Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Hall cases
25 January 1995 to 4 June 1995
Photography and French Architectural Practice, 1839-1870
Actions:
Description:
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Hall cases
archives
Level of archival description:
Fonds
Jean-Louis Cohen fonds
AP210
Synopsis:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
1968 - 2023
Jean-Louis Cohen fonds
Actions:
AP210
Synopsis:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
archives
Level of archival description:
Fonds
1968 - 2023
archives
Level of archival description:
Fonds
Maxwell Levinson fonds
AP037
Synopsis:
The Maxwell Levison fonds (Shelter, T. Square) illustrates primarily the activities of Maxwell Levinson as editor of T-Square Club Journal, T-Square, Shelter and USA Tomorrow. It documents the various aspects of the publication of these magazines. It includes editorial, production and promotional material as well as documentation and research files. The fonds also contains records pertaining to the professional practice of Maxwell Levinson as architect and city planning consultant.
1926-1990
Maxwell Levinson fonds
Actions:
AP037
Synopsis:
The Maxwell Levison fonds (Shelter, T. Square) illustrates primarily the activities of Maxwell Levinson as editor of T-Square Club Journal, T-Square, Shelter and USA Tomorrow. It documents the various aspects of the publication of these magazines. It includes editorial, production and promotional material as well as documentation and research files. The fonds also contains records pertaining to the professional practice of Maxwell Levinson as architect and city planning consultant.
archives
Level of archival description:
Fonds
1926-1990
Series
Academic works
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
1995-2011
Academic works
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AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Series
1995-2011
Project
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
circa 1963
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Project
circa 1963
textual records
AP075.S3.SS2.152
Description:
This box contains professional and correspondence, organized in chronological order, from 2009-2012. This correspondence contains chiefly letters related to participation to publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also includes correspondence related to Oberlander's work as jury member for design competitions. This correspondence also includes letters about preservation of the University of British Columbia Faculty Club and Robson Square.
2008-2017
Professional correspondence from 2008-2017
Actions:
AP075.S3.SS2.152
Description:
This box contains professional and correspondence, organized in chronological order, from 2009-2012. This correspondence contains chiefly letters related to participation to publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also includes correspondence related to Oberlander's work as jury member for design competitions. This correspondence also includes letters about preservation of the University of British Columbia Faculty Club and Robson Square.
textual records
2008-2017
archives
Level of archival description:
Fonds
Anyone Corporation fonds
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
1990-2001
Anyone Corporation fonds
Actions:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
archives
Level of archival description:
Fonds
1990-2001
archives
Level of archival description:
Fonds
Office dA project records
AP179
Synopsis:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
1991-2007
Office dA project records
Actions:
AP179
Synopsis:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
archives
Level of archival description:
Fonds
1991-2007
T pour Typographie
Feed is an independent graphic design studio founded in 1999 by Anouk Pennel and Raphaël Daudelin that specializes in branding, publishing and typeface design. In conjunction with the graphic design they created for the exhibition ABC: MTL, the studio invites university students to a typography drawing workshop. Each student will be assigned a letter of the alphabet and(...)
Shaughnessy House
21 February 2013, 3pm - 5pm
T pour Typographie
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Description:
Feed is an independent graphic design studio founded in 1999 by Anouk Pennel and Raphaël Daudelin that specializes in branding, publishing and typeface design. In conjunction with the graphic design they created for the exhibition ABC: MTL, the studio invites university students to a typography drawing workshop. Each student will be assigned a letter of the alphabet and(...)
Shaughnessy House
Project
AP018.S1.1971.PR03
Description:
This project series documents the design and construction of the Phoenix House of London office building from 1971-1973, located at 439 University Avenue in Toronto. The office identified the project number as 7105. This project consisted of a 23 storey office building for the publishing company Phoenix House of London Ltd. The building included a five-storey base, a 17 storey tower whose levels had less square footage than the base levels, and three basement levels. Two of the basements were designated for parking, while the other was rentable space. The ground floor was to be used for commercial space. Phoenix House would occupy the 21st tower floor and two and a half base floors, while the rest of the space was available for tenants. In total, the building was 269,135 square feet. The client for this project was David S. Owen of Warrick Consultants Ltd., and the materials often refer to this project as an Office Building for David S. Owen. The project is recorded through drawings, photographs, material samples and textual records dating from around 1971-1978. There are many original sketches of the building design as well as some reprographic copies used for construction. There are also presentation boards of drawings, a project photograph and material samples. The photographs show the construction progress and the completed project. The textual records include correspondence, meeting and site reports, construction documentation, consultancy records, interoffice letters and documentation, contract data, financial records, and documentation on procuring historical artefacts to display inside the building. File AP018.S1.1971.PR03.017 includes an index to the textual records, which was created by the office.
circa 1971-1978
Phoenix House, Toronto (1971-1973)
Actions:
AP018.S1.1971.PR03
Description:
This project series documents the design and construction of the Phoenix House of London office building from 1971-1973, located at 439 University Avenue in Toronto. The office identified the project number as 7105. This project consisted of a 23 storey office building for the publishing company Phoenix House of London Ltd. The building included a five-storey base, a 17 storey tower whose levels had less square footage than the base levels, and three basement levels. Two of the basements were designated for parking, while the other was rentable space. The ground floor was to be used for commercial space. Phoenix House would occupy the 21st tower floor and two and a half base floors, while the rest of the space was available for tenants. In total, the building was 269,135 square feet. The client for this project was David S. Owen of Warrick Consultants Ltd., and the materials often refer to this project as an Office Building for David S. Owen. The project is recorded through drawings, photographs, material samples and textual records dating from around 1971-1978. There are many original sketches of the building design as well as some reprographic copies used for construction. There are also presentation boards of drawings, a project photograph and material samples. The photographs show the construction progress and the completed project. The textual records include correspondence, meeting and site reports, construction documentation, consultancy records, interoffice letters and documentation, contract data, financial records, and documentation on procuring historical artefacts to display inside the building. File AP018.S1.1971.PR03.017 includes an index to the textual records, which was created by the office.
Project
circa 1971-1978