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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated(...)
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated(...)
Title:
Art and the early photographic album
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated travel guides and archaeological reports. While such albums have often been valued for documentary purposes, their broader role in the institutional development of art has, until now, been overlooked. The first book on the subject, this collection of twelve essays explores topics such as how the acclaim of artists like Rubens grew because their paintings reproduced so well in photographs, how Michelangelo's Sistine Chapel frescoes were given a new public identity by the photographer's choice of striking details never explored in traditional prints, and other important ways in which photographically illustrated publications influenced the experience and the history of art.
Art and the early photographic album
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated travel guides and archaeological reports. While such albums have often been valued for documentary purposes, their broader role in the institutional development of art has, until now, been overlooked. The first book on the subject, this collection of twelve essays explores topics such as how the acclaim of artists like Rubens grew because their paintings reproduced so well in photographs, how Michelangelo's Sistine Chapel frescoes were given a new public identity by the photographer's choice of striking details never explored in traditional prints, and other important ways in which photographically illustrated publications influenced the experience and the history of art.
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books
books
Publication:
April 2011
April 2011
Subject:
Photography Collections
Photography Collections
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books
books
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$99.95
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the(...)
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the(...)
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Morphosis
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the early 1980's. This book is comprised of bold, documentary-style colour photographs of thirty-five completed buildings presented in an almost cinematic layout, and publishes for the first time together all of Morphosis's completed work, from the early residential and restaurant projects in Los Angeles to the most recent large-scale work beyond California and the United States in Canada, Taiwan, Korea, Japan and Austria. Thom Mayne founded Morphosis in 1972 in partnership with Michael Rotondi, who now has his own firm. Over the past twenty years, Mayne's academic posts have included teaching positions at Columbia University, Harvard University, Yale University, the Berlage Institute in the Netherlands and the Bartlett School of Architecture in London.
Morphosis
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the early 1980's. This book is comprised of bold, documentary-style colour photographs of thirty-five completed buildings presented in an almost cinematic layout, and publishes for the first time together all of Morphosis's completed work, from the early residential and restaurant projects in Los Angeles to the most recent large-scale work beyond California and the United States in Canada, Taiwan, Korea, Japan and Austria. Thom Mayne founded Morphosis in 1972 in partnership with Michael Rotondi, who now has his own firm. Over the past twenty years, Mayne's academic posts have included teaching positions at Columbia University, Harvard University, Yale University, the Berlage Institute in the Netherlands and the Bartlett School of Architecture in London.
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books
books
Publication:
April 2003, London
April 2003, London
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$56.50
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In this illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town(...)
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In this illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town(...)
Subject:
History until 1900, North America
History until 1900, North America
Publication:
November 2005, Chapel Hill, North Carolina
November 2005, Chapel Hill, North Carolina
Title:
Town house : architecture and material life in the early american city, 1780-1830
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In this illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town houses contained and signified different aspects of city life, argues Herman. Taking a material culture approach, Herman examines urban domestic buildings from Charleston, South Carolina, to Portsmouth, New Hampshire, as well as those in English cities and towns, to better understand why people built the houses they did and how their homes informed everyday city life. Working with buildings and documentary sources as diverse as court cases and recipes, Herman interprets town houses as lived experience. Chapters consider an array of domestic spaces, including the merchant family's house, the servant's quarter, and the widow's dower. Herman demonstrates that city houses served as sites of power as well as complex and often conflicted artifacts mapping the everyday negotiations of social identity and the display of sociability.
Town house : architecture and material life in the early american city, 1780-1830
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$56.50
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In this illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town houses contained and signified different aspects of city life, argues Herman. Taking a material culture approach, Herman examines urban domestic buildings from Charleston, South Carolina, to Portsmouth, New Hampshire, as well as those in English cities and towns, to better understand why people built the houses they did and how their homes informed everyday city life. Working with buildings and documentary sources as diverse as court cases and recipes, Herman interprets town houses as lived experience. Chapters consider an array of domestic spaces, including the merchant family's house, the servant's quarter, and the widow's dower. Herman demonstrates that city houses served as sites of power as well as complex and often conflicted artifacts mapping the everyday negotiations of social identity and the display of sociability.
Form:
books
books
Publication:
November 2005, Chapel Hill, North Carolina
November 2005, Chapel Hill, North Carolina
Subject:
History until 1900, North America
History until 1900, North America
Form:
books
books
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$102.00
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Since the late 1970s, Canadian photographer Jeff Wall has made significant contributions to establishing photography as an autonomous medium. He is considered the founder of "staged" photography and generates mostly large-format photographs—often inspired by literature, film and art history—composed in a multilayered and subtle way from a multitude of individual shots.(...)
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Since the late 1970s, Canadian photographer Jeff Wall has made significant contributions to establishing photography as an autonomous medium. He is considered the founder of "staged" photography and generates mostly large-format photographs—often inspired by literature, film and art history—composed in a multilayered and subtle way from a multitude of individual shots.(...)
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Jeff Wall
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Since the late 1970s, Canadian photographer Jeff Wall has made significant contributions to establishing photography as an autonomous medium. He is considered the founder of "staged" photography and generates mostly large-format photographs—often inspired by literature, film and art history—composed in a multilayered and subtle way from a multitude of individual shots. Wall makes a distinction between his documentary still life photos and his "cinematographic" pictures, the latter of which take months or even years to complete. His contemporary genre scenes invoke famous works by Hokusai, Manet, Kafka, Ellison and others.Among the more than 50 works collected in the catalog of the large-scale solo exhibition at the Fondation Beyeler are Wall’s iconic large-format slides in light boxes, black-and-white photographs and color photographic prints. His most recent images, representing the entire spectrum of his oeuvre, enter into a dialogue with works from the time of Wall’s beginnings as an artist and reveal a wide range of references in terms of content and form.
Jeff Wall
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$102.00
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Since the late 1970s, Canadian photographer Jeff Wall has made significant contributions to establishing photography as an autonomous medium. He is considered the founder of "staged" photography and generates mostly large-format photographs—often inspired by literature, film and art history—composed in a multilayered and subtle way from a multitude of individual shots. Wall makes a distinction between his documentary still life photos and his "cinematographic" pictures, the latter of which take months or even years to complete. His contemporary genre scenes invoke famous works by Hokusai, Manet, Kafka, Ellison and others.Among the more than 50 works collected in the catalog of the large-scale solo exhibition at the Fondation Beyeler are Wall’s iconic large-format slides in light boxes, black-and-white photographs and color photographic prints. His most recent images, representing the entire spectrum of his oeuvre, enter into a dialogue with works from the time of Wall’s beginnings as an artist and reveal a wide range of references in terms of content and form.
Form:
books
books
Publication:
April 2024
April 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$49.95
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Summary:
“How are we to live in a way that is healthy and economical?” One answer to this question was provided by Ernst Jahn’s film of the same name Wie wohnen wir gesund und wirtschaftlich? (1926–28), which showed the kitchen in the Gropius House complete with all the latest domestic appliances it was equipped with. The Dessau Masters’ Houses were not only showcases of “new(...)
$49.95
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Summary:
“How are we to live in a way that is healthy and economical?” One answer to this question was provided by Ernst Jahn’s film of the same name Wie wohnen wir gesund und wirtschaftlich? (1926–28), which showed the kitchen in the Gropius House complete with all the latest domestic appliances it was equipped with. The Dessau Masters’ Houses were not only showcases of “new(...)
Title:
In reserve: the household. Historic models and contemporary positions from the Bauhaus
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“How are we to live in a way that is healthy and economical?” One answer to this question was provided by Ernst Jahn’s film of the same name Wie wohnen wir gesund und wirtschaftlich? (1926–28), which showed the kitchen in the Gropius House complete with all the latest domestic appliances it was equipped with. The Dessau Masters’ Houses were not only showcases of “new living” (Neues Wohnen) but also places where modern methods of housekeeping could be demonstrated. The topical relevance of this question was discussed at the 2015 Haushaltsmesse, an international trade fair on the art of housekeeping and budgeting. The publication Housekeeping in the Modern Age, which takes a documentary approach to this subject, now brings together these different viewpoints eyeing the question through the prism of the problems we face today. In the face of climate change and dwindling resources, the externalized costs of running a modern household are back on the (kitchen) table. The book is a compilation of essays by anthropologists, economists, artists, architects, historians, and cultural studies experts and also contains historical documents and photographs.
In reserve: the household. Historic models and contemporary positions from the Bauhaus
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$49.95
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Summary:
“How are we to live in a way that is healthy and economical?” One answer to this question was provided by Ernst Jahn’s film of the same name Wie wohnen wir gesund und wirtschaftlich? (1926–28), which showed the kitchen in the Gropius House complete with all the latest domestic appliances it was equipped with. The Dessau Masters’ Houses were not only showcases of “new living” (Neues Wohnen) but also places where modern methods of housekeeping could be demonstrated. The topical relevance of this question was discussed at the 2015 Haushaltsmesse, an international trade fair on the art of housekeeping and budgeting. The publication Housekeeping in the Modern Age, which takes a documentary approach to this subject, now brings together these different viewpoints eyeing the question through the prism of the problems we face today. In the face of climate change and dwindling resources, the externalized costs of running a modern household are back on the (kitchen) table. The book is a compilation of essays by anthropologists, economists, artists, architects, historians, and cultural studies experts and also contains historical documents and photographs.
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Modernism
Modernism
Form:
books
books
Title:
Bay lexicon
Bay lexicon
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'Bay Lexicon', a field guide to San Francisco's shoreline, is a case study in establishing a working language for hybrid landscapes. Centred on a walk along the edge of the iconic San Francisco Bay, it documents, deciphers, and classifies the places and phenomena a person encounters - and the forces, histories, and interactions that underlie what is visible. In a unique(...)
$32.95
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'Bay Lexicon', a field guide to San Francisco's shoreline, is a case study in establishing a working language for hybrid landscapes. Centred on a walk along the edge of the iconic San Francisco Bay, it documents, deciphers, and classifies the places and phenomena a person encounters - and the forces, histories, and interactions that underlie what is visible. In a unique(...)
Title:
Bay lexicon
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'Bay Lexicon', a field guide to San Francisco's shoreline, is a case study in establishing a working language for hybrid landscapes. Centred on a walk along the edge of the iconic San Francisco Bay, it documents, deciphers, and classifies the places and phenomena a person encounters - and the forces, histories, and interactions that underlie what is visible. In a unique synthesis of text and drawing, Jane Wolff applies analytical and representational tools based in design and documentary work to findings from the fields of geography, environmental and cultural history, public policy, urban ecology, and landscape studies. As our cities face increasing pressure caused by climate change, we will need to reimagine them in terms that do justice to their complexity. This publications's methods for building landscape literacy are meant for translation, adaptation, and use far beyond San Francisco Bay. Through activist scholarship that cuts across disciplinary boundaries and levels of expertise, this book examines how the landscape at the water's edge works, documents its historical evolution, brings its citizens' values to light, and frames conversations about how and why it might change.
Bay lexicon
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$32.95
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'Bay Lexicon', a field guide to San Francisco's shoreline, is a case study in establishing a working language for hybrid landscapes. Centred on a walk along the edge of the iconic San Francisco Bay, it documents, deciphers, and classifies the places and phenomena a person encounters - and the forces, histories, and interactions that underlie what is visible. In a unique synthesis of text and drawing, Jane Wolff applies analytical and representational tools based in design and documentary work to findings from the fields of geography, environmental and cultural history, public policy, urban ecology, and landscape studies. As our cities face increasing pressure caused by climate change, we will need to reimagine them in terms that do justice to their complexity. This publications's methods for building landscape literacy are meant for translation, adaptation, and use far beyond San Francisco Bay. Through activist scholarship that cuts across disciplinary boundaries and levels of expertise, this book examines how the landscape at the water's edge works, documents its historical evolution, brings its citizens' values to light, and frames conversations about how and why it might change.
Form:
books
books
Publication:
August 2021
August 2021
Subject:
Landscape Theory
Landscape Theory
Form:
books
books
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$49.95
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Summary:
Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on(...)
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Summary:
Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
December 2021
December 2021
Title:
Keith Haring: 31 subway drawings
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Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on platforms and train cars. Over a five-year period, in an epic conquest of civic space, Haring produced a massive body of subway artwork that remains daunting in its scale and its impact on the public consciousness. Dedicated to the individuals who might encounter them and to the moments of their creation, Haring’s drawings now exist solely in the form of documentary photographs and legend. Because they were not meant to be permanent—only briefly inhabiting blacked-out advertising boards before being covered up by ads or torn down by authorities or admirers—what little remains of this project is uniquely fugitive. ''Keith Haring: 31 subway drawings'' reproduces archival materials relating to this magnificent project alongside essays by leading Haring experts.
