirling, Director Geoff Dunlop', dated 1989; 'Thema: "Stirling"', Hessischer Rundfunk, dated 1992; 'Stirling in Stuttgart', dated 1992; 'RIBA Building of the Year, Centenary Building, University of Salford', dated 1996
AP140.S2.SS7.D3.P13
Description:
videocassettes, including 'Seventh Praemium Imperial'; 'J.S. Memorial Video (B.B.C.)'; The Second Praemium Imperiale: Awards Ceremony', dated 1990; Praemium Imperiale Laureates Profiles 2001'; Praemium Imperiale Laureates Profiles 2003'; 'Sir James Stirling Memorial Celebration', dated 1992; 'Building Sights: Series Two, Katharine Stephen Room, Newnham College, Cambridge, Presenter James Stirling, Director Geoff Dunlop', dated 1989; 'Thema: "Stirling"', Hessischer Rundfunk, dated 1992; 'Stirling in Stuttgart', dated 1992; 'RIBA Building of the Year, Centenary Building, University of Salford', dated 1996
People:
Title:
Videocassettes
Actions:
AP140.S2.SS7.D3.P13
Description:
videocassettes, including 'Seventh Praemium Imperial'; 'J.S. Memorial Video (B.B.C.)'; The Second Praemium Imperiale: Awards Ceremony', dated 1990; Praemium Imperiale Laureates Profiles 2001'; Praemium Imperiale Laureates Profiles 2003'; 'Sir James Stirling Memorial Celebration', dated 1992; 'Building Sights: Series Two, Katharine Stephen Room, Newnham College, Cambridge, Presenter James Stirling, Director Geoff Dunlop', dated 1989; 'Thema: "Stirling"', Hessischer Rundfunk, dated 1992; 'Stirling in Stuttgart', dated 1992; 'RIBA Building of the Year, Centenary Building, University of Salford', dated 1996
Videocassettes
Actions:
AP140.S2.SS7.D3.P13
Description:
videocassettes, including 'Seventh Praemium Imperial'; 'J.S. Memorial Video (B.B.C.)'; The Second Praemium Imperiale: Awards Ceremony', dated 1990; Praemium Imperiale Laureates Profiles 2001'; Praemium Imperiale Laureates Profiles 2003'; 'Sir James Stirling Memorial Celebration', dated 1992; 'Building Sights: Series Two, Katharine Stephen Room, Newnham College, Cambridge, Presenter James Stirling, Director Geoff Dunlop', dated 1989; 'Thema: "Stirling"', Hessischer Rundfunk, dated 1992; 'Stirling in Stuttgart', dated 1992; 'RIBA Building of the Year, Centenary Building, University of Salford', dated 1996
Quantity:
15 videocassette(s)
15 videocassette(s)
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre du Prey fonds
Pierre du Prey fonds
Actions:
Reference number:
AP133
Synopsis:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
AP133
Synopsis:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
People:
Date:
1967-2019
1967-2019
Title:
Pierre du Prey fonds
Actions:
AP133
Synopsis:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
Pierre du Prey fonds
Actions:
AP133
Synopsis:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1967-2019
1967-2019
People:
Level of archival description:
Series
Series
Reference number:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
People:
Date:
1998-2002
1998-2002
Title:
Karl: An Architectural Narrative (2000-2002)
Actions:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
Karl: An Architectural Narrative (2000-2002)
Actions:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
Level of archival description:
Series
Series
Date:
1998-2002
1998-2002
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1949.PR3
Description:
The Netherlands Congress Centre owed its genesis to architect-town planner, W.M. Dudok, who suggested creating a cultural centre for international conferences. In 1956 an ad hoc committee proposed the creation of a congress centre and invited Oud, in 1956, to design a centre that would incorporate a 3000 seat conference hall as well as other rooms for functions and events. Oud created a detailed design in 1958 that featured a seventeen-storey tower with hotel rooms. Oud amended his plans somewhat, creating an oval-shaped conference hall. In 1960 Oud further revised his design to reduce the main hall seating to 1500, and also designated it for use of theatrical events. Oud died in 1963 before the completion of construction. He was replaced by his son, Hans Oud, until the congress centre was erected in 1969 (Taverne et al. 2001, 544-546). Project series includes plans for the Congress Hall Complex.
CI005.S1.1949.PR3
Description:
The Netherlands Congress Centre owed its genesis to architect-town planner, W.M. Dudok, who suggested creating a cultural centre for international conferences. In 1956 an ad hoc committee proposed the creation of a congress centre and invited Oud, in 1956, to design a centre that would incorporate a 3000 seat conference hall as well as other rooms for functions and events. Oud created a detailed design in 1958 that featured a seventeen-storey tower with hotel rooms. Oud amended his plans somewhat, creating an oval-shaped conference hall. In 1960 Oud further revised his design to reduce the main hall seating to 1500, and also designated it for use of theatrical events. Oud died in 1963 before the completion of construction. He was replaced by his son, Hans Oud, until the congress centre was erected in 1969 (Taverne et al. 2001, 544-546). Project series includes plans for the Congress Hall Complex.
People:
Date:
1949-1959
1949-1959
Title:
Main and Service Buildings for the Dutch Reformed Church, The Hague, Netherlands (1949-1959)
Actions:
CI005.S1.1949.PR3
Description:
The Netherlands Congress Centre owed its genesis to architect-town planner, W.M. Dudok, who suggested creating a cultural centre for international conferences. In 1956 an ad hoc committee proposed the creation of a congress centre and invited Oud, in 1956, to design a centre that would incorporate a 3000 seat conference hall as well as other rooms for functions and events. Oud created a detailed design in 1958 that featured a seventeen-storey tower with hotel rooms. Oud amended his plans somewhat, creating an oval-shaped conference hall. In 1960 Oud further revised his design to reduce the main hall seating to 1500, and also designated it for use of theatrical events. Oud died in 1963 before the completion of construction. He was replaced by his son, Hans Oud, until the congress centre was erected in 1969 (Taverne et al. 2001, 544-546). Project series includes plans for the Congress Hall Complex.
Main and Service Buildings for the Dutch Reformed Church, The Hague, Netherlands (1949-1959)
Actions:
CI005.S1.1949.PR3
Description:
The Netherlands Congress Centre owed its genesis to architect-town planner, W.M. Dudok, who suggested creating a cultural centre for international conferences. In 1956 an ad hoc committee proposed the creation of a congress centre and invited Oud, in 1956, to design a centre that would incorporate a 3000 seat conference hall as well as other rooms for functions and events. Oud created a detailed design in 1958 that featured a seventeen-storey tower with hotel rooms. Oud amended his plans somewhat, creating an oval-shaped conference hall. In 1960 Oud further revised his design to reduce the main hall seating to 1500, and also designated it for use of theatrical events. Oud died in 1963 before the completion of construction. He was replaced by his son, Hans Oud, until the congress centre was erected in 1969 (Taverne et al. 2001, 544-546). Project series includes plans for the Congress Hall Complex.
Level of archival description:
project
project
Date:
1949-1959
1949-1959
People:
