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This book by Dr. Ivan Nevzgodin devoted to the architecture of Novosibirsk considers in detail the first large buildings of Novonikolaevsk, revolutionary romanticism, rationalism, functionalism, constructivism, transition architecture, Khrushchev modernism and international style of the Brezhnev period. This book is illustrated with modern and old photos, reproductions(...)
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This book by Dr. Ivan Nevzgodin devoted to the architecture of Novosibirsk considers in detail the first large buildings of Novonikolaevsk, revolutionary romanticism, rationalism, functionalism, constructivism, transition architecture, Khrushchev modernism and international style of the Brezhnev period. This book is illustrated with modern and old photos, reproductions(...)
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The architecture of Novosibirsk
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This book by Dr. Ivan Nevzgodin devoted to the architecture of Novosibirsk considers in detail the first large buildings of Novonikolaevsk, revolutionary romanticism, rationalism, functionalism, constructivism, transition architecture, Khrushchev modernism and international style of the Brezhnev period. This book is illustrated with modern and old photos, reproductions and graphic reconstruction of project drawings.
The architecture of Novosibirsk
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This book by Dr. Ivan Nevzgodin devoted to the architecture of Novosibirsk considers in detail the first large buildings of Novonikolaevsk, revolutionary romanticism, rationalism, functionalism, constructivism, transition architecture, Khrushchev modernism and international style of the Brezhnev period. This book is illustrated with modern and old photos, reproductions and graphic reconstruction of project drawings.
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books
books
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January 2005, Novosibirsk
January 2005, Novosibirsk
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Modernism
Modernism
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This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world.(...)
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This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world.(...)
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Modern architecture, 4th edition
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This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world. The bibliography has been updated and expanded, making this volume more complete and indispensable than ever.
Modern architecture, 4th edition
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This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world. The bibliography has been updated and expanded, making this volume more complete and indispensable than ever.
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books
books
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September 2007
September 2007
Subject:
Modernism
Modernism
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books
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$105.00
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In 1930, Nikolai A. Milyutin presented his structural-engineering vision of the Marxist-stamped form of city and lifestyle with this book. The orientation towards Western ideas of design, but especially his demand for decentralised metropolises made him a reluctant enemy of the state, and Sozgorod immediately became forbidden literature. This facsimile edition, the first(...)
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In 1930, Nikolai A. Milyutin presented his structural-engineering vision of the Marxist-stamped form of city and lifestyle with this book. The orientation towards Western ideas of design, but especially his demand for decentralised metropolises made him a reluctant enemy of the state, and Sozgorod immediately became forbidden literature. This facsimile edition, the first(...)
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Sozgorod, faksimile der erstausgabe von 1930
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In 1930, Nikolai A. Milyutin presented his structural-engineering vision of the Marxist-stamped form of city and lifestyle with this book. The orientation towards Western ideas of design, but especially his demand for decentralised metropolises made him a reluctant enemy of the state, and Sozgorod immediately became forbidden literature. This facsimile edition, the first direct German translation of the original Russian, makes Milyutin’s legacy available again.
Sozgorod, faksimile der erstausgabe von 1930
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In 1930, Nikolai A. Milyutin presented his structural-engineering vision of the Marxist-stamped form of city and lifestyle with this book. The orientation towards Western ideas of design, but especially his demand for decentralised metropolises made him a reluctant enemy of the state, and Sozgorod immediately became forbidden literature. This facsimile edition, the first direct German translation of the original Russian, makes Milyutin’s legacy available again.
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books
books
Publication:
October 2008, Berlin
October 2008, Berlin
Subject:
Modernism
Modernism
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books
books
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The third issue of the Bauhaus Journal is titled ''Experiment: Learning Communities'' and features a diverse set of contributions that look at learning communities from a contemporary and historical perspective. In one way or another, these communities have contributed on an ongoing basis to the creation of alternative learning environments in art, architecture, and(...)
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The third issue of the Bauhaus Journal is titled ''Experiment: Learning Communities'' and features a diverse set of contributions that look at learning communities from a contemporary and historical perspective. In one way or another, these communities have contributed on an ongoing basis to the creation of alternative learning environments in art, architecture, and(...)