Keith Haring: 31 subway drawings
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$49.95
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Summary:
Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on platforms and train cars. Over a five-year period, in an epic conquest of civic space, Haring produced a massive body of subway artwork that remains daunting in its scale and its impact on the public consciousness. Dedicated to the individuals who might encounter them and to the moments of their creation, Haring’s drawings now exist solely in the form of documentary photographs and legend. Because they were not meant to be permanent—only briefly inhabiting blacked-out advertising boards before being covered up by ads or torn down by authorities or admirers—what little remains of this project is uniquely fugitive. ''Keith Haring: 31 subway drawings'' reproduces archival materials relating to this magnificent project alongside essays by leading Haring experts.
Form:
books
books
Publication:
December 2021
December 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$74.95
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Summary:
Le point de départ de ce projet se situe dans la jungle de Calais, à la veille de l'évacuation du bidonville en 2016. Jean-Michel André a poursuivi ce travail photographique pendant trois ans, en France, en Italie, en Espagne et en Tunisie. Partout, il a rencontré des réfugiés qui cherchaient un abri. Des femmes, des enfants et des hommes réunis dans l'espoir de réaliser(...)
$74.95
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Le point de départ de ce projet se situe dans la jungle de Calais, à la veille de l'évacuation du bidonville en 2016. Jean-Michel André a poursuivi ce travail photographique pendant trois ans, en France, en Italie, en Espagne et en Tunisie. Partout, il a rencontré des réfugiés qui cherchaient un abri. Des femmes, des enfants et des hommes réunis dans l'espoir de réaliser(...)
Title:
Borders
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Le point de départ de ce projet se situe dans la jungle de Calais, à la veille de l'évacuation du bidonville en 2016. Jean-Michel André a poursuivi ce travail photographique pendant trois ans, en France, en Italie, en Espagne et en Tunisie. Partout, il a rencontré des réfugiés qui cherchaient un abri. Des femmes, des enfants et des hommes réunis dans l'espoir de réaliser la dernière traversée. Ce projet nous invite à un cheminement, celui de l'exil, de l'errance mais aussi de l'espérance et de la résistance. L'écriture de Jean-Michel André et de Wilfried N'Sondé questionne le rapport à l'autre et interroge les notions de frontière réelle et imaginaire. / A poetic photographic record of the European migrant crisis, between France, Italy, Spain and Tunisia. Bridging documentary photography and lyrical prose, this volume includes pictures by French photographer Jean-Michel André (born 1976) and French Congolese author Wilfried N’Sondé (born 1968), which together probe the tragedies of displacement and exile for migrants across the Mediterranean region today.
Borders
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Le point de départ de ce projet se situe dans la jungle de Calais, à la veille de l'évacuation du bidonville en 2016. Jean-Michel André a poursuivi ce travail photographique pendant trois ans, en France, en Italie, en Espagne et en Tunisie. Partout, il a rencontré des réfugiés qui cherchaient un abri. Des femmes, des enfants et des hommes réunis dans l'espoir de réaliser la dernière traversée. Ce projet nous invite à un cheminement, celui de l'exil, de l'errance mais aussi de l'espérance et de la résistance. L'écriture de Jean-Michel André et de Wilfried N'Sondé questionne le rapport à l'autre et interroge les notions de frontière réelle et imaginaire. / A poetic photographic record of the European migrant crisis, between France, Italy, Spain and Tunisia. Bridging documentary photography and lyrical prose, this volume includes pictures by French photographer Jean-Michel André (born 1976) and French Congolese author Wilfried N’Sondé (born 1968), which together probe the tragedies of displacement and exile for migrants across the Mediterranean region today.
Form:
books
books
Publication:
November 2021
November 2021
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Martin Parr: Beach therapy
Martin Parr: Beach therapy
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$62.00
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During his long career as a photographer, Martin Parr has always photographed beaches, particularly in the UK. The beach is more than just a common subject for Parr; he has often used the beach as a laboratory to experiment with new cameras and techniques. For example, when Parr switched from working with black-and-white film to medium-format color in the early 1980s, he(...)
$62.00
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Summary:
During his long career as a photographer, Martin Parr has always photographed beaches, particularly in the UK. The beach is more than just a common subject for Parr; he has often used the beach as a laboratory to experiment with new cameras and techniques. For example, when Parr switched from working with black-and-white film to medium-format color in the early 1980s, he(...)
