16748 Results
Form:
journals and magazines
journals and magazines
Actions:
Reference number:
PH2008:0037:007
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 56.
PH2008:0037:007
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 56.
People:
Date:
March 2007
March 2007
Title:
dwell: At Home in the Modern World
Actions:
PH2008:0037:007
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 56.
dwell: At Home in the Modern World
Actions:
PH2008:0037:007
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 56.
Form:
journals and magazines
journals and magazines
Date:
March 2007
March 2007
People:
Form:
journals and magazines
journals and magazines
Title:
Culture & Travel
Culture & Travel
Actions:
Reference number:
PH2008:0037:013
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 14.
PH2008:0037:013
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 14.
People:
Date:
February-March 2007
February-March 2007
Title:
Culture & Travel
Actions:
PH2008:0037:013
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 14.
Culture & Travel
Actions:
PH2008:0037:013
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 14.
Form:
journals and magazines
journals and magazines
Date:
February-March 2007
February-March 2007
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
People:
Date:
1996-2009, predominant 1999
1996-2009, predominant 1999
Title:
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Level of archival description:
Project
Project
Date:
1996-2009, predominant 1999
1996-2009, predominant 1999
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:099:016
Description:
File containing documents in English (predominant) and French, including correspondence related to the Canadian Museum of Contemporary Photography's acquisition of the following six black-and-white photographs by Melvin Charney: - La maison de Rivière-des-Prairies, Québec; - Pichette nettoyeur, Trois-Rivières, Québec; - Garage, Eastman, Québec; - Grange, Sainte-Catherine de Hatley, Québec; - Scierie, Saint-Malo, Québec; - Hangars de chargement, La Prairie, Québec. Original folder inscribed in graphite: CANADIAN MUSEUM OF CONTEMP PHOTO / OTTAWA
DR2012:0012:099:016
Description:
File containing documents in English (predominant) and French, including correspondence related to the Canadian Museum of Contemporary Photography's acquisition of the following six black-and-white photographs by Melvin Charney: - La maison de Rivière-des-Prairies, Québec; - Pichette nettoyeur, Trois-Rivières, Québec; - Garage, Eastman, Québec; - Grange, Sainte-Catherine de Hatley, Québec; - Scierie, Saint-Malo, Québec; - Hangars de chargement, La Prairie, Québec. Original folder inscribed in graphite: CANADIAN MUSEUM OF CONTEMP PHOTO / OTTAWA
People:
Date:
2003-2004
2003-2004
Title:
Correspondence of Melvin Charney related to donation of artworks
Actions:
DR2012:0012:099:016
Description:
File containing documents in English (predominant) and French, including correspondence related to the Canadian Museum of Contemporary Photography's acquisition of the following six black-and-white photographs by Melvin Charney: - La maison de Rivière-des-Prairies, Québec; - Pichette nettoyeur, Trois-Rivières, Québec; - Garage, Eastman, Québec; - Grange, Sainte-Catherine de Hatley, Québec; - Scierie, Saint-Malo, Québec; - Hangars de chargement, La Prairie, Québec. Original folder inscribed in graphite: CANADIAN MUSEUM OF CONTEMP PHOTO / OTTAWA
Correspondence of Melvin Charney related to donation of artworks
Actions:
DR2012:0012:099:016
Description:
File containing documents in English (predominant) and French, including correspondence related to the Canadian Museum of Contemporary Photography's acquisition of the following six black-and-white photographs by Melvin Charney: - La maison de Rivière-des-Prairies, Québec; - Pichette nettoyeur, Trois-Rivières, Québec; - Garage, Eastman, Québec; - Grange, Sainte-Catherine de Hatley, Québec; - Scierie, Saint-Malo, Québec; - Hangars de chargement, La Prairie, Québec. Original folder inscribed in graphite: CANADIAN MUSEUM OF CONTEMP PHOTO / OTTAWA
Form:
textual records
textual records
Date:
2003-2004
2003-2004
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
People:
Subject:
landscape architecture
landscape architecture
Date:
1994-1995
1994-1995
Title:
Art and Design Canada 2000, Royal Canadian Academy of Arts, Toronto, Ontario (1994)
Actions:
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
Art and Design Canada 2000, Royal Canadian Academy of Arts, Toronto, Ontario (1994)
Actions:
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
Level of archival description:
Sub-series
Sub-series
Date:
1994-1995
1994-1995
People:
Subject:
landscape architecture
landscape architecture
Level of archival description:
Project
Project
Reference number:
AP178.S1.1982.PR04
Description:
This project series document the Centro Cultural de Sines in Sines, Portugal. While the records were held in the office’s archives this project was assigned the number 15/80. The office assigned the dates 1982-1985 to this project. The project was for the Sines Cultural Centre, which was divided into three buildings (A, B, and C). Building A included offices, an auditorium, meeting rooms and a bar, Building B held a museum, and Building C included a library on two floors. The project was not built. Documenting this project are sketches, studies, design development drawings and plans. Textual materials include project documentation and correspondence. Photographic materials document the models.
AP178.S1.1982.PR04
Description:
This project series document the Centro Cultural de Sines in Sines, Portugal. While the records were held in the office’s archives this project was assigned the number 15/80. The office assigned the dates 1982-1985 to this project. The project was for the Sines Cultural Centre, which was divided into three buildings (A, B, and C). Building A included offices, an auditorium, meeting rooms and a bar, Building B held a museum, and Building C included a library on two floors. The project was not built. Documenting this project are sketches, studies, design development drawings and plans. Textual materials include project documentation and correspondence. Photographic materials document the models.
People:
Date:
1982-1985
1982-1985
Title:
Centro Cultural de Sines [Sines Cultural Centre], Sines, Portugal (1982-1985)
Actions:
AP178.S1.1982.PR04
Description:
This project series document the Centro Cultural de Sines in Sines, Portugal. While the records were held in the office’s archives this project was assigned the number 15/80. The office assigned the dates 1982-1985 to this project. The project was for the Sines Cultural Centre, which was divided into three buildings (A, B, and C). Building A included offices, an auditorium, meeting rooms and a bar, Building B held a museum, and Building C included a library on two floors. The project was not built. Documenting this project are sketches, studies, design development drawings and plans. Textual materials include project documentation and correspondence. Photographic materials document the models.
Centro Cultural de Sines [Sines Cultural Centre], Sines, Portugal (1982-1985)
Actions:
AP178.S1.1982.PR04
Description:
This project series document the Centro Cultural de Sines in Sines, Portugal. While the records were held in the office’s archives this project was assigned the number 15/80. The office assigned the dates 1982-1985 to this project. The project was for the Sines Cultural Centre, which was divided into three buildings (A, B, and C). Building A included offices, an auditorium, meeting rooms and a bar, Building B held a museum, and Building C included a library on two floors. The project was not built. Documenting this project are sketches, studies, design development drawings and plans. Textual materials include project documentation and correspondence. Photographic materials document the models.
Level of archival description:
Project
Project
Date:
1982-1985
1982-1985
People:
Form:
photographs
photographs
Actions:
Reference number:
AP178.S1.1993.PR06.020
Description:
Original file title: The J. P. Getty Museum - Provas maquete Siza's office numbered photographs in this file JPGM079- JPGM080, R-JPGM006, R-JPGM008, R-JPGM009, R-JPGM010, R-JPGM012, R-JPGM013).
AP178.S1.1993.PR06.020
Description:
Original file title: The J. P. Getty Museum - Provas maquete Siza's office numbered photographs in this file JPGM079- JPGM080, R-JPGM006, R-JPGM008, R-JPGM009, R-JPGM010, R-JPGM012, R-JPGM013).
People:
Date:
1993
1993
Title:
Photographs of model, Museu J. Paul Getty, Malibu
Actions:
AP178.S1.1993.PR06.020
Description:
Original file title: The J. P. Getty Museum - Provas maquete Siza's office numbered photographs in this file JPGM079- JPGM080, R-JPGM006, R-JPGM008, R-JPGM009, R-JPGM010, R-JPGM012, R-JPGM013).
Photographs of model, Museu J. Paul Getty, Malibu
Actions:
AP178.S1.1993.PR06.020
Description:
Original file title: The J. P. Getty Museum - Provas maquete Siza's office numbered photographs in this file JPGM079- JPGM080, R-JPGM006, R-JPGM008, R-JPGM009, R-JPGM010, R-JPGM012, R-JPGM013).