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Experiment: Learning communities. Schools of departure No. 3. Bauhaus journal
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The third issue of the Bauhaus Journal is titled ''Experiment: Learning Communities'' and features a diverse set of contributions that look at learning communities from a contemporary and historical perspective. In one way or another, these communities have contributed on an ongoing basis to the creation of alternative learning environments in art, architecture, and design. Katja Klaus at the Bauhaus Dessau Foundation invited the authors of this new issue to explore the question of how pedagogical reform attempts shaped past ideas of education and community. Some of these attempts continue to develop today in various pedagogical approaches and schools. In their essays, the authors analyse how teachers and learners come together to shape their en- vironment, share knowledge in neighbourhoods, and try out new, experimental ways of shaping society and learning and living together.
Experiment: Learning communities. Schools of departure No. 3. Bauhaus journal
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The third issue of the Bauhaus Journal is titled ''Experiment: Learning Communities'' and features a diverse set of contributions that look at learning communities from a contemporary and historical perspective. In one way or another, these communities have contributed on an ongoing basis to the creation of alternative learning environments in art, architecture, and design. Katja Klaus at the Bauhaus Dessau Foundation invited the authors of this new issue to explore the question of how pedagogical reform attempts shaped past ideas of education and community. Some of these attempts continue to develop today in various pedagogical approaches and schools. In their essays, the authors analyse how teachers and learners come together to shape their en- vironment, share knowledge in neighbourhoods, and try out new, experimental ways of shaping society and learning and living together.
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books
books
Publication:
July 2026
July 2026
Subject:
Modernism
Modernism
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books
books
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$97.50
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener (...)
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener (...)
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The architecture of red Vienna 1919-1934
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener Gemeindebauten, 400 communal housing blocks, distributed throughout the city, in which workers' dwellings were incorporated with kindergartens, libraries, medical clinics, theaters, cooperative stores, and other public facilities. The 64,000 units housed one tenth of the city's population. Throughout this socialist building campaign, however, Austria was ruled by a conservative, clerical, and antisocialist political majority. Thus the architecture of Red Vienna took shape in the midst of highly charged, and often violent, political conflict between left and right. In this book, Eve Blau looks at how that ideological conflict shaped the buildings of Red Vienna--in terms of their programme, spatial conception, language, and use--as well as how political meaning itself is manifested in architecture. She shows how the architecture of Red Vienna constructed meaning in relation to the ideological conflicts that defined Austrian politics in the interwar period--how it was shaped by the conditions of its making, and how it engaged its own codes, practices, and history to stake out a political position in relation to those conditions. Her investigation sheds light both on the complex relationship among political program, architectural practice, and urban history in interwar Vienna, and on the process by which architecture can generate a collective discourse that includes all members of society.
The architecture of red Vienna 1919-1934
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener Gemeindebauten, 400 communal housing blocks, distributed throughout the city, in which workers' dwellings were incorporated with kindergartens, libraries, medical clinics, theaters, cooperative stores, and other public facilities. The 64,000 units housed one tenth of the city's population. Throughout this socialist building campaign, however, Austria was ruled by a conservative, clerical, and antisocialist political majority. Thus the architecture of Red Vienna took shape in the midst of highly charged, and often violent, political conflict between left and right. In this book, Eve Blau looks at how that ideological conflict shaped the buildings of Red Vienna--in terms of their programme, spatial conception, language, and use--as well as how political meaning itself is manifested in architecture. She shows how the architecture of Red Vienna constructed meaning in relation to the ideological conflicts that defined Austrian politics in the interwar period--how it was shaped by the conditions of its making, and how it engaged its own codes, practices, and history to stake out a political position in relation to those conditions. Her investigation sheds light both on the complex relationship among political program, architectural practice, and urban history in interwar Vienna, and on the process by which architecture can generate a collective discourse that includes all members of society.
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books
books
Publication:
December 1998, Cambridge, Mass.
December 1998, Cambridge, Mass.
Subject:
Modernism
Modernism
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an(...)
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an(...)
Title:
Modern architecture in Czechoslovakia and other writings
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an organization committed to promoting international modernism through manifestos and polemics. After meeting Le Corbusier in Paris in 1922, Teige increasingly turned his attention to architecture. Over the next decade he crystallized his ideas on functionalist and constructivist practice through relationships with ideological allies including Adolf Behne, Theo van Doesburg, Hannes Meyer, and El Lissitzky. In "Modern Architecture in Czechoslovakia" (published in 1930), Teige both publicized the modernist efforts of his native country, and aligned them with the avant-garde efforts of the East and West. Now in English for the first time, this work is supplemented by a selection of Teige's other writings on art and architecture. An introduction by Jean-Louis Cohen traces the diverse pursuits of this multifaceted figure.
Modern architecture in Czechoslovakia and other writings
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an organization committed to promoting international modernism through manifestos and polemics. After meeting Le Corbusier in Paris in 1922, Teige increasingly turned his attention to architecture. Over the next decade he crystallized his ideas on functionalist and constructivist practice through relationships with ideological allies including Adolf Behne, Theo van Doesburg, Hannes Meyer, and El Lissitzky. In "Modern Architecture in Czechoslovakia" (published in 1930), Teige both publicized the modernist efforts of his native country, and aligned them with the avant-garde efforts of the East and West. Now in English for the first time, this work is supplemented by a selection of Teige's other writings on art and architecture. An introduction by Jean-Louis Cohen traces the diverse pursuits of this multifaceted figure.
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books
books
Publication:
January 2001, Los Angeles
January 2001, Los Angeles
Subject:
Modernism
Modernism
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books
books
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$67.95
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and(...)
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and(...)
Subject:
Modernism
Modernism
Publication:
July 2003, Cambridge / London
July 2003, Cambridge / London
Title:
Impossible histories : historical avant-gardes, neo-avant-gardes, and post-avant-gardes in Yugoslavia, 1918-1991
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. Censorship and suppression kept much of the work far from the eyes and ears of the Yugoslav people, while language barriers and the inaccessibility of archives caused it to remain largely unknown to Western scholars. Even at this late stage in the scholarly investigation of the avant-garde, few Westerners have heard of the movements Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Red Pilot, Tank, Vecnost, and Zvrk. The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections : art and politics; literature; visual art and architecture; and art in motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.
Impossible histories : historical avant-gardes, neo-avant-gardes, and post-avant-gardes in Yugoslavia, 1918-1991
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. Censorship and suppression kept much of the work far from the eyes and ears of the Yugoslav people, while language barriers and the inaccessibility of archives caused it to remain largely unknown to Western scholars. Even at this late stage in the scholarly investigation of the avant-garde, few Westerners have heard of the movements Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Red Pilot, Tank, Vecnost, and Zvrk. The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections : art and politics; literature; visual art and architecture; and art in motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.
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books
books
Publication:
July 2003, Cambridge / London
July 2003, Cambridge / London
Subject:
Modernism
Modernism
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books
books
Price:
$62.50
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Summary:
The avant-garde movements of Central Europe were an integral part of modernism’s evolution as it reached its peak throughout the continent during the 1920s. Written documents--manifestoes, artists’ statements, and reviews--were the lifeblood of these movements and, during the periods when political events conspired to isolate them, one of their few means of communication(...)
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Summary:
The avant-garde movements of Central Europe were an integral part of modernism’s evolution as it reached its peak throughout the continent during the 1920s. Written documents--manifestoes, artists’ statements, and reviews--were the lifeblood of these movements and, during the periods when political events conspired to isolate them, one of their few means of communication(...)
Subject:
Modernism
Modernism
Publication:
September 2002, Cambridge, Mass.
September 2002, Cambridge, Mass.
Title:
Between worlds : a sourcebook of Central European avant-garde, 1910-1930
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$62.50
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The avant-garde movements of Central Europe were an integral part of modernism’s evolution as it reached its peak throughout the continent during the 1920s. Written documents--manifestoes, artists’ statements, and reviews--were the lifeblood of these movements and, during the periods when political events conspired to isolate them, one of their few means of communication and exchange. Much of this crucial evidence has become lost to us, and the artistic avant-gardes of Central Europe have been a blind spot of modernist studies. Until their narratives have been recovered, the story of modernism will remain incomplete. In this book an international team of scholars has selected an essential compendium of documents that take an important step toward regaining this lost perspective. "Between worlds" contains primary documents of the avant-gardes in Austria, the Czech lands, Germany, Hungary, Poland, Romania, and Yugoslavia from 1910 to 1930. The manifestoes and magazines of Western European radical art circles are well known to Western scholars, but few have researched the pages of magazines such as Zenit, Integral, Punct, 75 HP, Tank, and Ma. We know about Italian Futurism but not about Polish Futurism. Few Westerners are aware that French surrealist magazines drew much of their inspiration from Czech publications. The hundreds of documents in the book, almost all of them translated into English for the first time, bring back into circulation landmark texts by the major writers, editors, artists, magazines, and movements of Central Europe. With this publication they are restored to their rightful place in the pantheon of modernism.
Between worlds : a sourcebook of Central European avant-garde, 1910-1930
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$62.50
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Summary:
The avant-garde movements of Central Europe were an integral part of modernism’s evolution as it reached its peak throughout the continent during the 1920s. Written documents--manifestoes, artists’ statements, and reviews--were the lifeblood of these movements and, during the periods when political events conspired to isolate them, one of their few means of communication and exchange. Much of this crucial evidence has become lost to us, and the artistic avant-gardes of Central Europe have been a blind spot of modernist studies. Until their narratives have been recovered, the story of modernism will remain incomplete. In this book an international team of scholars has selected an essential compendium of documents that take an important step toward regaining this lost perspective. "Between worlds" contains primary documents of the avant-gardes in Austria, the Czech lands, Germany, Hungary, Poland, Romania, and Yugoslavia from 1910 to 1930. The manifestoes and magazines of Western European radical art circles are well known to Western scholars, but few have researched the pages of magazines such as Zenit, Integral, Punct, 75 HP, Tank, and Ma. We know about Italian Futurism but not about Polish Futurism. Few Westerners are aware that French surrealist magazines drew much of their inspiration from Czech publications. The hundreds of documents in the book, almost all of them translated into English for the first time, bring back into circulation landmark texts by the major writers, editors, artists, magazines, and movements of Central Europe. With this publication they are restored to their rightful place in the pantheon of modernism.
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books
books
Publication:
September 2002, Cambridge, Mass.
September 2002, Cambridge, Mass.
Subject:
Modernism
Modernism
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books
books
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$85.00
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This book is the result of long and thorough research on the development of the Modern Movement in Africa over a period of time of great relevance.
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This book is the result of long and thorough research on the development of the Modern Movement in Africa over a period of time of great relevance.
Title:
Modern architecture in Africa: Angola and Mozambique
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This book is the result of long and thorough research on the development of the Modern Movement in Africa over a period of time of great relevance.
Modern architecture in Africa: Angola and Mozambique
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This book is the result of long and thorough research on the development of the Modern Movement in Africa over a period of time of great relevance.
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books
books
Publication:
November 2015
November 2015
Subject:
Modernism
Modernism
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books
books
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$72.95
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Summary:
Minnesota Modern examines the style that penetrated the social, political, and cultural fabric of the United States at midcentury. Midcentury modernism expressed new ways of thinking about how to live, work, and play in the communities that formed in post-war America. American author Larry Millett describes the style’s sources in the work of European masters like Ludwig(...)
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Minnesota Modern examines the style that penetrated the social, political, and cultural fabric of the United States at midcentury. Midcentury modernism expressed new ways of thinking about how to live, work, and play in the communities that formed in post-war America. American author Larry Millett describes the style’s sources in the work of European masters like Ludwig(...)
Title:
Minnesota Modern: architecture and life at midcentury
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Minnesota Modern examines the style that penetrated the social, political, and cultural fabric of the United States at midcentury. Midcentury modernism expressed new ways of thinking about how to live, work, and play in the communities that formed in post-war America. American author Larry Millett describes the style’s sources in the work of European masters like Ludwig Mies van der Rohe and Walter Gropius, as well as the midwestern innovations of Frank Lloyd Wright, and its refinement at the University of Minnesota under the guidance of Ralph Rapson and other modernists.
Minnesota Modern: architecture and life at midcentury
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Minnesota Modern examines the style that penetrated the social, political, and cultural fabric of the United States at midcentury. Midcentury modernism expressed new ways of thinking about how to live, work, and play in the communities that formed in post-war America. American author Larry Millett describes the style’s sources in the work of European masters like Ludwig Mies van der Rohe and Walter Gropius, as well as the midwestern innovations of Frank Lloyd Wright, and its refinement at the University of Minnesota under the guidance of Ralph Rapson and other modernists.
Form:
books
books
Publication:
December 2015
December 2015
Subject:
Modernism
Modernism