Title:
Martin Parr: Beach therapy
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$62.00
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Summary:
During his long career as a photographer, Martin Parr has always photographed beaches, particularly in the UK. The beach is more than just a common subject for Parr; he has often used the beach as a laboratory to experiment with new cameras and techniques. For example, when Parr switched from working with black-and-white film to medium-format color in the early 1980s, he tested out his new approach on the beaches of New Brighton, a run-down seaside resort near Liverpool. In recent years Parr has started exploring the beach with the aid of a telephoto lens. This lens is rarely used in the world of art and documentary photography, and Parr has experimented to find new ways to use its unique visual qualities, for example by incorporating the vegetation on the perimeter with the beach as a backdrop, both in and out of focus. "Martin Parr: Beach Therapy" focuses on this new body of work, the latest in his long experimental engagement with beaches and their users.
Martin Parr: Beach therapy
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$62.00
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Summary:
During his long career as a photographer, Martin Parr has always photographed beaches, particularly in the UK. The beach is more than just a common subject for Parr; he has often used the beach as a laboratory to experiment with new cameras and techniques. For example, when Parr switched from working with black-and-white film to medium-format color in the early 1980s, he tested out his new approach on the beaches of New Brighton, a run-down seaside resort near Liverpool. In recent years Parr has started exploring the beach with the aid of a telephoto lens. This lens is rarely used in the world of art and documentary photography, and Parr has experimented to find new ways to use its unique visual qualities, for example by incorporating the vegetation on the perimeter with the beach as a backdrop, both in and out of focus. "Martin Parr: Beach Therapy" focuses on this new body of work, the latest in his long experimental engagement with beaches and their users.
Form:
books
books
Publication:
February 2019
February 2019
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$45.00
(available to order)
Summary:
Lafayette Park, a middle-class residential area in downtown Detroit, is home to the largest collection of buildings designed by Ludwig Mies van der Rohe in the world. Throughout the 1990s and 2000s, it remained one of Detroit's most racially integrated and economically stable neighborhoods, although it was surrounded by evidence of a city in financial distress. Through(...)
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Lafayette Park, a middle-class residential area in downtown Detroit, is home to the largest collection of buildings designed by Ludwig Mies van der Rohe in the world. Throughout the 1990s and 2000s, it remained one of Detroit's most racially integrated and economically stable neighborhoods, although it was surrounded by evidence of a city in financial distress. Through(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
February 2019
February 2019
Title:
Thanks for the view, Mr. Mies. Lafeyette Park, Detroit. Revised edition
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Lafayette Park, a middle-class residential area in downtown Detroit, is home to the largest collection of buildings designed by Ludwig Mies van der Rohe in the world. Throughout the 1990s and 2000s, it remained one of Detroit's most racially integrated and economically stable neighborhoods, although it was surrounded by evidence of a city in financial distress. Through interviews with and essays by residents, reproductions of archival material, new photographs by Karin Jobst, Vasco Roma and Corine Vermeulen, and previously unpublished photographs by documentary filmmaker Janine Debanné, 'Thanks for the View, Mr. Mies' examines the way that Lafayette Park residents confront and interact with this unique modernist environment. This book is a reaction against the way that iconic modernist architecture is often represented. Whereas other writers may focus on the design intentions of the architect, authors Aubert, Cavar and Chandani seek to show the organic and idiosyncratic ways in which the people who live in Lafayette Park actually use the architecture and how this experience, in turn, affects their everyday lives.
Thanks for the view, Mr. Mies. Lafeyette Park, Detroit. Revised edition
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$45.00
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Summary:
Lafayette Park, a middle-class residential area in downtown Detroit, is home to the largest collection of buildings designed by Ludwig Mies van der Rohe in the world. Throughout the 1990s and 2000s, it remained one of Detroit's most racially integrated and economically stable neighborhoods, although it was surrounded by evidence of a city in financial distress. Through interviews with and essays by residents, reproductions of archival material, new photographs by Karin Jobst, Vasco Roma and Corine Vermeulen, and previously unpublished photographs by documentary filmmaker Janine Debanné, 'Thanks for the View, Mr. Mies' examines the way that Lafayette Park residents confront and interact with this unique modernist environment. This book is a reaction against the way that iconic modernist architecture is often represented. Whereas other writers may focus on the design intentions of the architect, authors Aubert, Cavar and Chandani seek to show the organic and idiosyncratic ways in which the people who live in Lafayette Park actually use the architecture and how this experience, in turn, affects their everyday lives.
Form:
books
books
Publication:
February 2019
February 2019
Subject:
Architecture Monographs
Architecture Monographs