Form:
photographs
photographs
Date:
1993
1993
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:078:010
Description:
File containing documents in English and French related to the exhibition Melvin Charney: oeuvres 1970-1979, at the Montreal Museum of Contemporary Art. Original folder inscribed in graphite: 1979 - MAC CATALOGUE TEXTE - TZONIS
DR2012:0012:078:010
Description:
File containing documents in English and French related to the exhibition Melvin Charney: oeuvres 1970-1979, at the Montreal Museum of Contemporary Art. Original folder inscribed in graphite: 1979 - MAC CATALOGUE TEXTE - TZONIS
People:
Date:
1979
1979
Title:
Copies of text for the catalogue related to exhibition "Melvin Charney: oeuvre 1970-1979"
Actions:
DR2012:0012:078:010
Description:
File containing documents in English and French related to the exhibition Melvin Charney: oeuvres 1970-1979, at the Montreal Museum of Contemporary Art. Original folder inscribed in graphite: 1979 - MAC CATALOGUE TEXTE - TZONIS
Copies of text for the catalogue related to exhibition "Melvin Charney: oeuvre 1970-1979"
Actions:
DR2012:0012:078:010
Description:
File containing documents in English and French related to the exhibition Melvin Charney: oeuvres 1970-1979, at the Montreal Museum of Contemporary Art. Original folder inscribed in graphite: 1979 - MAC CATALOGUE TEXTE - TZONIS
Form:
textual records
textual records
Date:
1979
1979
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
AP178.S1.1998.PR07.013.2
Description:
Original file title: F. Iberê Camargo - Porto Alegre - Brasil - esquissos do Pedro Reprographic copies feature annotations. This file also includes documentation about the visual identity of the museum (Manual de Identidade Visual).
AP178.S1.1998.PR07.013.2
Description:
Original file title: F. Iberê Camargo - Porto Alegre - Brasil - esquissos do Pedro Reprographic copies feature annotations. This file also includes documentation about the visual identity of the museum (Manual de Identidade Visual).
People:
Date:
ca. 2007
ca. 2007
Title:
Annotated working drawings and sketches, C. Cultural e Audit. para a Fundação Ibere Camargo, Porto Alegre (folder 2 of 3)
Actions:
AP178.S1.1998.PR07.013.2
Description:
Original file title: F. Iberê Camargo - Porto Alegre - Brasil - esquissos do Pedro Reprographic copies feature annotations. This file also includes documentation about the visual identity of the museum (Manual de Identidade Visual).
Annotated working drawings and sketches, C. Cultural e Audit. para a Fundação Ibere Camargo, Porto Alegre (folder 2 of 3)
Actions:
AP178.S1.1998.PR07.013.2
Description:
Original file title: F. Iberê Camargo - Porto Alegre - Brasil - esquissos do Pedro Reprographic copies feature annotations. This file also includes documentation about the visual identity of the museum (Manual de Identidade Visual).
Form:
drawings, textual records
drawings, textual records
Date:
ca. 2007
ca. 2007
People:
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1993.008
Description:
This sketchbook includes sketches for the Museum of Contemporary Art of the Serralves Foundation and for the Faculdade de Ciencias da Informacion in Santiago de Compostela, Spain. It also contains sketches of people and animals.
AP178.S2.1993.008
Description:
This sketchbook includes sketches for the Museum of Contemporary Art of the Serralves Foundation and for the Faculdade de Ciencias da Informacion in Santiago de Compostela, Spain. It also contains sketches of people and animals.
People:
Date:
October 1993
October 1993
Title:
Sketchbook 356: Serralves - Infraestr. Escrit. Porto - Faculdade Jornalismo Santiago
Actions:
AP178.S2.1993.008
Description:
This sketchbook includes sketches for the Museum of Contemporary Art of the Serralves Foundation and for the Faculdade de Ciencias da Informacion in Santiago de Compostela, Spain. It also contains sketches of people and animals.
Sketchbook 356: Serralves - Infraestr. Escrit. Porto - Faculdade Jornalismo Santiago
Actions:
AP178.S2.1993.008
Description:
This sketchbook includes sketches for the Museum of Contemporary Art of the Serralves Foundation and for the Faculdade de Ciencias da Informacion in Santiago de Compostela, Spain. It also contains sketches of people and animals.
Form:
drawings
drawings
Date:
October 1993
October 1993
People:
