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Le présent ouvrage, qui a pour objet central l’étude du Plan général de reconstruction de Moscou de 1935, propose de nuancer l’histoire urbaine soviétique écrite à travers l’unique prisme de la verticalité du pouvoir. Il met en évidence les nombreuses permanences, matérielles, idéelles et humaines, ainsi que les approches pragmatiques du projet de la part des décideurs,(...)
Le prolétariat ne se promène pas nu
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Le présent ouvrage, qui a pour objet central l’étude du Plan général de reconstruction de Moscou de 1935, propose de nuancer l’histoire urbaine soviétique écrite à travers l’unique prisme de la verticalité du pouvoir. Il met en évidence les nombreuses permanences, matérielles, idéelles et humaines, ainsi que les approches pragmatiques du projet de la part des décideurs, en premier lieu Staline et Kaganovitch. Servie par une riche iconographie, cette analyse, au-delà du cas moscovite, met en lumière comment les architectes et les urbanistes se positionnent, créent et innovent, dans et malgré un contexte de contrôle absolu.
Modernism
Modern architecture in Japan
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Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published "L’architettura moderna" in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzo Tange by one of the most(...)
Modern architecture in Japan
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Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published "L’architettura moderna" in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzo Tange by one of the most astute critics of the second part of the twentieth century. Tafuri’s ideas about Japanese architecture were primarily formed through texts, including magazine articles and contemporary photographs. How did Tafuri come to select the achievements of Japanese architects as the focus of his reflections on modern architecture? What happens when a historian of architecture relies purely on photographs for making judgments about a building? Edited and introduced by Mohsen Mostafavi, this volume reflects on these questions, and more, and includes a rich collection of images.
Modernism
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally(...)
Moscow monumental: Soviet skyscrapers and urban life in stalin's capital
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital. It tells a story that is both local and broadly transnational, taking readers from the streets of interwar Moscow and New York to the marble-clad halls of the bombastic postwar structures that continue to define the Russian capital today.
Modernism
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Latin American Modern Architectures has thirteen new essays from a range of distinguished architectural historians to help you understand the region's rich and varied architecture. It will also introduce you to major projects that haven't been written about in English. A foreword by historian Kenneth Frampton sets the stage for essays on well-known architects, such as(...)
Latin American modern architectures: ambiguous territories
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Latin American Modern Architectures has thirteen new essays from a range of distinguished architectural historians to help you understand the region's rich and varied architecture. It will also introduce you to major projects that haven't been written about in English. A foreword by historian Kenneth Frampton sets the stage for essays on well-known architects, such as Luis Barragan and Felix Candela, which will show you unfamiliar aspects of their work, and for essays on the work of little-known architects, such as Lucio Costa and Joaquim Cardozo, which will spark your creativity. This book is a source for historical and critical essays on a sampling of Latin America's diverse architecture, providing much-needed information on key case studies.
Modernism
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the(...)
Twentieth-century architecture and modernity: our past, our present
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the destinies of "modernity" to the theories of the Modern Movement, hoping for them to be overcome, the book deals with the theme of a continuity with the present by recovering those "open visions" that characterized "modernity" at the end of the 19th century.
Modernism
Detroit modern 1935-1985
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Visitors to Detroit may not realize what residents of the Motor City have known for decades: metropolitan Detroit is a stunning showcase of mid-century modern houses. Endowed with old growth trees, rolling topography and miles of lakefront, the Detroit area inspired talented architects and their progressive clients to create uniquely beautiful residences that were(...)
Detroit modern 1935-1985
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Visitors to Detroit may not realize what residents of the Motor City have known for decades: metropolitan Detroit is a stunning showcase of mid-century modern houses. Endowed with old growth trees, rolling topography and miles of lakefront, the Detroit area inspired talented architects and their progressive clients to create uniquely beautiful residences that were seamlessly integrated with lush natural surroundings. Detroit landscape designer and contractor Peter Forguson has shaped and maintained the grounds of many of these structures. This book comprises a comprehensive list he has compiled of the best examples. With nearly 500 photographs on pages designed by Marla Meltzer, Forguson leads readers on a memorable tour of 70 masterpieces of mid-century residential architecture that brings to life the shared visions of architects and clients.
Modernism
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La première décennie du XXe siècle a été marquée dans toute l’Europe par les jeunes, avec la force et la joie. Dans ce contexte, l’idée de renouvellement prônée par Bauhaus passait par la spiritualité, la sexualité libérée, la présence des femmes, l’anticapitalisme et le partage. La destruction du passé n’exigeait pas l’usage de la force ou des armes, mais s’exerçait à(...)
Bauhaus : l'idée qui a changé le monde
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La première décennie du XXe siècle a été marquée dans toute l’Europe par les jeunes, avec la force et la joie. Dans ce contexte, l’idée de renouvellement prônée par Bauhaus passait par la spiritualité, la sexualité libérée, la présence des femmes, l’anticapitalisme et le partage. La destruction du passé n’exigeait pas l’usage de la force ou des armes, mais s’exerçait à travers la liberté des individus. Cela, parmi tous les enseignements de cette école, devrait nous amener aujourd’hui, un siècle après la fondation du Bauhaus, à tenir compte de cette vérité.
Modernism
Bauhaus: a conceptual model
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless(...)
Bauhaus: a conceptual model
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless masterpieces in many genres. This comprehensive volume takes stock of the Bauhaus' output by highlighting 68 projects, with a particular focus on neglected aspects of the school's legacy. Also featured are essays by the Director of the Bauhaus-Museum in Weimar, Michael Siebenbrodt, and the artist and writer, Jeff Wall.
Modernism
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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an(...)
Bauhaus 1919-1933: workshops for modernity
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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an extraordinary conversation on the nature of art in the industrial age. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany, this book examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany.
Modernism
Bauhaus conflicts 1919-2009
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From its founding in 1919, the function and identity of the Bauhaus was mobilized by warring factions, as it passed through the guiding hands of its three directors (the apolitical Walter Gropius, the Communist Hannes Meyer and the progressive Mies van der Rohe). Even beyond the well-known controversies that arose between colleagues during the heroic Bauhaus years, the(...)
Bauhaus conflicts 1919-2009
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From its founding in 1919, the function and identity of the Bauhaus was mobilized by warring factions, as it passed through the guiding hands of its three directors (the apolitical Walter Gropius, the Communist Hannes Meyer and the progressive Mies van der Rohe). Even beyond the well-known controversies that arose between colleagues during the heroic Bauhaus years, the reception and legacy of the various Modernist icons associated with the Bauhaus led to dispute: Socialists, Communists, Nazis, Stalinists, Capitalists, Cold Warriors, student revolutionaries in the 1960s and later dissidents, all have created their own image of the Bauhaus. The Bauhaus Debate 1919-2009 examines the critical reception of the legendary school, its teachers, students and pedagogical philosophy and the battles over its legacy that continue to this day.
Modernism