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$69.95
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Summary:
This publication by Sybren Vanoverberghe is a continuation of his visual research on artefacts and non ordinary sites. Its focus on the site of the port and the industrial landscape around it. In previous projects, Vanoverberghe shows statues and pillars made out of stone, ruins in desolated landscapes or nature in a constant state of transformation. For ‘Sandcastles And(...)
$69.95
(available in store)
Summary:
This publication by Sybren Vanoverberghe is a continuation of his visual research on artefacts and non ordinary sites. Its focus on the site of the port and the industrial landscape around it. In previous projects, Vanoverberghe shows statues and pillars made out of stone, ruins in desolated landscapes or nature in a constant state of transformation. For ‘Sandcastles And(...)
Title:
Sybren Vanoverberghe: Sandcastles and rubbish
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$69.95
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Summary:
This publication by Sybren Vanoverberghe is a continuation of his visual research on artefacts and non ordinary sites. Its focus on the site of the port and the industrial landscape around it. In previous projects, Vanoverberghe shows statues and pillars made out of stone, ruins in desolated landscapes or nature in a constant state of transformation. For ‘Sandcastles And Rubbish’ a change in materiality took place, a change wherein Vanoverberghe investigates ‘new’ artefacts of our time. Rusted and bend steel, gravel pits, sturdy and raw structures flirt with composition and elegancy. Photographic works are presented alongside artefacts or ‘objets trouvés’. Questions are raised about the value of an object and how value changes as time passes by. Vanoverberghes work is characterised by a constant flux of place and time. Opening of the solo exhibition and book launch ‘Sandcastles and Rubbish’ at Keteleer Gallery opens the 4th of December in Antwerp. The exhibition will be on show until the 15th of January.
Sybren Vanoverberghe: Sandcastles and rubbish
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Price:
$69.95
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Summary:
This publication by Sybren Vanoverberghe is a continuation of his visual research on artefacts and non ordinary sites. Its focus on the site of the port and the industrial landscape around it. In previous projects, Vanoverberghe shows statues and pillars made out of stone, ruins in desolated landscapes or nature in a constant state of transformation. For ‘Sandcastles And Rubbish’ a change in materiality took place, a change wherein Vanoverberghe investigates ‘new’ artefacts of our time. Rusted and bend steel, gravel pits, sturdy and raw structures flirt with composition and elegancy. Photographic works are presented alongside artefacts or ‘objets trouvés’. Questions are raised about the value of an object and how value changes as time passes by. Vanoverberghes work is characterised by a constant flux of place and time. Opening of the solo exhibition and book launch ‘Sandcastles and Rubbish’ at Keteleer Gallery opens the 4th of December in Antwerp. The exhibition will be on show until the 15th of January.
Form:
books
books
Publication:
January 2022
January 2022
Subject:
Photography monographs
Photography monographs
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books
books
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Description:
421 pages : illustrations ; 34 cm
Description:
421 pages : illustrations ; 34 cm
Author:
Subject:
- Panel painting 15th century.,
- Panel painting 16th century.,
- Altarpieces, Gothic.,
- Altarpieces, Renaissance.,
- Christian art and symbolism Europe.,
- Peinture sur panneau 15e siècle.,
- Peinture sur panneau 16e siècle.,
- Retables gothiques.,
- Retables de la Renaissance.,
- Christian art and symbolism.,
- Panel painting.,
- Europe.
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Publication:
New York, NY : Vendome Press : Distributed in the USA and Canada by Rizzoli International Publications through St. Martin's Press, 2002.
New York, NY : Vendome Press : Distributed in the USA and Canada by Rizzoli International Publications through St. Martin's Press, 2002.
Title:
Great altarpieces : Gothic and Renaissance / Caterina Virdis Limentani, Mari Pietrogiovanna.
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Description:
421 pages : illustrations ; 34 cm
Great altarpieces : Gothic and Renaissance / Caterina Virdis Limentani, Mari Pietrogiovanna.
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Description:
421 pages : illustrations ; 34 cm
Form:
books
books
Publication:
New York, NY : Vendome Press : Distributed in the USA and Canada by Rizzoli International Publications through St. Martin's Press, 2002.
New York, NY : Vendome Press : Distributed in the USA and Canada by Rizzoli International Publications through St. Martin's Press, 2002.
Subject:
- Panel painting 15th century.,
- Panel painting 16th century.,
- Altarpieces, Gothic.,
- Altarpieces, Renaissance.,
- Christian art and symbolism Europe.,
- Peinture sur panneau 15e siècle.,
- Peinture sur panneau 16e siècle.,
- Retables gothiques.,
- Retables de la Renaissance.,
- Christian art and symbolism.,
- Panel painting.,
- Europe.
(See more)
Form:
books
books
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$31.95
(available to order)
Summary:
On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously(...)
$31.95
(available to order)
Summary:
On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
December 2009
December 2009
Title:
Words in motion: toward a global lexicon
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$31.95
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Summary:
On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking a specific word in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijb in France changed the societies in which they moved even as they were changed by them. Some words threatened to launch wars, as injury did in imperial Britain's relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from outside could be transformed by those who wielded them to oppose the very powers that introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen words reveals commonality as well as distinctiveness in modern societies, making the world look different from the interdisciplinary and transnational perspective of "words in motion."
Words in motion: toward a global lexicon
Actions:
Price:
$31.95
(available to order)
Summary:
On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking a specific word in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijb in France changed the societies in which they moved even as they were changed by them. Some words threatened to launch wars, as injury did in imperial Britain's relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from outside could be transformed by those who wielded them to oppose the very powers that introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen words reveals commonality as well as distinctiveness in modern societies, making the world look different from the interdisciplinary and transnational perspective of "words in motion."
Form:
books
books
Publication:
December 2009
December 2009
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$59.25
(available to order)
Summary:
From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and(...)
$59.25
(available to order)
Summary:
From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and(...)
Title:
Louis Le Vau : Mazarin's Collège, Colbert's revenge
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$59.25
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Summary:
From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and controversy of Le Vau's late career through an exploration of this masterpiece, a hybrid of baroque and classical styles. She tracks the design and construction of the Collège on the basis of splendid drawings, fully illustrated here, integrating into this account previously unknown dimensions of Le Vau's creative personality, his financial entanglements, and his feuds with government leaders. The story of the Collège begins in 1661 with the death of Cardinal Mazarin, who left an extravagant sum of money for a school to be built in his memory. Le Vau responded with an ambitious architectural tribute intended to launch the development of Paris in a new artistic direction. As Ballon shows, many personal factors figured into the final product, including Le Vau's activities as a real estate developer and entrepreneur, and his explosive response to the Italian baroque master Gianlorenzo Bernini, who visited Paris in 1665. The project ended up significantly over budget, and officials charged Le Vau shortly after his death with embezzling funds. The chief minister, Jean-Baptiste Colbert, led the attack on Le Vau, turning the ethical scandal into an aesthetic crusade to maintain a "classical" look for central Paris. By relating the intriguing context in which the Collège was created, Ballon explains why traditional definitions of the baroque and classical styles have failed to offer a cohesive understanding of the building. Her examination of the elements informing Le Vau's personal style and his relationship with Colbert brings into sharper focus the phenomenon of royal patronage and opens a new perspective on the development of French classicism at a turning point in Parisian architectural history.
Louis Le Vau : Mazarin's Collège, Colbert's revenge
Actions:
Price:
$59.25
(available to order)
Summary:
From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and controversy of Le Vau's late career through an exploration of this masterpiece, a hybrid of baroque and classical styles. She tracks the design and construction of the Collège on the basis of splendid drawings, fully illustrated here, integrating into this account previously unknown dimensions of Le Vau's creative personality, his financial entanglements, and his feuds with government leaders. The story of the Collège begins in 1661 with the death of Cardinal Mazarin, who left an extravagant sum of money for a school to be built in his memory. Le Vau responded with an ambitious architectural tribute intended to launch the development of Paris in a new artistic direction. As Ballon shows, many personal factors figured into the final product, including Le Vau's activities as a real estate developer and entrepreneur, and his explosive response to the Italian baroque master Gianlorenzo Bernini, who visited Paris in 1665. The project ended up significantly over budget, and officials charged Le Vau shortly after his death with embezzling funds. The chief minister, Jean-Baptiste Colbert, led the attack on Le Vau, turning the ethical scandal into an aesthetic crusade to maintain a "classical" look for central Paris. By relating the intriguing context in which the Collège was created, Ballon explains why traditional definitions of the baroque and classical styles have failed to offer a cohesive understanding of the building. Her examination of the elements informing Le Vau's personal style and his relationship with Colbert brings into sharper focus the phenomenon of royal patronage and opens a new perspective on the development of French classicism at a turning point in Parisian architectural history.
Form:
books
books
Publication:
January 1900, Princeton
January 1900, Princeton
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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Description:
559 pages : illustrations (some color), portraits (some color) ; 24 cm
Description:
559 pages : illustrations (some color), portraits (some color) ; 24 cm
Author:
- Lloyd H. Kiva New -- Candice Hopkins -- Candice Hopkins,
- Candice Hopkins -- G. Peter Jemison -- Jolene Rickard -- John G. Hampton -- Candice Hopkins -- Michelle H. Raheja -- New Red Order with Riley Hooker,
- Candice Hopkins -- Spiderwoman Theater -- Aiyyana Maracle -- Szu-Han Ho and Eric-Paul Riege (with Hólǫ) -- Eric-Paul Riege -- Tanya Lukin Linklater -- Tanya Lukin Linklater -- Dylan Robinson,
- Candice Hopkins -- Rolland R. Meinholtz -- Brandee Caoba -- Jeffrey Gibson -- Jeffrey Gibson -- asinnajaq -- Billy-Ray Belcourt -- New Red Order,
- Candice Hopkins -- Rebecca Belmore -- Demian DinéYazhi' -- Leanne Betasamosake Simpson -- Steven Durland -- Miss Chief Eagle Testickle (Kent Monkman and Gisèle Gordon) -- A discussion between Cheryl L'Hirondelle, Joseph Naytowhow, and Richard William Hill -- Walter Scott,
- Candice Hopkins -- Candice Hopkins -- Paul Chaat Smith -- Rebecca Belmore -- New Red Order,
- Candice Hopkins -- Rebecca Belmore -- Marcia Crosby -- Dylan Robinson -- Demian DinéYazhi',
- Candice Hopkins -- Monica Charles -- Score by Maria Hupfield -- Maria Hupfield -- Eve Tuck and K. Wayne Yang -- Jolene Rickard -- Kite -- Kite and Jolene Rickard -- Cannupa Hanska Luger --,
- Tom Eccles --,
- Hopkins, Candice,,
- asinnajaq, 1991-,
- Belcourt, Billy-Ray,,
- Belmore, Rebecca,,
- Caoba, Brandee,,
- Charles, Monica,,
- Crosby, Marcia,,
- Cuthand, TJ,,
- DinéYazhi', Demian, 1983-,
- Durland, Steven,,
- Gibson, Jeffrey, 1972-,
- Gordon, Gisèle,,
- Hampton, John G. (Art museum curator),,
- Hill, Richard William, 1967-,
- Ho, Szu-Han,,
- Hooker, Riley,,
- Hupfield, Maria,,
- Jemison, G. Peter,,
- Khalil, Adam, 1988-,
- Khalil, Zack, 1991-,
- Kite, Suzanne, 1990-,
- L'Hirondelle, Cheryl, 1958-,
- Luger, Cannupa Hanska, 1979-,
- Lukin Linklater, Tanya,,
- Luna, James,,
- Maracle, Aiyyana, 1950-2016,,
- Meinholtz, Rolland,,
- Miguel, Gloria,,
- Miguel, Muriel,,
- Monkman, Kent,,
- Naytowhow, Joseph, 1953-,
- New, Lloyd Kiva,,
- Polys, Jackson, 1976-,
- Raheja, Michelle H.,,
- Rickard, Jolene,,
- Riege, Eric-Paul, 1994-,
- Robinson, Dylan,,
- Scott, Walter, 1985-,
- Simpson, Leanne Betasamosake, 1971-,
- Smith, Paul Chaat,,
- Tuck, Eve,,
- Twist, Arielle, 1994-,
- Yang, K. Wayne,,
- Hessel Museum of Art,,
- MacKenzie Art Gallery,,
- Site Santa Fe (Gallery),,
- Forge Project,
(See more)
Subject:
- Indigenous art North America Exhibitions.,
- Indigenous arts North America Exhibitions.,
- Performance art North America Exhibitions.,
- Indian art North America 20th century Exhibitions.,
- Indian art North America 21st century Exhibitions.,
- Indian arts North America 20th century Exhibitions.,
- Indian arts North America 21st century Exhibitions.,
- Indian theater North America Exhibitions.,
- Art autochtone Amérique du Nord Expositions.,
- Manœuvre artistique Amérique du Nord Expositions.,
- HISTORY / United States / General.,
- Indigenous art.,
- Performance art.,
- North America.,
- exhibition catalogs.,
- Exhibition catalogs.,
- Catalogues d'exposition.
(See more)
Publication:
Annandale-on-Hudson, New York : Hessel Museum of Art, Center for Curatorial Studies, Bard College ; Taghkanic, New York : Forge Project ; Regina, Saskatchewan : MacKenzie Art Gallery ; Santa Fe, New Mexico : SITE SANTA FE ; Brooklyn, New York : Dancing Foxes Press ; 2025., ©2025
Annandale-on-Hudson, New York : Hessel Museum of Art, Center for Curatorial Studies, Bard College ; Taghkanic, New York : Forge Project ; Regina, Saskatchewan : MacKenzie Art Gallery ; Santa Fe, New Mexico : SITE SANTA FE ; Brooklyn, New York : Dancing Foxes Press ; 2025., ©2025
Title:
Native visual sovereignty : a reader on art and performance / edited by Candice Hopkins.
Actions:
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Description:
559 pages : illustrations (some color), portraits (some color) ; 24 cm
Native visual sovereignty : a reader on art and performance / edited by Candice Hopkins.
Actions:
Holdings:
Description:
559 pages : illustrations (some color), portraits (some color) ; 24 cm
Form:
books
books
Publication:
Annandale-on-Hudson, New York : Hessel Museum of Art, Center for Curatorial Studies, Bard College ; Taghkanic, New York : Forge Project ; Regina, Saskatchewan : MacKenzie Art Gallery ; Santa Fe, New Mexico : SITE SANTA FE ; Brooklyn, New York : Dancing Foxes Press ; 2025., ©2025
Annandale-on-Hudson, New York : Hessel Museum of Art, Center for Curatorial Studies, Bard College ; Taghkanic, New York : Forge Project ; Regina, Saskatchewan : MacKenzie Art Gallery ; Santa Fe, New Mexico : SITE SANTA FE ; Brooklyn, New York : Dancing Foxes Press ; 2025., ©2025
Author:
- Lloyd H. Kiva New -- Candice Hopkins -- Candice Hopkins,
- Candice Hopkins -- G. Peter Jemison -- Jolene Rickard -- John G. Hampton -- Candice Hopkins -- Michelle H. Raheja -- New Red Order with Riley Hooker,
- Candice Hopkins -- Spiderwoman Theater -- Aiyyana Maracle -- Szu-Han Ho and Eric-Paul Riege (with Hólǫ) -- Eric-Paul Riege -- Tanya Lukin Linklater -- Tanya Lukin Linklater -- Dylan Robinson,
- Candice Hopkins -- Rolland R. Meinholtz -- Brandee Caoba -- Jeffrey Gibson -- Jeffrey Gibson -- asinnajaq -- Billy-Ray Belcourt -- New Red Order,
- Candice Hopkins -- Rebecca Belmore -- Demian DinéYazhi' -- Leanne Betasamosake Simpson -- Steven Durland -- Miss Chief Eagle Testickle (Kent Monkman and Gisèle Gordon) -- A discussion between Cheryl L'Hirondelle, Joseph Naytowhow, and Richard William Hill -- Walter Scott,
- Candice Hopkins -- Candice Hopkins -- Paul Chaat Smith -- Rebecca Belmore -- New Red Order,
- Candice Hopkins -- Rebecca Belmore -- Marcia Crosby -- Dylan Robinson -- Demian DinéYazhi',
- Candice Hopkins -- Monica Charles -- Score by Maria Hupfield -- Maria Hupfield -- Eve Tuck and K. Wayne Yang -- Jolene Rickard -- Kite -- Kite and Jolene Rickard -- Cannupa Hanska Luger --,
- Tom Eccles --,
- Hopkins, Candice,,
- asinnajaq, 1991-,
- Belcourt, Billy-Ray,,
- Belmore, Rebecca,,
- Caoba, Brandee,,
- Charles, Monica,,
- Crosby, Marcia,,
- Cuthand, TJ,,
- DinéYazhi', Demian, 1983-,
- Durland, Steven,,
- Gibson, Jeffrey, 1972-,
- Gordon, Gisèle,,
- Hampton, John G. (Art museum curator),,
- Hill, Richard William, 1967-,
- Ho, Szu-Han,,
- Hooker, Riley,,
- Hupfield, Maria,,
- Jemison, G. Peter,,
- Khalil, Adam, 1988-,
- Khalil, Zack, 1991-,
- Kite, Suzanne, 1990-,
- L'Hirondelle, Cheryl, 1958-,
- Luger, Cannupa Hanska, 1979-,
- Lukin Linklater, Tanya,,
- Luna, James,,
- Maracle, Aiyyana, 1950-2016,,
- Meinholtz, Rolland,,
- Miguel, Gloria,,
- Miguel, Muriel,,
- Monkman, Kent,,
- Naytowhow, Joseph, 1953-,
- New, Lloyd Kiva,,
- Polys, Jackson, 1976-,
- Raheja, Michelle H.,,
- Rickard, Jolene,,
- Riege, Eric-Paul, 1994-,
- Robinson, Dylan,,
- Scott, Walter, 1985-,
- Simpson, Leanne Betasamosake, 1971-,
- Smith, Paul Chaat,,
- Tuck, Eve,,
- Twist, Arielle, 1994-,
- Yang, K. Wayne,,
- Hessel Museum of Art,,
- MacKenzie Art Gallery,,
- Site Santa Fe (Gallery),,
- Forge Project,
(See more)
Subject:
- Indigenous art North America Exhibitions.,
- Indigenous arts North America Exhibitions.,
- Performance art North America Exhibitions.,
- Indian art North America 20th century Exhibitions.,
- Indian art North America 21st century Exhibitions.,
- Indian arts North America 20th century Exhibitions.,
- Indian arts North America 21st century Exhibitions.,
- Indian theater North America Exhibitions.,
- Art autochtone Amérique du Nord Expositions.,
- Manœuvre artistique Amérique du Nord Expositions.,
- HISTORY / United States / General.,
- Indigenous art.,
- Performance art.,
- North America.,
- exhibition catalogs.,
- Exhibition catalogs.,
- Catalogues d'exposition.
(See more)
